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La chambrée des Hospices de Beaune (Bourgogne - Côte d'Or)
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"Copyright © – Patrick Bouchenard
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Shoreditch, City of London.
"There's winners and losers in life "
- Charlie Mullins ( Pimlico Plumbers )
" Money is the root of all evil " is a common adage, but what is the root of money besides the exploitation and suffering of others?
As in a good part of the wealth generated in the 17th and 18th centuries - and which is tightly kept in the same families today - had its roots in enterprises such as the South Sea and the East India Companies which openly indulged in mass slave trading and oppression of millions. *
Link to others in the series;
londondada.art/2016/03/07/work-no-834-ghosts-of-archictec...
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* The East India Company (EIC), both British and Dutch,
was extensively involved in slavery and violence, including murder, as integral parts of its commercial operations and colonial rule from the 17th to the 19th centuries.
Slavery
Direct Involvement: The EIC was directly involved in the slave trade and the use of enslaved labour. The British EIC's involvement began at least as early as the 1620s, with a specific order in 1684 to transport 250 enslaved people from Madagascar to St. Helena. The Dutch East India Company (VOC) also used a global network to source enslaved people for its extensive commercial empire.
Source and Location: EIC slavery was largely concentrated in the Indian Ocean region rather than the transatlantic trade. Enslaved people were sourced from various Asian societies and Madagascar to work as domestic servants, labourers in factories (trading posts), and on plantations in company settlements like Bencoolen (Sumatra) and the Cape Colony.
Conditions: The conditions for enslaved people were brutal, involving physical abuse, high mortality rates from disease, and a lack of legal protection.
Abolition Pressure: The EIC eventually ended its involvement in the slave trade in 1834 due to increasing pressure from the British government and the abolitionist movement, though slavery as an institution persisted in some forms in British colonies until later.
Murder and Violence
Company Policy and Law: Violence, including murder, was a pervasive feature of EIC rule. The company's administration of justice often prioritised its commercial interests and the maintenance of authority over the protection of the enslaved and local populations.
Violence against Enslaved People: Enslaved individuals faced extreme violence. For example, some were murdered by their masters or suffered severe punishments. In one incident on the VOC ship Meermin in 1766, half the crew and nearly 30 enslaved Malagasy captives died during a mutiny.
60ème anniversaire Lucie, Manoir de Beaupré (Veigné)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
"Not recommended for children"
Marihuana is a 1936 exploitation film directed by Dwain Esper and written by Hildegarde Stadie. A propaganda film, the movie depicts the "horrors" of using marijuana.
Technical information:
Fujifilm X-T5 and the TTArtisan 17mm f/1.4 at f/1.4
Limon
800 acre private reserve
Costa Rica
Central America
Another image showing the tail is in the first comment section.
Ctenosaura quinquecarinata, commonly known as the club tail iguana or the five-keeled spiny-tailed iguana is a species of lizard in the Iguanidae family endemic to Central America.
The tail on this species is heavily armored with five rings of spines forming longitudinal ridges. Males of the species grow to a length of 35 centimeters (14 in) whereas females attain 18.5 centimeters (7.3 in). Like most Ctenosaura the iguanas are born a bright green color fading to brown as the animal ages. The females tend to turn a uniform drab brown in color, and males develop tones of black, blue and yellow on their bodies and heads over the brown background.
Total population size is not known, but it is estimated that there may be fewer than 2,500 mature individuals. It is threatened by habitat loss through deforestation, overcollection through an unregulated exploitation for the pet trade, and it is even hunted by humans as a food item. – Wikipedia
Hôtel de Voguë à Dijon (Bourgogne - Côte d'Or)
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"Copyright © – Patrick Bouchenard
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© cuma 2013. © Copyright – Marcelo Moreno©. Photos are copyrighted. All rights reserved. Pictures can not be used without explicit permission by the creator.
© cuma 2013. © Copyright – Marcelo Moreno©. Estas fotos tienen derechos de autor. Todos los derechos reservados. Las imágenes no pueden ser utilizadas sin autorización expresa del autor.
© Copyright – Marcelo Moreno©.
The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use outside FlickR, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
"Open Door"
Alba la Romaine (Ardèche)
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"Copyright © – Patrick Bouchenard
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"Three friends"
Lac Hoan Kiem - Hanoi (Vietnam)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
corporations and religious control freaks eager to exploit them — the Republican Party and its allies have a bright future :-(
Ted Rall, "The Right Stuff: Conservatism is dead. Long live fictional conservatism!", 2007
copper-flowered common witchhazel, 'Jelena', j c raulston arboretum, ncsu, Raleigh, north carolina
Arctic terns (Sterna paradisaea) preparing for an aerial attack in Bakkadalur in Arnarfjörður in NW-Iceland.
The Arctic Tern weighs little over 100 grams, but it is a fighter, attacking humans and predatory birds and animals of all kind that disturb it in breeding season. It is also a world-class traveller, that would put Marco Polo to shame. The average tern in its life will travel a distance equal to going to the moon and back—about 500,000 miles (800,000 km). It has circumpolar distribution, breeding colonially in Arctic and sub-Arctic regions of Europe, Asia, and North America (as far south as Brittany and Massachusetts). The species is strongly migratory, seeing two summers each year as it migrates from its northern breeding grounds to the oceans around Antarctica and back (about 24,000 miles) each year. This is the longest regular migration by any known animal. It is also one of the birds that spends most time in the air.
Arctic Terns are long-lived birds, with many reaching thirty years of age. They eat mainly fish and small marine invertebrates. The species is abundant, with an estimated one million individuals. While the trend in the number of individuals in the species as a whole is not known, exploitation in the past has reduced this bird's numbers in the southern reaches of its range.
staff of zurich's lush shop campaigning against the use of animals in circuses.
aktion zircus ohne tiere: www.azot.ch
kein applaus für tierquälerei: www.zirkusinfo.ch
lush switzerland: www.lush-shop.ch
Limestone pavement an a lone tree above Malham.
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© Copyright 2013 Philip Hunter, All Rights Reserved.
You do NOT have the right to copy, reproduced, download, or exploit any of my images without my permission.
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This child has lost all his colour, becoming one with the objects which surround him in his karmic prison.
Those of you who are kind enough to follow my exploits on a regular basis may remember a tale of near disaster at St Agnes Head in April last year. On that evening events conspired to very nearly lose me an expensive wide angle lens over an Atlantic clifftop when my camera bag decided upon a little adventure of its own and raced off down a steep slope towards oblivion without warning. You can read the story in these pages. I can't, because it still gives me occasional sleepless nights, but suffice to say the lens stopped short of the point of disaster and survived to face another day. In fact I'd only recently decided to purchase it as part of a plan to upgrade to a full frame setup before heading to Iceland three months later.
I knew from YouTube research and the tales of one Mads Peter Iversen, a rather wonderful landscape photographer from Denmark whom I follow almost religiously, that there was a secret beach where you could escape the chaos of Reynisfjara. When you arrive here, you might just find a place to park among the coaches that have disgorged their passengers onto the beach in huge numbers. Iceland may be huge and empty, but there are pockets where you may as well be in Morrisons when the pies have just been reduced to half price. Reynisfjara is one of those pockets, visitors inevitably drawn to its beauty and into our compositions on day trips from Reykjavik.
The secret beach is really only secret because it's camouflaged by a cluster of large rocks to the eastern end of Reynisfjara. It's not always accessible, so you need to pick your moment and keep a close eye on the tide and conditions, but if you can find it, you might just have it to yourself. We did. The first thing you find is that it's a surprisingly tricky place to shoot the Reynisdrangar sea stacks from. The cluster of smaller rocks in the foreground are a challenge to keep contained within the frame and avoid any edge patrol issues. Setting up takes up planning and concentration and can leave a middle aged man who struggles with multitasking vulnerable, something I soon learned to my cost. As I turned my back to fetch the lens cloth from my bag, the tripod succumbed to the shifting shingle under the weight of a heavy Canon DSLR and wide angle lens and toppled over. It was one of those moments that happens in an almost dreamlike manner, the ensemble falling in what seems like slow motion, but the only thing moving even more ponderously is one's own reaction.
Fortunately, (if that's the word for it) all that was damaged was my beloved and much used six stop filter, which shattered and buckled under the fall and wedded itself almost permanently to the thread of the lens. That was bad enough but at least the the lens was still functioning. At least it was until a month later, when 2000 miles further south in Majorca I stood on a very green slipway to photograph a white fishing boat on clear water. But instead of pressing the shutter I described a pirouette which isn't going to earn me a place in "Strictly Come Dancing" any time soon and landed on my elbow, before sliding helplessly on my back towards 4 feet of seawater. Luckily once more I stopped before landing in the water, staring in dazed confusion at a camera that had taken a bump on the concrete as I went down, while a woman shrieked from a balcony above that I was injured. I hadn't noticed. Two Majorcan fishermen nearby interrupted their peaceful lunch and patched up the elbow that was bleeding away as if I'd severed a major artery, yet all I worried about was whether the camera was intact. It's not like I haven't lived by the sea my entire life after all. There's a reason why a slipway is so called, yet lost in the moment I appeared to have forgotten that.
Three calamities all with the same lens. I wonder sometimes whether it's cursed. It used to auto focus almost instantly, whereas now it takes several days, if at all. I really should send it off to be repaired. There won't be a third photograph in this series. The white boat image never really justified the means in the first place if I'm honest.
Happy Friday all.
www.rspb.org.uk/birds-and-wildlife/wildlife-guides/bird-a...
Key information
Noisy and gregarious, these cheerful exploiters of man's rubbish and wastefulness have managed to colonise most of the world. The ultimate avian opportunist perhaps. Monitoring suggests a severe decline in the UK house sparrow population, recently estimated as dropping by 71 per cent between 1977 and 2008 with substantial declines in both rural and urban populations. While the decline in England continues, Breeding Bird Survey data indicate recent population increases in Scotland, Wales and Northern Ireland.
What they eat:
Seeds and scraps.
Measurements:
Length:14-15cm
Wingspan:21-25.5cm
Weight:24-38g
Population:
UK breeding:5,300,000 pairs
Where and when to see them
House sparrows can be found from the centre of cities to the farmland of the countryside, they feed and breed near to people. It is a species vanishing from the centre of many cities, but is not uncommon in most towns and villages. It is absent from parts of the Scottish Highlands and is thinly distributed in most upland areas.
Breeding
House sparrows usually nest in loose colonies and since they don't defend a proper territory, nests can be as little as 20-30 cm apart.
How house sparrows nest
Nests are often placed in holes and crevices within buildings and they will readily use nestboxes. Free-standing nests are also frequently built, in creepers against walls and in thick hedges or conifers.
Pairs often remain faithful to their nest site and to each other for life, although a lost mate of either sex is normally replaced within days. A hole is filled with dry grass or straw with a nesting chamber lined with feathers, hairs, string and paper. Feathers may be plucked from a live pigeon!
The main nesting season is from April to August, although nesting has been recorded in all months. Most birds lay two or three clutches, but in a good year fourth attempts are not uncommon.
About house sparrow chicks
The female lays two to five eggs at daily intervals and often starts to incubate part way through egg-laying. Both sexes incubate, and the chicks hatch after 11-14 days. The parents share nesting duties equally. Chicks are brooded for 6-8 days, but can control their own body temperature only when 10 or 11 days old.
The youngsters are fed on a variety of invertebrates, including aphids, caterpillars, beetles and grasshoppers. Seeds and vegetable matter are also given, particularly during periods when invertebrates are scarce (e.g. cold weather) and become more important after the chicks leave the nest.
The young fledge 14-16 days after hatching. They are unable to feed themselves for about a week after leaving the nest and are cared for by their parents for around a fortnight. Post-fledging care is frequently left to the male as the hen prepares for the next brood. She can begin laying her next clutch of eggs within days of the previous brood leaving the nest.
Newly independent young often gather in large flocks, anywhere there is an abundance of seed, invertebrates and other suitable foods. These may be areas of wasteland or around garden feeding sites. Later, rural flocks may move on to grainfields to feed on the ripening grain, often joined by adult birds, once they have finished nesting. Flocks tend to break up through the autumn and birds return to their nesting colony sites.
Population trends
The house sparrow is common through most of its world range, and can tolerate a wide variety of climates.
The recent decline of house sparrows
UK house sparrow populations have fluctuated greatly over the centuries, with a gradual decline during the last 100 years.
Causes for the rapid recent declines, particularly in urban and suburban environments, remain largely undetermined, although research is underway that aims to establish the cause(s), and develop conservation solutions.
Declines in rural house sparrow populations are thought to be linked to changes in agricultural practices, particularly the loss of winter stubbles and improved hygiene measures around grain stores.
House sparrow numbers were not monitored adequately before the mid-1970s. Since then, numbers in rural England have nearly halved while numbers in towns and cities have declined by 60 per cent. Because of these large population declines, the house sparrow is now red-listed as a species of high conservation concern.
Relations with humans and other animals
People have a love-hate relationship with the house sparrow. However, control attempts have failed to limit the sparrows numbers and range.
Their relationship with humans
People have a love-hate relationship with the house sparrow. For many they are the most familiar of wild animals, bringing life to city centres and other man-made places, bereft of wildlife.
The house sparrows partiality to grain crops and the damage and destruction this caused resulted in attempts to control their numbers. From the mid-18th century most parishes had sparrow clubs with the sole objective to destroy as many sparrows as possible. Bounties were paid for sparrows until the late 19th century, when it was accepted that the control measures did not work. Similar failures were recorded in a number of other European countries.
Ironically, as people in Europe were paid to kill sparrows as pests, others deliberately introduced them to places as far apart as Australia and New York. Initially they were welcomed, although later appreciation turned to serious concern for the impact on crops. By then sparrows had become well established and control attempts have failed to limit the sparrows numbers and range.
How sparrows behave with other animals
Sparrows are aggressive tend to dominate feeders in gardens and prevent other birds from getting to the food. They harass other birds and steal their food and take over their nests, particularly house martins. The eviction and interference often results in a reduction in breeding success and can cause desertion of even large martin colonies.
Sparrows frequently tear to pieces the nests of martins and swallows and eject any eggs or chicks therein. The owners are unable to stop them.
Sparrows are very resilient and for their size have remarkably few serious predators. Main predators are domestic cats, owls (especially tawny) and sparrowhawks, but none are capable of affecting the size of the sparrow population, with the possible exception of localised effects by cats.
Organic mini tomatoes flown in all the way from Okinawa. They are sweet and delicious eaten alone.
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© Margarita Komine | All Rights Reserved
All of my images are copyright protected. You may not use, copy, reproduce, distribute, publish, display, alter or in any way exploit any of my images without my expressed, written permission.
Noisy and gregarious, these cheerful exploiters of man's rubbish and wastefulness have managed to colonise most of the world. The ultimate avian opportunist perhaps. Monitoring suggests a severe decline in the UK house sparrow population, recently estimated as dropping by 71 per cent between 1977 and 2008 with substantial declines in both rural and urban populations. While the decline in England continues, Breeding Bird Survey data indicate recent population increases in Scotland, Wales and Northern Ireland.
Read more at www.rspb.org.uk/birds-and-wildlife/wildlife-guides/bird-a...
The House Sparrow is a small but sturdily built bird with a stout bill designed for eating seeds. Adult males are distinctive; the crown and nape are grey and only the sides of the head are brown. The black bib is wide and extends down onto the chest. The back is warm brown, streaked with black but with a few white wing feathers. Adult females and juvenile birds of both sexes are typically sandy brown in colour with brown and grey streaks on the back and wings.
Although adults will feed themselves on wide range of seeds, they need to find plenty of aphids and small caterpillars for their growing youngsters, especially in the first few days after hatching.
House Sparrows like to nest colonially, so one box on its own is unlikely to attract a breeding pair. They may nest in hedges and in climbing plants – but this does not mean that they are Hedge Sparrows or Tree Sparrows!
House Sparrows are red-listed birds of conservation concern.
Small nest box with hole (32mm)
Nest height: over 2m above ground
The nest is an untidy domed structure made of grasses, lined with feathers, hair and wool
Egg laying starts between mid March and early August. Up to four broods
4 to 5 eggs. White or pale blue with darker spots
Incubation time: 13 -15 days
Nestlings fledge after 15-17 days
For more information, please visit www.bto.org/about-birds/nnbw/nesting-birds/house-sparrow
(Bourgogne - Côte d'Or)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
we love the circus, but without animal exploitation.
find out more:
www.ad-international.org/animals_in_entertainment/go.php?...
I'm still exploiting the little plant I bought about 6 weeks ago. I believe that these are my favorite flower to light and photograph because of the elegant shapes. Some of the black and white photos I've seen that were done a long time ago by famous photographers are amazing works of art.
Lighting stuff: I placed a YN560 in a Rogue grid behind the flower and slightly to the right at 1 o'clock for backlighting, and used a YN560-III in an 8.6 inch Lastolite softbox in front and slightly to the left of center for fill. Both flashes, in manual mode, were triggered by a Yongnuo RF-603N.
Other Calla Lily pictures are in my Calla Lilly album. www.flickr.com/photos/9422878@N08/sets/72157626082181550/...
Other plants, flowers, fruit or thingys that I've photographed using strobes can be seen in my Strobe Lit Plant set. In the description for that set, I list resources that I've used to learn how to light with off camera flash. www.flickr.com/photos/9422
"Attention at the Start !"
Gare de Fukuyama (Japon)
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Hit the L key for a better view. Thanks for the favs and comments. Much appreciated!
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.
© VanveenJF Photography
The French colonial administration of Indochina was determined to exploit the Mekong River to aid a route into China, and in doing so help counter British colonial expansion in Upper Burma. ... However, the key obstacle lay in southern Laos, where at Siphandon Islands, the river splits into numerous channels forming formidable rapids collectively known as the Khon (or Khone) Falls. Attempts in 1891, 1892, and 1893 to scale the falls failed; there are accounts of steamships ‘engines roaring and boilers near bursting, with hundreds of men hauling from the rocks on ropes and others pushing from the decks with pikes’ ...
Thus, alternatives modes of transport had to be found. One idea came in the form of a British tidal expert resident in Siam, Herbert Warington Smyth, who suggested, perhaps half-cynically, that a tramway ... should be built around the falls. The latter, he reckoned, ‘would satisfactorily cripple the French economy (Source: Wikipedia).
Well, the French did just that, building boat landings south and north of the falls and connectiong both by a railraod.
I found no source of the factual impact of this adventure on the French economy yet a nice description of how it was to travel with that steam engine in the middle of deep jungles:
The train, struggling and grating amid the clashing sound of steel, hauled us across the island, which is covered by teak trees and bamboos whose branches brushed our faces. The temperature was very high and the sun, filtering through the trees, roused noxious fever-vapours from the tangled undergrowth. Sweat caked my hair under my sun hat; the heat burned my arms through my clothes; and the mosquitoes took advantage of my predicament to attack me as they pleased, all over my hands and face…
—John Keay, Mad About The Mekong: Exploration and Empire in South East Asia
Lenka's story at the Venice Biennale 2024.
Colonialism, exploitation of plant and animal resources, anthropocentrism and speciesism: a denunciation at the Venice Biennale.
La storia di Lenka alla Biennale di Venezia 2024.
Colonialismo, sfruttamento delle risorse vegetali e animali, antropocentrismo e specismo: una denuncia alla Biennale di Venezia.
www.ilgiornaledellarte.com/Articolo/Diario-da-Venezia-qua...
"The war in Ukraine reminds us how unjust and painful the construction of a people's identity, the affirmation of national independence and the reclamation of one's roots can be. Repairing serious and profound wounds inflicted throughout history is a slow, complex and difficult process. A metaphor and monument of a similar condition is Lenka, in the Czech Pavilion. The famous giraffe captured in Kenya in 1954, transported to the Prague zoo, survived in captivity for only two years, then taxidermied and preserved in the museum, after having thrown its organs into the city sewers. Eva Kotakova's work, «The heart of a giraffe in captivity is twelve kilos lighter», is a walkable environmental installation that reproduces the inside of the long dissected neck of the animal arranged in a circle. In the center of the room there is a blackboard and a space for meeting and reflection to learn about its history, its meaning and its cultural implications. On the floor, Lenka's skeleton is reproduced and as a sound that pervades the Pavilion the hymns of the countries that the giraffe crossed on its long journey to Prague, many of which no longer exist today."
"La guerra in Ucraina ci ricorda quanto ingiuste e dolorose possano rivelarsi la costruzione di un’identità di un popolo, l’affermazione dell’indipendenza nazionale e la rivendicazione delle proprie radici. Risarcire gravi e profonde ferite inflitte nel corso della storia è un processo lento, complesso e difficile. Metafora e monumento di simile condizione è Lenka, nel Padiglione della Cecoslovacchia. La celebre giraffa catturata in Kenya nel 1954, trasportata allo zoo di Praga, sopravvissuta in cattività solo due anni, poi tassidermizzata e conservata nel museo, dopo aver gettato gli organi nelle fogne cittadine. L’opera di Eva Kotakova, «Il cuore di una giraffa in cattività è dodici chili più leggero», è un’installazione ambientale percorribile che riproduce l’interno del lungo collo sezionato dell’animale disposto a cerchio. Al centro della sala una lavagna e uno spazio di incontro e riflessione per conoscerne la storia, il suo significato e le sue implicazioni culturali. Sul pavimento lo scheletro di Lenka riprodotto e come suono che pervade il Padiglione gli inni dei Paesi che la giraffa attraversò nel suo lungo viaggio verso Praga, molti oggi non più esistenti."
labiennale.ngprague.cz/it-2024-eva-kotkov
milano.czechcentres.cz/it/blog/2023/08/eva-kotatkova-bude...
Bing Image Creator
"Alsatian entry"
Dachstein (Bas-Rhin)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
"Night of Lights"
Fête des lumières à Lyon (Rhône-Alpes)
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"Copyright © – Patrick Bouchenard
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I was exploiting sunflowers last week, and I thought the textures and shapes in this sunflower petal would make a good subject.
Lighting: I placed the petal on a mirror and lit it with a Yongnuo flash in a 24 inch soft box at camera right. Fill light came from a mirror at camera left. The flash was triggered by a Yongnuo RF-603N.
"Fallow deer on the lookout"
Parc animalier de Merlet, Houches, Vallée de Chamonix (Hte Savoie)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
It is time for us to renew our relationship with the planet and to stop the rampant deforestation, uncontrolled expansion of agriculture, intensive farming, mining and infrastructure development, as well as the exploitation of wild species. The choices we make from now onwards will be key to the future of the planet and to our own very existence.
Copyright © Heavenxxx89 2012 You may not, except with my express written permission, copy, reproduce, download,
distribute or exploit In any way Thank you
view My Photo stream Here portfotolio.net/heavenxxx23
© Fernando Romero All rights reserved.
All images are property of Fernando Romero. Using these images without permission infringes international copyright laws (633/41)
DPR19 / 78-Disg 154/97-L.248 / 2000).
It is totally prohibited
the reproduction, copying, publication, modification, transmission, exploitation, distribution, republication, download, visualization or
transmission in any form or by any means, including electronic, mechanical, photocopying, recording without the written permission of Fernando
Romero
Each violation will be prosecuted criminally.
Note: If you are interested, please contact the author by private e-mail: frs.fotografo@gmail.com
See recommended in black box ( push "l" )
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© Fernando Romero Todos los derechos reservados.
Todas las imágenes son propiedad de Fernando Romero. Usar estas imágenes sin permiso infringe las leyes internacionales de derechos de autor (633/41)
DPR19 / 78-Disg 154/97-L.248 / 2000).
Queda totalmente prohibida
la reproducción, copia, publicación, modificación, transmisión, explotación, distribución, republicación, descarga, visualización o
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Romero.
Cada violación será perseguida penalmente.
Nota: Si está interesado, póngase en contacto con el autor por e_mail privado: frs.fotografo@gmail.com
Se recomienda ver en la caja oscura ( Pulsa "L" )
Saw this couple eating their lunch and asked if I could take their photo which they kindly agreed to ...
"Overlooking the plain"
Village de Banne (Ardèche)
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"Copyright © – Patrick Bouchenard
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"Nothing is ever really lost to us as long as we remember it."
~L.M. Montgomery, The Story Girl
All photographs in this portfolio are copyrighted and owned by me, Amy Weiss. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission is prohibited. All rights reserved.
"Bottom of the Circus"
Cirque Du Fer à Cheval, Sixt Fer à Cheval, Vallée du Giffre (Hte Savoie)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
Temples d'Angkor (Siem Reap - Cambodge)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
Lanslevillard (Savoie)
<Website : www.fluidr.com/photos/pat21
"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved
Canon F1-Old - Canon FD 50 mm f/1.4 - Kodak Color Plus 200 ASA
Finlays Tea Exploitation
Bandarawela, Sri Lanka
May 2015
Photo André Knoerr, Genève. Reproduction autorisée avec mention de la source.
Utilisation commerciale soumise à autorisation spéciale préalable.
Dans le cadre de la semaine du jubilé des 150 ans des tramways bruxellois Gent a fait circuler ses deux PCC historiques sur un circuit en boucle St. Pieters Station - Korenmarkt - Rabot - St. Pieters Station ouvert au public et exploité toutes les 30 minutes, l'après-midi du 28 avril 2019.
Les deux PCC 01 et 25 quittent le dépôt de concert.
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