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In everything that bows gracefully there must be an effort at stiffness. Bows are beautiful when they bend only because they try to remain rigid. Rigidity yielding a little, like justice swayed by mercy, is the whole beauty of the earth.
G.K. Chesterton – The Furrow
Etching on Copper. My preferite tree over the "siligate", in Pesaro (Italy)
I'd already done a large painting of this lovely lady I spotted a few years ago, and thought she'd make for an interesting print. Aquatint, chine-collé.
www.facebook.com/Caroline-Johnson-Fine-Artist-and-Urban-S...
LIMITED EDITION 10 COPIES
My first soft ground etching with two inks now available on Etsy!
www.etsy.com/listing/126418744/aranas-soft-ground-etching...?
included here are an australian magpie, a bowerbird, a currawong and a cockatoo. This etching is made of four separate copper plates each one 6 x 6cm.
I believe that this qualifies as an etching on stinless steel. There are several of these inside the ASM International Headquarters building.
etching on copper. 17,5 X 20 cm. Paper: Hanhemüle.
apres one of my photos of my favourite shoes:
www.flickr.com/photos/gbordin/4562154795/in/set-721576239...
The print has been done for the weddng of two friends of mine, Lorena and Riccardo. Marriage, like life, is a journey toward our destiny. Those shoes were my first shoes, when I started to walk.
I'm intended to work again over this plate and add a mezzotint. I'll let you know. Just a matter of time, because work make me busy.
Re Ferdinando II di Borbone (poco riconoscibile in questa ingenua acquaforte colorata della Biblioteca Nazionale di Napoli) sfila per il Largo di Palazzo, poi Piazza Plebiscito a Napoli, mentre la folla esulta. Non sa che poco dopo il re chiamerà la Santa Alleanza a reprimere quell'anelito di libertà, che nello stesso anno si consoliderà invece con lo Statuto Albertino a Torino. In ciò aprendo la strada alla successiva conquista piemontese del regno
Mar is investigating about traditional printmaking techniques.
This was a session where she was learning about how to make soft ground etching.
A smooth piece of Verdite (sometimes referred to as African jade) with an etching of an antelope (I believe this is a Nyala based on the horn curvature). I purchased this off of eBay years ago. I know I have had it for at least 12 years as it was on my work desk in 2008, if not earlier.
I used Topaz Sharpen AI to Stabilize the image which minimized a very slight off-focus look of the overall image.
found today, it is signed below as jg ft 1828 so Initials JG and fecit (made ) 1828. Size is 16cm x 13.5, on the back is half of another engraving so the plate was presumibly cut down and reused. I love the subject matter and check out the little child drawing on the floor.
ps sorry I haven't been about, hoping to get more involved in a couple of weeks
engravings of Basil Wolverton's characters from his book, "Barflize", which was first published about 1952 or so. Artist R.R. Parkes hand pulled the engravings with the endorsement of Monte Wolverton, Basil's son. Limited to 100 s/# prints each. The scans don't even come close to showing how great these look in person. Image area is 5" x 7"
Copper plates for etching of book "Dichiarazione dei Disegni del Real Palazzo di Caserta" by Luigi Vanvitelli, Royal Printing, Naples 1756 - Exhibition "Charles of Bourbon [Carlos III] and the diffusion of Antiquities: Naples, Madrid, Mexico" up to March 22, 2017 - Naples, Archaeological Museum
www.flickr.com/groups/37996655186@N01/discuss/72157676330...
Il Museo Archeologico di Napoli possiede le matrici in rame del Settecento utilizzate dalla Stamperia Reale Borbonica per la pubblicazione di pregevolissime edizioni, destinate a divulgare nell'Europa intera le imprese edilizie ed archeologiche in atto nel Regno.
In occasione della mostra "Carlo di Borbone e la diffusione delle Antichità", molte lastre sono state restaurate ed esposte, fra cui quelle in foto per la "Dichiarazione dei Disegni del Real Palazzo di Caserta" di Luigi Vanvitelli, pubblicata nel 1756