View allAll Photos Tagged evolve
I was saying that it rained so much the koi are getting nubby legs and evolving. And look, there's proof...
You have full permission to use these images for whatever you like as long as you credit me through one of these links.
www.flickr.com/cinematicaptures
www.youtube.com/channel/UCna6LNSjL3dlfJ5tC_62-lQ
I'm a dark brunette again. I'm adding social media marketing to my skill set. I'm challenging my creative side. I'm reveling in breathing space.
My mandates in life: Love. Be extraordinary. Stumble, learn and move on. Forever evolving. Never settle for mediocrity. Be happy.
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Whether it's the sunshine
Whether it's the rain
Doesn't make a difference
Till you complain
Whether it's the water comin' in from the roof
Does it piss you off
That you're not waterproof?
Whether you fall
Means nothing at all
It's whether you get up
It's whether you get up
And you hate the silence
As it fills up the room
And there's not much to say
To your blushing groom
Maybe all eyes are on you
As you finish the race
And the world sees you struggling
For last place
Whether you fall
Means nothing at all
It's whether you get up
It's whether you get up
Whether you fall
Means nothing at all
Whether you get up
Whether you get up
Whether You Fall by Tracy Bonham
C.stem 2007 exhibition.
Evolving Logo by Michael Schmitz.
www.interaktivegestaltung.net/
(photo by Andrea Pinchi)
A deal with the devil or an urbaine partnership: An old, finely crafted, free-stading church on its own lot with its own parking gave away its land and is now an appendix to a commercial building. Its parking is now underground (as it should, downtown), its office and community hall are in the office building, as they could.
With a dwidling congregation and facing eventual demoliton, commerce became its saviour.
The finest mix of urbanism: Commerce, community and communion. Urban design takes second place unless "design" means the best deal for the city's richness, choice and vitality.
We learn and we evolve and we change according to the needs of the day and what we want to say. For so many years during the analog era I standardized on using colour reversal films for stills photography, choosing the brand and type according to how I wanted to express the photograph's emotions.
I often chose Kodachrome or Velvia or some other colour reversal film by Fujifilm or Kodak. Rarely did I choose colour negative films, though I was familiar enough with processing and printing them due to having worked in labs on and off over the years.
Most analog movie film stocks are colour negative so my lab-acquired knowledge of their properties and interpretation of tone and colour stood me in good stead whenever shooting film or indeed processing and printing from negs.
This new era of simulating analog films by digital means allows photographers and moviemakers to explore so many creative options we never had before. And so I am trying out a number of stills and movie film simulation software packages and reacquainting myself with some remarkable simulations of films I had stopped using long ago but the properties of which I have very good memories still.
This photograph was shot as a raw file on a Fujifilm XT-1 camera equipped with a Fujinon 10-24mm f4 lens, converted into a TIFF via Adobe CC 2014 Camera Raw, verticals corrected in DxO ViewPoint plug-in in Photoshop and graded in DxO FilmPack using the Kodak Portra 160NC film profile.
Thanks to Apple Australia, Adobe Australia, DxO and Fujifilm Australia.