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Copperplate dry point etching

when the etchings are dried, they are trimmed by tearing down on the reverse side.

This is an older print - I finally got the slides scanned to post on here.

there are many interesting things in the etching room

Click on image to view on black!

 

Digital negative - photopolymer plate - Fabriano paper - printed on artist's intaglio press.

There is a huge enlarged view of a historic etching of Ely in a pub corridor.

 

There is currently no spire on the cathedral's west tower as shown here.

 

It is unusual to be able to crop drastically a larger view and still end up with a satisfactory composition, but that's what I looked to achieve.

Created using an app I am testing for a friend

the copper plate is placed on the etching press, thick Somerset paper placed over it, then rolled through the press

File name: 09_04_000119

Title: Birch trees

Alternative title: Four trees

Creator/Contributor: Woodbury, Charles H. (Charles Herbert), 1864-1940 (artist)

Date created: 1920

Physical description: 1 print : etching ; image 5 3/4 x 7 5/16 in.

Genre: Etchings

Notes: Title and other information from catalog raisonne.; Artist Raisonne: Charles Woodbury / Warren Seamans. Raisonne.org, no. R.ORG CHW-31; Signed lower left: Charles H Woodbury.; Edition: 1/100.; Initialed in plate: CHW.

Location: Boston Public Library, Print Department

Rights: Rights status not evaluated.

Edition of five prints each.

Ask me about it. €50,00 + shipping costs

This is my new Soft Ground Etching, this time, 2 inks. I'm pretty happy about how turned out. Thanks Jonay one more time for your time and your wisdom.

This is a proof for a little etching (about 40x90mm) that I did as a demo for an evening intaglio printing class I teach. It still needs a little something; maybe some sort of spit-bite or something in the upper background.

"What's Left of Winter" series.

Etching. 12.5 x 17.5 cm.

2017

This etching (here coloured by me) was published in the book "Världens hufvudstäder" (1892).

etching, drypoint, collagraph

12" by 12"

Here I have just pulled my etching through and peeled off the resulting print from the plates.

The Glasgow Print Studio is an open access studio- if you are a competent printmaker (we run classes) you can join and use the facilities. (Bronwen Sleigh closest to the window- also in this years Royal Academy Summer Exhibition)

Mar is investigating about traditional printmaking techniques.

This was a session where she was learning about how to make soft ground etching.

Hair cut outdoors circa 1930's

 

Etching by Don Magno

etching 24x18 cm

a work for upcoming monstrarium show

Etching and Archival Ink Jet on Paper

 

15 x 11 inches

 

2007

 

160mmx200mm etching

no.26/250 Mark Millmore (Fellow of R.E) is a Bristol based artist . Five plate etching image size 20inch x 10.75inch. There is a video of him creating it on you tube but my computer is too old and slow to watch it. www.youtube.com/watch?v=pJ5063zZqbA

More of his work at www.markmillmore.com/etching.htm

This is my new Soft Ground Etching, this time, 2 inks. I'm pretty happy about how turned out. Thanks Jonay one more time for your time and your wisdom.

Que ganas tenía de tomar contacto con esta técnica, me encanta.

Es alucinante como alguien puede llegar a idear esto y sacarle partido para que quede algo tan chulo.

Gracias mil Estela, eres lo más.

www.flickr.com/photos/estela_/2747197432/in/set-721575943...

 

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