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Sorria!!!
[Não autorizo o uso de qualquer foto em Blog,Fotolog ou quarquer meio de comunicação,caso haja interesse entre em contato,mas não utilize sem permissão.O direito autoral é protegido no Brasil e no Exterior pelo ART. 7, INC. VII DA LEI Nº 9.610/98..]
I will be using this camera in week 370 of my 52 film cameras in 52 weeks project:
52cameras.blogspot.com/
www.flickr.com/photos/tony_kemplen/collections/7215762311...
Asheville, NC. May 2017.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
Explored
..mentre il cielo e il mare erano senza un alito di vento, e una leggera nebbiolina velava l'orizzonte, un'orda di conquistatori dopo avere attraversato tutta la penisola giunse alle rive della città di Reggio e si trovò davanti allo stretto che divide la Calabria dalla Sicilia. A pochi chilometri sull'altra sponda sorgeva un'isola - la Sicilia - con un gran monte fumante - l'Etna - ed il Re barbaro si domandava come fare a raggiungerla trovandosi sprovvisto di imbarcazioni, quindi impotente davanti al mare. All'improvviso apparve una donna molto bella, che offrì l'isola al conquistatore, e con un cenno la fece apparire a due passi da lui. Guardando nell'acqua egli vedeva nitidi, i monti, le spiagge, le vie di campagna e le navi nel porto come se potesse toccarli con le mani. Esultando il Re barbaro balzò giù da cavallo e si gettò in acqua, sicuro di poter raggiungere l'isola con un paio di bracciate, ma l'incanto si ruppe e il Re affogò miseramente. Tutto infatti era un miraggio, un gioco di luce della bella e sconosciuta donna, che altri non era se non la Fata Morgana.
I am very honored and excited to be featured on this lovely blog today! Thank you so much Claudia! ♥
Estoy super contenta de estar en este blog hoy! Muchas gracias Claudia!! Es un honor! ♥
Camera Kennel
The camera a wanted back in the 1980s.
This is a member of my kennel: for a while I thought I was running an 'old folks home' because friends who did not want to sell or dispose their old film cams would ask me to give their old gear a place to stay and tender loving care but since part of caring for them involves occasionally 'taking them out for walks' ...
On Watermarks:
Yeah, yeah...I hate them too but I plaster my camera photos with watermarks because I do not want to see them being 'sold' in ebay.
Thats a part of my Pentax-Motor-camera-collection.
I have a special passion for the Pentaxes from the 70s and the 80s and here are some of my favorites: The K2DMD and the KX from the mid of the 70s, the MX from the end of the 70s and the LX from the beginning of the 80s.
Mon nouvel appareil: un Mamiya RB 67 Pro S. Il ne me reste plus qu'a mettre des film dedans!
My new camera, a mamiya RB 67 Pro S
Strobist : Camera in a light tent, on nissin flash gun on the right of the camera
You will find here an other picture of this camera, this time with a waist level finder : www.flickr.com/photos/64667396@N00/3411644164/
Vous trouverez ici une autre image de cet appareil, cette fois avec un viseur de poitrine: www.flickr.com/photos/64667396@N00/3411644164/
Number two of my film camera porn series: My Yashica Mat-124G with the Yashinon 80mm f/3.5 lens. I came across this camera last year when I went to purchase a light meter from a photographer that was retiring and selling off most of his gear. I've had two Mamiya TLR's previously (which were stolen) and this Yashica looked like it had barely had a roll of film put through it. Due to it's age, there was a touch of fungus starting in the taking lens. However, the price was right and I immediately snagged it before anyone else could. It's had a CLA recently and I am very delighted with the results that I get with it. If you look in my set 'Medium Format' you can see shots that I have taken with this camera.
Be sure and check my blog write up on this camera at:
douglasbawdenphotography.wordpress.com/2011/12/22/camera-...
Camera: Canon EOS 40D
Lens: Canon EF 85mm f/1.8
Exposure: 1/50 sec @ f/5.6 ISO 200
Lighting: Canon 430EX off camera right with custom light modifier and fired with Canon ST-E2
This image is © Douglas Bawden Photography, please do not use without prior permission.
Enjoy my photos and please feel free to comment. The only thing that I ask is no large or flashy graphics in the comments.
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LEGAL NOTICE | protected work • All Rights reserved! © B. Egger photographer retains ownership and all copyrights in this work.
photographer | Bernard Egger • collections • sets
Todos los Derechos Reservados • Tous droits réservés • Todos os Direitos Reservados • Все права защищены • Tutti i diritti riservati
Я фотограф, 写真家, фотограф, photographer, фото, rumoto images, fine art, photography, Fotografie, Fotográfico, Fotografo, art print, Берни Эггер, Бернард Эггер, gear, equipment, камера, camera, lens, Objektive, Nikon, Nikon photographs, Nikon photographers, Nikon DSLR, Nikon FX, full frame, Nikkor, NPS, KMZ, MMZ, KOMZ, VOMZ, Россия, Lytcarino, M42, Gorki, Jupiter, Helios, Industar, Rodenstock, Voigtländer, Welta, Zeiss Ikon, Kiev, FED, Kiev, Zorki, Zenit, Pentax, Canon, Minolta, Leica, Leitz, Contax, FujiFilm, Fuji, Metz, Gossen, Gitzo, Rimowa,
my gear:
►Zeiss Ikon Box Tengor 54/2 (1934)
►Zeiss Ikon Inkonta 524/16 (mint!)
►Zeiss Ikon Contaflex Prima (1960)
►Voigtländer Avus
►Welta Isbor D.R.P. 9x12
►Zorki C1, Zorki C (1956)
►FED 2 (2x) (1960, 1968)
►Kiev-4 type 3b Arsenal (1975)
►Zorki 4K type 2 KMZ (1977)
►FED-4 type 5 (1983)
►FED-5B type 6a (1990)
►Zenit FS-12 Fotosnaiper (1989 - mint!)
►Zenit-12 S type 2 (1989 - mint!)
►Zenit B type 6a/b (1970)
►Zenit C type 4a KMZ (1960)
►Zenit E 'Moskva" type (1979/80)
►Zenit TTL 'MOCKBA' 7a Olympic type (1978)
►Zenit 12 CD KMZ (1985)
►Zenit 12 XP type 1b KMZ (1987)
►Zenit 122 (5x) (1992-1995)
►Zenit AM-2 type 2 Pentax-K KMZ (1994)
►Zenit 130 type 1 Belomo MMZ (1999)
►Canon QL17 III (1992)
►Canon AT-1
►Canon AE-1 Program (1984)
►Canon F-1 (1973)
►Canon A-1
►Canon 40D
►Minolta XD7
►Minolta X-700 (1985)
►Leica R3 electronic (1976)
►Leica R4 (1983)
►Leica M4-P
►Leica M5
►Contax 159 MM (1990)
►Contax 167 MT
►Contax RX (1995)
►Contax RTS II
►FujiFilm S2Pro
►Nikon FM (1978)
►Nikon FE (1980)
►Nikon F3 HP (1982)
►Nikon F801 (1985)
►Nikon F90 (1990)
►Nikon F4s
►Nikon F5 (1997)
►Nikon D700 (2010)
►Nikon D750 (2018)
►div. Nikon NPS equipment
9 pc M 39 lenses - 18 pc M42 lenses - 6 pc MF-lenses -
LEICA M4-P range finder camera © Bernard Egger :: rumoto images 7104
It's amazing the things that come out of the woodwork when people see you are collecting!
My friend brought me this little gem today, its from 1977, making it officially 30 years old.
Now to find a place with film for it!
These four cameras span three generations of my family, from my grandad to me.
The OM-10 (bottom right) was owned by my grandad, he must have bought it in the early 1980s and it was given to my mother when he died.
The OM-20 (top left) belongs to my mother, who's switched to digital now, so I inherited this along with the OM-10.
The Olympus Trip 35 (top right) was the first camera I owned. I think I was given it when I was about 8, although I can't be sure.
It was only when I found out that the new Olympus PEN series would take OM lenses that I decided to buy one. I've been using my grandad's camera bag for a while, because I like the idea that even after all these years we share a hobby. However the chance to use lenses that he was shooting with 30 years ago was too tempting to pass up, so I bought this E-P1 second hand on Amazon, along with a OM to micro 4/3 adapter.
I now use it with two of my grandad's prime lenses, a 28mm f/2.8 and a 50mm f/1.8. While their focal length is doubled by the adapter, they still make for great portrait lenses, and ones that are great fun to use.
However for me the best part of using them is knowing that 30 years ago my grandad was looking through the same bit of glass.
The new Tamron SP 35/1.8 Di VC USD (left) plus Tamron SP 45/1.8 Di VC USD (right).
See my review at www.cameralabs.com