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Nikon D610 announced
Read more here
www.kentyuphotography.com/blog/2013/10/nikon-d610-announc...
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Kent Yu Photography
Wellington Wedding Photographer
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Sample image taken with a Nikon D750 fitted with the Nikkor AF-S 50mm f1.8G lens. These samples and comparisons are part of my D750 review at:
www.cameralabs.com/reviews/Nikon_D750/
Feel free to download the original image for evaluation on your own computer or printer, but please don't use it on another website or publication without permission from www.cameralabs.com/
I became interested in M42-lenses after reading a lot on Flickr and on various groups on the internet.
I bought a whole box of them for almost nothing. Some dirty, needing fixes, others filled with fungus, Now I already had weeks and weeks of fun with them!
2x 35mm 3,5 Super Takumar
1x 50mm 1,8 SMC Takumar
1x 105mm 2,8 SMC Takumar
1x 135mm 3,5 SMC Takumar
2x 150mm 4 Super Takumar
1x 100mm 4 SMC Macro Takumar (new)
I just love the "old fashioned" feel and handling. Great IQ too.
To mount them on a Nikon system:
I have the HAMA adapter with infinity glass. I also tried the KOOD-adapter. It was about the same I.Q., but the distance scale and aperture settings came out upside down!
I never saw that one coming!
The only problem I have is when shooting with the sun (or bright lights) in front of me. Then I get a bright halo. which is gone when using a glassless adapter!
Canon A-1
FD 50 f/1.4
FD 24 f/2.8
FD 28 f/2.8
FD 85 f/1.8
FD 135 f/2.8
FD 200 f/2.8
FD 35-105 f/3.5-4.5
FD 100-300 f/5.6
Printer
This was still in it's plastic when I opened it, but there was no "photograph" with it, so I had to make my own.
A photo of the cab of Plaxton Paramount 3200 rebodied Leyland Leopard WSV323. The basic instrumentation on the Leopard looking slightly lost on the Paramount dashboard! This coach retained the Leyland Pneumocyclic semi-automatic transmission, and also has the type of steering wheel only normally seen on the last Leopards built. I took this photo on the first day I drove this coach, 14th March 2011.
Please see the previous photo for a more detailed description of this coaches history.
Pennsdale (Muncy), PA. June 2022.
If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an e-mail at natehenderson6@gmail.com.
Yaaaaaaaaa! Thi xong r thì mh chả hứng onl nữh :( Thi hog như mong mún j hết T^T hiuhiu
30/6 vừa r thì mới vào NK prison cs4 học TToTT áplựcdồnnénkinhkhủng
Vừa mệt mỏi khi thi bh vào đó cs mh như nhà tù :-< Chẳng lúc nào mh thấy là mh đang nghỉ hè :((
TRƯỜNG MỚI - BẠN MỚI - c.s mới c~ đang dần hình thành :|
Xao có thể từ bỏ dễ dàng cs ngày trước nv. :((
Trở thành hs chăm ngoan?!
Trở thành 1 đứa hiền lành?!
Không còn như trước nữh :(
Both share coupled rangefinders. Both work perfectly after many decades. Putting my first roll of film through each as we speak.
First Shoot with my new Nikon D7100
Yashica Mat-124 G
The Yashica Mat-124 G was made from 1970 till 1986 and was the last TLR produced by Yashica. Even if this type of camera seemed to be obsolete at the time of its appearence, the 124 G was a success in that time.
The 124G has a four-element, 80mm F3.5 taking lens, of the better "Yashinon" variety. Focusing is via a ground glass screen, with a 3x diopter loupe for critical focusing, as well as a sports finder. The focusing screen is used with the camera at waist-level. The sportsfinder, incorporated in the focusing hood, is operational by pushing the front cover backwards. According to the Instruction Booklet, it comes in handy for snapshots or when shooting fast-moving objects at eye-level. No screen to check focus in this set-up though. The Copal shutter features speeds 1 to 1/500 sec., plus B.
The 124 and 124G are largely identical, save for trim (the Mat-124 G was all black) and electrical differences. The 124G pressure plate slides between 12-exposure and 24-exposure settings, while on the original 124 it pulls out and rotates. The 124G also features a coupled match-needle exposure meter, although it uses now-discontinued 1.3v mercury cells. Suitable air-zinc replacements and adapters for modern alkaline or silver oxide batteries may be obtained at camera stores and on the internet.
The 124(G) can handle both 120 and 220 film. The Yashica 12, 24, Mat-124 and Mat-124 G all accept Bay 1 accessories, such as those made for the Rolleiflex. An artificially inflated demand for the 124G has raised the price somewhat in the used market.
Since the Yashicamat camera is basically a Rolleiflex copy, the controls take a similar configuration. Build quality is very good. Yashica’s are considered to be an excellent choice for entry-level medium format. The 4-element 80mm f/3.5 Yashinon (taking) lens cannot be considered of equal quality compared to the Rollei’s, however it produces very good results, especially when stopped down to f 8-16.
Johnson City, NY. March 2018.
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TLR (Twin Lens Reflex) medium-format film camera for 120 film. It was produced from 1958 to 1974.
This one comes with a better 4-element Tessar-style Yashinon 80mm f/3.5 taking lens instead of the Yashikor ones found on earlier models.
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[Não autorizo o uso de qualquer foto em Blog,Fotolog ou quarquer meio de comunicação,caso haja interesse entre em contato,mas não utilize sem permissão.O direito autoral é protegido no Brasil e no Exterior pelo ART. 7, INC. VII DA LEI Nº 9.610/98..]
Manufactured by GOMZ , (ГОМЗ), ( Государственный оптико-механический завод, Ленинград = Gosularstvennyi Optiko-Mekhanicheskii Zavod =State Optical-Mechanical Factory), Leningrad, USSR
Model: 1957, Type 1b, (produced only in 1957)
All Leningrad produced between 1956-68, Quantity: 76.385 units.
As to Alexander Komarov
35mm Rangefinder film camera with spring motor driven
Engraving on the front: GOMZ logo and Ленинград (Leningrad)
Lens: Jupiter-8 (ИНДУСТАР), 50mm f/2, coated, Mount: M39 screw,
filter thread 35mm, serial no. 5724763, made by KMZ
Lens release: simply turn to anti-clockwise
Aperture: f/2 -f/22, setting: dial and ring on the lens
Focusing: match the rangefinder split images in the viewfinder, by turning the focusing ring on the lens, w/ distance and DOF scales
Focus range: 1-20m +inf
Shutter: rubberized silk double cloth curtain, horizontal focal plane, speeds: 1-1/1000 +B, setting: dial on the top plate, lift and set
Spring motor drive: a spring-powered mechanical motor and takes about 20 pictures after one full actuation of the spring, it is possible 3 frames per second if you can do it,
Attention: for every frame you must release the shutter. There's absolutely No way to advance film and to cock the shutter other than via the spring motor.
**There are engravings on the right side of the top plate as 0-5-10-15-20, with a pointer beneath the motor drive knob shows the count of frames that will be taken when the spring drive is cocking
Motor drive knob: a big knob on the right of the top plate, after setting, when you take a picture it automatically cocks the shutter and winds the film, film-advance spring in it
Shutter release: on the top plate, w/ cable release socket
Frame counter: an open window, just beside the motor drive knob, advance type, manual resets by a knob on the back of the top plate
Viewfinder: coupled viewfinder/rangefinder, bright frame lines for 35, 50, 85 and 135mm lenses, and a split image rangefinder,
diopter adjustment ring on the eye-piece
Re-wind knob: on the left of the top plate, a flat knurled disc that you have to unscrew by pressing it with the ball of your thumb
Re-wind release: lever on the top plate, set the selector lever to B (Rewind)
Flash PC socket: on front of the camera, flash sync: X 1/25, Adjustable synch delay 5 - 20 milliseconds
Cold-shoe
Memory dial: on the re-wind knob, Peremotna (ПЕРЕМOТНА) word in memo disk, which was typical on some earliest cameras only.
Self-timer: a lever on the front of the camera, an inoperable self-timer is a common problem on the Leningrad because if the timer is set without the camera being wound, it breaks
Back cover: Removable with the bottom plate, opens turning the pop-up lever on the left side of the bottom plate, then unscrew a knurled ring on the other side, concentric with the rewind disc by a folding lever, on the bottom plate
Film loading: The film take-up system is unique as it ignores sprocket holes on 35mm film. Instead it winds the film onto a fat take-up spool like a drum. No account is taken of the increasing diameter of this spool as film is wound onto it, resulting in increasingly wide gaps between the frames on a roll. Modern automated negative cutting will not adjust for the unique frame layout, and negatives and slides must be ordered from labs uncut.
Tripod socket: 3/8’’
Strap lugs
Supporting leg on the bottom plate
Body: metal; Weight: 850g
serial no. 573581, first two digits show the manufacturing year, in the cold shoe
This type 1b is a rare one. With type 1a this camera is earliest so far known productional version of Leningrad.
Built very sturdily, and to a very high degree of precision (unlike most Soviet rangefinders), the Leningrad is said to be the most advanced (and expensive) Soviet rangefinder ever made. Many were given as presents to party members and visiting dignitaries. At the 1958 World Exposition in Brussels, the Leningrad was awarded the "Grand Prix de Bruxelles”. Modified Leningrads were used in the Soviet space program.
Note: If Leningrad suddenly decides not to advance the film after you've taken try turning the shutter speed dial slightly counterclockwise against spring tension, then letting it snap back. Often this will release the mechanism and let the film advance to the next frame. And since (as noted above) there's no alternate manual way to advance the film, you'd better hope this trick works!
More info: by Aidas Pikiotas in SovietCams, by Karen Nakamura, Camerapedia
Almost. Not too many of these around anymore but newer versions are still made.
CDC 2N3563 NPN with gold leads, ceramic base
Thats a part of my Pentax-Motor-camera-collection.
I have a special passion for the Pentaxes from the 70s and the 80s and here are some of my favorites: The K2DMD and the KX from the mid of the 70s, the MX from the end of the 70s and the LX from the beginning of the 80s.
Explored
..mentre il cielo e il mare erano senza un alito di vento, e una leggera nebbiolina velava l'orizzonte, un'orda di conquistatori dopo avere attraversato tutta la penisola giunse alle rive della città di Reggio e si trovò davanti allo stretto che divide la Calabria dalla Sicilia. A pochi chilometri sull'altra sponda sorgeva un'isola - la Sicilia - con un gran monte fumante - l'Etna - ed il Re barbaro si domandava come fare a raggiungerla trovandosi sprovvisto di imbarcazioni, quindi impotente davanti al mare. All'improvviso apparve una donna molto bella, che offrì l'isola al conquistatore, e con un cenno la fece apparire a due passi da lui. Guardando nell'acqua egli vedeva nitidi, i monti, le spiagge, le vie di campagna e le navi nel porto come se potesse toccarli con le mani. Esultando il Re barbaro balzò giù da cavallo e si gettò in acqua, sicuro di poter raggiungere l'isola con un paio di bracciate, ma l'incanto si ruppe e il Re affogò miseramente. Tutto infatti era un miraggio, un gioco di luce della bella e sconosciuta donna, che altri non era se non la Fata Morgana.
Williamsport, PA. November 2019.
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54/365
A circuit board from a Betamax video recorder stripped down last year. Flash fired from behind board, gelled blue and on the lowest power setting.
I do like this and can see me looking for others electronics to strip down!
Strobist: SB910, 1/128, 24mm and gelled blue. Fired from directly behind board.
Number two of my film camera porn series: My Yashica Mat-124G with the Yashinon 80mm f/3.5 lens. I came across this camera last year when I went to purchase a light meter from a photographer that was retiring and selling off most of his gear. I've had two Mamiya TLR's previously (which were stolen) and this Yashica looked like it had barely had a roll of film put through it. Due to it's age, there was a touch of fungus starting in the taking lens. However, the price was right and I immediately snagged it before anyone else could. It's had a CLA recently and I am very delighted with the results that I get with it. If you look in my set 'Medium Format' you can see shots that I have taken with this camera.
Be sure and check my blog write up on this camera at:
douglasbawdenphotography.wordpress.com/2011/12/22/camera-...
Camera: Canon EOS 40D
Lens: Canon EF 85mm f/1.8
Exposure: 1/50 sec @ f/5.6 ISO 200
Lighting: Canon 430EX off camera right with custom light modifier and fired with Canon ST-E2
This image is © Douglas Bawden Photography, please do not use without prior permission.
Enjoy my photos and please feel free to comment. The only thing that I ask is no large or flashy graphics in the comments.