(García)

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

Black and White

(Solís)

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

Rotting hulk on the river Exe at Topsham

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(Paredes)

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

Overview

Heritage Category: Listed Building

Grade: II*

List Entry Number: 1170373

Date first listed: 30-Jun-1961

Location

Statutory Address: Parish Church of Saint Margaret,59 Fore St, Topsham, Exeter EX3 0HL

County: Devon

District: Exeter (District Authority)

National Grid Reference: SX 96537 88029

Details

871/8/896 FORE STREET 30-JUN-61 TOPSHAM (West side) St Margaret's Church (Formerly listed as: FORE STREET TOPSHAM Church of St Margaret)

II* Perp tower, the rest rebuilt 1874-6 by Edward Ashworth.

MATERIALS: Random squared grey limestone, red sandstone tower, diaper-patterned slate roofs.

PLAN: Deep cruciform plan with four-bay nave and two-bay chancel. Unusually, the tower is attached to the west side of the south transept, and the main porch is east of the north transept.

EXTERIOR: Facing the street is the east front, with gabled chancel and a lower gabled chapel to its north. A low lean-to chapel and porch sit further back to the south side. The style generally is Geometric Gothic c. 1300, with complex picturesque roofs of patterned slate. The tower is barely visible from the street, and is revealed only from the churchyard to the south. It is low, without buttresses or clear division into stages. It has a three-light window above a door, and a small square-headed bell opening with louvres. The embattled parapet was stepped-up in the centre to accommodate clock faces in 1887. To the east of the tower, the south transept gable has an imposing five-light window with flowing Dec tracery. The nave has lean-to aisles and a clerestory of small oculi with varied tracery (foiled, star-pattern or spheric triangles).

INTERIOR: The chief decorative focus is the chancel roof, of boarded wagon vault form overlaid with a fine net of cusped diaper ribs in rectangular panels. Over the nave, more conventional roofs with arch-braced collar trusses on small hammerbeams. Aisle roofs with unorthodox Y-trusses. The nave arcades have circular piers with moulded capitals and arches, running into heavy plain square piers at the crossing, with big leafy corbels on the responds. Similar corbels support the chancel arch. The western two bays of the nave were cleared and screened off in the 1970s for use as a social area. The north transept was screened off from the nave to serve as an entrance vestibule in 2007; part of a phased reordering of the whole church by Oliver West & John Scott (plans dated 2003). The south transept has in its east wall a row of four upper windows like a clerestory. The north chancel chapel houses the organ loft and a vestry, while the small south chapel is currently still furnished as such (but due to be cleared). Geometric black and white stone floors at the chancel steps, and encaustic tiled chancel. Much of the stone carving was executed by the Exeter workshop of Harry Hems.

PRINCIPAL FIXTURES: Stone reredos of five crocketed gables with some red marble shafts. The backdrop is stencilled with a brocade design. Oak chancel furnishings, Neo-Perp, carefully designed and of good workmanship, 1935. Similar pulpit, perhaps of the same date. The Norman font has a circular bowl with big conical flutes, and on one side a large standing beast or dragon holding an apple (?) in its mouth. The font cover is of spire form, of cut and pierced brass, 1880. In the north transept is a wall clock made by Cuthbert Lee, London, c. 1760, with octagonal face and a Chinoiserie lacquered and gilded case. Dutch brass chandelier with two tiers of eight branches, given c. 1700. Good Royal arms of carved and painted wood with Baroque mantling; arms of the version current 1603-49, 1660-89 and 1702-7. Probably late C17. There is good Victorian stained glass: east and west windows by F. Drake, 1876-7. The south transept south is by Burlison & Grylls, 1907, 'one of their best in Devon' (Pevsner). North transept north by Beer & Driffield, 1876. In the south transept, two fine Greek Revival tablets of black and white marble, by Sir Francis Chantrey, to Lt. Col. George Duckworth (d. 1811, standing figure with an angel of Victory) and to his father Admiral Sir John Duckworth, Bart., d. 1817, including a noble bust and a fine relief of a naval battle. HISTORY: Topsham served as Exeter's port from Roman times. It was a considerable settlement by c. 700, and had a manse associated with the living by 937. The church was re-consecrated in the mid-C15, possibly about the time the tower was built. The church was rebuilt after a fire in 1676, and again in 1874-6, at a cost of £8,550. The architect for this scheme, Edward Ashworth (1814-96), was articled to Robert Cornish of Exeter and was later a pupil of the London architect Charles Fowler. He emigrated to New Zealand in 1842 and practised in Auckland until January 1844. He returned to his home country in 1846 and practised in Exeter where he established a reputation for himself as a church architect.

SOURCES: Cherry, B and Pevsner, N, Buildings of England, Devon, (1989) 820 Stabb, J, Some Old Devon Churches, (1908-16), vol. 3 Lambeth Palace Library, Incorporated Church Building Society, Archive file 079597, (www.churchplansonline.org)

REASONS FOR DESIGNATION: St Margaret's Church, Fore Street, Topsham, Exeter is designated at Grade II* for the following principal reasons: * A thoughtfully designed Gothic Revival church by Edward Ashworth, 1874-6 * Picturesque massing and siting, on a shallow clifftop overlooking the Exe estuary * Surviving C15 century tower * Fine Norman font with crude but vigorous carving of a dragon or beast * Two striking Greek Revival monuments by Chantrey * Good collection of fittings (glass, Royal arms, chandelier, font cover etc)

© Historic England 2021

Different.

(Arrieta)

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

About Squirrel Gliders...

en.wikipedia.org/wiki/Squirrel_Glider

threatenedspecies.environment.nsw.gov.au/tsprofile/profil...

bird.net.au/bird/index.php?title=Squirrel_Glider

Australian Squirrel Gliders and North American Flying Squirrels are an example of convergent evolution - no family relationship but many similar characteristics...

evolution.berkeley.edu/evolibrary/article/0_0_0/similarit...

(Solano)

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

Our DOF Indie kit is ideal for the cinematographer shooting with a DOF (depth of field) 35mm lens adapter such as a Letus35, Brevis, MovieTube, P+S Tecnik, and/or RedRock Micro, on a tripod, dolly or Steadicam. The DOF adapter allows you to use Nikon, Canon or Zeiss still lenses and achieve the same shallow DOF as a 35mm motion picture film.

Our DOF Indie kit takes our DOF Cine kit a step further by allowing the entire rig to be used shoulder-mounted. The Indie Kit includes all of the mounting equipment needed for the independent filmmaker – you can mount a matte box, follow focus, wireless microphone receiver and external monitor. The mount behind the shoulder pad will hold batteries to power the monitor and provide a counter balance weight to offset the camera and accessories in front. The rig can be easily balanced with a few quick adjustments and gives smaller 1/3” or ½” cameras the stability of a larger shoulder mounted camera.

Zacuto’s baseplate kits are universal and quick-releasable; they can be used with any 15mm lightweight accessories, follow focuses & matte boxes. The kits are designed to be use with current and future models of cameras & camcorders such as the: Panasonic HVX200a, DVX100a/b, Canon XL-H1, XL2, GL2, XH-A1 Sony XDCAM EX1, EX3, SO-HVR-Z1U, VX2000, PD-150, PD-170, JVC GY-HD100U, HD200U, HD250U, Silicon Imaging SI2K, RED ONE, and many more.

Designed and manufactured by Zacuto using the highest quality materials to extreme tolerances. Made in the USA. Zacuto lifetime warranty.

DOF Indie Baseplate Kit Includes:

- Universal Baseplate

- set of 3.5" Male Rods

- Z-Riser

- Locking Lens Support

- Doublemount

- Red Plate

- Battery Plate (v-mount or 3 stud)

- Wireless Plate

- Zround Mount

- Zicromount III

- Zamerican V3 Large Arm

- Zmount II

- Shoulder Pad

- Q-release

- Zgrips

(Perez)

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

BOAT NAME: Dawn Treader

TYPE: Colvic Countess Deckhouse

KEEL: Bilge

Rigging Type: Masthead Sloop

LWL: 28'9"

LAO: 10'.05"

BEAM: 11'8"m

DRAFT: 4'6"m

STEERING TYPE: wheel single

Engine Batteries and Tank

Perkins Perama diesel inboard 29HP

Fuel: Type diesel

Capacity – 230 litres

Age of engine – 20 years

Date of last overhaul - annual service and winterization, drive shaft and bearing replaced 2014

Batteries (number and sizes) - 4 x 100amp

Charging method – engine alternator, solar PV panel on radar arch and shore power, all controlled by battery management system

shore power Number of outlets - 2

Generator Type - alternator Rating – 55A

Cold water tank – 295 litres Pump type - electric

Hot water – pressurized cylinder Heating method – shore power and engine calorifier

Holding tank - 50 litres with deck outlet and overboard discharge

Accomodation Inc' Cockpit Area

Berths: Forecabin with 2 v berths and with infill to make a double

Saloon with galley, nav station and dinette/seating

Aft cabin – master cabin with double bunk, upholstered seats and cupboards

Other cabins - pilot berth

Heads – 1no. with WC, hand basin and shower (floor outlet to pumped sump)

Chart table – Lift up, takes half folded Admiralty charts in store under, with pilot seat

Oven – gimbled cooker with grill, oven and 2 burners

Fridge – Isotherm electric top loading

Other – Eberspacher heating to saloon and aft cabin

Headroom: Saloon - 1.9m Heads – 19m Cabins – 1.9m

Black and White

The Sony PMW-EX3 is mounted on a Zacuto Filmmaker Kit. This package is perfectly balanced on the shoulder and allows the user to handhold this camera all day. Perfect for digital filmmaking, sports, events & news. Zacuto equipment is designed and manufactured in the USA with a lifetime warranty.

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Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

(Tischler)

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

Black and White

St Nicholas Methodist Church, Topsham

Overview

Heritage Category:Listed Building

Grade:II

List Entry Number:1266755

Date first listed:08-Nov-1989

Statutory Address:METHODIST CHURCH, FORE STREET TOPSHAM

County:Devon

District:Exeter (District Authority)

National Grid Reference:SX 96596 88093

TOPSHAM FORE STREET SX 98 NE 8/1252 Methodist Church GV II

Wesleyan Methodist church. 1867-9 by J R N Haswell of North Shields. Dressed local grey limestone rubble with red sandstone and Bathstone dressings. Slate roof with stone coped gable ends and scalloped red clay ridge tiles. High Victorian Gothic style, early French Gothic. Plan: Nave, chancel, transepts, north and south porches at west end, round stair tower on south-west corner and vestry in the east angle of the south transept. Exterior: The gabled west front has 5 lancets on ground floor with hoodmoulds and plate-tracery rose window in moulded 2-centred arch with nook shafts in gable above; the impost on right continues as cornice of the round right-hand corner tower. The string course below the rose window also runs around the tower and there are lancets above it. The tower has a copper-clad conical roof with wrought iron finial. On the left hand corner a large buttress with set-offs and gabled north porch with moulded 2-centred arch doorway on front with plank doors and wrought iron hinges. The right-hand (south) porch is set back behind the tower on the south elevation. The south elevation, including the transept, has lancet windows and the transept has a round window in the gable. The apsidal east end of the chancel has lancets and on the south side the vestry has a lean-to roof from which rises the battered shaft of the stack. North elevation not investigated. Interior: Gallery at west end of nave on iron posts. The nave roof has tie-beam trusses with arch braces on stone corbels and king-posts; the transepts have common rafter roofs with ashlar pieces. Chancel has scissor-braced rafter roof with ashlar pieces. Moulded 2-centred chancel arch on marble colonnettes with capitals and corbels. Moulded 2-centred transept arches. All the main furnishings and fittings are intact including benches, pulpit with traceried panels, reading desk, choir stalls, iron and brass sanctuary rail, wooden altar table. Organ in recess on north side of chancel has painted pipes. Lancets in apex have trained glass of 1860s and 70s designed by Heaton, Butler and Bayne. Source: Information provided by C Brooks.

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

Sargo 31 Explorer - Topsham

Description

A beautiful boat build in Finland by the Sargo people to extremely high standards. Beautifully maintained and serviced by the professionals, this is better than new. Recent dinghy & outboard complete the full inventory list to make a 'turn key boating solution'. Synthetic teak decks enhance the overall appearance of this stunning twin screw boat with almost every option upgraded from new. 2 x 300hp Volvo Penta D4's (serviced December 2019) offer a blistering top speed and performance whilst enabling comfortable & economical cruising at 25kts. We cannot recommend highly enough - Please speak to Simon about this boat.

CONSTRUCTION

Hand laminated fibreglass

White hull, deck and wheelhouse

Black water lines

35mm Stainless steel rails on deck

25mm Stainless rails on roof, cabin, aft wall and front deck

Stainless steel gate in transom

Heavy duty stainless steel bollards (6pcs)

Stainless steel keel protection

Swim platform with teak inspection hatches

Heavy duty D profile rub rail

Heavy duty D profile rub rail around swim platform

Low profile windows in wheelhouse. Sides tinted.

Large opening sun roof 1.2 x 1.4m

Lockable engine hatch with gas springs

Single level decks for easy handling

Bench with storage behind wheelhouse

Teak on aft benches and between rails in bow

Flagpole and holder

Storage lockers in bow and aft corners

Spacious and service friendly engine room

Insulated outer walls in wheelhouse and cabins

Lacquered teak interior, laminated teak floor

Ceiling panels in all cabins inlaid with grey textile

Swim ladder

MACHINERY AND TECHNICAL

Twin Volvo D300 engines with 4 blade duo props (195 hours) - serviced December 2019

Larger size diesel tank (700l)

Windlass with 16kg delta anchor, 20m 8mm chain and 80m 14mm rope

Upgraded anchor windlass to V3

Additional shore power plug at bow

3 x remote controls for bow thruster and anchor

Webasto diesel heater 4kw

3 independent bilge pumps with alarms

Bowthruster upgraded to 6hp

Honda Wave 2.7m dinghy – 2018

Weaver snap davits fitted on swim platform – 2018

Mariner 3.5hp 4 stroke outboard - 2018

HULL, DECK AND CABIN EQUIPMENT

Epoxy primer and antifoul to hull and outdrives

D profile rubber on hull side

D profile rubber on bow

Hull sides filled with foam

3 roof floodlights

6 LED decklights

Light in engine room

Teak on bench in front of wheelhouse

Teak on swim platform

Windscreen washer

Sea water deckwash

6 x fenders, socks, lines, baskets and mooring warps

Aft and fore deck seat cushions

Grey Nextell steering console

4 x stainless steel rod holders

Glass inserts in wheelhouse sunroof

Synthetic teak decking (2018)

Custom made external window covers

Manual fire extinguishers in front cabin and wheelhouse

ELECTRONICS/ELECTRICAL UPGRADES ABOVE STANDARD

1600W inverter, 2 x 90Ah service batteries

Combi microwave

Extra service battery

Shore power, upgraded to 30A charger and 3 x 240V outlets with integrated USB outlets

2 x Raymarine E127 colour hybrid touch screen plotters

Raymarine CP120, CP100, B60 transducers for sonar/fish finders

Echo CHIRP DownVu/SideVu

2 x external GPS antennas

Raymarine 4KW HD radar

Icom M423 DSC VHF

Raymarine Evolution autopilot with remote control

Raymarine AIS 650 send and receive

Engine plotter link

Raymarine loud hailer/foghorn

Victron battery monitor

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

Darts Farm, Topsham, Exeter, Devon, EX3 0QH

25-03-2015

Specifications

Designer: Francis Charles Morgan-Giles

Type of Boat:West Channel One Design

Rig:Bermudan Sloop

Year Built:1950

Built By:Morgan Giles Ltd Strand,Teignmouth, Devon

LOA m / ft:7.92m / 26'

LOD m / ft:7.92m / 26'

LWL m / ft:

Beam m / ft:2.13m / 7'

Draft m / ft:1.28m / 4'2"

Yard No:

Sail Stats: Original Sail Number (W11)

Construction:Carvel planked Mahogany on Oak frames, cast iron ballast keel and teak deck with Iroko toe rails.

Notes

First registered in Lloyds in 1950 (No 183948) as a West Channel One Design. Appears to have been 10th of a class of 11. Two variants built : Type 355 with straight coacroof; Type 400 with doghouse).

First owned by Maj T W Gracey 1950-1953; won Class at Dartmouth Regatta in 1952; won Cruising Association's Knights Cup for Single Handed Voyage also in 1952.

Ownership Record

Major T W Gracey 1950 - 1953

Dr & Mrs Neil Beaton 1954 - 1959

Major K W Hedges 1959 - 1963

Major William Robb 1963 - 1965

Mr R A Broadbeer 1965 - 1967

Mr John D S Leigh 1967 - 1971

Mr Kenneth L J Maund 1971 - 1971

Mr Robert A Sadler 1971 - 1974

Mr Ian M Garland (Sole) 1974 - 1978

Mr Ian M Garland (Co-Owner) 1978 - 1984

Mr Robert C Marley (Co-Owner)

Mr Anthony R Watson (Co-Owner)

Mr Ian M Garland (Sole) 1984 - 1985

Mr Martin C Heap 1985 - Jan 1989

Mr Joseph A Fullerton 1989 - 1992

Mr William F Moore 1992 - 1994

Mr Chris Robson 1994 - 1999

Capt Harry & Mrs Sheila Keay 1999 - 2009

Mr John & Master Johnny Barley 2009 - 2019

Katie McCabe 2020 -

The Morgan Giles Register

© 2021 Teign Heritage Centre

(Cabezas)

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

St Nicholas Methodist Church, Topsham

Overview

Heritage Category:Listed Building

Grade:II

List Entry Number:1266755

Date first listed:08-Nov-1989

Statutory Address:METHODIST CHURCH, FORE STREET TOPSHAM

County:Devon

District:Exeter (District Authority)

National Grid Reference:SX 96596 88093

TOPSHAM FORE STREET SX 98 NE 8/1252 Methodist Church GV II

Wesleyan Methodist church. 1867-9 by J R N Haswell of North Shields. Dressed local grey limestone rubble with red sandstone and Bathstone dressings. Slate roof with stone coped gable ends and scalloped red clay ridge tiles. High Victorian Gothic style, early French Gothic. Plan: Nave, chancel, transepts, north and south porches at west end, round stair tower on south-west corner and vestry in the east angle of the south transept. Exterior: The gabled west front has 5 lancets on ground floor with hoodmoulds and plate-tracery rose window in moulded 2-centred arch with nook shafts in gable above; the impost on right continues as cornice of the round right-hand corner tower. The string course below the rose window also runs around the tower and there are lancets above it. The tower has a copper-clad conical roof with wrought iron finial. On the left hand corner a large buttress with set-offs and gabled north porch with moulded 2-centred arch doorway on front with plank doors and wrought iron hinges. The right-hand (south) porch is set back behind the tower on the south elevation. The south elevation, including the transept, has lancet windows and the transept has a round window in the gable. The apsidal east end of the chancel has lancets and on the south side the vestry has a lean-to roof from which rises the battered shaft of the stack. North elevation not investigated. Interior: Gallery at west end of nave on iron posts. The nave roof has tie-beam trusses with arch braces on stone corbels and king-posts; the transepts have common rafter roofs with ashlar pieces. Chancel has scissor-braced rafter roof with ashlar pieces. Moulded 2-centred chancel arch on marble colonnettes with capitals and corbels. Moulded 2-centred transept arches. All the main furnishings and fittings are intact including benches, pulpit with traceried panels, reading desk, choir stalls, iron and brass sanctuary rail, wooden altar table. Organ in recess on north side of chancel has painted pipes. Lancets in apex have trained glass of 1860s and 70s designed by Heaton, Butler and Bayne. Source: Information provided by C Brooks.

Black and White

Overview

Heritage Category: Listed Building

Grade: II*

List Entry Number: 1170373

Date first listed: 30-Jun-1961

Location

Statutory Address: Parish Church of Saint Margaret,59 Fore St, Topsham, Exeter EX3 0HL

County: Devon

District: Exeter (District Authority)

National Grid Reference: SX 96537 88029

Details

871/8/896 FORE STREET 30-JUN-61 TOPSHAM (West side) St Margaret's Church (Formerly listed as: FORE STREET TOPSHAM Church of St Margaret)

II* Perp tower, the rest rebuilt 1874-6 by Edward Ashworth.

MATERIALS: Random squared grey limestone, red sandstone tower, diaper-patterned slate roofs.

PLAN: Deep cruciform plan with four-bay nave and two-bay chancel. Unusually, the tower is attached to the west side of the south transept, and the main porch is east of the north transept.

EXTERIOR: Facing the street is the east front, with gabled chancel and a lower gabled chapel to its north. A low lean-to chapel and porch sit further back to the south side. The style generally is Geometric Gothic c. 1300, with complex picturesque roofs of patterned slate. The tower is barely visible from the street, and is revealed only from the churchyard to the south. It is low, without buttresses or clear division into stages. It has a three-light window above a door, and a small square-headed bell opening with louvres. The embattled parapet was stepped-up in the centre to accommodate clock faces in 1887. To the east of the tower, the south transept gable has an imposing five-light window with flowing Dec tracery. The nave has lean-to aisles and a clerestory of small oculi with varied tracery (foiled, star-pattern or spheric triangles).

INTERIOR: The chief decorative focus is the chancel roof, of boarded wagon vault form overlaid with a fine net of cusped diaper ribs in rectangular panels. Over the nave, more conventional roofs with arch-braced collar trusses on small hammerbeams. Aisle roofs with unorthodox Y-trusses. The nave arcades have circular piers with moulded capitals and arches, running into heavy plain square piers at the crossing, with big leafy corbels on the responds. Similar corbels support the chancel arch. The western two bays of the nave were cleared and screened off in the 1970s for use as a social area. The north transept was screened off from the nave to serve as an entrance vestibule in 2007; part of a phased reordering of the whole church by Oliver West & John Scott (plans dated 2003). The south transept has in its east wall a row of four upper windows like a clerestory. The north chancel chapel houses the organ loft and a vestry, while the small south chapel is currently still furnished as such (but due to be cleared). Geometric black and white stone floors at the chancel steps, and encaustic tiled chancel. Much of the stone carving was executed by the Exeter workshop of Harry Hems.

PRINCIPAL FIXTURES: Stone reredos of five crocketed gables with some red marble shafts. The backdrop is stencilled with a brocade design. Oak chancel furnishings, Neo-Perp, carefully designed and of good workmanship, 1935. Similar pulpit, perhaps of the same date. The Norman font has a circular bowl with big conical flutes, and on one side a large standing beast or dragon holding an apple (?) in its mouth. The font cover is of spire form, of cut and pierced brass, 1880. In the north transept is a wall clock made by Cuthbert Lee, London, c. 1760, with octagonal face and a Chinoiserie lacquered and gilded case. Dutch brass chandelier with two tiers of eight branches, given c. 1700. Good Royal arms of carved and painted wood with Baroque mantling; arms of the version current 1603-49, 1660-89 and 1702-7. Probably late C17. There is good Victorian stained glass: east and west windows by F. Drake, 1876-7. The south transept south is by Burlison & Grylls, 1907, 'one of their best in Devon' (Pevsner). North transept north by Beer & Driffield, 1876. In the south transept, two fine Greek Revival tablets of black and white marble, by Sir Francis Chantrey, to Lt. Col. George Duckworth (d. 1811, standing figure with an angel of Victory) and to his father Admiral Sir John Duckworth, Bart., d. 1817, including a noble bust and a fine relief of a naval battle. HISTORY: Topsham served as Exeter's port from Roman times. It was a considerable settlement by c. 700, and had a manse associated with the living by 937. The church was re-consecrated in the mid-C15, possibly about the time the tower was built. The church was rebuilt after a fire in 1676, and again in 1874-6, at a cost of £8,550. The architect for this scheme, Edward Ashworth (1814-96), was articled to Robert Cornish of Exeter and was later a pupil of the London architect Charles Fowler. He emigrated to New Zealand in 1842 and practised in Auckland until January 1844. He returned to his home country in 1846 and practised in Exeter where he established a reputation for himself as a church architect.

SOURCES: Cherry, B and Pevsner, N, Buildings of England, Devon, (1989) 820 Stabb, J, Some Old Devon Churches, (1908-16), vol. 3 Lambeth Palace Library, Incorporated Church Building Society, Archive file 079597, (www.churchplansonline.org)

REASONS FOR DESIGNATION: St Margaret's Church, Fore Street, Topsham, Exeter is designated at Grade II* for the following principal reasons: * A thoughtfully designed Gothic Revival church by Edward Ashworth, 1874-6 * Picturesque massing and siting, on a shallow clifftop overlooking the Exe estuary * Surviving C15 century tower * Fine Norman font with crude but vigorous carving of a dragon or beast * Two striking Greek Revival monuments by Chantrey * Good collection of fittings (glass, Royal arms, chandelier, font cover etc)

© Historic England 2022

(Jiménez)

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.

Swallows on the Wing by Janet Clift

Stereographer Sean White and the Parallax crew film Battle Castle: Dover on their customized stereoscopic rig - the Beamer EX.

BOAT NAME: Dawn Treader

TYPE: Colvic Countess Deckhouse

KEEL: Bilge

Rigging Type: Masthead Sloop

LWL: 28'9"

LAO: 10'.05"

BEAM: 11'8"m

DRAFT: 4'6"m

STEERING TYPE: wheel single

Engine Batteries and Tank

Perkins Perama diesel inboard 29HP

Fuel: Type diesel

Capacity – 230 litres

Age of engine – 20 years

Date of last overhaul - annual service and winterization, drive shaft and bearing replaced 2014

Batteries (number and sizes) - 4 x 100amp

Charging method – engine alternator, solar PV panel on radar arch and shore power, all controlled by battery management system

shore power Number of outlets - 2

Generator Type - alternator Rating – 55A

Cold water tank – 295 litres Pump type - electric

Hot water – pressurized cylinder Heating method – shore power and engine calorifier

Holding tank - 50 litres with deck outlet and overboard discharge

Accomodation Inc' Cockpit Area

Berths: Forecabin with 2 v berths and with infill to make a double

Saloon with galley, nav station and dinette/seating

Aft cabin – master cabin with double bunk, upholstered seats and cupboards

Other cabins - pilot berth

Heads – 1no. with WC, hand basin and shower (floor outlet to pumped sump)

Chart table – Lift up, takes half folded Admiralty charts in store under, with pilot seat

Oven – gimbled cooker with grill, oven and 2 burners

Fridge – Isotherm electric top loading

Other – Eberspacher heating to saloon and aft cabin

Headroom: Saloon - 1.9m Heads – 19m Cabins – 1.9m

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el toro on far left?

(Lizano)

Arte que rompiendo moldes establecidos en el medio artístico costarricense, ha forjado un camino firme, creativo e innovador al milenio que inicia. Artistas consagrados de ruptura en los 50's; artistas contemporáneos consolidados; artistas contemporáneos emergentes. El escándalo y rechazo del ayer es avalado hoy -el hoy se cuestiona, el después llegará.

7 de diciembre - 3 de marzo

Salas I, II, III y IV

Artistas: Lola Fernández, Felo García, Hernán González, Manuel de la Cruz González, Juan Luis Rodríguez Sibaja, José Miguel Rojas, Juan Manuel Sánchez, César Valverde, Jorge Albán, Pedro Arrieta, Victoria Cabezas, Sila Chanto, Fabio Herrera, Marisel Jiménez, Carlos Jinesta, Roberto Lizano, Mario Maffioli, Priscilla Monge, Cecilia Paredes, Virginia Pérez Ratton, Joaquín Rodríguez del Paso, Karla Solano, Ottón Solís, Cinthya Soto, Jaime-David Tischler, Alejandro Villalobos, Manuel Zumbado, Andrés Carranza, Rocío Con, Marco Guevara, José Alberto Hernández, Federico Herrero, Lucía Madriz, Nadia Mendoza, Guillermo Tovar.

Curaduría: Rolando Barahona-Sotela y Tahituey Ribot-Pérez.