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IMG_5213 2023 12 24 file

Himalayan snowberries growing in meadows near Gamshali village, Uttarakhand, India

A heavily farmed landscape of the Yorkshire wolds.

Rembrandt

Etching and drypoint on laid paper, signed and dated in monogram "RHL 1630".

Exhibition "Young Rembrandt"

Ashmolean Museum, Oxford

 

Etching a photo onto brass with ferric chloride. I should have given it more time to etch deeper, but I'll try again some other time.

Dinosaur week proceeds with etching no.3 -- the Smithsonian's triceratops, the first mounted triceratops in the world. Uncovered in the 1880s by a rancher in Wyoming and quickly whisked away to Washington, where it remains.

 

For sale on Etsy.

Oxfordshire

 

Another spot of frosty minimalism from the brief cold snap in Cotswolds last week.

How did I do this?

 

1.Added vignetting

2.Altered levels on both sky and ground separately using a feather 150 pixels.

3.Added some grain and altered the opacity until I got my preferred effect.

4. Used burn tool to increase treee shadow

 

Etching view from the window Cremorne Point Sydney harbour - etching from a sketch I did e few years ago.

dirty sky

tranquillity

Plaque de zinc avant acide.

color etching; key plate is sandblasted, blue plate is line etch drawing

(All images, I think, after Rembrandt). When I was an art student at Pratt Institute, in Brooklyn New York, I took some printmaking classes. These are the only four etchings I ever did. I wasn’t very good at it. And the process took too much time. And I couldn’t erase. And my hands got dirty. And I think I complained about it as much back then. The class must have been on Monday, because the only thing I really do remember is talking about a new, very funny, comedy show that aired on TV over the weekend, it was called, “Saturday Night Live.” Who knew it would still be on TV today? But I digress....

©️ 18"x24" intaglio print pulled from a zinc plate etching, with aquatint reduction, Domestic Etch paper and GC Bone Black 514C Ink.

Even though I helped a bit, the author of this etching is Afsaneh Nabifar.

etching with spit bite, roulette and dry point

Signed by Klaus Ensikat.

Etching on Paper

9 x 6 inches

2007

etching-1st proof. sandblasted plate

Editioned etching. 9" x 7" Original drawing into hardground was unplanned, and loose. All kinds of intaglio techniques after.

194 2012

Graphics "Etched" in Wall

exploring Overland Park, KS

Columbia Icefields, Jasper, CANADA

 

Canon 5D, 100mm macro 2.8 USM, f13, 1/25, ISO 100.

Etching on copper. 10x5 cm, Printed on Hanhemühle 300 g.

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