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Our Newsman kit allows you to shoulder mount your camera for quick, rugged ENG shooting. The rig can be easily balanced with a few quick adjustments and gives smaller 1/3” or ½” cameras the stability of a larger shoulder-mounted camera, which will produce smoother shots. The Zoffsetshifts the shoulder pad vertically and horizontally allowing the shooter to comfortably align his eye in the viewfinder on camera models where they are center mounted.
Zacuto's baseplate kits are universal and quick-releasable; they can be used with any 15mm lightweight accessories, follow focuses & matte boxes. The kits are designed to be use with current and future models of cameras & camcorders such as the: Panasonic HVX200a, DVX100a/b, Canon XL-H1, XL2, GL2, XH-A1 Sony XDCAM EX1, EX3, SO-HVR-Z1U, VX2000, PD-150, PD-170, JVC GY-HD100U, HD200U, HD250U, Silicon Imaging SI2K, RED ONE, and many more.
Designed and manufactured by Zacuto. Made in the USA. Zacuto lifetime warranty.
Newsman Baseplate Kit Includes:
- Universal Baseplate
- Shoulder Pad
- Zoffset
- Lunchbox
- Zgrips
Our DOF Docu kit is designed for use on a tripod, dolly or Steadicam with a DOF (depth of field) 35mm lens adapter such as the Letus35, Brevis, MovieTube, P+S Tecnik, and/or RedRock Micro. The DOF adapter allows you to use Nikon, Canon or Zeiss still lenses and achieve the same shallow DOF as 35mm motion picture film.
The combination of our height adjustable Universal Baseplate and Z-Riser allows you to mount any matte box and follow focus. Our Locking lens support provides the most stable mount for a DOF adapter and eliminates any rotation or shifting when pulling focus or moving the camera rig.
Zacuto’s baseplate kits are universal and quick-releasable; they can be used with any 15mm lightweight accessories, follow focuses & matte boxes. The kits are designed to be use with current and future models of cameras & camcorders such as the: Panasonic HVX200a, DVX100a/b, Canon XL-H1, XL2, GL2, XH-A1 Sony XDCAM EX1, EX3, SO-HVR-Z1U, VX2000, PD-150, PD-170, JVC GY-HD100U, HD200U, HD250U, Silicon Imaging SI2K, RED ONE, and many more.
Designed and manufactured by Zacuto using the highest quality materials to extreme tolerances. Made in the USA. Zacuto lifetime warranty.
DOF Docu Baseplate Kit Includes:
- Universal Baseplate
- Q-mount Lightweight
- Zamerican V3 Large Arm
- Zicromount III
Video Production | Motion Graphics | TV Commercials
And the reactions to the first raindrops after getting all ready for the shoot.
And here are the videos covering the stories from the Singapore airshow 2012 on the CNN site
Is the potential threat of China the reason why Asian countries are buying more weapons?
Carbon tax dominates Singapore air show
And on a seperate note another video that we shot, reported by Liz about the many millionaires in Singapore.
Secret to being a millionaire? Always pick up your calls(Says one of the millionaires).
I live in Exeter, UK, zip code EX3 0PW ....find it on Google Earth , not far from Dartmoor a well known UFO hotspot . One Sunday, July 13th 2008 I was in my yard it was a clear blue sky whilst I worked on the garden plants. I stood up and noticed these trails up there, the strange part is that I had not heard a noise of jet planes or passenger aircraft the whole time I was out there! UFO? Stealth craft?
Our RED ONE Indie Kit takes our Cine Kit a step further by allowing the entire rig to be used shoulder-mounted. The Indie Kit includes all of the mounting equipment needed for the independent filmmaker – you can mount a matte box, follow focus, and external monitor. The mount behind the shoulder pad allows RED users to mount the RED ONE Cradle. The rig can be easily balanced with a few quick adjustments. This kit also includes the ZRED, a quick release mount to mount the RED EVF. Zacuto’s baseplate kits are universal and quick-releasable; they can be used with any 15mm lightweight accessories, follow focuses & matte boxes. The kits are designed to be use with current and future models of cameras & camcorders such as the: Panasonic HVX200a, DVX100a/b, Canon XL-H1, XL2, GL2, XH-A1 Sony XDCAM EX1, EX3, SO-HVR-Z1U, VX2000, PD-150, PD-170, JVC GY-HD100U, HD200U, HD250U, Silicon Imaging SI2K, RED ONE, and many more.
RED ONE Indie Kit Includes:
- Universal Baseplate
- T-slide Kit
- Minimount
- 10" Extension Rods
- Z-mount II
- Zicromount III
- Zamerican V3 Large Arm
- Zgrips
- Q-Release
- Shoulder Pad
- Z-Focus
- Zwhip
- Universal Zipgear
- Zwing-away adapter
- Zred
- Zriser
Taken in Melbourne Australia 25-08-2018 12" Newtonian on an EQ6 mount and imaging with a GSTAR EX3 Camera
Florence (mais conhecida como Flô) tem nove anos e um camaleão que se chama Otis.
Adora usar toucas e tem uma coleção que ela compartilha com livre e espontânea pressão com as irmãs... As de monstro ela nem consegue usar, pois estão sempre na cabeça da Bea!
Ganhou duas galinhas (wubba chikens) da Juliet faz alguns anos - cuidou tão bem que agora já são mais de 30 - e a família só aumenta - e nem preciso dizer que com isso ela não come frango e não deixa mais ninguém comer né?
Estudiosa, adora ler gibis, fotografar e brincar com nanoblocks (o primeiro desafio dela foi montar uma raposa para a Dixie)!
É fã de todos os super heróis da Marvel - e tem capas e máscaras que ela usa pra brincar (segundo ela, quando usa ganha poderes especiais - como eles).
-
Ela é uma Fancy Pansy (EBL) com corpo de licca, chegou no dia 23/11/2011 e foi customizada pela Miss Piggy.
Our DOF Indie kit is ideal for the cinematographer shooting with a DOF (depth of field) 35mm lens adapter such as a Letus35, Brevis, MovieTube, P+S Tecnik, and/or RedRock Micro, on a tripod, dolly or Steadicam. The DOF adapter allows you to use Nikon, Canon or Zeiss still lenses and achieve the same shallow DOF as a 35mm motion picture film.
Our DOF Indie kit takes our DOF Cine kit a step further by allowing the entire rig to be used shoulder-mounted. The Indie Kit includes all of the mounting equipment needed for the independent filmmaker – you can mount a matte box, follow focus, wireless microphone receiver and external monitor. The mount behind the shoulder pad will hold batteries to power the monitor and provide a counter balance weight to offset the camera and accessories in front. The rig can be easily balanced with a few quick adjustments and gives smaller 1/3” or ½” cameras the stability of a larger shoulder mounted camera.
Zacuto’s baseplate kits are universal and quick-releasable; they can be used with any 15mm lightweight accessories, follow focuses & matte boxes. The kits are designed to be use with current and future models of cameras & camcorders such as the: Panasonic HVX200a, DVX100a/b, Canon XL-H1, XL2, GL2, XH-A1 Sony XDCAM EX1, EX3, SO-HVR-Z1U, VX2000, PD-150, PD-170, JVC GY-HD100U, HD200U, HD250U, Silicon Imaging SI2K, RED ONE, and many more.
Designed and manufactured by Zacuto using the highest quality materials to extreme tolerances. Made in the USA. Zacuto lifetime warranty.
DOF Indie Baseplate Kit Includes:
- Universal Baseplate
- set of 3.5" Male Rods
- Z-Riser
- Locking Lens Support
- Doublemount
- Red Plate
- Battery Plate (v-mount or 3 stud)
- Wireless Plate
- Zround Mount
- Zicromount III
- Zamerican V3 Large Arm
- Zmount II
- Shoulder Pad
- Q-release
- Zgrips
Overview
Heritage Category: Listed Building
Grade: II*
List Entry Number: 1170373
Date first listed: 30-Jun-1961
Location
Statutory Address: Parish Church of Saint Margaret,59 Fore St, Topsham, Exeter EX3 0HL
County: Devon
District: Exeter (District Authority)
National Grid Reference: SX 96537 88029
Details
871/8/896 FORE STREET 30-JUN-61 TOPSHAM (West side) St Margaret's Church (Formerly listed as: FORE STREET TOPSHAM Church of St Margaret)
II* Perp tower, the rest rebuilt 1874-6 by Edward Ashworth.
MATERIALS: Random squared grey limestone, red sandstone tower, diaper-patterned slate roofs.
PLAN: Deep cruciform plan with four-bay nave and two-bay chancel. Unusually, the tower is attached to the west side of the south transept, and the main porch is east of the north transept.
EXTERIOR: Facing the street is the east front, with gabled chancel and a lower gabled chapel to its north. A low lean-to chapel and porch sit further back to the south side. The style generally is Geometric Gothic c. 1300, with complex picturesque roofs of patterned slate. The tower is barely visible from the street, and is revealed only from the churchyard to the south. It is low, without buttresses or clear division into stages. It has a three-light window above a door, and a small square-headed bell opening with louvres. The embattled parapet was stepped-up in the centre to accommodate clock faces in 1887. To the east of the tower, the south transept gable has an imposing five-light window with flowing Dec tracery. The nave has lean-to aisles and a clerestory of small oculi with varied tracery (foiled, star-pattern or spheric triangles).
INTERIOR: The chief decorative focus is the chancel roof, of boarded wagon vault form overlaid with a fine net of cusped diaper ribs in rectangular panels. Over the nave, more conventional roofs with arch-braced collar trusses on small hammerbeams. Aisle roofs with unorthodox Y-trusses. The nave arcades have circular piers with moulded capitals and arches, running into heavy plain square piers at the crossing, with big leafy corbels on the responds. Similar corbels support the chancel arch. The western two bays of the nave were cleared and screened off in the 1970s for use as a social area. The north transept was screened off from the nave to serve as an entrance vestibule in 2007; part of a phased reordering of the whole church by Oliver West & John Scott (plans dated 2003). The south transept has in its east wall a row of four upper windows like a clerestory. The north chancel chapel houses the organ loft and a vestry, while the small south chapel is currently still furnished as such (but due to be cleared). Geometric black and white stone floors at the chancel steps, and encaustic tiled chancel. Much of the stone carving was executed by the Exeter workshop of Harry Hems.
PRINCIPAL FIXTURES: Stone reredos of five crocketed gables with some red marble shafts. The backdrop is stencilled with a brocade design. Oak chancel furnishings, Neo-Perp, carefully designed and of good workmanship, 1935. Similar pulpit, perhaps of the same date. The Norman font has a circular bowl with big conical flutes, and on one side a large standing beast or dragon holding an apple (?) in its mouth. The font cover is of spire form, of cut and pierced brass, 1880. In the north transept is a wall clock made by Cuthbert Lee, London, c. 1760, with octagonal face and a Chinoiserie lacquered and gilded case. Dutch brass chandelier with two tiers of eight branches, given c. 1700. Good Royal arms of carved and painted wood with Baroque mantling; arms of the version current 1603-49, 1660-89 and 1702-7. Probably late C17. There is good Victorian stained glass: east and west windows by F. Drake, 1876-7. The south transept south is by Burlison & Grylls, 1907, 'one of their best in Devon' (Pevsner). North transept north by Beer & Driffield, 1876. In the south transept, two fine Greek Revival tablets of black and white marble, by Sir Francis Chantrey, to Lt. Col. George Duckworth (d. 1811, standing figure with an angel of Victory) and to his father Admiral Sir John Duckworth, Bart., d. 1817, including a noble bust and a fine relief of a naval battle. HISTORY: Topsham served as Exeter's port from Roman times. It was a considerable settlement by c. 700, and had a manse associated with the living by 937. The church was re-consecrated in the mid-C15, possibly about the time the tower was built. The church was rebuilt after a fire in 1676, and again in 1874-6, at a cost of £8,550. The architect for this scheme, Edward Ashworth (1814-96), was articled to Robert Cornish of Exeter and was later a pupil of the London architect Charles Fowler. He emigrated to New Zealand in 1842 and practised in Auckland until January 1844. He returned to his home country in 1846 and practised in Exeter where he established a reputation for himself as a church architect.
SOURCES: Cherry, B and Pevsner, N, Buildings of England, Devon, (1989) 820 Stabb, J, Some Old Devon Churches, (1908-16), vol. 3 Lambeth Palace Library, Incorporated Church Building Society, Archive file 079597, (www.churchplansonline.org)
REASONS FOR DESIGNATION: St Margaret's Church, Fore Street, Topsham, Exeter is designated at Grade II* for the following principal reasons: * A thoughtfully designed Gothic Revival church by Edward Ashworth, 1874-6 * Picturesque massing and siting, on a shallow clifftop overlooking the Exe estuary * Surviving C15 century tower * Fine Norman font with crude but vigorous carving of a dragon or beast * Two striking Greek Revival monuments by Chantrey * Good collection of fittings (glass, Royal arms, chandelier, font cover etc)
© Historic England 2021
Marks: 30/30
Tutor's comments:
This is a lovely design. Italian strung curtains are an exquisite window treatment! With this type of intricate design then it is worth considering showing an image of in on the finished board so as not only to fully explain the detail but also to justify the magnificent cost of such a design. The luxurious inner curtain compliments the outer curtain perfectly and offers the function of closing so as to deal with privacy.
CONDORLINE
National Register of Historic Vessels (NRHV).
Certificate no 2126
Status Registered
Function: Fighting Vessel
Subfunction: Pinnace
Location: Topsham
Vessel type: Admiralty Pinnace
Current use: Private use
CONSTRUCTION
Builder: White, J Samuel & Co Ltd, Cowes, Isle of Wight
Built in: 1909
Converted for use as a houseboat: 1983
Hull material: Wood
Rig: None
Number of decks: 1
Number of masts: 2
Propulsion: Motor
Number of engines: 1
Primary engine type: Inboard diesel
Make: (Ford 4D) 80hp Four Cylinder Marine Diesel Engine (2011)
DIMENSIONS
Breadth: Beam: 11.00 feet (3.36 m)
Depth: 3.74 feet (1.14 m)
Length: Overall: 44.26 feet (13.50 m)
HISTORY
Built in 1909 by J Samuel White of Cowes Isle of Wight as an Admiralty Pinnace of timber construction. She was refitted in 1983 with a Honda diesel engine and new decking.
Notes
In 2010, on a residential mooring in London, she is fully equiped as a liveaboard, with hot water, central heating, 240v, 12v and a 24v system for the main engine.We have some information inherited from previous owners, Condorline was built as a Naval Pinnace in 1909 by J.S. White & Co, Cowes. Isle of Wight. Most of her military life seems to have been spent at Chatham with a brief stint with the Police on the Thames in the 1920s.
She was almost certainly back at Chatham during the second World War, and as such it is probable she was in Operation Dynamo but we have not been able to verify this, though she did earn her mooring fees 3 years ago as an extra in the film Dunkirk.She has a two berth aft cabin, with a single and double berth also available in the saloon. There is a relatively new Kabola diesel boiler fitted, which needs a service but this provides hot water and central heating, I lived aboard her comfortably for 4 years on the mooring in London. She has a fridge, basic twin gas hob and ample storage.In the heads there is a sink, shower, Jabsco electric toilet (7 years old) with the option of ejecting waste in open sea or to a holding tank. There is also small twin tub washing machine, that has had little use, there is access through this area to the chain locker.In 2011 a new reconditioned Ford 4D Diesel engine was fitted, it has done less than 30 hours since. In addition the boat came with a BUKH wing engine, this was also removed, new pistons and liners were fitted and the injectors were serviced.I do need to have a new diesel pump fitted, this will be resolved before the sale.
Other features include the main mast and mison mast are less than 8 years old, all was fully rigged in 2013, with a main sail, mison sail, jib and whisker pole. Though quite large and heavy she is perfectly happy under sail only, in light winds.In 2012, the Victron Combi Invertor was installed to give full control of shore power to charge batteries and or at sea to power the boat. She will be sold with a Garmin Navigation and sounder/fish finder (4 years old), hand held and fixed radios, tender and outboard, 12v TV with dvd player.She has some amazing period features, including the panelling to the wheel house, original anchor, windlass, cleats, davits, copper dorade vents, search light etc.
Overview
Heritage Category: Listed Building
Grade: II*
List Entry Number: 1170373
Date first listed: 30-Jun-1961
Location
Statutory Address: Parish Church of Saint Margaret,59 Fore St, Topsham, Exeter EX3 0HL
County: Devon
District: Exeter (District Authority)
National Grid Reference: SX 96537 88029
Details
871/8/896 FORE STREET 30-JUN-61 TOPSHAM (West side) St Margaret's Church (Formerly listed as: FORE STREET TOPSHAM Church of St Margaret)
II* Perp tower, the rest rebuilt 1874-6 by Edward Ashworth.
MATERIALS: Random squared grey limestone, red sandstone tower, diaper-patterned slate roofs.
PLAN: Deep cruciform plan with four-bay nave and two-bay chancel. Unusually, the tower is attached to the west side of the south transept, and the main porch is east of the north transept.
EXTERIOR: Facing the street is the east front, with gabled chancel and a lower gabled chapel to its north. A low lean-to chapel and porch sit further back to the south side. The style generally is Geometric Gothic c. 1300, with complex picturesque roofs of patterned slate. The tower is barely visible from the street, and is revealed only from the churchyard to the south. It is low, without buttresses or clear division into stages. It has a three-light window above a door, and a small square-headed bell opening with louvres. The embattled parapet was stepped-up in the centre to accommodate clock faces in 1887. To the east of the tower, the south transept gable has an imposing five-light window with flowing Dec tracery. The nave has lean-to aisles and a clerestory of small oculi with varied tracery (foiled, star-pattern or spheric triangles).
INTERIOR: The chief decorative focus is the chancel roof, of boarded wagon vault form overlaid with a fine net of cusped diaper ribs in rectangular panels. Over the nave, more conventional roofs with arch-braced collar trusses on small hammerbeams. Aisle roofs with unorthodox Y-trusses. The nave arcades have circular piers with moulded capitals and arches, running into heavy plain square piers at the crossing, with big leafy corbels on the responds. Similar corbels support the chancel arch. The western two bays of the nave were cleared and screened off in the 1970s for use as a social area. The north transept was screened off from the nave to serve as an entrance vestibule in 2007; part of a phased reordering of the whole church by Oliver West & John Scott (plans dated 2003). The south transept has in its east wall a row of four upper windows like a clerestory. The north chancel chapel houses the organ loft and a vestry, while the small south chapel is currently still furnished as such (but due to be cleared). Geometric black and white stone floors at the chancel steps, and encaustic tiled chancel. Much of the stone carving was executed by the Exeter workshop of Harry Hems.
PRINCIPAL FIXTURES: Stone reredos of five crocketed gables with some red marble shafts. The backdrop is stencilled with a brocade design. Oak chancel furnishings, Neo-Perp, carefully designed and of good workmanship, 1935. Similar pulpit, perhaps of the same date. The Norman font has a circular bowl with big conical flutes, and on one side a large standing beast or dragon holding an apple (?) in its mouth. The font cover is of spire form, of cut and pierced brass, 1880. In the north transept is a wall clock made by Cuthbert Lee, London, c. 1760, with octagonal face and a Chinoiserie lacquered and gilded case. Dutch brass chandelier with two tiers of eight branches, given c. 1700. Good Royal arms of carved and painted wood with Baroque mantling; arms of the version current 1603-49, 1660-89 and 1702-7. Probably late C17. There is good Victorian stained glass: east and west windows by F. Drake, 1876-7. The south transept south is by Burlison & Grylls, 1907, 'one of their best in Devon' (Pevsner). North transept north by Beer & Driffield, 1876. In the south transept, two fine Greek Revival tablets of black and white marble, by Sir Francis Chantrey, to Lt. Col. George Duckworth (d. 1811, standing figure with an angel of Victory) and to his father Admiral Sir John Duckworth, Bart., d. 1817, including a noble bust and a fine relief of a naval battle. HISTORY: Topsham served as Exeter's port from Roman times. It was a considerable settlement by c. 700, and had a manse associated with the living by 937. The church was re-consecrated in the mid-C15, possibly about the time the tower was built. The church was rebuilt after a fire in 1676, and again in 1874-6, at a cost of £8,550. The architect for this scheme, Edward Ashworth (1814-96), was articled to Robert Cornish of Exeter and was later a pupil of the London architect Charles Fowler. He emigrated to New Zealand in 1842 and practised in Auckland until January 1844. He returned to his home country in 1846 and practised in Exeter where he established a reputation for himself as a church architect.
SOURCES: Cherry, B and Pevsner, N, Buildings of England, Devon, (1989) 820 Stabb, J, Some Old Devon Churches, (1908-16), vol. 3 Lambeth Palace Library, Incorporated Church Building Society, Archive file 079597, (www.churchplansonline.org)
REASONS FOR DESIGNATION: St Margaret's Church, Fore Street, Topsham, Exeter is designated at Grade II* for the following principal reasons: * A thoughtfully designed Gothic Revival church by Edward Ashworth, 1874-6 * Picturesque massing and siting, on a shallow clifftop overlooking the Exe estuary * Surviving C15 century tower * Fine Norman font with crude but vigorous carving of a dragon or beast * Two striking Greek Revival monuments by Chantrey * Good collection of fittings (glass, Royal arms, chandelier, font cover etc)
© Historic England 2021
Technical Instructor Richard Allan with the Glidecam and Sony EX3 camera at the Media Centre, Staffordshire University.
Photo by Liz Knight.
Building Construction Book
40/40 Pg 22 of of 42 (for Exterior - with interior this doc is 75 pages long)
The 3D Film Factory provides the complete 3D production services (stereographer, 3D camera rigs, 3D real-time monitoring & 3D post) for the "Super Dentist" shoot, a 30 minute stereoscopic promotional film shot on location in San Diego, California. The 3D film was captured using the 3D-BS INDIE (beam-splitter) Rig, a pair of Sony EX3's, the Davio mulitplexer, and the JL Fisher dolly. One of the cast members poses during a set-up. For more information visit www.3DFilmFactory.com
Anyone need this rare and hard to find parts which is meant for underbone Honda Cub EX3? If so, please e-mail me: twin_magneto@hotmail.com
Payment can be done through Paypal or Western Union and I can post it to you / anywhere in the world via normal post as the charges is much lower than courier service. Thank you
Vigilant
1904 Thames Barge
Official No. 116176, 73 ton. Built of wood at Ipswich in 1904 by Orvis & Fuller
Owned by Alfred Horlock, who considered her to be a very fast barge, before she was converted to a yacht in 1932. Sold back into trade and converted to motor barge by Whiting Bros.
Passed to L.R.T.C. Owned by Dawes, Thomas and Martin. as private barge yacht until sold to Ms. Lynn Johnson & Graham Head in late 1997 and she was based at Woodbridge, Suffolk.
She moved to St Osyth in 2004, looking like she would end her days there. However, in a late twist for the barge, she was bought, patched up with plywood and motored around the South Coast under her own power to Topsham, Devon, where a restoration has been started.
She has been reframed and replanked, new hatch combings and had a new transom installed. Notably, her transom now says ‘Vigilant – Topsham’.
Being restored at Topsham Quay