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qui a dit qu'une dépêche était nécessairement fade ?
LILLE (AP) - Nicolas Sarkozy exploite à fond les incidents de mardi à la gare du Nord. En déplacement mercredi dans le Nord, le candidat UMP , ravi de cette occasion de mettre l'insécurité au coeur de la campagne présidentielle, est revenu à six reprises dans la journée sur ce fait divers pour se ranger du côté de la "majorité silencieuse".
Alors que Ségolène Royal et François Bayrou pointent son "échec" contre l'insécurité, celui qui n'est plus ministre de l'Intérieur depuis 48 heures n'a pas hésité à accuser ses adversaires d'avoir "pris le parti des émeutiers et des fraudeurs".
"Si certains sont du côté des fraudeurs, moi je suis du côté de tous ces honnêtes gens qui payent leur billet", a lancé le candidat UMP lors d'une réunion publique au Grand Palais de Lille devant quelque 10.000 supporters, selon l'UMP.
Sans les nommer, Nicolas Sarkozy a dénoncé "deux candidats à l'élection présidentielle" qui "ont osé prendre la défense d'un individu connu pour 22 délits, qui se permet de frauder (...) et qui, une fois interpellé, se permet de frapper des fonctionnaires".
Lui-même s'est posé en défenseur "des honnêtes gens qui utilisent les métros et les trains et ne supportent plus la dictature des bandes, des voyous et des délinquants". "Je n'accepte pas les fraudeurs, parce que le prix de la fraude, ce sont les plus pauvres de nos concitoyens qui le paient pour cette minorité qui s'exonère de tout", a poursuivi le candidat UMP.
"Eh bien c'est clair: l'autorité et le respect, c'est de notre côté. La fraude et le soutien à la délinquance, c'est de l'autre côté", a martelé M. Sarkozy.
L'ex-ministre de l'Intérieur n'a cessé de marteler ce message tout au long de cette journée de campagne. Par un pur hasard, Nicolas Sarkozy a pris le TGV gare du Nord pour se rendre à Lille. Avant même de monter dans le train, il a longuement dénoncé devant la presse les incidents "inadmissibles" de la veille au même endroit.
Ignorant les quelques sifflets et les insultes -"provocateur", "facho", "récup"- qui ont fusé sur son passage, M. Sarkozy a répliqué aux critiques du PS, qui l'accuse d'avoir creusé le fossé entre la police et la population durant ses années place Beauvau. "Si Mme Royal veut régulariser tout les sans-papiers et si la gauche veut être du côté de ceux qui ne payent pas leur billet de train, c'est son droit", a caricaturé le candidat UMP, dans un raccourci mêlant immigration et insécurité. Et de s'en prendre une nouvelle fois à la "pensée unique", "l'idéologie post-soixante-huitarde" qui "a conduit à tolérer l'intolérable" depuis des années.
Sur le quai de la gare de Lille-Flandres, il a refusé le terme de "jeunes" pour les émeutiers de la veille pour parler de "voyous".
Un discours qui passe toujours très mal dans une partie de la jeunesse. "Est-ce que vous êtes toujours adepte du Kärcher?" lui a demandé un jeune salarié d'un centre d'appel de Douai. "Brûler des voitures, casser des services publics, frauder, ça n'a jamais donné du boulot à celui qui fait ", a répliqué M. Sarkozy.
Le candidat en a remis une couche lors de la visite du Décathlon de Villeneuve d'Ascq. "La gare sera reconstruite avec l'argent de qui?", a-t-il demandé aux salariés du magasin. "C'est vous qui allez payer ça".
"J'ai besoin de la France silencieuse, immensément majoritaire, qui dise: maintenant, ça suffit", a conclu M. Sarkozy. Car l'ex-ministre de l'Intérieur est convaincu que son image de fermeté construite durant ses quatre années place Beauvau lui fera gagner des points dans cette polémique.
"Cette affaire, c'est bon pour Nicolas: ça met l'insécurité au coeur de la campagne", estime son conseiller politique Patrick Devedjian. AP
egp/mw
Exploitant : Keolis Rennes
Réseau : STAR (Rennes)
Ligne : 9
Lieu : Metz Volney (Rennes, F-35)
Lien TC Infos : tc-infos.fr/id/55897
The U.S. Marshals in conjunction with the National Center for Missing and Exploited Children, and state and local partner agencies in 16 geographical locations across the U.S., recovered or located 225 critically-missing youth during Operation We Will Find You, a 10-week national operation which concluded 15 May, 2023. We Will Find You is the first national missing child operation and was focused on geographical areas with high clusters of critically-missing children which included: Massachusetts; the National Capital Region (eastern Virginia, Washington D.C. and Maryland); New Orleans, Louisiana; San Antonio, Texas; Orlando, Florida; Puerto Rico; the U.S. Virgin Islands; Los Angeles, California; Guam; northern Ohio; Detriot, Michigan; South Carolina; Yakima, Washington. Operation We Will Find You presented the USMS with an opportunity to expand and highlight partnerships among law enforcement agencies and NCMEC that resulted in not only finding critically missing children, but also bringing more attention to the epidemic of missing children in America.
(U.S. Marshals Service photo by Bennie J. Davis III)
Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 9
Lieu : Gare d'Argenteuil (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/id/8477
Brasília, The Exploited em Brasília, 06/11/09.
[Click em "ALL SIZES" acima da foto para vê-la em seu tamanho original]
© Yves Claudé – 2009 / ycsocio@yahoo.ca
Montréal : charmes et maléfices d’une île laide …
NB: Cet album « Montréal : charmes et maléfices d’une île laide » est conçu comme un diaporama. Vous pouvez le lancer à partir de l’adresse suivante :
www.flickr.com/photos/ycsocio/sets/72157621861102283/show/
Il est préférable de sélectionner "vitesse lente" dans le menu du diaporama.
Vos commentaires et suggestions sont appréciés, soit directement sur le site de flickr.com, soit via mon adresse de courriel (ycsocio@yahoo.ca).
Yves Claudé
ENGLISH / ESPAÑOL / DEUTSCH / ITALIANO / PORTUGUÊS / РУССКИЙ
NB: This album « Montréal : charms and bewitching of an ugly island » is conceived as a slide show. You can start it from the following address:
www.flickr.com/photos/ycsocio/sets/72157621861102283/show/
It is preferable to choose "slow speed" in the menu of the slide show.
Your comments and suggestions are appreciated, either directly on the site flickr.com or via my email (ycsocio@yahoo.ca).
YC
Nota: Este álbum « Montréal : encantos y maleficios de una isla fea » es concebido como un diaporama. Usted puede lanzarlo a partir de la de la siguiente dirección:
www.flickr.com/photos/ycsocio/sets/72157621861102283/show/
Es preferible seleccionar "velocidad lenta" en el menú del diaporama.
Sus comentarios y sugerencias son apreciados, ya sea directamente en el flickr.com sitio o por medio de mi correo electrónico (ycsocio@yahoo.ca).
YC
NB: Dieses Album « Montréal : Charme und Hexereien einer hässlichen Insel » ist wie ein diaporama konzipiert. Sie können es ab der folgenden Adresse werfen :
www.flickr.com/photos/ycsocio/sets/72157621861102283/show/
Es ist besser "langsame Geschwindigkeit" im Menü des Diaporama auszuwählen.
Ihre Kommentare und Anregungen sind willkommen, entweder direkt auf der Website flickr.com oder über meine E-Mail-Adresse (ycsocio@yahoo.ca).
YC
NB: Questo album « Montréal : fascini e malefici di un'isola brutta » è concepito come un diaporama. Potete lanciarlo a partire dal seguente indirizzo :
www.flickr.com/photos/ycsocio/sets/72157621861102283/show/
È preferibile di selezionare "velocità lenta" nel menù del diaporama.
Vostri commenti e suggestioni sono apprezzati, o direttamente sul sito di flickr.com, o via il mio indirizzo di courriel (ycsocio@yahoo).
YC
NB: Este álbum « Montréal : encantos e maléfices de uma ilha feia » é concebido como um espetáculo de deslizamento. Você pode lançar isto do seguinte endereço:
www.flickr.com/photos/ycsocio/sets/72157621861102283/show/
É preferível seleccionar " velocidade lente" na ementa do diaporama.
Seus comentários e sugestões são bem-vindas, quer directamente, no flickr.com local, quer através de meu endereço de e-mail (ycsocio@yahoo.ca).
YC
NB: Этот альбом "Отель: Обаяния и злые периоды уродливого острова" предназначена как слайд-шоу. Вы можете начать со следующего адреса:
www.flickr.com/photos/ycsocio/sets/72157621861102283/show/
Это должно лучше выбирать "медленно скорость" в меню показа слайда.
Ценим Ваши замечания и предложения, либо непосредственно на сайте flickr.com, либо через мой адрес электронной почты (ycsocio@yahoo.ca).
YC
"Yves Claudé" Montréal Québec punk punks skinhead skinheads Bloods Bloodz Crips Cripz mara maras "mara salvatrucha" "inégalités sociales" " social inequalities " "desigualdades sociales" "diseguaglianze sociali" "desigualdades sociais" "soziale Ungleichheiten" "sociale ongelijkheden" "социальные неравенства" "социальное неравенство" "marginalisation sociale" "social marginalization" "social marginalisation" "marginación social" "emarginazione sociale" "marginalização social" "Soziales Aussteigen" "soziale Marginalisierung" "sociale marginalisation" "социальное разграничивание" "cоциальная маргинализация" pauvreté poverty pobreza povertà Armut armoede exploitation explotación sfruttamento Betrieb gebruik victimisation victimization Viktimisierung vitimização révolte revolt uprising rebelión sommossa revolta Revolte opstand мятеж bосстание "mouvements sociaux" "social movements" "movimientos sociales" "movimenti sociali" "Movimentos sociais" "sozialen Bewegungen" "sociale bewegingen" "социальных движений" "социальные движения" "mouvement ouvrier" "labour movement" "movimiento obrero" "movimento operaio" "movimento operário" "Arbeiterbewegung" "arbeidersbeweging" "Рабочее движение" syndicat syndicats "labor union" "labor unions" "trade union" "trade unions" sindicato sindicatos sindacato sindacati Gewerkschaft Gewerkschaften vakbond vakbonden профсоюзный Профсоюз Профсоюзы Союз Союзы syndicalisme "trade unionism" sindicalismo Syndikalismus vakbeweging "профсоюзное движение" "mouvement des femmes" "movement of the women" "women's movement" "movimiento de las mujeres" "movimento delle donne" "movimento das mulheres" "Bewegung der Frauen" "beweging van de vrouwen" "движение женщин" "Женское движение" "mouvement féministe" "feminist movement" "movimiento feminista" "movimento femminista" "Frauenrechtsbewegung" "feministische Bewegung" "feministische beweging" féminisme feminism feminismo Feminismus феминизм poésie poetry poesía poesia Poesie dichtkunst поэзия "crime organisé" "organized crime" "crimen organizado" "crimine organizzato" "crime organizado" "organisiertes Verbrechen" "georganiseerde misdaad" "предумышленное преступление" "motards criminalisés" "biker gangs" "motociclistas criminalizados" "motociclisti criminalizzati" "kriminalisierte Motorradfahrer" "fietser troepen" "Криминализированные мотоциклисты" "gangs de rue" "street gangs" "pandillas callejeras" "bande di via" "bandos de rua" "Straßenbanden" "straat troepen" "уличные банды" mafia "culture urbaine" "urban culture" "cultura urbana" Stadtkultur stadscultuur "stedelijke cultuur" "городская культура" "culture populaire" "popular culture" "cultura popular" "cultura popolare" Volkskultur "народной культуры" "популярная культура" sous-culture subculture subcultura sottocultura subcolture Subkultur subcultuur субкультура sous-cultures subcultures subculturas Subkulturen subculturen субкультуры capitalisme capitalism capitalismo Kapitalismus kapitalisme капитализм "capitalisme sauvage" "savage capitalism" "capitalismo salvaje" "capitalismo selvaggio" "capitalismo selvagem" "wilder Kapitalismus" "wild kapitalisme" "Дикий капитализм" "capitalisme barbare" "barbarian capitalism" "capitalismo bárbaro" "capitalismo barbaro" "barbarischer Kapitalismus" "grof kapitalisme" "варварский капитализм" "дикий капитализм" Sociologie Sociology Sociología Sociologia Soziologie Социология Anthropologie Anthropology Antropología Antropologia Antropologie Антропология Histoire History Historia Storia História Geschichte Geschiedenis История
Exploitant : Transports Michel
Réseau Tourisme
Substitution SNCF en raison de travaux pendant le week-end du 11 novembre 2022.
Exploitant : Transdev STRAV
Réseau : Marne et Seine
Ligne : K
Lieu : Créteil – Préfecture du Val de Marne (Créteil, F-94)
Lien TC Infos : tc-infos.fr/id/27142
Former JPMorgan Banker: Exploiting Consumers Is ‘The Purpose Of The Banking Organization’
By Travis Waldron on Nov 18, 2011
Wall Street banks, largely spared from the economic ruin felt by millions of Americans since the financial crisis of 2008, have returned to profitability, generating higher profits in the two-and-a-half years since the crisis than they did in nearly eight years preceding it. But that hasn’t stopped them from seeking new ways to generate revenue — like Bank of America’s proposed $5-a-month debit card fee or the millions banks have made from charging consumers to receive unemployment benefits or food stamps.
If all this makes Americans feel like Wall Street banks only view them as money-making tools, well, that’s because the banks apparently do.
According to David Mooney, a former JPMorgan Chase employee, Wall Street banks see consumers as an “income stream” to exploit for profit-making purposes, Reuters reports:
David Mooney, chief executive officer of Alliant Credit Union in Chicago, one of the nation’s larger credit unions, used to work at a one of Wall Street’s top banks, JPMorgan Chase. There’s a vast cultural gap between Wall Street and his new world, he says: Old friends from the Street, he says, now jokingly refer to him as a “socialist.” A credit union is supposed to be run in the interests of all members, he says, while commercial bankers tend to see consumers as customers who can be “exploited” by layering on more fees.
Says Mooney: “I don’t say this lightly, but the consumer is simply an income stream and exploiting that is the purpose of the banking organization.”
Mooney’s bluntness may seem shocking, but his assessment shouldn’t. Wall Street banks made millions profiting off shoddy mortgage lending practices, setting the stage for the housing collapse that plunged millions of Americans into foreclosure. They made a mess of the foreclosure process, using robo-signers to speed foreclosures and foreclosing on homes they either didn’t own or that weren’t even in foreclosure. They sold deals to investors that they knew would fail, and took advantage of customers with outrageous overdraft, credit card, and other fees.
In the aftermath of the financial crisis and the horrors it exposed, Wall Street banks spent millions to prevent the passage of financial regulatory reform. Once the Dodd-Frank Wall Street Reform Act passed, they spent just as much trying to shape its rules. They opposed the formation of a Consumer Financial Protection Bureau (CFPB), the agency tasked with protecting consumers from predatory banking practices, and in concert with their Republican friends in Congress, have fought to shape who will lead the bureau and how it will work.
Unfortunately for Wall Street, it didn’t take blunt assessments like Mooney’s for Americans to take action. In October, 650,000 Americans joined credit unions, which, as Mooney noted, are “supposed to be run in the interests of all members.” 40,000 more joined them on Bank Transfer Day earlier this month.
Wall Street, meanwhile, continues to ignore America’s anger at it, sipping champagne from rooftops while protesters march below.
Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 5
Lieu : Gare de Sartrouville (Sartrouville, F-78)
Lien TC Infos : tc-infos.fr/id/35642
Exploitant : Keolis Seine Essonne
Réseau : Navette Substitution SNCF Île-de-France
Ligne : Navette Transilien J
Lieu : Gare d'Ermont – Eaubonne (Ermont, F-95)
Lien TC Infos : tc-infos.fr/id/41576
Even when I bought their 'throw away' hankies & socks I knew, in both my heart & my head, that the only way they could sell so cheaply was by exploiting slave labour.
Now, after learning that scattered throughout the rubble, blood, bodies, maimed, still trapped & still suffering, ruthlessly exploited human beings --- were this 'booming business' brand's labels -- I swear -- NEVER AGAIN!
www.channel4.com/news/bangladesh-building-collapse-what-p...
The Exploited performing at the Ritz, Manchester, as part of the North West Calling Punk Festival on Saturday 16th May 2015
A Rohingya refugee woman in Bangladesh who is now working to help protect other vulnerable Rohingya and Bangladeshi people from abuse and exploitation by volunteering with the NGO Solidarités International, helping connect people who need additional support to access services such as legal representation, protection or counselling.
Solidarités International is one of a wide range of NGOs being supported by UK aid as part of the UK's response to the Rohingya crisis in Bangladesh.
Picture: Russell Watkins/Department for International Development
Exploitant : Transdev Marne et Morin
Réseau : Navette Substitution SNCF Île-de-France
Ligne : Navette RER B
Lieu : Gare de Mitry – Claye (Mitry-Mory, F-77)
Lien TC Infos : tc-infos.fr/id/35316
Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 7
Lieu : Gare d'Argenteuil (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/id/35161
Round Table on the role of European institutions in the exploitation of Ariane 6 and Vega-C, at the ESA pavilion, during the Paris Air and Space Show, on 22 June 2017.
Satellites from European institutions will play a major role during the exploitation of the new family of ESA-developed launchers, Vega-C and Ariane 6 which will be operative from 2019/2020.
In this round table, high level representatives from important European institutions were invited to debate how they can contribute to guarantee a level playing field for Ariane 6 and Vega-C exploitation with respect to competitors that can count on a very large number of institutional payloads.
Participants : Pierre Delsaux, European Commission, Deputy-Director General; Alan Ratier, Eumetsat, Director General; Stephan Israel, Arianespace, CEO; Joel Barre, CNES, Deputy Director General; Wolfgang Scheremet, German Ministry for Economic Affairs and Energy, Director-General Industrial Policy; Roberto Battiston, ASI, President; Daniel Neuenschwander, ESA, Director of Space Transportation; Gaele Winters, former ESA Director of Launchers (moderator).
Credit: ESA–Philippe Sebirot, 2017
Journée de sensibilisation de masse sur la prévention de l’exploitation et de l’abus sexuels. 5eme Ardt. Bangui, le 30 août 2017
Photo UN/ Dany Balepe
Also sometimes credited to Mack Browne & The Brothers.
Pure Blaxploitation exploitation record by veteran arranger and producer Sy Mann. This record's version of "Bumpy's lament" was famously sampled by the likes of Dr. Dre and Erykah Badu.
Used to be quite easy to find but i haven't seen a decent copy for awhile.
Early seventies French pressing on Musidisc label.
Enrico Caruso’s ascendancy coincided with the dawn of the twentieth century, when the world of opera was moving away from the contrived bel canto (“beautiful singing”) style, with its emphasis on artifice and vibrato, to a verismo (“realism”) approach. The warmth and sincerity of his voice—and personality— shone in this more natural style and set the standard for contemporary greats like Luciano Pavarotti, Placido Domingo, and José Carreras. Through his exploitation of the nascent phonograph industry, Caruso is also largely responsible for the sweeping interest in opera of the 1910s and ’20s. And for this, Stanley Jackson wrote in his book Caruso, he may never be rivaled, for later tenors could not hope to find themselves in a similarly fortuitous position and thus would most certainly “find it more difficult to win such universal affection as the bubbly, warm-hearted little Neapolitan whose voice soared and sobbed from the first wheezy phonographs to bring a new magic into countless lives.”
Born in Naples, Italy, in 1873, the third of seven children (early sources erroneously state that he was the 18th of 21), Caruso was raised in squalor. His birthplace, according to Jackson, was a “two-storeyed house, flaky with peeling stucco, [accommodating] several families, who shared a solitary cold-water tap on the landing, and like every other dwelling in that locality it lacked indoor sanitation.” As a boy, Caruso received very little formal education; his only training in a social setting came from his church choir, where he displayed a pure voice and a keen memory for songs. More often than not, however, he skipped choir practice to sing with street minstrels for café patrons.
At the age of ten Caruso began working a variety of menial jobs—mechanic, jute weaver—but his passion for singing often led him back to the streets. Eight years later, an aspiring baritone named Eduardo Missiano heard Caruso singing by a local swimming pool. Impressed, Missiano took Caruso to his voice teacher, Guglielmo Vergine. Vergine on hearing Caruso, compared the tenor’s voice to “the wind whistling through the chimney,” Michael Scott recounted in The Great Caruso. Although he disliked Caruso’s Neapolitan café style, flashy gestures, and unrefined and unrestrained vocalizing, Vergine finally agreed to accept Caruso as his student. But “the lessons ended after three years,” John Kobler wrote in American Heritage, “and Caruso’s formal musical training thereafter remained almost as meager as his scholastic education. He could read a score only with difficulty. He played no musical instrument. He sang largely by ear.”
On March 15, 1895, Caruso made his professional debut in L’Amico Francesco, a now-forgotten opera by an amateur composer. He was not an immediate sensation.
For the Record…
Bom Errico Caruso (adopted more formal Enrico for stage), February 27 (some sources say 25), 1873, in Naples, Italy; died of pneumonia and peritonitis in 1921 in Naples; son of Marcellino (a mechanic) and Anna (Baldini) Caruso; married Dorothy Park Benjamin, 1918; children: Gloria; (with Ada Giachetti) Rodolfo, Enrico Jr. Education: Studied voice with Guglielmo Vergine, 1891-94, and Vincenzo Lombardi, 1896-97.
Worked as laborer, including jobs as mechanic and jute weaver, beginning c. 1883; debuted in L’Amico Francesco at Teatro Nuovo, Naples, 1894; expanded repertoire to include La Traviata, Rigoletto, Aida, and Faust, among others; first sang Canio in I Pagliacci, 1896, and Rodolfo in La Bohème, 1897; debuted in La Bohème at La Scala, Milan, 1899; performed internationally, including appearances in Moscow, Buenos Aries, Monte Carlo, and London, beginning in 1899; made first recordings, 1902; debuted in U.S. at Metropolitan Opera, New York City, 1903. Appeared in silent films My Cousin and A Splendid Romance, 1918; subject of fictional film biography The Great Caruso, 1950.
Awards: Order of the Commendatore of the Crown of Italy; Grand Officer of the French Legion of Honor; Order of the Crown Eagle of Prussia; honorary captain of the New York City Police Department.
His vocal range was limited; he often had to transpose the musical score down a halftone since he had trouble in the upper register, especially hitting high C. But impresarios who heard Caruso recognized his innate gift and cast him in significant productions such as Faust, Rigoletto, and La Traviata. With stage experience and brief training with another vocal teacher, Vincenzo Lombardo, the singer made steady progress, refining the natural beauty of his voice.
“Who Has Sent You to Me? God?”
In 1897, studying for the part of Rodolpho in Giacomo Puccini’s La Bohème, Caruso went to the composer’s villa to secure Puccini’s consent of his interpretation. As told by author Jackson, after Caruso sang a few measures of the first-act aria, “Che gelida manima,” Puccini “swivelled in his chair and murmured in amazement, ’Who has sent you to me? God?’”
Caruso’s instrument was “a voice of the South, full of warmth, charm, and lusciousness,” described a commentator of the era who was quoted in Howard Greenfeld’s book Caruso. But what truly set Caruso apart—from his predecessors, contemporaries, and successors—was his ability to eliminate the space between singer and listener, to intensify “the emotional effects upon his audience,” testified American Heritage contributor Kobler. “His vocalized feelings, variously spiritual, earthy, carnal, seemed to resonate within the hearer’s body. Rosa Ponselle, the American soprano who made her debut opposite Caruso, called it “a voice that loves you.’”
And his timbre was matched by sheer power; at the height of his career, Caruso gave concerts in venues as large as New York City’s Yankee Stadium without microphones and was clearly heard by all. Still, he reached his greatest audience, across both distance and time, through the small, recorded medium of the phonograph. “Few performers deserve . . . recognition more than Caruso,” David Hamilton proclaimed in the New York Times. “[His] records made him the universal model for later generations of tenors, while his reputation played a major role in establishing the phonograph socially and economically.”
Recording Pioneer
Caruso made his first recording on April 11, 1902, in a hotel suite in Milan, Italy. Over the remaining 19 years of his life he made an additional 488 recordings, almost all for the Victor label. He earned more than two million dollars from recording alone, the company almost twice that. But, most important, his recordings brought grand opera to the uninitiated. Millions cried along with his version of Canio’s sobbing “Vesti la giubba,” from/Pagliacci. The development of the American opera audience from a rarefied community at the turn of the century to a diverse populace in modern times can be directly attributed to Caruso’s recordings.
But Caruso’s allure was not solely the result of his singing. “Quick to laughter and to tears, amorous, buffoonish,... speaking a comically fractured English, round and paunchy, Caruso presented an image that appealed enormously to multitudes of ordinary Americans,” Kobler pointed out. Indeed, his offstage behavior was as interesting to the public as that of his onstage personas. He had numerous affairs with women, which often ended in court. He had an 11-year relationship, beginning in 1897, with soprano Ada Giachetti, who had left her husband and son for the much younger tenor. She bore Caruso two sons, then ran off with the family chauffeur. Three years later, Giachetti sued Caruso for attempting to damage her career and for theft of her jewelry. The suit was eventually dismissed.
Offstage Shenanigans
Caruso was not exonerated, however, in what became known as the “Monkey House Case.” On November 16, 1906, Caruso went to the Monkey House in the Central Park Zoo, one of his favorite retreats in his adopted hometown of New York City. There a young woman accused him of pinching her bottom. A policeman on the scene immediately took Caruso—confused and sobbing—to jail. The woman failed to appear at the consequent trial, and police were unable to produce any witnesses other than the arresting officer, who turned out to have been best man at the accuser’s wedding. The judge found Caruso guilty of disorderly conduct and fined him ten dollars. The public, for its part, though initially unsure of Caruso’s innocence, soon returned to its thunderous approval of his performances.
Despite these episodes, Caruso’s life outside the theater was not entirely tumultuous. His marriage to Dorothy Park Benjamin in 1918 was happy and secure. His celebrated earnings allowed him to collect art, stamps, and coins. His clothing and furnishings were luxurious. He ate with gusto. And he was extremely generous. A gifted caricaturist, Caruso often gave drawings away. He would fill his pockets with gold coins and shower stagehands with them at the end of Christmastime productions. He also supported many family members, gave numerous charity concerts, and helped raise millions of dollars for the Allied cause during World War I. This remarkable man even paid his taxes early. “If I wait, something might happen to me, then it would be hard to collect,” Caruso reasoned, as recounted by Kobler. “Now I pay, then if something happen to me the money belongs to the United States, and that is good.”
Caruso’s expansive approach to life, however, rendered his own short. Constant recording and performance demands and the singer’s unchecked appetites took their toll on his health; he died in Naples, in 1921, from pneumonia and peritonitis. He was 48 years old. “Caruso may have been a greater master of comedy than tragedy,” Great Caruso author Scott wrote, “yet there was no levity in his approach to his art, for as each year passed and he became an ever more celebrated singer, his fame—ably demonstrated by frequent new issues of ever improving records—made increasing demands of him. In those last years he rode a tiger.”
Selected discography
Enrico Caruso: 21 Favorite Arias, RCA, 1987.
Enrico Caruso, Pearl, 1988.
Enrico Caruso in Arias, Duets, and Songs, Supraphon, 1988.
Caruso in Opera, Nimbus, 1989.
Caruso in Song, Nimbus, 1990.
The Compíete Caruso, BMG Classics, 1990.
Enrico Caruso in Opera: Early New York Recordings (1904-06), Conifer, 1990.
The Caruso Edition: Volume 1 (1902-1908), Pearl, 1991.
The Caruso Edition: Volume 2 (1908-1912), Pearl, 1991.
The Caruso Edition: Volume 3 (1912-1916), Pearl, 1991.
The Caruso Edition: Volume 4 (1916-1921),, Pearl, 1991.
Caruso in Ensemble, Nimbus, 1992.
Addio Mia Bella Napoli, Replay/Qualiton, 1993.
Sources
Books
Caruso, Enrico, Jr., and Andrew Farkas, Enrico Caruso: My Father and My Family, Amadeus Press, 1990.
Greenfeld, Howard, Caruso, Putnam, 1983.
Jackson, Stanley, Caruso, Stein & Day, 1972.
Scott, Michael, The Great Caruso, Knopf, 1988.
Periodicals
American Heritage, February/March 1984.
Economist, March 9, 1991.
New Republic, August 8, 1988.
New York Times, January 6, 1991.
—Rob Nagel
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#enrico-picciotto, enrico picciotto
Comedian, crossfit guru and Jim's personal trainer, Kenny Kane. Check him out on the WODCast with Eddie Ifft and his website: www.kennykane.com
October 14, 2015-New York, NY- Alphonso David, Counsel to Governor Andrew Cuomo convenes the first public advisory committee meeting of the Governor's Task Force to Combat Worker Exploitation in New York City.
The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.
Author: Andreas Nierhaus, Curator of Architecture/Wien Museum
Last updated January 2014
Architecture in Vienna
Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.
Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.
Culmination of medieval architecture: the Stephansdom
The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.
The baroque residence
Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.
Upgrading into metropolis: the ring road time (Ringstraßenzeit)
Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.
Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.
Laboratory of modernity: Vienna around 1900
Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.
With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).
Between the Wars: International Modern Age and social housing
After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.
Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.
Expulsion, war and reconstruction
After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made of solid reinforced concrete which today are present as memorials in the cityscape.
The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).
The youngsters come
Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.
MuseumQuarter and Gasometer
Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.
The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.
New Neighborhood
In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.
In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).
Flying high
International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.
Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.
Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.
Exploitant : SPL TransUrbain
Réseau : TransUrbain
Ligne : T6
Lieu : Pôle d'Échanges SNCF (Évreux, F-27)
Lien TC Infos : tc-infos.fr/vehicule/17739
Lego look alike from China, appropriately named Exploiter. This one is based on the Lego Technic 8283 alternate design.
Detective Superintendent Joanne Rawlinson and Greater Manchester Police and Crime Commissioner Tony Lloyd.
Today, Wednesday 13 May 2015, parents across Greater Manchester are being offered the chance to learn first-hand how to spot the warning signs that their children may be in danger of being sexually exploited.
Organised by Project Phoenix, Parents’ Awareness Day will see a host of education and awareness events held right across Greater Manchester. In addition, parents and carers will be able to join a webchat where they can speak online with a mother whose daughter was groomed for sexual exploitation.
Manchester’s Arndale Centre is hosting the central Greater Manchester event, offering the chance to interact with smartphones and tablet computers to learn how to protect children on the web.
The city centre event will kick-off between 10am-4pm and invite parents to learn how to keep their child safe through modern technology and apps, helped by experts from Greater Manchester Police, The Children’s Society and Parents Against Child Sexual Exploitation (Pace).
At 5.30pm, parents will be able to speak anonymously with a mother whose daughter was groomed by an older ‘friend.’ Through an online question and answer session at www.itsnotokay.co.uk, the mother will discuss what happened to her child, the signs that something was wrong and the support she received to help them both recover. Parents can view key moments on Twitter by following @NotOkayGM, searching for the hashtag #itsnotokay or visiting Facebook.com/NotOkayGM.
Another parent (not taking part in the online discussion) Anne, whose daughter Elizabeth was groomed and raped when she was just 14, said:
“My daughter was a really well-behaved girl, we had a fantastic mother-daughter relationship. There was nothing to suggest that she would be in any danger. My message to parents is to never be complacent about what your children are doing online or who they are meeting when they go out. My daughter was not groomed by an Asian gang, it was a combination of young people around her own age and adults that manipulated them. It can happen to anyone.”
Damian Dallimore, Project Phoenix Manager, said:
“Two months ago the government declared child sexual exploitation a national threat, but it’s still a subject that most people know very little about. We’re keen to show parents how to spot the signs that their son or daughter might be in danger of being exploited – whether it’s online or out with their friends.
“The best weapon we have as parents and carers is the ability to recognise that something isn’t right and know what to do about it. We’re very lucky in Greater Manchester in that we have a single, unified approach to tackling child sexual exploitation across local authorities, police, NHS and charities. This awareness day is about using that expertise to help the region’s mums and dads to better understand how to protect their children.”
Greater Manchester Police and Crime Commissioner Tony Lloyd said:
“It’s so important that mums, dads and carers understand what child sexual exploitation so they can recognise the signs and get help if they are worried.
“It’s not always easy to know what our children get up to, or if anything is wrong, but there are tell-tale signs that could indicate your child is being sexually exploited.
“Help and support is out there and I want every parent and carer in Greater Manchester to know where they can get it.”
To find out more about Greater Manchester Police please visit our website.
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111.
Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
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Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 2
Lieu : Gare d'Argenteuil (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/id/21907
Starring Michael Greene, Jennifer Gan, Richard Rust, Howard Lester, Penelope Spheeris, Art Jenoff, Sahn Berti, Corey Fischer, Glen Lee, Mike Peratta, Frank Whiteman. Directed by Bruce D. Clark.
synopsis
In this biker flick, the leader of an LA gang rides out for revenge against the Las Vegas-based Hotdoggers, who beat him senseless, hospitalizing him. He becomes so violent and obsessed that his own gang kicks him out. In the end, they change their minds and readmit him. Then they all roar off to prove that the vicious Hotdoggers are nothing more than big weenies in black leather jackets. The sex and violence herein marks this as an exploitation feature destined to become a big hit with lowbrow scooter trash everywhere.
Round Table on the role of European institutions in the exploitation of Ariane 6 and Vega-C, at the ESA pavilion, during the Paris Air and Space Show, on 22 June 2017.
Satellites from European institutions will play a major role during the exploitation of the new family of ESA-developed launchers, Vega-C and Ariane 6 which will be operative from 2019/2020.
In this round table, high level representatives from important European institutions were invited to debate how they can contribute to guarantee a level playing field for Ariane 6 and Vega-C exploitation with respect to competitors that can count on a very large number of institutional payloads.
Participants : Pierre Delsaux, European Commission, Deputy-Director General; Alan Ratier, Eumetsat, Director General; Stephan Israel, Arianespace, CEO; Joel Barre, CNES, Deputy Director General; Wolfgang Scheremet, German Ministry for Economic Affairs and Energy, Director-General Industrial Policy; Roberto Battiston, ASI, President; Daniel Neuenschwander, ESA, Director of Space Transportation; Gaele Winters, former ESA Director of Launchers (moderator).
Credit: ESA–Philippe Sebirot, 2017
Exploitant : Transdev STRAV
Réseau : Marne et Seine
Ligne : B
Lieu : Créteil – Préfecture du Val de Marne (Créteil, F-94)
Lien TC Infos : tc-infos.fr/id/52784