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Solarplate photointaglio with chine colle. Image is 6x8in on 11x15paper. The topo map was scanned, enlarged, and printed on thin Japanese paper, which was then used for chine colle. Revisiting an old idea...
Etching on laid paper by Jacob Wilheim Mechau in 1795. Shows two levels of arched bridges with people on topmost. Heavy vegetation and goats in foreground. Unframed portrait format. Paper shows impression marks. Penciled “41” in lower right of impression.
19 5/16 × 15 3/8 in
Artist School: German
ACC# 2020.006.010
See other etchings at flic.kr/s/aHsmR9bogw (Photo credit - Bob Gundersen www.flickr.com/photos/bobphoto51/albums)
Waiheke Island, Auckland, New Zealand. Dock pilons, reflected in water.
curated in: www.flickr.com/photos/msdonnalee/galleries/72157623922987...
Line etching with aquatint. Two prints with one plate, color (a la poupé, madder lake, sanguine, ochre), black Luxe C. On Fabriano Rosaspina, 25 x 20 cm.
this etching is in the Royal Academy Summer Exhibition in London on now- don't know the catalog number yet!
(9 x 12) Print made from etching with Watercolour added of our local Chinese Gate on Somerset Street in Ottawa, Ontario. (One print made and gifted to family)
creative inking of etched plate. Memory of biking though Ladd's Addition (portland, or)
7" x 9" copper
for utata ip 94, which requires:
1 - office supplies
2 - ice
3 - high grain (or noise)
In the days before computer typesetting we worked on film; I used the sharp little nib thing to scratch things off in final corrections. I've kept it since the early 1970s. The red colour is just a reflection from my coffee machine - I put the sheet of ice over my sink.