View allAll Photos Tagged etching
koude naald 'ets' met pak vruchtensap als matrix (uitgave 1 ex.)
cold needle etching on juice package (edition 1.)
Cleaning up some of my old noisy images! From 2009, I loved shooting and processing custom bikes back then.
part of my solo exhibition 'All of This is Anything' at the Glasgow Print Studio October 23-November 29, 2015
File name: 09_04_000119
Title: Birch trees
Alternative title: Four trees
Creator/Contributor: Woodbury, Charles H. (Charles Herbert), 1864-1940 (artist)
Date created: 1920
Physical description: 1 print : etching ; image 5 3/4 x 7 5/16 in.
Genre: Etchings
Notes: Title and other information from catalog raisonne.; Artist Raisonne: Charles Woodbury / Warren Seamans. Raisonne.org, no. R.ORG CHW-31; Signed lower left: Charles H Woodbury.; Edition: 1/100.; Initialed in plate: CHW.
Location: Boston Public Library, Print Department
Rights: Rights status not evaluated.
This is a proof for a little etching (about 40x90mm) that I did as a demo for an evening intaglio printing class I teach. It still needs a little something; maybe some sort of spit-bite or something in the upper background.
the copper plate is placed on the etching press, thick Somerset paper placed over it, then rolled through the press
This is my new Soft Ground Etching, this time, 2 inks. I'm pretty happy about how turned out. Thanks Jonay one more time for your time and your wisdom.
The Glasgow Print Studio is an open access studio- if you are a competent printmaker (we run classes) you can join and use the facilities. (Bronwen Sleigh closest to the window- also in this years Royal Academy Summer Exhibition)
Mar is investigating about traditional printmaking techniques.
This was a session where she was learning about how to make soft ground etching.
no.26/250 Mark Millmore (Fellow of R.E) is a Bristol based artist . Five plate etching image size 20inch x 10.75inch. There is a video of him creating it on you tube but my computer is too old and slow to watch it. www.youtube.com/watch?v=pJ5063zZqbA
More of his work at www.markmillmore.com/etching.htm
I spent New Year in Marseille. As we arrived, we emerged from the subway to the smell of fish from the dockside and a view of inverted pedestrians reflected in Norman Foster’s polished steel canopy, part of the regeneration of the old port.
This print encompasses all my sensations and emotions from the city — the people in the street, the sense of danger in its history, the forts at the entrance to the old port, a womans’s face painted full height on a building, the 1920s art deco of the Hôtel Péron, bus-stop adverts, the Mucem museum of Mediterranean culture enclosed by a concrete filigree which melds the modern building into the environment, the view of the sea, the darkness of the night sky.
If you are interested in buying a print, contact me: zoerubens@gmail.com