Our DOF Cine kit is ideal for the cinematographer shooting with a DOF (depth of field) 35mm lens adapter such as a Letus35, Brevis, MovieTube, P+S Tecnik, and/or RedRock Micro, on a tripod, dolly or Steadicam. The DOF adapter allows you to use Nikon, Canon or Zeiss still lenses and achieve the same shallow DOF as a 35mm motion picture film.

Zacuto was the first to design a camera package using rods behind the camera for mounting and counterbalance. The mount behind the camcorder holds batteries to power the monitor and accessories and provide a counterbalance to offset the weight of the camera, DOF adapter and accessories. The counterbalance weight can quickly slide along the rods to achieve a perfectly balanced camera rig. The Zamerican arm uses Zacuto Z-Release technology to quickly release the monitor or hard drive to make setup and location moves quick and easy. Attach your wireless microphone receiver to the plate in back and you are ready to shoot.

Zacuto’s baseplate kits are universal and quick-releasable; they can be used with any 15mm lightweight accessories, follow focuses & matte boxes. The kits are designed to be use with current and future models of cameras & camcorders such as the: Panasonic HVX200a, DVX100a/b, Canon XL-H1, XL2, GL2, XH-A1 Sony XDCAM EX1, EX3, SO-HVR-Z1U, VX2000, PD-150, PD-170, JVC GY-HD100U, HD200U, HD250U, Silicon Imaging SI2K, RED ONE, and many more.

Designed and manufactured by Zacuto using the highest quality materials to extreme tolerances. Made in the USA. Zacuto lifetime warranty.

DOF Cine Baseplate Kit Includes:

- Universal Baseplate

- set of 3.5" Male Rods

- Z-riser

- Locking Lens Support

- Doublemount

- Red Plate

- Battery plate (v-mount or 3 stud)

- Wireless Plate

- Zround Mount

- Zicromount III

- Zamerican V3 Large Arm

The 3D Film Factory was recently hired by Breadtruck Films to provide 3D production services stereography services for their "Super Dentist" 3D film. The 3-day production utilized the 3D-BS Indie Rig (beam-splitter) Rig, two Sony EX3 cameras, and for viewing a Davio accopmpanied by a Panansonic monitor. The 3D Film Factory's Director of Stereography, Keith Driver, was on-hand to oversee camera depth, alignment and picture comfort.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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The 3D Film Factory was recently hired by Breadtruck Films to provide 3D production services stereography services for their "Super Dentist" 3D film. The 3-day production utilized the 3D-BS Indie Rig (beam-splitter) Rig, two Sony EX3 cameras, and for viewing a Davio accopmpanied by a Panansonic monitor.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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Dio è nei dettagli, e io l'ho visto su un soffitto l'altra sera.

--

featured on the article "Sign 'o' the Times" on Photografr.com (thanks!)

visit: aledigangi.com

or buy a print at RedBubble

This photo is available for licensing at iStockphoto

The 3D Film Factory films veteran magician Joe Mystic in stereoscopic 3D. The crew uses the 3D-BS Indie Rig (beam-splitter) outfitted with Sony's EX3 cameras. For real-time 3D viewing on set, director of stereography Keith Driver & lead stereographer Victor Lou (in foreground) use the Davio stereoprocessor and Panasonic monitor.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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Black and White

Overview

Heritage Category: Listed Building

Grade: II*

List Entry Number: 1170373

Date first listed: 30-Jun-1961

Location

Statutory Address: Parish Church of Saint Margaret,59 Fore St, Topsham, Exeter EX3 0HL

County: Devon

District: Exeter (District Authority)

National Grid Reference: SX 96537 88029

Details

871/8/896 FORE STREET 30-JUN-61 TOPSHAM (West side) St Margaret's Church (Formerly listed as: FORE STREET TOPSHAM Church of St Margaret)

II* Perp tower, the rest rebuilt 1874-6 by Edward Ashworth.

MATERIALS: Random squared grey limestone, red sandstone tower, diaper-patterned slate roofs.

PLAN: Deep cruciform plan with four-bay nave and two-bay chancel. Unusually, the tower is attached to the west side of the south transept, and the main porch is east of the north transept.

EXTERIOR: Facing the street is the east front, with gabled chancel and a lower gabled chapel to its north. A low lean-to chapel and porch sit further back to the south side. The style generally is Geometric Gothic c. 1300, with complex picturesque roofs of patterned slate. The tower is barely visible from the street, and is revealed only from the churchyard to the south. It is low, without buttresses or clear division into stages. It has a three-light window above a door, and a small square-headed bell opening with louvres. The embattled parapet was stepped-up in the centre to accommodate clock faces in 1887. To the east of the tower, the south transept gable has an imposing five-light window with flowing Dec tracery. The nave has lean-to aisles and a clerestory of small oculi with varied tracery (foiled, star-pattern or spheric triangles).

INTERIOR: The chief decorative focus is the chancel roof, of boarded wagon vault form overlaid with a fine net of cusped diaper ribs in rectangular panels. Over the nave, more conventional roofs with arch-braced collar trusses on small hammerbeams. Aisle roofs with unorthodox Y-trusses. The nave arcades have circular piers with moulded capitals and arches, running into heavy plain square piers at the crossing, with big leafy corbels on the responds. Similar corbels support the chancel arch. The western two bays of the nave were cleared and screened off in the 1970s for use as a social area. The north transept was screened off from the nave to serve as an entrance vestibule in 2007; part of a phased reordering of the whole church by Oliver West & John Scott (plans dated 2003). The south transept has in its east wall a row of four upper windows like a clerestory. The north chancel chapel houses the organ loft and a vestry, while the small south chapel is currently still furnished as such (but due to be cleared). Geometric black and white stone floors at the chancel steps, and encaustic tiled chancel. Much of the stone carving was executed by the Exeter workshop of Harry Hems.

PRINCIPAL FIXTURES: Stone reredos of five crocketed gables with some red marble shafts. The backdrop is stencilled with a brocade design. Oak chancel furnishings, Neo-Perp, carefully designed and of good workmanship, 1935. Similar pulpit, perhaps of the same date. The Norman font has a circular bowl with big conical flutes, and on one side a large standing beast or dragon holding an apple (?) in its mouth. The font cover is of spire form, of cut and pierced brass, 1880. In the north transept is a wall clock made by Cuthbert Lee, London, c. 1760, with octagonal face and a Chinoiserie lacquered and gilded case. Dutch brass chandelier with two tiers of eight branches, given c. 1700. Good Royal arms of carved and painted wood with Baroque mantling; arms of the version current 1603-49, 1660-89 and 1702-7. Probably late C17. There is good Victorian stained glass: east and west windows by F. Drake, 1876-7. The south transept south is by Burlison & Grylls, 1907, 'one of their best in Devon' (Pevsner). North transept north by Beer & Driffield, 1876. In the south transept, two fine Greek Revival tablets of black and white marble, by Sir Francis Chantrey, to Lt. Col. George Duckworth (d. 1811, standing figure with an angel of Victory) and to his father Admiral Sir John Duckworth, Bart., d. 1817, including a noble bust and a fine relief of a naval battle. HISTORY: Topsham served as Exeter's port from Roman times. It was a considerable settlement by c. 700, and had a manse associated with the living by 937. The church was re-consecrated in the mid-C15, possibly about the time the tower was built. The church was rebuilt after a fire in 1676, and again in 1874-6, at a cost of £8,550. The architect for this scheme, Edward Ashworth (1814-96), was articled to Robert Cornish of Exeter and was later a pupil of the London architect Charles Fowler. He emigrated to New Zealand in 1842 and practised in Auckland until January 1844. He returned to his home country in 1846 and practised in Exeter where he established a reputation for himself as a church architect.

SOURCES: Cherry, B and Pevsner, N, Buildings of England, Devon, (1989) 820 Stabb, J, Some Old Devon Churches, (1908-16), vol. 3 Lambeth Palace Library, Incorporated Church Building Society, Archive file 079597, (www.churchplansonline.org)

REASONS FOR DESIGNATION: St Margaret's Church, Fore Street, Topsham, Exeter is designated at Grade II* for the following principal reasons: * A thoughtfully designed Gothic Revival church by Edward Ashworth, 1874-6 * Picturesque massing and siting, on a shallow clifftop overlooking the Exe estuary * Surviving C15 century tower * Fine Norman font with crude but vigorous carving of a dragon or beast * Two striking Greek Revival monuments by Chantrey * Good collection of fittings (glass, Royal arms, chandelier, font cover etc)

© Historic England 2021

The 3D Film Factory was recently hired by Breadtruck Films to provide 3D production services stereography services for their "Super Dentist" 3D film. The 3-day production utilized the 3D-BS Indie Rig (beam-splitter) Rig, two Sony EX3 cameras, and for viewing a Davio accopmpanied by a Panansonic monitor.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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The 3D Film Factory films veteran magician Joe Mystic in stereoscopic 3D. The crew uses the 3D-BS Indie Rig (beam-splitter) outfitted with Sony's EX3 cameras. For real-time 3D viewing on set lead stereographer Victor Lou use the Davio stereoprocessor and Panasonic monitor.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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The 3D Film Factory was recently hired by Breadtruck Films to provide 3D production services stereography services for their "Super Dentist" 3D film. The 3-day production utilized the 3D-BS Indie Rig (beam-splitter) Rig, two Sony EX3 cameras, and for viewing a Davio accopmpanied by a Panansonic monitor. The 3D Film Factory's Director of Stereography, Keith Driver, was on-hand to oversee camera depth, alignment and picture comfort.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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The 3D Film Factory films veteran magician Joe Mystic in stereoscopic 3D. The crew uses the 3D-BS Indie Rig (beam-splitter) outfitted with Sony's EX3 cameras. For real-time 3D viewing on set the Davio stereoprocessor and Panasonic monitor were used.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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Black and White

The 3D Film Factory was recently hired by Breadtruck Films to provide 3D production services stereography services for their "Super Dentist" 3D film. The 3-day production utilized the 3D-BS Indie Rig (beam-splitter) Rig, two Sony EX3 cameras, and for viewing a Davio accopmpanied by a Panansonic monitor.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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Overview

Heritage Category: Listed Building

Grade: II*

List Entry Number: 1170373

Date first listed: 30-Jun-1961

Location

Statutory Address: Parish Church of Saint Margaret,59 Fore St, Topsham, Exeter EX3 0HL

County: Devon

District: Exeter (District Authority)

National Grid Reference: SX 96537 88029

Details

871/8/896 FORE STREET 30-JUN-61 TOPSHAM (West side) St Margaret's Church (Formerly listed as: FORE STREET TOPSHAM Church of St Margaret)

II* Perp tower, the rest rebuilt 1874-6 by Edward Ashworth.

MATERIALS: Random squared grey limestone, red sandstone tower, diaper-patterned slate roofs.

PLAN: Deep cruciform plan with four-bay nave and two-bay chancel. Unusually, the tower is attached to the west side of the south transept, and the main porch is east of the north transept.

EXTERIOR: Facing the street is the east front, with gabled chancel and a lower gabled chapel to its north. A low lean-to chapel and porch sit further back to the south side. The style generally is Geometric Gothic c. 1300, with complex picturesque roofs of patterned slate. The tower is barely visible from the street, and is revealed only from the churchyard to the south. It is low, without buttresses or clear division into stages. It has a three-light window above a door, and a small square-headed bell opening with louvres. The embattled parapet was stepped-up in the centre to accommodate clock faces in 1887. To the east of the tower, the south transept gable has an imposing five-light window with flowing Dec tracery. The nave has lean-to aisles and a clerestory of small oculi with varied tracery (foiled, star-pattern or spheric triangles).

INTERIOR: The chief decorative focus is the chancel roof, of boarded wagon vault form overlaid with a fine net of cusped diaper ribs in rectangular panels. Over the nave, more conventional roofs with arch-braced collar trusses on small hammerbeams. Aisle roofs with unorthodox Y-trusses. The nave arcades have circular piers with moulded capitals and arches, running into heavy plain square piers at the crossing, with big leafy corbels on the responds. Similar corbels support the chancel arch. The western two bays of the nave were cleared and screened off in the 1970s for use as a social area. The north transept was screened off from the nave to serve as an entrance vestibule in 2007; part of a phased reordering of the whole church by Oliver West & John Scott (plans dated 2003). The south transept has in its east wall a row of four upper windows like a clerestory. The north chancel chapel houses the organ loft and a vestry, while the small south chapel is currently still furnished as such (but due to be cleared). Geometric black and white stone floors at the chancel steps, and encaustic tiled chancel. Much of the stone carving was executed by the Exeter workshop of Harry Hems.

PRINCIPAL FIXTURES: Stone reredos of five crocketed gables with some red marble shafts. The backdrop is stencilled with a brocade design. Oak chancel furnishings, Neo-Perp, carefully designed and of good workmanship, 1935. Similar pulpit, perhaps of the same date. The Norman font has a circular bowl with big conical flutes, and on one side a large standing beast or dragon holding an apple (?) in its mouth. The font cover is of spire form, of cut and pierced brass, 1880. In the north transept is a wall clock made by Cuthbert Lee, London, c. 1760, with octagonal face and a Chinoiserie lacquered and gilded case. Dutch brass chandelier with two tiers of eight branches, given c. 1700. Good Royal arms of carved and painted wood with Baroque mantling; arms of the version current 1603-49, 1660-89 and 1702-7. Probably late C17. There is good Victorian stained glass: east and west windows by F. Drake, 1876-7. The south transept south is by Burlison & Grylls, 1907, 'one of their best in Devon' (Pevsner). North transept north by Beer & Driffield, 1876. In the south transept, two fine Greek Revival tablets of black and white marble, by Sir Francis Chantrey, to Lt. Col. George Duckworth (d. 1811, standing figure with an angel of Victory) and to his father Admiral Sir John Duckworth, Bart., d. 1817, including a noble bust and a fine relief of a naval battle. HISTORY: Topsham served as Exeter's port from Roman times. It was a considerable settlement by c. 700, and had a manse associated with the living by 937. The church was re-consecrated in the mid-C15, possibly about the time the tower was built. The church was rebuilt after a fire in 1676, and again in 1874-6, at a cost of £8,550. The architect for this scheme, Edward Ashworth (1814-96), was articled to Robert Cornish of Exeter and was later a pupil of the London architect Charles Fowler. He emigrated to New Zealand in 1842 and practised in Auckland until January 1844. He returned to his home country in 1846 and practised in Exeter where he established a reputation for himself as a church architect.

SOURCES: Cherry, B and Pevsner, N, Buildings of England, Devon, (1989) 820 Stabb, J, Some Old Devon Churches, (1908-16), vol. 3 Lambeth Palace Library, Incorporated Church Building Society, Archive file 079597, (www.churchplansonline.org)

REASONS FOR DESIGNATION: St Margaret's Church, Fore Street, Topsham, Exeter is designated at Grade II* for the following principal reasons: * A thoughtfully designed Gothic Revival church by Edward Ashworth, 1874-6 * Picturesque massing and siting, on a shallow clifftop overlooking the Exe estuary * Surviving C15 century tower * Fine Norman font with crude but vigorous carving of a dragon or beast * Two striking Greek Revival monuments by Chantrey * Good collection of fittings (glass, Royal arms, chandelier, font cover etc)

© Historic England 2021

The 3D Film Factory was recently hired by Breadtruck Films to provide 3D production services stereography services for their "Super Dentist" 3D film. The 3-day production utilized the 3D-BS Indie Rig (beam-splitter) Rig, two Sony EX3 cameras, and for viewing a Davio accopmpanied by a Panansonic monitor.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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The 3D Film Factory was recently hired by Breadtruck Films to provide 3D production services stereography services for their "Super Dentist" 3D film. The 3-day production utilized the 3D-BS Indie Rig (beam-splitter) Rig, two Sony EX3 cameras, and for viewing a Davio accopmpanied by a Panansonic monitor. The 3D Film Factory's Director of Stereography, Keith Driver, was on-hand to oversee camera depth, alignment and picture comfort.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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The 3D Film Factory was recently hired by Breadtruck Films to provide 3D production services stereography services for their "Super Dentist" 3D film. The 3-day production utilized the 3D-BS Indie Rig (beam-splitter) Rig, two Sony EX3 cameras, and for viewing a Davio accopmpanied by a Panansonic monitor. The 3D Film Factory's Director of Stereography, Keith Driver, was on-hand to oversee camera depth, alignment and picture comfort.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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The 3D Film Factory films veteran magician Joe Mystic in stereoscopic 3D. The crew uses the 3D-BS Indie Rig (beam-splitter) outfitted with Sony's EX3 cameras. Director of operations Shawn Gilmore checks the IO.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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The 3D Film Factory was recently hired by Breadtruck Films to provide 3D production services stereography services for their "Super Dentist" 3D film. The 3-day production utilized the 3D-BS Indie Rig (beam-splitter) Rig, two Sony EX3 cameras, and for viewing a Davio accopmpanied by a Panansonic monitor. The 3D Film Factory's Director of Stereography, Keith Driver, was on-hand to oversee camera depth, alignment and picture comfort.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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Overview

Heritage Category: Listed Building

Grade: II*

List Entry Number: 1170373

Date first listed: 30-Jun-1961

Location

Statutory Address: Parish Church of Saint Margaret,59 Fore St, Topsham, Exeter EX3 0HL

County: Devon

District: Exeter (District Authority)

National Grid Reference: SX 96537 88029

Details

871/8/896 FORE STREET 30-JUN-61 TOPSHAM (West side) St Margaret's Church (Formerly listed as: FORE STREET TOPSHAM Church of St Margaret)

II* Perp tower, the rest rebuilt 1874-6 by Edward Ashworth.

MATERIALS: Random squared grey limestone, red sandstone tower, diaper-patterned slate roofs.

PLAN: Deep cruciform plan with four-bay nave and two-bay chancel. Unusually, the tower is attached to the west side of the south transept, and the main porch is east of the north transept.

EXTERIOR: Facing the street is the east front, with gabled chancel and a lower gabled chapel to its north. A low lean-to chapel and porch sit further back to the south side. The style generally is Geometric Gothic c. 1300, with complex picturesque roofs of patterned slate. The tower is barely visible from the street, and is revealed only from the churchyard to the south. It is low, without buttresses or clear division into stages. It has a three-light window above a door, and a small square-headed bell opening with louvres. The embattled parapet was stepped-up in the centre to accommodate clock faces in 1887. To the east of the tower, the south transept gable has an imposing five-light window with flowing Dec tracery. The nave has lean-to aisles and a clerestory of small oculi with varied tracery (foiled, star-pattern or spheric triangles).

INTERIOR: The chief decorative focus is the chancel roof, of boarded wagon vault form overlaid with a fine net of cusped diaper ribs in rectangular panels. Over the nave, more conventional roofs with arch-braced collar trusses on small hammerbeams. Aisle roofs with unorthodox Y-trusses. The nave arcades have circular piers with moulded capitals and arches, running into heavy plain square piers at the crossing, with big leafy corbels on the responds. Similar corbels support the chancel arch. The western two bays of the nave were cleared and screened off in the 1970s for use as a social area. The north transept was screened off from the nave to serve as an entrance vestibule in 2007; part of a phased reordering of the whole church by Oliver West & John Scott (plans dated 2003). The south transept has in its east wall a row of four upper windows like a clerestory. The north chancel chapel houses the organ loft and a vestry, while the small south chapel is currently still furnished as such (but due to be cleared). Geometric black and white stone floors at the chancel steps, and encaustic tiled chancel. Much of the stone carving was executed by the Exeter workshop of Harry Hems.

PRINCIPAL FIXTURES: Stone reredos of five crocketed gables with some red marble shafts. The backdrop is stencilled with a brocade design. Oak chancel furnishings, Neo-Perp, carefully designed and of good workmanship, 1935. Similar pulpit, perhaps of the same date. The Norman font has a circular bowl with big conical flutes, and on one side a large standing beast or dragon holding an apple (?) in its mouth. The font cover is of spire form, of cut and pierced brass, 1880. In the north transept is a wall clock made by Cuthbert Lee, London, c. 1760, with octagonal face and a Chinoiserie lacquered and gilded case. Dutch brass chandelier with two tiers of eight branches, given c. 1700. Good Royal arms of carved and painted wood with Baroque mantling; arms of the version current 1603-49, 1660-89 and 1702-7. Probably late C17. There is good Victorian stained glass: east and west windows by F. Drake, 1876-7. The south transept south is by Burlison & Grylls, 1907, 'one of their best in Devon' (Pevsner). North transept north by Beer & Driffield, 1876. In the south transept, two fine Greek Revival tablets of black and white marble, by Sir Francis Chantrey, to Lt. Col. George Duckworth (d. 1811, standing figure with an angel of Victory) and to his father Admiral Sir John Duckworth, Bart., d. 1817, including a noble bust and a fine relief of a naval battle. HISTORY: Topsham served as Exeter's port from Roman times. It was a considerable settlement by c. 700, and had a manse associated with the living by 937. The church was re-consecrated in the mid-C15, possibly about the time the tower was built. The church was rebuilt after a fire in 1676, and again in 1874-6, at a cost of £8,550. The architect for this scheme, Edward Ashworth (1814-96), was articled to Robert Cornish of Exeter and was later a pupil of the London architect Charles Fowler. He emigrated to New Zealand in 1842 and practised in Auckland until January 1844. He returned to his home country in 1846 and practised in Exeter where he established a reputation for himself as a church architect.

SOURCES: Cherry, B and Pevsner, N, Buildings of England, Devon, (1989) 820 Stabb, J, Some Old Devon Churches, (1908-16), vol. 3 Lambeth Palace Library, Incorporated Church Building Society, Archive file 079597, (www.churchplansonline.org)

REASONS FOR DESIGNATION: St Margaret's Church, Fore Street, Topsham, Exeter is designated at Grade II* for the following principal reasons: * A thoughtfully designed Gothic Revival church by Edward Ashworth, 1874-6 * Picturesque massing and siting, on a shallow clifftop overlooking the Exe estuary * Surviving C15 century tower * Fine Norman font with crude but vigorous carving of a dragon or beast * Two striking Greek Revival monuments by Chantrey * Good collection of fittings (glass, Royal arms, chandelier, font cover etc)

© Historic England 2021

The 3D Film Factory was recently hired by Breadtruck Films to provide 3D production services stereography services for their "Super Dentist" 3D film. The 3-day production utilized the 3D-BS Indie Rig (beam-splitter) Rig, two Sony EX3 cameras, and for viewing a Davio accopmpanied by a Panansonic monitor. The 3D Film Factory's Director of Stereography, Keith Driver, was on-hand to oversee camera depth, alignment and picture comfort.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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Overview

Heritage Category: Listed Building

Grade: II*

List Entry Number: 1170373

Date first listed: 30-Jun-1961

Location

Statutory Address: Parish Church of Saint Margaret,59 Fore St, Topsham, Exeter EX3 0HL

County: Devon

District: Exeter (District Authority)

National Grid Reference: SX 96537 88029

Details

871/8/896 FORE STREET 30-JUN-61 TOPSHAM (West side) St Margaret's Church (Formerly listed as: FORE STREET TOPSHAM Church of St Margaret)

II* Perp tower, the rest rebuilt 1874-6 by Edward Ashworth.

MATERIALS: Random squared grey limestone, red sandstone tower, diaper-patterned slate roofs.

PLAN: Deep cruciform plan with four-bay nave and two-bay chancel. Unusually, the tower is attached to the west side of the south transept, and the main porch is east of the north transept.

EXTERIOR: Facing the street is the east front, with gabled chancel and a lower gabled chapel to its north. A low lean-to chapel and porch sit further back to the south side. The style generally is Geometric Gothic c. 1300, with complex picturesque roofs of patterned slate. The tower is barely visible from the street, and is revealed only from the churchyard to the south. It is low, without buttresses or clear division into stages. It has a three-light window above a door, and a small square-headed bell opening with louvres. The embattled parapet was stepped-up in the centre to accommodate clock faces in 1887. To the east of the tower, the south transept gable has an imposing five-light window with flowing Dec tracery. The nave has lean-to aisles and a clerestory of small oculi with varied tracery (foiled, star-pattern or spheric triangles).

INTERIOR: The chief decorative focus is the chancel roof, of boarded wagon vault form overlaid with a fine net of cusped diaper ribs in rectangular panels. Over the nave, more conventional roofs with arch-braced collar trusses on small hammerbeams. Aisle roofs with unorthodox Y-trusses. The nave arcades have circular piers with moulded capitals and arches, running into heavy plain square piers at the crossing, with big leafy corbels on the responds. Similar corbels support the chancel arch. The western two bays of the nave were cleared and screened off in the 1970s for use as a social area. The north transept was screened off from the nave to serve as an entrance vestibule in 2007; part of a phased reordering of the whole church by Oliver West & John Scott (plans dated 2003). The south transept has in its east wall a row of four upper windows like a clerestory. The north chancel chapel houses the organ loft and a vestry, while the small south chapel is currently still furnished as such (but due to be cleared). Geometric black and white stone floors at the chancel steps, and encaustic tiled chancel. Much of the stone carving was executed by the Exeter workshop of Harry Hems.

PRINCIPAL FIXTURES: Stone reredos of five crocketed gables with some red marble shafts. The backdrop is stencilled with a brocade design. Oak chancel furnishings, Neo-Perp, carefully designed and of good workmanship, 1935. Similar pulpit, perhaps of the same date. The Norman font has a circular bowl with big conical flutes, and on one side a large standing beast or dragon holding an apple (?) in its mouth. The font cover is of spire form, of cut and pierced brass, 1880. In the north transept is a wall clock made by Cuthbert Lee, London, c. 1760, with octagonal face and a Chinoiserie lacquered and gilded case. Dutch brass chandelier with two tiers of eight branches, given c. 1700. Good Royal arms of carved and painted wood with Baroque mantling; arms of the version current 1603-49, 1660-89 and 1702-7. Probably late C17. There is good Victorian stained glass: east and west windows by F. Drake, 1876-7. The south transept south is by Burlison & Grylls, 1907, 'one of their best in Devon' (Pevsner). North transept north by Beer & Driffield, 1876. In the south transept, two fine Greek Revival tablets of black and white marble, by Sir Francis Chantrey, to Lt. Col. George Duckworth (d. 1811, standing figure with an angel of Victory) and to his father Admiral Sir John Duckworth, Bart., d. 1817, including a noble bust and a fine relief of a naval battle. HISTORY: Topsham served as Exeter's port from Roman times. It was a considerable settlement by c. 700, and had a manse associated with the living by 937. The church was re-consecrated in the mid-C15, possibly about the time the tower was built. The church was rebuilt after a fire in 1676, and again in 1874-6, at a cost of £8,550. The architect for this scheme, Edward Ashworth (1814-96), was articled to Robert Cornish of Exeter and was later a pupil of the London architect Charles Fowler. He emigrated to New Zealand in 1842 and practised in Auckland until January 1844. He returned to his home country in 1846 and practised in Exeter where he established a reputation for himself as a church architect.

SOURCES: Cherry, B and Pevsner, N, Buildings of England, Devon, (1989) 820 Stabb, J, Some Old Devon Churches, (1908-16), vol. 3 Lambeth Palace Library, Incorporated Church Building Society, Archive file 079597, (www.churchplansonline.org)

REASONS FOR DESIGNATION: St Margaret's Church, Fore Street, Topsham, Exeter is designated at Grade II* for the following principal reasons: * A thoughtfully designed Gothic Revival church by Edward Ashworth, 1874-6 * Picturesque massing and siting, on a shallow clifftop overlooking the Exe estuary * Surviving C15 century tower * Fine Norman font with crude but vigorous carving of a dragon or beast * Two striking Greek Revival monuments by Chantrey * Good collection of fittings (glass, Royal arms, chandelier, font cover etc)

© Historic England 2021

Overview

Heritage Category: Listed Building

Grade: II*

List Entry Number: 1170373

Date first listed: 30-Jun-1961

Location

Statutory Address: Parish Church of Saint Margaret,59 Fore St, Topsham, Exeter EX3 0HL

County: Devon

District: Exeter (District Authority)

National Grid Reference: SX 96537 88029

Details

871/8/896 FORE STREET 30-JUN-61 TOPSHAM (West side) St Margaret's Church (Formerly listed as: FORE STREET TOPSHAM Church of St Margaret)

II* Perp tower, the rest rebuilt 1874-6 by Edward Ashworth.

MATERIALS: Random squared grey limestone, red sandstone tower, diaper-patterned slate roofs.

PLAN: Deep cruciform plan with four-bay nave and two-bay chancel. Unusually, the tower is attached to the west side of the south transept, and the main porch is east of the north transept.

EXTERIOR: Facing the street is the east front, with gabled chancel and a lower gabled chapel to its north. A low lean-to chapel and porch sit further back to the south side. The style generally is Geometric Gothic c. 1300, with complex picturesque roofs of patterned slate. The tower is barely visible from the street, and is revealed only from the churchyard to the south. It is low, without buttresses or clear division into stages. It has a three-light window above a door, and a small square-headed bell opening with louvres. The embattled parapet was stepped-up in the centre to accommodate clock faces in 1887. To the east of the tower, the south transept gable has an imposing five-light window with flowing Dec tracery. The nave has lean-to aisles and a clerestory of small oculi with varied tracery (foiled, star-pattern or spheric triangles).

INTERIOR: The chief decorative focus is the chancel roof, of boarded wagon vault form overlaid with a fine net of cusped diaper ribs in rectangular panels. Over the nave, more conventional roofs with arch-braced collar trusses on small hammerbeams. Aisle roofs with unorthodox Y-trusses. The nave arcades have circular piers with moulded capitals and arches, running into heavy plain square piers at the crossing, with big leafy corbels on the responds. Similar corbels support the chancel arch. The western two bays of the nave were cleared and screened off in the 1970s for use as a social area. The north transept was screened off from the nave to serve as an entrance vestibule in 2007; part of a phased reordering of the whole church by Oliver West & John Scott (plans dated 2003). The south transept has in its east wall a row of four upper windows like a clerestory. The north chancel chapel houses the organ loft and a vestry, while the small south chapel is currently still furnished as such (but due to be cleared). Geometric black and white stone floors at the chancel steps, and encaustic tiled chancel. Much of the stone carving was executed by the Exeter workshop of Harry Hems.

PRINCIPAL FIXTURES: Stone reredos of five crocketed gables with some red marble shafts. The backdrop is stencilled with a brocade design. Oak chancel furnishings, Neo-Perp, carefully designed and of good workmanship, 1935. Similar pulpit, perhaps of the same date. The Norman font has a circular bowl with big conical flutes, and on one side a large standing beast or dragon holding an apple (?) in its mouth. The font cover is of spire form, of cut and pierced brass, 1880. In the north transept is a wall clock made by Cuthbert Lee, London, c. 1760, with octagonal face and a Chinoiserie lacquered and gilded case. Dutch brass chandelier with two tiers of eight branches, given c. 1700. Good Royal arms of carved and painted wood with Baroque mantling; arms of the version current 1603-49, 1660-89 and 1702-7. Probably late C17. There is good Victorian stained glass: east and west windows by F. Drake, 1876-7. The south transept south is by Burlison & Grylls, 1907, 'one of their best in Devon' (Pevsner). North transept north by Beer & Driffield, 1876. In the south transept, two fine Greek Revival tablets of black and white marble, by Sir Francis Chantrey, to Lt. Col. George Duckworth (d. 1811, standing figure with an angel of Victory) and to his father Admiral Sir John Duckworth, Bart., d. 1817, including a noble bust and a fine relief of a naval battle. HISTORY: Topsham served as Exeter's port from Roman times. It was a considerable settlement by c. 700, and had a manse associated with the living by 937. The church was re-consecrated in the mid-C15, possibly about the time the tower was built. The church was rebuilt after a fire in 1676, and again in 1874-6, at a cost of £8,550. The architect for this scheme, Edward Ashworth (1814-96), was articled to Robert Cornish of Exeter and was later a pupil of the London architect Charles Fowler. He emigrated to New Zealand in 1842 and practised in Auckland until January 1844. He returned to his home country in 1846 and practised in Exeter where he established a reputation for himself as a church architect.

SOURCES: Cherry, B and Pevsner, N, Buildings of England, Devon, (1989) 820 Stabb, J, Some Old Devon Churches, (1908-16), vol. 3 Lambeth Palace Library, Incorporated Church Building Society, Archive file 079597, (www.churchplansonline.org)

REASONS FOR DESIGNATION: St Margaret's Church, Fore Street, Topsham, Exeter is designated at Grade II* for the following principal reasons: * A thoughtfully designed Gothic Revival church by Edward Ashworth, 1874-6 * Picturesque massing and siting, on a shallow clifftop overlooking the Exe estuary * Surviving C15 century tower * Fine Norman font with crude but vigorous carving of a dragon or beast * Two striking Greek Revival monuments by Chantrey * Good collection of fittings (glass, Royal arms, chandelier, font cover etc)

© Historic England 2021

The 3D Film Factory was recently hired by Breadtruck Films to provide 3D production services stereography services for their "Super Dentist" 3D film. The 3-day production utilized the 3D-BS Indie Rig (beam-splitter) Rig, two Sony EX3 cameras, and for viewing a Davio accopmpanied by a Panansonic monitor. The 3D Film Factory's Director of Stereography, Keith Driver, was on-hand to oversee camera depth, alignment and picture comfort.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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Portrait photography has always been one of my favorites, and I never thought I would really explore that in low light until I saw the NY Times article on "These Dreamlike Portraits Explore L.G.B.T.Q. Identity in India." Low light portraits can help emphasize and show drama in an image.

In my album, you'll see two different models where I show two different emotions. The portraits were taken using only a candle ( a significant prop near the tub) and a distant dim shower light.

I definitely felt more capable than ever before on taking on a portrait in low light because I understood my camera and how I could use the settings to give me the results I needed. I also realized the importance a photographer has in composing a photo in order for viewers to get the idea. Bubbles were used to be that cloud and blur moment at the front that I used to help frame and hide part of her, something to add mystery to this intimate moment. The mirror behind her, the white tile, the towel bar in the reflection would have all been distracting were this to not be a low light photo; but here, all that is unnecessary is taken away and only what is needed to be seen is illuminated.

Datrts Farm Summer 2024

Overview

Heritage Category: Listed Building

Grade: II*

List Entry Number: 1170373

Date first listed: 30-Jun-1961

Location

Statutory Address: Parish Church of Saint Margaret,59 Fore St, Topsham, Exeter EX3 0HL

County: Devon

District: Exeter (District Authority)

National Grid Reference: SX 96537 88029

Details

871/8/896 FORE STREET 30-JUN-61 TOPSHAM (West side) St Margaret's Church (Formerly listed as: FORE STREET TOPSHAM Church of St Margaret)

II* Perp tower, the rest rebuilt 1874-6 by Edward Ashworth.

MATERIALS: Random squared grey limestone, red sandstone tower, diaper-patterned slate roofs.

PLAN: Deep cruciform plan with four-bay nave and two-bay chancel. Unusually, the tower is attached to the west side of the south transept, and the main porch is east of the north transept.

EXTERIOR: Facing the street is the east front, with gabled chancel and a lower gabled chapel to its north. A low lean-to chapel and porch sit further back to the south side. The style generally is Geometric Gothic c. 1300, with complex picturesque roofs of patterned slate. The tower is barely visible from the street, and is revealed only from the churchyard to the south. It is low, without buttresses or clear division into stages. It has a three-light window above a door, and a small square-headed bell opening with louvres. The embattled parapet was stepped-up in the centre to accommodate clock faces in 1887. To the east of the tower, the south transept gable has an imposing five-light window with flowing Dec tracery. The nave has lean-to aisles and a clerestory of small oculi with varied tracery (foiled, star-pattern or spheric triangles).

INTERIOR: The chief decorative focus is the chancel roof, of boarded wagon vault form overlaid with a fine net of cusped diaper ribs in rectangular panels. Over the nave, more conventional roofs with arch-braced collar trusses on small hammerbeams. Aisle roofs with unorthodox Y-trusses. The nave arcades have circular piers with moulded capitals and arches, running into heavy plain square piers at the crossing, with big leafy corbels on the responds. Similar corbels support the chancel arch. The western two bays of the nave were cleared and screened off in the 1970s for use as a social area. The north transept was screened off from the nave to serve as an entrance vestibule in 2007; part of a phased reordering of the whole church by Oliver West & John Scott (plans dated 2003). The south transept has in its east wall a row of four upper windows like a clerestory. The north chancel chapel houses the organ loft and a vestry, while the small south chapel is currently still furnished as such (but due to be cleared). Geometric black and white stone floors at the chancel steps, and encaustic tiled chancel. Much of the stone carving was executed by the Exeter workshop of Harry Hems.

PRINCIPAL FIXTURES: Stone reredos of five crocketed gables with some red marble shafts. The backdrop is stencilled with a brocade design. Oak chancel furnishings, Neo-Perp, carefully designed and of good workmanship, 1935. Similar pulpit, perhaps of the same date. The Norman font has a circular bowl with big conical flutes, and on one side a large standing beast or dragon holding an apple (?) in its mouth. The font cover is of spire form, of cut and pierced brass, 1880. In the north transept is a wall clock made by Cuthbert Lee, London, c. 1760, with octagonal face and a Chinoiserie lacquered and gilded case. Dutch brass chandelier with two tiers of eight branches, given c. 1700. Good Royal arms of carved and painted wood with Baroque mantling; arms of the version current 1603-49, 1660-89 and 1702-7. Probably late C17. There is good Victorian stained glass: east and west windows by F. Drake, 1876-7. The south transept south is by Burlison & Grylls, 1907, 'one of their best in Devon' (Pevsner). North transept north by Beer & Driffield, 1876. In the south transept, two fine Greek Revival tablets of black and white marble, by Sir Francis Chantrey, to Lt. Col. George Duckworth (d. 1811, standing figure with an angel of Victory) and to his father Admiral Sir John Duckworth, Bart., d. 1817, including a noble bust and a fine relief of a naval battle. HISTORY: Topsham served as Exeter's port from Roman times. It was a considerable settlement by c. 700, and had a manse associated with the living by 937. The church was re-consecrated in the mid-C15, possibly about the time the tower was built. The church was rebuilt after a fire in 1676, and again in 1874-6, at a cost of £8,550. The architect for this scheme, Edward Ashworth (1814-96), was articled to Robert Cornish of Exeter and was later a pupil of the London architect Charles Fowler. He emigrated to New Zealand in 1842 and practised in Auckland until January 1844. He returned to his home country in 1846 and practised in Exeter where he established a reputation for himself as a church architect.

SOURCES: Cherry, B and Pevsner, N, Buildings of England, Devon, (1989) 820 Stabb, J, Some Old Devon Churches, (1908-16), vol. 3 Lambeth Palace Library, Incorporated Church Building Society, Archive file 079597, (www.churchplansonline.org)

REASONS FOR DESIGNATION: St Margaret's Church, Fore Street, Topsham, Exeter is designated at Grade II* for the following principal reasons: * A thoughtfully designed Gothic Revival church by Edward Ashworth, 1874-6 * Picturesque massing and siting, on a shallow clifftop overlooking the Exe estuary * Surviving C15 century tower * Fine Norman font with crude but vigorous carving of a dragon or beast * Two striking Greek Revival monuments by Chantrey * Good collection of fittings (glass, Royal arms, chandelier, font cover etc)

© Historic England 2021

The 3D Film Factory films veteran magician Joe Mystic in stereoscopic 3D. The crew uses the 3D-BS Indie Rig (beam-splitter) outfitted with Sony's EX3 cameras.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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Flowers at Topsham

The 3D Film Factory films veteran magician Joe Mystic in stereoscopic 3D. The crew uses the 3D-BS Indie Rig (beam-splitter) outfitted with Sony's EX3 cameras. For real-time 3D viewing on set, director of stereography Keith Driver & lead stereographer Victor Lou use the Davio stereoprocessor and Panasonic monitor.

For more information visit www.3DFilmFactory.com

The 3D Film Factory is the leader in professional, affordable 3D camera systems and real-time 3D monitoring solutions. On a day-to-day basis we provide 3D camera rig and monitor rentals, expert stereographers ‘for hire’, and 3D post and 3D production services Worldwide. In addition, we offer intensive monthly 3D training workshops. Past clients include ESPN, DISNEY, NASA, Honeywell, HD Cinema, Pinewood Studios, and many others. For more information visit www.3DFilmFactory.com

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ROOTSTEIN mannequin

FOR SALE

I'm building an A.I.,.....AVA in her infancy. Ex Machina - 1:12 scale work in progress. Still rough around the edges while I focus in on Alicia Vikander's likeness. The body needs to be thinned out more. She needs new feet to be sculpted with articulation. Ears and the skull will be sculpted/defined more....then it will get tricky. More to come on this project.....‪#‎ava‬ ‪#‎meetava‬ ‪#‎exmachina‬ ‪#‎sith_fire30‬ ‪#‎turingtest‬

Topsham Yachts

Our DOF Filmmaker Kit takes our DOF Indie kit a step further by allowing the entire rig to be shoulder-mounted and perfectly balanced when shooting with a DOF 35mm lens adapter such as a Letus35, Brevis, MovieTube, P+S Tecnik, and/or RedRock. The DOF adapter allows you to use Nikon, Canon or Zeiss still lenses and achieve the same shallow DOF as a 35mm motion picture film.

The DOF Filmmaker kit includes all of the mounting equipment needed for the independent filmmaker –matte box away, follow focus, DOF adapter, wireless microphone receiver and external monitor. With the filmmaker kit, you can also make your pre-existing matte box a swing-away matte box. Zacuto was the first to design a camera package using rods behind the camera for mounting and counterbalance. The mount behind the camcorder holds batteries to power the monitor and accessories and provide a counterbalance to offset the weight of the camera, DOF adapter and accessories. The rig can be easily balanced with a few quick adjustments and gives any professional camcorder the stability of a larger shoulder mounted camera.

Zacuto’s baseplate kits are universal and quick-releasable; they can be used with any 15mm lightweight accessories, follow focuses & matte boxes. The kits are designed to be use with current and future models of cameras & camcorders such as the: Panasonic HVX200a, DVX100a/b, Canon XL-H1, XL2, GL2, XH-A1 Sony XDCAM EX1, EX3, SO-HVR-Z1U, VX2000, PD-150, PD-170, JVC GY-HD100U, HD200U, HD250U, Silicon Imaging SI2K, RED ONE, and many more.

Designed and manufactured by Zacuto using the highest quality materials to extreme tolerances. Made in the USA. Zacuto lifetime warranty.

DOF Filmmaker Baseplate Kit Includes:

- Universal Baseplate

- Z-Riser

- set of 3.5" Male Rods

- Locking Lens Support

- Doublemount

- Red Plate

- Battery Plate

- Wireless Plate

- Zround Mount

- Zicromount III

- Zamerican V3 Large Arm

- Zmount II

- Shoulder Pad

- Q-Release

- Zgrips

- Z-Focus

- Zwhip

- Zipgear Prime Lens Kit

- Zwing-away Adapter

Official list entry

Heritage Category: Listed Building

Grade: II

List Entry Number: 1224511

Date first listed: 01-Mar-1988

Statutory Address 1: K6 TELEPHONE KIOSK, THE STRAND

Location

Statutory Address:

K6 TELEPHONE KIOSK, EX3 0AN, Strand, Topsham, Exeter

County: Devon

District: Exeter (District Authority)

Parish: Non Civil Parish

National Grid Reference: SX 96701 87696

Details

TOPSHAM THE STRAND K6 Telephone Kiosk

GV II Telephone kiosk, Type K6. Designed 1935 by Sir Giles Gilbert Scott Made by various contractors. Cast Iron. Square kiosk with domed roof. Unperforated crowns to top panels and margin glazing to windows and door.

© Historic England 2022

The Devon Yawl design has evolved over two hundred years from the inshore fishing boats of the south Devon coast and one of England’s oldest racing classes; the Salcombe Yawl. The Devon Yawl is a boat that is fun to own and fun to sail. As an all-weather racer, the boat is fast and responsive, satisfying for both the novice and the expert. She can be single-handed and yet is roomy enough for all the family to enjoy. The weight of the centreplate and ballast contribute to her inherent stability, which coupled with a large sail area gives her an excellent performance. She is truly a performance daysailer. The Devon Dayboat is a derivative with a cuddy based on the same hull and sail plan as the Devon Yawl.

Specifications

Hull Type:Keel/Cbrd.Rigging Type:Masthead Yawl

LOA:16.00 ft / 4.88 mLWL:16.00 ft / 4.88 m

Beam:6.17 ft / 1.88 mS.A. (reported):167.00 ft2 / 15.51 m2

Draft (max):4.50 ft / 1.37 mDraft (min):0.92 ft / 0.28 m

Displacement:950 lb / 431 kgBallast:314 lb / 142 kg

S.A./Disp.:27.70Bal./Disp.:33.05Disp./Len.:103.54

Construction:FGBallast Type:

First Built:1968 Last Built:# Built:

Builder:Classic Boat (USA) John Lack (UK)

Designer:M. Quick

help

S.A./Disp.:27.70

Bal./Disp.:33.05

Disp./Len.:103.54

Comfort Ratio:8.12

Capsize Screening Formula:2.51

Rig and Sail Particulars

help

I:8.00 ft / 2.44 mJ:15.00 ft / 4.57 m

P:20.00 ft / 6.10 mE:9.00 ft / 2.74 m

PY:10.00 ft / 3.05 mEY:3.00 ft / 0.91 m

SPL/TPS:ISP:

S.A. Fore:60.00 ft2 / 5.57 m2S.A. Main:90.00 ft2 / 8.36 m2

S.A. Total (100% Fore + Main Triangles)150.00 ft2 / 13.94 m2

S.A./Disp. (calc.):24.88Est. Forestay Len.:17.00 ft / 5.18 m

The Devon Yawl design has evolved over two hundred years from the inshore fishing boats of the south Devon coast and one of England’s oldest racing classes; the Salcombe Yawl. The Devon Yawl is a boat that is fun to own and fun to sail. As an all-weather racer, the boat is fast and responsive, satisfying for both the novice and the expert. She can be single-handed and yet is roomy enough for all the family to enjoy. The weight of the centreplate and ballast contribute to her inherent stability, which coupled with a large sail area gives her an excellent performance. She is truly a performance daysailer. The Devon Dayboat is a derivative with a cuddy based on the same hull and sail plan as the Devon Yawl.

Specifications

Hull Type:Keel/Cbrd.Rigging Type:Masthead Yawl

LOA:16.00 ft / 4.88 mLWL:16.00 ft / 4.88 m

Beam:6.17 ft / 1.88 mS.A. (reported):167.00 ft2 / 15.51 m2

Draft (max):4.50 ft / 1.37 mDraft (min):0.92 ft / 0.28 m

Displacement:950 lb / 431 kgBallast:314 lb / 142 kg

S.A./Disp.:27.70Bal./Disp.:33.05Disp./Len.:103.54

Construction:FGBallast Type:

First Built:1968 Last Built:# Built:

Builder:Classic Boat (USA) John Lack (UK)

Designer:M. Quick

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S.A./Disp.:27.70

Bal./Disp.:33.05

Disp./Len.:103.54

Comfort Ratio:8.12

Capsize Screening Formula:2.51

Rig and Sail Particulars

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I:8.00 ft / 2.44 mJ:15.00 ft / 4.57 m

P:20.00 ft / 6.10 mE:9.00 ft / 2.74 m

PY:10.00 ft / 3.05 mEY:3.00 ft / 0.91 m

SPL/TPS:ISP:

S.A. Fore:60.00 ft2 / 5.57 m2S.A. Main:90.00 ft2 / 8.36 m2

S.A. Total (100% Fore + Main Triangles)150.00 ft2 / 13.94 m2

S.A./Disp. (calc.):24.88Est. Forestay Len.:17.00 ft / 5.18 m

The All New Angel Of The South

By Brendan Rawlings (Zen Wood Design)

£18,500.00

This sculpture is a one of a kind and evokes power and unrivaled assurance in where one is heading born out of action or faith.

The angel is made from driftwood and is lightly painted in an eco friendly white. The driftwood that makes up th ebody and limbs was found in Exmouth and the feathers from all over East Devon and North Cornwall. The feathers are also hardwoods like hazel and cedar.

This sculpture is over 1ft in length and is suspended 3 feet from the steel base giving it the illusion that it is flying.

The sculpture has been temporarily leant to Topsham and so will be reising outside St Margarets Church until it's purchase.

Externsteine Infocenter

Director of Photography: João Atala

Shot with multiple cameras and formats. Cameras: Red One, Sony EX3, HVX-200, ARRI SR2, AATON PLUS, AATON XTERA, CANON 5D MII, and PANASONIC HPX-500 were used.

Watch this video on Vimeo. Video created by João Atala.

Sailboat Specifications

Hull Type: Lifting Keel

Rigging Type: Fractional Sloop

LOA: 27.92 ft / 8.51 m

LWL: 24.50 ft / 7.47 m

S.A. (reported): 380.00 ft² / 35.30 m²

Beam:9.25 ft / 2.82 m

Displacement:5,500.00 lb / 2,495 kg

Ballast: 2,050.00 lb / 930 kg

Max Draft: 5.00 ft / 1.52 m

Min Draft: 1.25 ft / 0.38 m

Construction: GRP

First Built: 1989

Builder: Parker Yachts (UK)

Designer: Ron Holland

Auxiliary Power/Tanks

Make:Yanmar

Model:1GM10

Power: 9 HP

Type:Diesel

Fuel:12 gals / 45 L

Accomodations

The accommodation offers four berths. In the forecabin, V berth with stowage under. Opening hatch to foredeck. Hanging locker. In saloon, settees port and starboard with removable table between. Fold down chart table to starboard with galley opposite. Galley sink with freshwater supply. 90 litre freshwater capacity. Two burner gimballed gas cooker with grill and oven. Coolbox. Behind the chart table is a large double berth under the cockpit.

Sailboat Calculations

S.A. / Displ.: 19.57

Bal. / Displ.: 37.27

Disp: / Len: 166.96

Comfort Ratio: 17.20

Capsize Screening Formula: 2.10

S#: 3.14

Hull Speed: 6.63 kn

Pounds/Inch Immersion: 809.76 pounds/inch

Rig and Sail Particulars

I: 32.00 ft / 9.75 m

J: 10.50 ft / 3.20 m

P: 31.25 ft / 9.53 m

E: 10.50 ft / 3.20 m

S.A. Fore: 168.00 ft² / 15.61 m²

S.A. Main: 164.06 ft² / 15.24 m²

S.A. Total (100% Fore + Main Triangles): 332.06 ft² / 30.85 m²

S.A./Displ. (calc.): 17.10

Est. Forestay Length: 33.68 ft / 10.27 m

Mast Height from DWL: 40.50 ft / 12.34 m