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Mud Engineers day is celebrated on Every year August 26th to honor the contribution made by mud engineers in oilfield
A long time ago, army engineers used to throw bridge sergeants into the river to mark the occasion of a successful brigde construction. We've adapted the tradtion for promotions.
U.S. Army Corps of Engineers Baltimore District Visual Information Specialists David Gray and Alfredo Barraza, Jennings Randolph Lake Park Rangers Bill Donnellan and Thomas Craig and Jennings Randolph Lake Project Manager Ken Fernandez participate in the production of a water safety video at Jennings Randolph Lake, between Garrett County, Md., and Mineral County, WV, June 12, 2017. (U.S. Army photo by Bill Donnellan and Thomas Craig)
Amtrak P42DC no. 87 leads Lakeshore Limited 449 with an awesome engineer heading towards Worcester. Enjoy!
An expansive multidisciplinary collaboration between mathematicians, dancers, media artists, composers, and engineers, this complex experimental augmented reality performance is truly the first of its kind. This newest dance performance probes the circuitry connecting the corporeal to the cognitive, questioning the very essence of humanity and machine. Alan Turing is often called the father of modern computing. He was a brilliant mathematician and logician. He developed the idea of the modern computer and artificial intelligence Turing thus gave birth to one physical incarnation of mathematics. His creations are the embodiment of the act of performing mathematics. Although his contemporaries would see a sharp delineation between human and machine, in his eyes, his progeny did not constitute a distant “other”. Rather, he was the father of a “living machine.” How might mathematics manifest itself as physical expression? What binds human cognition and philosophy to a human being’s body? How might this connection dissolve or transform in time? The full-length show follows the emergence of mathematics in relationship to the human body, exploring perception and our physical modes of expression through a complex set of emerging technologies.
Event Link:
grayarea.org/event/discretefigures-rhizomatiks-research-e...
Brig. Gen. William H. Graham, North Atlantic District Commander, awards the Commander's Coin of Excellence to several Norfolk District employees.
This is on the western side of the divide from engineers pass. It comes down between Silverton and Ouray
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Son of Major G. W. Whistler, a railway engineer, and his second wife, Anna McNeill, James McNeill Whistler was born in Lowell, Massachusetts. He attended art classes at Saint Petersburg Academy of Arts and Sciences during a five-year sojourn in Russia and then at the United States Military Academy at West Point, N.Y..
An admirer of Rembrandt’s etchings, Whistler learned to etch at the U.S. Coast and Geodetic Survey in Washington, D.C., in 1855. With the help of printer Auguste Delâtre, he published his first set of etchings, the “French Set”, in 1858. It was followed by the “Thames Set” (London, 1871) and by two Venetian sets (1880, 1886), which secured Whistler’s reputation. In 1855 he went to study art in Paris, where he joined the academy of Charles Gleyre and was influenced by Gustave Courbet, leader of the Realist movement.
Whistler's early Realist painting, “At the Piano” (1858-59; Taft Museum, Cincinnati), was well received at the Royal Academy in London in 1860, but “The White Girl” (1862; National Gallery of Art, Washington, D.C.) was rejected by the academy in 1862 and by the Paris Salon in 1863 and hung at the Salon des Refusés instead. His Japanese subjects were admired for their color and exoticism but criticized for their lack of "finish." Whistler moved in the circle of the Pre-Raphaelite Dante Gabriel Rossetti. An advocate, like his friend Albert Moore, of "art for art’s sake," Whistler painted figural compositions, such as “Symphony in White No. 3” (Barber Institute of Fine Art, University of Birmingham, Eng.), whose titles emphasize the importance of color over subject.
Concurrently with his figurative subjects, Whistler painted vigorous seascapes. His work in Valparaiso, Chile, in 1867 inaugurated the famous Nocturnes of the 1870s. He also turned to deeply psychological portraits, such as “Arrangement in Gray and Black, No. 1: The Artist's Mother” (1871; Musée du Louvre, Paris), which hung in his one-man exhibition at the Flemish Gallery, London, in 1874. In 1876 he started the major decorative scheme known as the Peacock Room (Freer Gallery of Art, Washington, D.C.), which became a gorgeous harmony in blue and gold for his patron, the Liverpool shipowner F. R. Leyland. Disputes over the scale of Whistler's work for this commission later led to a break between the two men.
In 1877 Whistler exhibited eight paintings at the newly opened Grosvenor Gallery, London. In a review of the show, John Ruskin attacked “Nocturne in Black and Gold: The Falling Rocket” (1875; Detroit Institute of Arts). The artist sued Ruskin for libel and won, but his legal expenses forced him into bankruptcy in 1879. That year, the insolvent Whistler traveled to Venice to fulfill a commission for twelve etchings, the “First Venice Set”.
Whistler's works in all mediums were usually small (5 by 8 inches), though he did execute lifesize portraits. Extremely thin paint, fluid brushwork, and subtle color harmonies distinguish his paintings. Expressive line, intricate detail, and a feeling for light, movement, and character mark his drawings and prints.
The artist was at the forefront of the etching and lithography revivals. His late etchings of Holland and his lithographs of Lyme Regis, on the southern coast of England, as well as his moving lithographic portraits of his dying wife, Beatrice, are among his finest works.
In the 1880s and 1890s Whistler gained international acclaim, exhibiting throughout Europe and America. As president of the International Society of Painters, Sculptors and Gravers, his radical influence on art and exhibition design bore fruit, evidenced in their exhibitions of 1898, 1899, and 1901. He died in Chelsea, London.
POLINA YAMSHCHIKOV/Missourians
Mike Bibb, president of Engineers Club, glances at St. Patrick as Pat Corcoran, Chris Millner and Mike Stagg wait for the trumpet cue for their grand entrance into the Knighting Ceremony on Friday. St. Patrick only makes two appearances during E-Week — the second being at the E-Ball — and each is significant due to its infrequence.
Photography of the Engineers Australia Cairns Region End of Year Gala Dinner, Cairns Pullman International, 6 Dec 2024.
GALVESTON, Texas (June 5, 2014) - The U.S. Army Corps of Engineers Galveston District celebrated the Corps’ and U.S. Army’s 239th birthday with an awards ceremony to recognize the Employee, Engineer, Regulator and Supervisor of the Year, as well as to honor staff for their contributions to the community, state and nation.
Virginia Army National Guard Soldiers assigned to the West Point-based 237th Engineer Company, 276th Engineer Battalion, 329th Regional Support Group train on multiple techniques for both the hasty and deliberate emplacement of anti-tank mines with trainers from the Finnish Army’s Karelia Brigade during Exercise Arctic Forge 25, Feb. 22, 2025, near Kouvola, Finland. Arctic Forge 25 is a U.S. Army multilateral exercise in Finland and Norway, focused on enhancing arctic military capabilities and cooperation with a focus on honing U.S. troops skills to survive, fight, and win in the Arctic’s austere conditions. The Virginia National Guard’s participation strengthens its partnership with the Finnish Defense Force, formalized in May 2024 through the Department of Defense’s State Partnership Program. Read more about Arctic Forge at vngpao.info/4u7j6y6y and visit the Arctic Force exercise page at vngpao.info/2p9ym7ma. (U.S. Army National Guard photo by Staff Sgt. Marc Heaton)