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I got an iPad, and it's literally my life c:
*please credit my tumblr or flickr if you repost this!
racuntzel.tumblr.com
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The Mamiya RZ67 is a medium format single-lens reflex system camera manufactured by Mamiya. There are three successive models: the RZ67 Professional (first model released in 1982), RZ67 Professional II (released in 1995) and RZ67 Professional IID (released in 2004). RZ67 is a modular camera system, meaning lenses, viewfinders, ground glasses, film winders and film backs are all interchangeable. It is primarily designed for studio use, but can also be used in the field. The RZ67 Sekor lenses have built-in electronic leaf shutters which are cocked and triggered from the body. Focusing is performed with a bellows on the body instead of the lenses.
The camera accepts 6×7, 6×6 and 6×4.5, 120 and 220 film magazines and Polaroid as well as Quadra 72 4×5 sheet film backs. Mamiya RB67 backs are also supported via the G-Adapter. The film speed is set on each RZ back via a dial. There are two versions of the 6×7 and 6×4.5 backs; the model II versions have a second film counter to always show the film count on the top. The RZ67 operates on one 6 V silver oxide 4SR44 battery, or 6 V 4LR44 alkaline battery. It can be used in emergency mode fully mechanically with a fixed 1/400 sec shutter speed. Multiple exposures are possible in the M-mode. Mirror flip up is supported. The body has one standard flash hot shoe on its left side, one plug for a standard remote shutter cable release, and a socket for an electronic shutter trigger. The RZ67 measures 104 mm (W) × 133.5 mm (H) × 211.5 mm (L) with the 110mm f/2.8 lens, and weighs approximately 2.4 kg (5.29 lbs). The flange distance is 105 mm.
I found a really sweet deal ($425) on this Canon FD 24mm f/1.4 L on ebay. Through some wheeling and dealing I was able to make my out of pocket expense for this really small. I was dead set on getting Nikon's version of a fast 24mm in 2010. I saved up for it but wound up blowing the cash I had on my Hasselblad. So 6 years later I was finally able to get a fast wide prime.
Sidney, NY. June 2015.
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Sony Alpha 6000, Systemkamera (mirrorless) mit 24 Megapixel APS-C-Sensor.
Mehr zur Kamera hier im Video:
www.youtube.com/watch?v=kzTCEkNiV_U&feature=youtu.be
Und auf Ralfs-Foto-Bude:
One of the very first brands of commercially available single-lens reflex cameras. Missed being the first one by mere months. It shot medium format (120) film in 6cm x 6cm square images. Cloth focal plane shutter, speeds from 1/25th to 1/500th (plus Bulb). Interchangeable lenses (I think 40mm screw-thread). Very happy to have found this. Mildly historical in backstory, solidly interesting in design.
Seasonal occupies the back left corner of the store, and electronics has been in the front left location for the vast majority of the store's lifetime, if not from day one. (Doubtful it'll be remaining there however). I seem to remember very early models of computers more front and center within a Target, but this could very well be a memory from the old Hickory Hill location. No doubt though that computer software was (and I belive a small selection still is) in that more central location, evidenced by this photo of a directory from a much earlier time.
And unfortunately, I've had to color correct the green neon slightly as well, though it's nowhere near as far off as the red neon. Still not 100% happy with this result, so hoping my next view of it looks even better.
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Target, 1999-built (2023 remodeled), Interstate Blvd. near Goodman Rd., Horn Lake MS
A beautifully simple, clean cockpit.
Experimental Aircraft Association website:
History of the Ford 4-AT-E Tri-Motor
Henry Ford mobilized millions of Americans and created a new market with his Model T “Tin Lizzie” automobile from 1909 to 1926. After World War I, he recognized the potential for mass air transportation.
Ford’s Tri-Motor aircraft, nicknamed “The Tin Goose,” was designed to build another new market, airline travel. To overcome concerns of engine reliability, Ford specified three engines and added features for passenger comfort, such as an enclosed cabin. The first three Tri-Motors built seated the pilot in an open cockpit, as many pilots doubted a plane could be flown without direct “feel of the wind.”
From 1926 through 1933, Ford Motor Company built 199 Tri-Motors. EAA’s model 4-AT-E first flew on August 21, 1929. It was sold to Pitcairn Aviation’s passenger division, Eastern Air Transport, whose paint scheme is replicated on EAA’s Tri-Motor. This is why EAA’s Ford resides in the Pitcairn Hangar at Pioneer Airport in Oshkosh, Wisconsin, when not touring the U.S. Eastern Air Transport later became Eastern Airlines.
In 1930, the Tri-Motor (NC8407) was leased to Cubana Airlines, where it inaugurated air service between Havana and Santiago de Cuba. The airplane was later flown by the government of the Dominican Republic.
EAA’s Ford Tri-Motor returned to the U.S. in 1949 for barnstorming use. In 1950, it was moved from Miami to Phoenix and was refitted with more powerful engines for use as a crop duster. With two 450 HP engines and one 550 HP engine, it became the most powerful Model 4-AT ever flown. In 1955, it was moved to Idaho and fitted with two 275-gallon tanks and bomb doors for use as a borate bomber in aerial firefighting. Then in 1958, it was further modified for use by smoke jumpers.
After working for a variety of crop spraying businesses, EAA’s Tri-Motor moved to Lawrence, Kansas, in 1964, where its new owner flew barnstorming tours. During this period it had a variety of roles, including serving as the primary setting for the Jerry Lewis comedy, The Family Jewels.
In 1973, the aircraft was still being used for air show rides, including an EAA chapter’s fly-in at Burlington, Wisconsin. While at the 1973 fly-in, a severe thunderstorm ripped the plane from its tie-downs, lifted it 50 feet into the air, and smashed it to the ground on its back. EAA subsequently purchased the wreckage.
After an arduous, 12-year restoration process by EAA staff, volunteers, and Ford Tri-Motor operators nationwide, the old Tri-Motor took to the air once again, where it had its official re-debut at the 1985 EAA Fly-In Convention in Oshkosh.
It was displayed in the EAA AirVenture Museum until 1991 when it returned to its former role of delighting passengers on its annual tour across the U.S.
For other views of this aircraft: www.flickr.com/photos/wingmanphoto/sets/72157649275481984
WEEK 29 – Carrollton, GA, Target (II)
Panning to the left, we get a view of the sleek new electronics desk: a far cry not only from the bulky “boats” of old, but also even the more modern “Target Electronics” desks! I guess a bunch of hard edges, reflective white material, and a backlit front shelving space will do that for you… speaking of which, I actually think it’s quite clever how that space has been utilized for an all-in-one battery station, even if it does sacrifice having any true branding to help identify the desk’s purpose.
That arrowed remodel sign informs us that we will encounter the entertainment, sporting goods, toys and games, and auto and home improvement departments as we press forward toward the store’s left-side wall, and indeed we shall, as our stour continues two weeks from now. Stay tuned!
NEXT WEEK – more from the Oakland Kroger post-remodel…
(c) 2021 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
This is the FED Micron (half-frame camera) in its full rame version, lol! You might be thinking that there is something wrong, either the Micron was a big camera for half-frame or this 35A is incredibly small. Well, both things, really! The camera is really small, but not record breaking. Probably the factory had a few leftover Micron bodies and recycled them as the FED 35 A. The nice thing is that it sports a rangefinder, has full auto exposure and partial manual exposure, partial because you have full access to the aperture settings, but only 5 speeds + B with the top speed being 1/60. Possibly these speeds were for flash sync purposes. The lens is the faithfull Industar in 38/2,8 guise. Aparently, about 25.000 cameras were made, which in the soviet multi million universe makes the FED 35 A look like a prototype!
A Werra Matic with the 35mm f2.8 lens fitted and the 50mm f2.8 and 100mm f4 lenses along side.
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A while back I bought on eBay a complete Carl Zeiss Jena Werra outfit consisting of a Werra III rangefinder camera together with a complete set of 35mm, 50mm and 100mm lenses, all in a beautiful set of cases. The only problem was that the camera itself didn't work. Rather than send it back I decided to keep it as a complete outfit like this isn't something you see very often, and I thought that buying a replacement camera wouldn't take long or be very expensive.
Well it took me longer than I thought to find a really nice Werra camera to allow me to actually try out these lenses, but I have finally found one!
My original camera was a 'flat-top' Werra from the original series of cameras. I've always thought these original cameras are the purest of the Werras, and the III is most minimal of all without the light meter to sploil the top plate.
This Werra Matic is from the last series of camera. Not only does it have the slightly fussy striped details on the front, it also had an accessory shoe and the various windows for the light meter. But it is still a very attractive camera.
By modern standards these Werras are rather fiddly and fussy cameras to operate, but all Werras have some thoughful and very unusual design touches. The most famous one is the wind-on mechanism: see that wide band around the base of the lens? A quick twist of this band with advance the film and automatically cock the shutter ready for the next shot.
Almost as famous is the combined lens cap and lens hood which cover up all the dials when the camera is put into storage/carry mode.
The Werra Matic is the most advanced of all the Werras. It has a cross coupled light meter with a read out in the viewfinder. And a clever mirror in the viewfinder reflects a view of both the shutter speed and aperture setting into the viewfinder. Like all interchangeable lens Werras the viewfinder also features frame lines for the 50mm and 100mm lenses (with the whole viewfinder serving the 35mm lens).
I particularly like the range finder on these Werras... it is very bright and clear and easy to use.
Rehoboth Beach, DE. October 2018.
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This old camera is not just any old camera, but my dad's own personal AE-1 from when he was in high school. It still works, and I have a few awesome pictures from it. The lens mounted on it is a Canon FD 50mm f/1.8, but I also have a Vivitar FD 75-205mm f/3.5
I used to have a Canon FD 28mm f/2.8 for this, but I took it apart and slapped an EF mount on it for manual focus fun on my DSLRs.
Canon AV-1 35mm aperture priority SLR camera. Introduced in 1979.
photo-analogue.blogspot.co.uk/2015/10/a-minor-fix-for-can...
Now here's more the sort of cab-shot I try to get wherever possible. Albeit wishing for far from the first time that I had a wider angle lens!
No, I wasn't tearing along at 80mph here either, for some reason the speedo was having a bit of a fit at the time and was convinced we were however. While I reckon 131 might actually be able to get to 80 given a long enough road, don't think it would do so in neutral...and I'd be rather more concentrating on where I was going than taking photos! Know there was a ground fault somewhere in the nearside rear corner causing issues for the tail lights, so if it's fed from an electronic pickup on the gearbox I guess these things could be related. Alternatively it might just need someone to give the instrument panel a firm thump in the right place...Finding gremlins in a car is bad enough...Hunting the suckers in a bus must be all manner of fun...I'll get my multimeter shall I?
131 is definitely one of my favourites of the collection up at Alford. I've always liked these Olympians, having grown up with them I guess. They look like a bus, they smell like a bus, they feel like a bus, and sound like a bus - in the case of Olympians like this with the Cummins L10 engine in particular have a hugely satisfying thunderous exhaust note.
Goes well this one too!
The technic works very well after all this years! We heard radio messages from all over the world there...That made real fun!
Die Technik funktioniert noch hervorragend nach all den Jahren! Wir haben dort Funksprüche aus der ganzen Welt empfangen...Das hat richtig spass gemacht...
detach the lens from the body and shoot like crazy. fun on film!! especially when you're holding the extra heavy bronica s and pushing its shutter with the same hand. ha.
saw it first here. he did it too.
flickr is great for inspirational stuff. hooray!
next time i'll try it with a ltm lens :)
A computer circuit board.
Photographer: Harland Quarrington
Image 45153621.jpg from www.defenceimages.mod.uk
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fuji X20
kodak duaflex IV
cameraland hawaii
not sure about this as the lens assembly was loose and I'm not sure I put it back correctly
Tabb, VA. September 2018.
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The original Duaflex was introduced in 1947, and was manufactured both in America and in England. The U.S. & U.K. versions differed in appearance, and I've always been partial to the British version.
Unfortunately, there doesn't seem to be any "camerosity" code inside this one, so I can't date it precisely. Nonetheless, I am happy to add it to my collection!
Funciones Destacadas
Innovación para inspiración.
¿Qué determina cuándo Nikon debe lanzar una cámara emblemática de cuadro completo? Cuando la innovación tecnológica lo demanda. Presentamos la D5, una Cámara Réflex Digital con formato FX que hace posible lo imposible. Enormes avances en el diseño del sensor, enfoque automático, medición y procesamiento de imágenes dan como resultado nuevas capacidades emocionantes—disparo con poca luz hasta llegar a un ISO 102,400 (expansible a un inaudito ISO 3,280,000), detección y seguimiento precisos a través de todo el alcance del ISO, independientemente de los cambios de velocidad o dirección del sujeto, velocidad asombrosa de disparo continuo de 12 cps, video 4K UHD y por supuesto, calidad de imagen que capta el corazón y la mente de los espectadores. Esto no es iteración, amigos. Es innovación... una innovación espectacular. ¿Cómo cambiará la forma en que dispara?
Capacidades con poca luz que rompen los esquemas
El alcance de ISO nativo más amplio de Nikon
El rendimiento con poca luz de la D5 puede convertirla en leyenda. Se ha abierto un mundo de oportunidades de disparo gracias al alcance de ISO nativo más amplio de Nikon (100 a 102,400) y el mayor alcance de expansión (hasta Hi-5 ISO 3,280,000), avances en la reducción de ruido y fidelidad de color, además de un sistema AF de última generación que funciona en la oscuridad casi absoluta (EV -4). Capte imágenes claras y nítidas que no podría haber captado antes; en la noche, en salones de recepción oscuros, en estadios, etc. Para aplicaciones de vigilancia y seguridad, este alcance de ISO expandido significa obtener una imagen que otros no pueden ver sin un flash.
EXPEED 5, El procesador mas poderoso de la historia de Nikon
Calidad de imagen magistral
La potencia de imagen pura de la D5 es estimulante. Con un sensor FX CMOS de 20.8MP desarrollado por Nikon, la D5 es la cámara emblemática de sensor FX con la resolución más alta de la historia de Nikon y está lista para tu próximo desafío. El procesador de imágenes superior de Nikon se actualizó a EXPEED 5 para aprovechar la energía de este excepcional sensor nuevo y se agregó un segundo procesador para el enfoque automático. Todos los detalles exquisitos y texturas, los colores vibrantes y la rica tonalidad proporcionada por los lentes NIKKOR se capturan con una precisión perfecta, aun con muy poca luz. Cree imágenes que motiven a las personas.
Permanezca a la vanguardia
La velocidad para captar los momentos decisivos
Cuando escuche el disparo de la D5 a máxima velocidad, 12 cps con AF y AE de tiempo completo, 14 cps con enfoque fijo, AE y con el espejo bloqueado (mirror locked up) sabrá que las reglas del juego han cambiado. Por primera vez, una DSLR de Nikon cuenta con un segundo procesador dedicado únicamente para el funcionamiento y el cálculo del enfoque automático. Un nuevo mecanismo de obturador y secuenciación del espejo elimina casi por completo el tiempo de oscurecimiento y el golpe del espejo para vistas brillantes y consistentes durante la captura de alta velocidad. EXPEED 5 y un búfer de alto rendimiento pueden manejar hasta 200 NEF (RAW) y/o grandes imágenes en JPG durante una ráfaga de alta velocidad, lo suficiente para cubrir una carrera de 100 m completa sin quitar el dedo del disparador del obturador. El nuevo sistema avanzado de reconocimiento de escena de RGB de 180K combina todo y garantiza que cada disparo tenga una exposición óptima.
Capture imágenes que desafíen las posibilidades
El sistema AF más rápido y preciso de Nikon
La D5 marca el comienzo de una nueva era de enfoque automático con el módulo sensor de enfoque automático (AF) Multi-CAM 20K. Utiliza 153 puntos de enfoque con 99 (sí, 99) sensores de tipo cruz y un procesador AF especialmente dedicado y funciona en una oscuridad casi absoluta (EV -4). Es posible seguir con notable precisión a los objetos pequeños que se mueven a gran velocidad, incluso con poca luz. El sistema se puede configurar en una cobertura de 153, 72 y 25 puntos cuando se usa con AF continuo. Todos los 153 puntos son compatibles con los lentes AF NIKKOR f/5.6 o más rápidos, y hay 15 puntos centrales que funcionan con una apertura efectiva de f/8. Ya sea que esté fotografiando una carrera de alta velocidad o a celebridades en la alfombra roja, la D5 lo tiene cubierto.
Flexibilidad para la grabación de películas
Video 4K UHD en condiciones de luz con las que los demás no se atreverían
Por primera vez en una DSLR de Nikon de cuadro completo, grabe video en 4K Ultra Alta Definición (UHD) con una lectura punto por punto para la máxima calidad de imagen. Capte 3840 x 2160 a 30/25/24 p con un ángulo de visión de distancia focal del lente de aprox. 1.5x , o grabe videos Full HD 1080 a 60/30/24p. Fotografíe intervalos sensacionales a 4K/UHD, justo en la cámara. La ISO automática maneja las suaves transiciones de iluminación, desde la ISO 200 hasta la sensibilidad de su elección (hasta Hi-5). Disfrute de todas las capacidades de video profesionales de grabación interna y externa simultánea de la D4S y la D810: Control de Imagen Plana, Patron Cebra, un micrófono estéreo con ajustes de incremento de 20 pasos y mucho más. Combine las capacidades de poca luz de la D5 y la versatilidad de los lentes NIKKOR, y su próximo proyecto de video estará destinado a ser aclamado.
Un operador suave
Con la incorporación de la retroalimentación del campo, la D5 está diseñada para reducir los factores de estrés del disparo durante todo el día. La mejora en la ergonomía y un diseño más grande del botón iluminado pone los controles clave a su alcance. La pantalla táctil LCD XGA de alta resolución hace que sea fácil seleccionar los puntos AF o la función Balance de Blancos (WB) en Modo de Vista en Vivo (Live View), deslizarse a través de las imágenes, pinchar para hacer zoom, editar nombres de archivos y más. Las nuevas ranuras dobles para tarjetas XQD* manejan fácilmente la increíble capacidad de disparo de ráfaga de la cámara y mantienen el búfer despejado. Todo esto en un cuerpo de aleación de magnesio liviano y duradero con extenso tratamiento impermeable.
* Un nuevo diseño modular para la memoria le permite seleccionar un modelo, ya sea con ranuras XQD dobles o ranuras CF dobles de alta velocidad.
Cambie su perspectiva
La D5 utiliza la versátil montura del lente que ganó la confianza de los fotógrafos profesionales y avanzados. Utilice el preciado objetivo de vidrio NIKKOR para obtener lo mejor de lo mejor en sus fotos y videos. Combine la alta velocidad de la D5 con un lente NIKKOR equipado con modo SPORT VR, como el AF-S NIKKOR de 500 mm o 600 mm f/4E, y experimente una suavidad y la precisión sin precedentes. El modo VR SPORT proporciona una imagen estable en el visor durante el seguimiento de movimiento de alta velocidad; incluso se puede capturar sujetos en movimiento rápido e impredecible con sorprendente detalle.
Prepárese para el futuro de la iluminación creativa
La D5 es la primera DSLR Nikon de cuadro completo que incorpora un nuevo sistema avanzado de iluminación inalámbrica avanzada controlado por radio. Con el WR-A10 (Adaptador Remoto Inalámbrico) opcional y el Control Remoto Inalámbrico WR-R10 (transceptor), la D5 puede controlar y disparar hasta seis grupos de flashes SB-5000 alrededor de obstáculos, esquinas, en la luz del sol brillante e incluso en otra habitación, hasta 30 m (98 pies) de distancia. Acceda al control directamente desde el menú de la D5 e ilumine aún más oportunidades de disparo. Por supuesto, la D5 también es totalmente compatible con los flashes de las series SB-910, SB-800 y SB-700.
Flujo de trabajo simplificado
Dispare más y espere menos con el sistema de comunicación ultra rápido de la D5, que trabaja más de 1.5 veces más rápido que la D4S. Transfiera archivos a través de LAN a velocidades impresionantes: aprox. 400 Mb/s y 130 Mb/s de forma inalámbrica con el nuevo WT-6A opcional, que admite el estándar IEEE802.11ac y extiende la distancia de conectividad a 200 m (656 pies). Para obtener un rendimiento aun más rápido, dispare en dos tamaños RAW más pequeños: El tamaño RAW S (12 bits, sin comprimir) y el tamaño RAW M mantienen una nitidez y un detalle excepcional.
¿XQD o memoria de Flash Compacta (CF)? Usted elige.
La D5 le permite seleccionar a su preferencia: ranuras de tarjeta XQD dobles o ranuras CF dobles. El formato XQD está diseñado para aprovechar la velocidad que la D5 puede ofrecer a los fotógrafos. Por ejemplo, la D5 de Nikon puede disparar a 12 fotogramas por segundo y puede grabar hasta 200 NEF (RAW) o grandes imágenes JPEG durante una ráfaga de alta velocidad. Para los fotógrafos de deportes, acción y otros eventos de ritmo rápido o video 4K UHD es fundamental contar con un formato de tarjeta de memoria que pueda mantener el ritmo de la cámara. XQD es la solución.