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"Forestry cycle"
Chemin du chalet des Pyramides, Les Houches, Vallée de Chamonix (Hte Savoie)
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"Good vegetable soup"
Hanoi (Vietnam)
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CHEVROLET Bel Air - RETRO PASSION 2018 - Chevigny St Sauveur (COTE D'OR)
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© Fernando Romero All rights reserved.
All images are property of Fernando Romero. Using these images without permission infringes international copyright laws (633/41)
DPR19 / 78-Disg 154/97-L.248 / 2000).
It is totally prohibited
the reproduction, copying, publication, modification, transmission, exploitation, distribution, republication, download, visualization or
transmission in any form or by any means, including electronic, mechanical, photocopying, recording without the written permission of Fernando
Romero
Each violation will be prosecuted criminally.
Note: If you are interested, please contact the author by private e-mail: frs.fotografo@gmail.com
See recommended in black box ( push "l" )
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© Fernando Romero Todos los derechos reservados.
Todas las imágenes son propiedad de Fernando Romero. Usar estas imágenes sin permiso infringe las leyes internacionales de derechos de autor (633/41)
DPR19 / 78-Disg 154/97-L.248 / 2000).
Queda totalmente prohibida
la reproducción, copia, publicación, modificación, transmisión, explotación, distribución, republicación, descarga, visualización o
transmisión en cualquier forma o por cualquier medio, incluyendo electrónico, mecánico, fotocopiado, grabación sin el permiso por escrito de Fernando
Romero.
Cada violación será perseguida penalmente.
Nota: Si está interesado, póngase en contacto con el autor por e_mail privado: frs.fotografo@gmail.com
Se recomienda ver en la caja oscura ( Pulsa "L" )
Jesus frees Adam - (descent into hell) (1530-1534) - Girolamo Romano, known as Romanino (1485-1566) - Church of Santa Maria della Neve - Pisogne
La chiesa di Santa Maria della Neve, edificata nella seconda metà del XV, sorge ai margini di Pisogne, sotto lo spuntone di roccia reciso dalla strada che porta alla frazione di Fraine.
La facciata, molto semplice, con tetto "a capanna", è decorata a rombi policromi; il portale, in arenaria rossa, ed è sormontato da una nicchia semicircolare con una statua raffigurante la Madonna col Bambino, con due angeli affrescati sullo sfondo.
L'interno è costituito da un'aula unica, divisa in tre campate da archi acuti che portano all'arco trionfale e all'abside.
Una sola fonte di luce, quella dell'oblò sulla facciata, illumina gli affreschi del Romanino, terminati nel 1534, che ornano la chiesa. Il pittore bresciano fece chiudere le preesistenti finestre laterali per poter sfruttare interamente ed in modo uniforme lo spazio delle pareti.
The church of Santa Maria della Neve, built in the second half of the XV, is situated at the margins of Pisogne, under the rock ledge cut off the road leading to the village of Fraine.
The simple façade, with roof "hut", is decorated in polychrome diamond pattern; portal, red sandstone, and is topped by a semicircular niche with a statue of the Madonna and Child, with two angels painted in the background.
The interior consists of a single nave, divided into three spans by pointed arches that lead to the triumphal arch and the apse.
A single light source, the porthole on the front, illuminates the frescoes by Romanino, completed in 1534, decorating the church. The painter from Brescia did close the existing windows side to exploit fully and evenly space the walls.
"Beautiful Neighborhoods"
Amsterdam (Pays-Bas)
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"Copyright © – Patrick Bouchenard
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Photo: J.Ehrbar
Interdiction de reproduire cette photo à des fins commerciales
Photo en 1965
Motrice ABFe 2/4 10, existe encore à ce jour, conservée au Blonay-Chamby.
Pont sur le Rhône à Leuk
La construction du train électrique à crémaillère débuta le 29 février 1912, après des années de projets. Son exploitation commença le 15 juillet 1915. Avec des rails d'un mètre de large, le train menait sur 10.5 km de la Souste à Loèche-les-Bains.
Afin d'économiser des frais, le tracé du chemin de fer empruntait la route sur plusieurs tronçons. Les premières années, le train desservait Loèche-les-Bains seulement durant la saison d'été. En hiver, le terminus était à Loèche-Ville. A partir de 1933, le chemin de fer assura un service permanent sur l'année.
Fin de l'exploitation le 27 mai 1967.
~~Le moulin Renard sur la Sarthe, le Mans.
~~Ce moulin à blé est construit sur un barrage formant la barrière des Moulins d'Enfer en amont de la Sarthe dans la traversée du Mans. IL est exploité vers 1850 par le Sieur Buon Lhermite. Celui-ci garde une roue pour la farine et utilise ensuite la seconde roue pour la fabrique de couvertures de laine.
~~Vers 1868, le moulin et la filature sont détruits par un incendie et le moulin reconstruit va être dévolu au chanvre. Cette exploitation appartient à Casimir Boulay puis à son fils et petit-fils jusqu'en 1935. Pendant la seconde Guerre, on remet le moulin en service pour entraîner un groupe électrique. Les habitants du quartier profitent ainsi de l'électricité obtenue.
~~Depuis 1964, le moulin sert d'habitation avec maison et jardin à un propriétaire privé.
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Site Web - www.fidjlin.com/jmboyer/
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The 'Vital Spark' was made famous through BBC Scotland's local sitcom back in the black and white TV days of the 1960s. Based on the antics of crafty Skipper Para Handy and his motly crew's exploits and escapades running down the River Clyde and out to the Western Islands. Here she is in Inveraray Harbour and has been there since October 2008.
Originally VIC72 - First renamed "Eldessa", and later "'Eilean Eisdeal"
(NB the name "Vital Spark" was fictional but this puffer has now been re-registered as "Vital Spark of Glasgow" )
I'm still exploiting the little plant I bought about 6 weeks ago. I believe that these are my favorite flower to light and photograph because of the elegant shapes. Some of the black and white photos I've seen that were done a long time ago by famous photographers are amazing works of art.
Lighting stuff: I placed a YN560 in a Rogue grid behind the flower and slightly to the right at 1 o'clock for backlighting, and used a YN560-III in an 8.6 inch Lastolite softbox in front and slightly to the left of center for fill. Both flashes, in manual mode, were triggered by a Yongnuo RF-603N.
Other Calla Lily pictures are in my Calla Lilly album. www.flickr.com/photos/9422878@N08/sets/72157626082181550/...
Other plants, flowers, fruit or thingys that I've photographed using strobes can be seen in my Strobe Lit Plant set. In the description for that set, I list resources that I've used to learn how to light with off camera flash. www.flickr.com/photos/9422
Copyright © Heavenxxx89 2012 You may not, except with my express written permission, copy, reproduce, download,
distribute or exploit In any way Thank you
view My Photo stream here portfotolio.net/heavenxxx23
Textures Hocus focus click kim Klassen and Ruby Blossom
C’est ce que comprend un cafetier de Nantua, propriétaire du Café du Paradis, Joachim Moinat qui rafraîchit ainsi les boissons de ces clients. En 1864, celui-ci décide de consacrer son activité à l'exploitation de la glace. Il achète aux communes des Neyrolles et du Poizat, propriétaires du lac, le droit d'être le seul exploitant de celui-ci. Pour conserver la glace, il fait édifier en 1875 un bâtiment en bois avec des murs isolants. Son activité se développe rapidement jusqu'à employer 300 ouvriers en deux équipes de jour et de nuit. L'ouverture de la ligne des Carpates en 1882 et le raccordement du site au réseau de voie ferrée de la compagnie Paris-Lyon-Méditerranée (ou PLM) ouvre encore de nouveaux débouchés à l'entreprise qui peut expédier la glace vers Lyon, Paris, Toulon, Marseille, Genève et Alger.
España - Barcelona - Parque Güell - Pabellón de Administración
www.youtube.com/watch?v=HP_bOvoUr90
***
ENGLISH:
The Park Güell is a public park system composed of gardens and architectonic elements located on Carmel Hill, in Barcelona, Catalonia, Spain. Carmel Hill belongs to the mountain range of Collserola – the Parc del Carmel is located on the northern face. Park Güell is located in La Salut, a neighborhood in the Grà cia district of Barcelona. With urbanization in mind, Eusebi Güell assigned the design of the park to Antoni GaudÃ, a renowned architect and the face of Catalan modernism.
The park was originally part of a commercially unsuccessful housing site, the idea of Count Eusebi Güell, after whom the park was named. It was inspired by the English garden city movement; hence the original English name Park (in Catalan the name is "Parc Güell"). The site was a rocky hill with little vegetation and few trees, called Muntanya Pelada (Bare Mountain). It already included a large country house called Larrard House or Muntaner de Dalt House and was next to a neighbourhood of upper-class houses called La Salut (The Health). The intention was to exploit the fresh air (well away from smoky factories) and beautiful views from the site, with sixty triangular lots being provided for luxury houses. Count Eusebi Güell added to the prestige of the development by moving in 1906 to live in Larrard House. Ultimately, only two houses were built, neither designed by GaudÃ. One was intended to be a show house, but on being completed in 1904 was put up for sale, and as no buyers came forward, GaudÃ, at Güell's suggestion, bought it with his savings and moved in with his family and his father in 1906. This house, where Gaudà lived from 1906 to 1926, was built by Francesc Berenguer in 1904. It contains original works by Gaudà and several of his collaborators. It is now the Gaudi House Museum (Casa Museu GaudÃ) since 1963. In 1969 it was declared a historical artistic monument of national interest.
***
ESPAÑOL:
El parque Güell es un parque público con jardines y elementos arquitectónicos situado en la parte superior de la ciudad de Barcelona (España). Se halla en la vertiente meridional del monte Carmelo, que pertenece a las estribaciones de la sierra de Collserola; en la cara septentrional se halla el parque del Carmelo. Administrativamente pertenece al barrio de La Salud, en el distrito de Gracia. Ideado como urbanización, fue diseñado por el arquitecto Antoni GaudÃ, máximo exponente del modernismo catalán, por encargo del empresario Eusebi Güell. Construido entre 1900 y 1914, fue inaugurado como parque público en 1926.
El parque Güell es un reflejo de la plenitud artÃstica de GaudÃ: pertenece a su etapa naturalista (primera década del siglo xx), perÃodo en que el arquitecto perfeccionó su estilo personal, a través de la inspiración en las formas orgánicas de la naturaleza, para lo que puso en práctica toda una serie de nuevas soluciones estructurales originadas en sus profundos análisis de la geometrÃa reglada. A ello añade el artista catalán una gran libertad creativa y una imaginativa creación ornamental: partiendo de cierto barroquismo sus obras adquieren gran riqueza estructural, de formas y volúmenes desprovistos de rigidez racionalista o de cualquier premisa clásica.​ En el parque Güell desplegó Gaudà todo su genio arquitectónico y puso en práctica muchas de sus innovadoras soluciones estructurales que serÃan emblemáticas de su estilo organicista y que culminarÃan en la Sagrada Familia.
El parque fue concebido por Güell y Gaudà como un conjunto estructurado donde, dentro de un incomparable marco de belleza natural, se situarÃan unas viviendas de alto standing, con todos los adelantos tecnológicos de la época para procurar el máximo confort y con unos acabados de gran calidad artÃstica. Asimismo, idearon un conjunto impregnado de un fuerte simbolismo, ya que procuraron sintetizar en los elementos comunes del parque muchos de los ideales tanto polÃticos como religiosos que compartÃan mecenas y arquitecto.
El pabellón de administración tiene una altura de 29 m y planta de 12,60 x 6,60 m. Tiene dos plantas: en la inferior habÃa una gran sala cuadrada que ahora está dividida en dos habitaciones, más otras dos estancias de forma absidal; de aquà parte una escalera curvilÃnea en cuyo tramo medio se encuentran los aseos en entreplanta; en el segundo piso hay una sala equivalente a la inferior, flanqueada de dos terrazas almenadas, con un remate de cúpula en forma de hongo, como el edificio anterior. Destaca en este edificio la torre situada en un lateral, de forma hiperboloidal y revestida de trencadÃs en ajedrezado blanco y azul. Está coronada por la tÃpica cruz gaudiniana de cuatro brazos, que señala los cuatro puntos cardinales. De 3,8 m de altura, esta cruz fue destruida en 1936 y reconstruida con posterioridad a la Guerra Civil. En 1952 fue restaurada a causa de unas grietas, a cargo del arquitecto Adolf Florensa. Este edificio tiene también unos medallones con las palabras Park Güell.​ En la actualidad se dedica a librerÃa y tienda de souvenirs.
Lausanne (Canton de Vaud - Suisse)
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"Orange channel"
Amsterdam (Pays-Bas)
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"Ardèche Temple"
Bois de Païolive (Ardèche)
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Jim Beam - J.B. Turner Train was made in 1986 and formed part of Koons's second one-man exhibition, Luxury and Degradation, held at the International with Monument Gallery in New York. As the show's title implies, Koons's train is at once a celebration and a caveat, pointing to the exploitation that lay behind the successes of the speculators of the nineteenth and twentieth centuries alike, be it through land sales, booze or advertising, while commemorating the heroic spirit of these frontiersmen and trailblazers. Like Andy Warhol, Koons has taken an iconic element from the cultural landscape of the United States and used it as a vehicle for a sophisticated investigation of art and society. As he explained, "I wanted to suggest how the idea of luxury, through abstraction, is used to induce a psychological state of degradation, the public is constantly undergoing a re-education, being set up for the big kill"
An iceberg or ice mountain is a large piece of freshwater ice that has broken off a glacier or an ice shelf and is floating freely in open water
"Alsatian entry"
Dachstein (Bas-Rhin)
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Obviously many 'western' images of African people are directly connected to exploitation and slavery. But it is often forgotten that there's also an idealist ideology that sees non-Europeans as good and free and noble, indeed as exemplary. This photo is part of the latter tradition. The insets provide some background.
In 1610 one Barthelomeus Moor (1573-1636) bought a piece of land on what is now the Rokin in Amsterdam and built a house there; the pictured decorative statement was probably added later in the style of Louis XIV. He'd been born in Antwerp and was one of many merchants, often Calvinist, who fled the southern Low Countries in the wake of their fall to the Catholic Habsburgs and the onset of religious persecution. They found religious freedom and independence from monarchy in the Dutch Republic. Around 1600 Antwerp's population had diminshed from about 100,000 to a mere 42,000, and something like 30% of the population of Amsterdam was made up of Flemish Dutchmen. Many of these immigrants were merchant families soon to become wealthy in the prospering northern Low Countries.
No doubt, the choice of Moor or his family for this sculpture was motivated by the meaning of his family name. But added to that are the connotations of freedom, independence and desire for trade imputed to non-Europeans exemplified by that self-conscious, proud 'Moor'. He could well be a Carib or else maybe a Guinean. The inset top right is after a drawing by John Gabriël Stedman (1744-1797) of a Carib family. The one on the left is in the first book on African Guinea (more or less present-day Ghana) by Pieter de Maarees around 1602. It depicts Dutch (?) and African merchants and traders. Note the similarity in head dresses of the 'Guineans', the Carib and our 'Moor'.
Maison forte du 12ème siècle, vendue comme bien national sous la Révolution, transformée en exploitation agricole puis finalement ra-chetée par la famille Chauvigny de Blot à la fin du 19ème siècle, qui entreprit sa restauration. Très remaniée au fil des siècles, la bâtisse, malgré les dégradations successives, a conservé son esprit originel.
Le château se compose:
- au Sud-Ouest, d'un donjon de plan carré portant sur chaque face deux trous de hourdage et recouvert d'un toit en pavillon;
- exposé Nord et Sud, d'un corps de logis auquel on accède depuis la cour par un escalier extérieur en pierre à double volées, remanié au 15ème siècle;
- à l'angle Nord de la cour, d'une tourelle octogonale renfermant un escalier en vis, réalisée entre la fin du 15ème et le début du 16ème siècles.
Inscrit au titre des monuments historiques, le château n'est que très épisodiquement ouvert au public, et encore partiellement (propriété d'Alain Suguenot, ex-député et maire de Beaune depuis 1995).
This was taken on Holyhead Island, Anglesey. This is an amazing place with stunning views and fond memories. Thank you for looking...
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"Supreme Master"
Statue de Samdech Chuon Nath, fondateur du dictionnaire khmer et compositeur de l'hymne national khmer (Phnom Penh - Cambodge)
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"Copyright © – Patrick Bouchenard
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Catch up with my recent birding exploits at my blog page - stonefactionbirding2014.blogspot.co.uk/
Greylags and Barnacle Geese in flight at Gaddon Loch, Fife. Second from left is a hybrid Barnacle x Greylag.
As featured in the latest exploits of the Owen family in the Channel 4 TV series "Our Farm Next Door" The building was previously called "Smithy Holme".
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"Bottom of the Circus"
Cirque Du Fer à Cheval, Sixt Fer à Cheval, Vallée du Giffre (Hte Savoie)
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#‎Février H - Photo exploitant une source de lumière directionnelle qui vous “en met plein les mirettes"
[...] within the capitalist system all methods for raising the social productiveness of labour are brought about at the cost of the individual labourer; all means for the development of production transform themselves into means of domination over, and exploitation of, the producers; they mutilate the labourer into a fragment of a man, degrade him to the level of an appendage of a machine, destroy every remnant of charm in his work and turn it into a hated toil; they estrange from him the intellectual potentialities of the labour process in the same proportion as science is incorporated in it as an independent power; they distort the conditions under which he works, subject him during the labour process to a despotism the more hateful for its meanness; they transform his life-time into working-time, and drag his wife and child beneath the wheels of the Juggernaut of capital. But all methods for the production of surplus-value are at the same time methods of accumulation; and every extension of accumulation becomes again a means for the development of those methods. It follows therefore that in proportion as capital accumulates, the lot of the labourer, be his payment high or low, must grow worse. The law, finally, that always equilibrates the relative surplus population, or industrial reserve army, to the extent and energy of accumulation, this law rivets the labourer to capital more firmly than the wedges of Vulcan did Prometheus to the rock. It establishes an accumulation of misery, corresponding with accumulation of capital. Accumulation of wealth at one pole is, therefore, at the same time accumulation of misery, agony of toil slavery, ignorance, brutality, mental degradation, at the opposite pole, i.e., on the side of the class that produces its own product in the form of capital.
Karl Marx, Capital, Vol 1: A Critical Analysis of Capitalist Production
The 4E49 11.29 Daventry to Doncaster Iport liner passes the impressive Cemex works on the outskirts of Rugby.
With its origins in the early 19th century, the company was founded in 1862 as the Rugby Lias Lime & Cement Company Ltd before being renamed the Rugby Portland Cement Company Ltd in 1872, in 1979 it was renamed the Rugby Group plc. In 2000 Rugby Cement was taken over by the RMC Group, which was itself taken over by the Mexican firm Cemex in 2005. Cement production still continues at the New Bilton site in Rugby under Cemex ownership.
The business was first started in 1825 as a small family business by two local businessmen Thomas Walker and his son George Walker when they started producing lime mortar at a site on their land at New Bilton and nearby Newbold-on-Avon, exploiting locally available deposits of what Professor H.B. Woodward described in 1898 as "the finest inland section of lower lias limestone in the country".
The first public company the Rugby Lias Lime & Cement Company Ltd was founded in 1862. In around 1870 the company began producing portland cement, and the company was renamed the Rugby Portland Cement Company Ltd. in 1872.
The next milestone in the company's history occurred in 1933 when Sir Halford Reddish became the managing director of the company. The company began to expand its activities, acquiring four plants at nearby Southam in 1934, Rochester in 1937, Gillingham in 1939, and Stockton in 1945. The first two were rebuilt and modernised with the latest technology, but the latter two were soon closed down as they competed with the Southam and Rochester plants.
In 1955, the company founded an Australian subsidiary, Cockburn Cement Ltd, in Perth, Australia, which was later merged in 1999 into Adelaide Brighton Cement.
In 1965 a 92 km pipeline was opened to transport chalk as slurry from Kensworth Chalk Pit, Bedfordshire to the Rugby plant.
By the 1980s the company branched out from its Portland cement base to offer a wider variety of cement types, including sulfate-resistant cements, cements for the offshore oil industry, and quick-drying cements.
In 1984 the company bought the Addison Corporation of Atlanta, Georgia, thus entering the American construction market, and also saw it enter the joinery market.
In the late 1990s, the plant at Rugby was upgraded at a cost of £200 million to a production capacity of 1.8 million tonnes. At the same time the plants at Southam and Rochester were closed down as production was concentrated at Rugby.
Stockholm Archipelago, Sweden.
Larus marinus (Great Black-backed Gull)
The Great Black-backed Gull is the largest member of the gull family. It breeds on the European and North American coasts and islands of the North Atlantic and is fairly sedentary.
Historically, the Great Black-backed Gull was harvested for its feathers, which were used in the hat-making trade, and this species was removed from large parts of its range as a result of this exploitation. Today however, its adaptability to human presence and the use of urban environments as artificial nesting sites has resulted in the Great Black-backed Gull rapidly increasing in number and range.
Source: Wikipedia
My wife brought home a couple of poinsettia plants today as holiday decorations, and I immediately set out to exploit them.
Lighting: I set this on a mirror and then lit it from the side using a Yongnuo manual flash, hand held just out of the frame at camera left. I used side lighting because that creates the shadows that reveal shapes and textures. The flash and my tripod mounted camera were triggered with a Yongnuo RF-603N
I find leaves to be beautiful objects from nature and have an album creatively titled Leaves with over 60 images in it.
www.flickr.com/photos/9422878@N08/albums/72157649845311287
Other plants, flowers, fruit or stuff that I've photographed using strobes can be seen in my Strobe Lit Plant set. For each image in the set, and there are over 1500 of them, I describe how I set up the lighting for that particular shot. www.flickr.com/photos/9422878@N08/sets/72157628079460544/
An ancient quarry along the coast opposite the Cavo Grosso peninsula (in the background). The western coasts of the Mani have many outcrops of high quality, medium-grain white marbles which are chemically similar to the better-known marble of Paros. This site was probably being exploited at some time between the Archaic and Classical periods, though no dateable material is extant here.
"Agricultural runway"
Helfranztkirch (Haut-Rhin - Alsace 2015)
Album "Helfrantzkirch" : www.flickr.com/photos/pat21/sets/72157665233021594
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"Copyright © – Patrick Bouchenard
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© cuma 2013. © Copyright – Marcelo Moreno©. Photos are copyrighted. All rights reserved. Pictures can not be used without explicit permission by the creator.
© cuma 2013. © Copyright – Marcelo Moreno©. Estas fotos tienen derechos de autor. Todos los derechos reservados. Las imágenes no pueden ser utilizadas sin autorización expresa del autor.
© Copyright – Marcelo Moreno©.
The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use outside FlickR, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."