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I would like to define my pictures by one or two words to know that conveys them , thank you very much to all .
After struggling over the past few months with the annoyance of the "E" key occasionally failing to recognize a key-press, I finally went over the Apple Store this afternoon. After waiting among the masses seeking Genius support, they tell me to come back in two hours to pick up my laptop with it's shiny new "E" Key. Unfortunately, post replacement the "E" key rarely if ever works... so I guess I am going to use an external keyboard until I get the energy back to go back to the Apple Store.
Airport decor wall signs make ample use of the ampersand - many non-grocery areas have been renamed as "something & something". Most other major signs consist of two words, with alternating blue and gray similar to this one. Very cool and effective, though there are two or three very curious exceptions! Was a little bit disappointed once I figured out that corrugated-looking background is 100% fake though :P
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Walmart, 1994-built, W. Service Rd. at Rich Rd., West Memphis AR
The first model o the now famous and cult status Yashica T series cameras. Of course, the fault is on that Carl Zeiss Tessar lens. To be honest, the camera looks suspiciously like a warmed over Yashica Partner, also, imagine the coincidence, fitted with a Tessar type 35/3,5 lens.
The T is very simple, but its simplicity is a great asset. No DX coding, you set the film speed manually, so you can play with forced film speeds. The flash is not automatic, you have to turn it on, great for street photography. Another good thing is that the film is wound only after you have removed your finger from the shutter button. Given the noise it makes, it is a good option!
The viewfinder is simple, but not poorly engineered like the Leica Minilux. You have icons that inform where the camera has focused.
Last, after the little Pentax, we have a synchronized tanslucid lens cover that opens for exposure and then closes when the film is wound. Really cool, as it looks like a skylight filter, just a away to have the Zeiss lens under your eyes!
This Leica M3 is from 1962. Its equipped with a Leica M Summicron 2/50mm Dual Range (DR) lens (produced from 1956 to 1968).
Ranges:
* "normal" from 1 meter to infinity
* near-focusing range from 0.88 meters down to 478 millimeters (0.478m).
To use the near-focus range the near-focusing adapter has to be used to see the focused area within the rangefinder.
"Il sole muore già,
E di noi, questa notte, avrà pietà
Dei nostri giochi confusi, nell'ipocrisia
Il tempo ruba i contorni, ad una fotografia. "
Nikon D610 announced
Read more here
www.kentyuphotography.com/blog/2013/10/nikon-d610-announc...
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Kent Yu Photography
Wellington Wedding Photographer
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Nueva cámara!
Justo hoy la estreno con el inicio de un curso de fotografía al que iré todos los sábados por la mañana.
Ya irán viendo mis resultados y progresos... ♥
Printer
This was still in it's plastic when I opened it, but there was no "photograph" with it, so I had to make my own.
The new Canon EOS 30D.
I should point out that this isn't a photo taken by me: it is a Canon promotional image.
Clockwise, from top left:
Voigtländer Super-Wide Heliar 4.5/15
Voigtländer Ultron 2/28
Jupiter-3 1.5/50
Voigtländer Color-Ultron 2.5/75
Fujica had surprisingly good lenses back in the day - if you could find them. Their camera bodies were nothing spectacular as far as features go, but their lenses, like this stout little M2-mount 50mm Fujinon, delivered beautiful, sharp chromes and warm-toned prints. This ST605 is compact and sturdy, armed with all the typical (if minimal) manual camera features you'd need for a day's shooting with the family.
The camera's top shutter speed of 1/700th is a bit odd to see on the dial. But in reality almost all the mechanical shutters of those days marked at 1/1000th of a second could truthfully never hit that number and were actually about the same speed (or slightly faster) than the top speed of this Fujica.
PL25mm is the best image quality lens for m43 system, I think no one will object, hehe :-)
Photo taken by this setting :
www.flickr.com/search/?w=16112759%40N02&q=Summilux+25...
Camera for the photo : Olympus EPL3
Lens for the photo : Lumix Leica DG Macro-Elmarit 45mm f/2.8
A lovely combination. Picked up an ex demo, reduced 35mm Summicron f2 in chrome. Here on my MP .58
Taken with Leica M9, Voigtlander 75mm f1.8 lens and on camera flash
Strange looking "obsolete electronics" although I am reluctant to call them obsolete just old. Although the Bakelite switches are unusual. the Out house conduits of another era.
People tend to think that the Japanese photographic conquering was a sort of invincible armada that one day took by storm the whole world. It wasn’t, it slowly began under the nose of everybody that looked with disdain at the yellow cameras. This Olympus wide is from 1955 and already the fit and finish is somewhere between a Voigtlander and an AGFA. The leather case is outstanding, very high quality indeed. The peculiarity of this Olympus is the lens, a 35 mm/3.5, hence the name wide. This was a remarkable option on the part of Olympus, I can’t remember any European compact camera from this era with a 35 mm lens. It lacks a rangefinder, but the wider depth of field of the lens helps to minimize focusing errors. Like the Agfa Silette, it has a separate window for the projected frame lines, a nice touch in a modest camera. The Copal shutter gives all the speeds from 1s to 1/500th but in the old scale (5, 10, 25, 50, 100). As you can see from the picture, the camera is already equipped with an advance lever and a rewind crank that unfolds in a neat way. In short, not a sophisticated camera, but seriously built, with plenty of good ideas. It is not hard to see now that the demise of the German camera manufacture was written on each of these early warriors, but back then people were far too busy worshiping the holy trinity, Zeiss-Leica-Voigtlander.
Asheville, NC. May 2017.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
Olympus OMD EM-10 + Panasonic 20mm f1.7
Cámara en el interior de un softbox.
! flash yongnuo yn 460 a 1/16 a la derecha de la camara, reflector plata a la derecha para rellenar sombras.
Realizada con una Fuji XE2 y un XF 35mm f1.4 a f8
Number two of my film camera porn series: My Yashica Mat-124G with the Yashinon 80mm f/3.5 lens. I came across this camera last year when I went to purchase a light meter from a photographer that was retiring and selling off most of his gear. I've had two Mamiya TLR's previously (which were stolen) and this Yashica looked like it had barely had a roll of film put through it. Due to it's age, there was a touch of fungus starting in the taking lens. However, the price was right and I immediately snagged it before anyone else could. It's had a CLA recently and I am very delighted with the results that I get with it. If you look in my set 'Medium Format' you can see shots that I have taken with this camera.
Be sure and check my blog write up on this camera at:
douglasbawdenphotography.wordpress.com/2011/12/22/camera-...
Camera: Canon EOS 40D
Lens: Canon EF 85mm f/1.8
Exposure: 1/50 sec @ f/5.6 ISO 200
Lighting: Canon 430EX off camera right with custom light modifier and fired with Canon ST-E2
This image is © Douglas Bawden Photography, please do not use without prior permission.
Enjoy my photos and please feel free to comment. The only thing that I ask is no large or flashy graphics in the comments.