View allAll Photos Tagged electronics
Printer
This was still in it's plastic when I opened it, but there was no "photograph" with it, so I had to make my own.
Pennsdale (Muncy), PA. June 2022.
If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an e-mail at natehenderson6@gmail.com.
It looks like I have been bitten by the Mamiya bug. I have shot film in four of these cameras so far and have enjoyed them all.
Yaaaaaaaaa! Thi xong r thì mh chả hứng onl nữh :( Thi hog như mong mún j hết T^T hiuhiu
30/6 vừa r thì mới vào NK prison cs4 học TToTT áplựcdồnnénkinhkhủng
Vừa mệt mỏi khi thi bh vào đó cs mh như nhà tù :-< Chẳng lúc nào mh thấy là mh đang nghỉ hè :((
TRƯỜNG MỚI - BẠN MỚI - c.s mới c~ đang dần hình thành :|
Xao có thể từ bỏ dễ dàng cs ngày trước nv. :((
Trở thành hs chăm ngoan?!
Trở thành 1 đứa hiền lành?!
Không còn như trước nữh :(
Both share coupled rangefinders. Both work perfectly after many decades. Putting my first roll of film through each as we speak.
it may take a minute of close inspection to register. but don't inspect too closely--
it still has dust on it and it may make you sneeze.
slider sunday -- a sepia-like tone seemed appropriate ~grin~
looks neat in the lightbox, you can type L to see it up more closely
and, yes, i actually bought it at a church rummage sale for $2--
no clue if it works yet cause i haven't plugged it in.
(a bit later)....... oh, it does have a dial tone-- how cool is that!!
ANSH scavenger19 communicating (took out the talking pumpkins)
All your IP are belong to Microsoft!
From AnandTech's disassembly of the Xbox 360!
The North Bridge also features a 500MB/s interface to the Xbox 360's South Bridge, which was designed by SiS (pictured below).
Once again, you don't see any non-Microsoft logos on any of these chips. It's clear this time around who the IP belongs to. The South Bridge is responsible for communication with the audio codec, storage devices, USB ports, controllers, and any other I/O devices.
The full article is at AnadTech: Inside Microsoft's Xbox 360.
Leica II
Leica Summitar 50mm f/2 (10 Blades, Single-Coated)
Leica M4 Repaint
Voigtlander Color-Skopar 50mm f/2.5
Johnson City, NY. March 2018.
------------------------------------------------------------------------------------------
If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
TLR (Twin Lens Reflex) medium-format film camera for 120 film. It was produced from 1958 to 1974.
This one comes with a better 4-element Tessar-style Yashinon 80mm f/3.5 taking lens instead of the Yashikor ones found on earlier models.
I was never a fan of Minolta cameras, I really don't know why. They have always been very advanced if sometimes slightly over the top. Anyway, I found this 7s at a fleamarket and was struck by its looks. Its black finish is drop dead gorgeous. The laqueer is outstanding and the white engravings superb. This was a case of love at first sight! It doesn't happen too often, but it did this time!
Launched in 1966, it features all the goodies of a high end camera, bright (and possibly sharp) 1,8/45 lens, automatic parallax corrected viewfinder, exposure information and Minolta's SLR exposure system of that time, the CLC. I have to find a PX 635 equivalent to find out how it works in auto mode.
The icing on the cake is that it seems this black version is pretty rare, it shouldn't be like that, if I was the Minolta designer, I would skip the alluminium version!
Today was my birthday so I got myself a little something. You can't not have a 50mm! I chose the f/1.8 over the f/1.4 obviously for the price difference but also for build reasons and somewhat for image quality. There's just something off about the f/1.4 to me.
But anyway, I had a fantastic and eventful birthday!
Manufactured by Franke & Heidecke, Braunschweig, Germany
Model: c. 1947, Type K4B2 = Model 3, (produced between 1945-1949)
all Rolleiflex Automat produced between 1937-1956
according to Rolleiclub
TLR film camera, film: 120 roll (B2), picture size 6x6cm
Taking lens: Schneider-Kreuznach Xenar 75mm f/3,5 filter size: Bayonet I, serial no.1987202
Franke & Heidecke Braunschweig engravings under taking lens
Aperture: f/3.5 - f/22 setting: via a thumb wheel between the lenses, scale in the small indicator window, on top of the lens plate
Finder lens: Heidoscop Anastigmat f/2,8 75mm
Focus range: 0.85-20m +inf
Focusing: matte glass screen, via a big knob on the left side of the camera, w/ distance and DOF scales
Viewfinder: waist level finder, opens by a latch on the back, w/ magnifying loop and sports eye level magnifier.
For using the latter, there is a reflector in the hood and opens by a small knob on the left side of the finder,
Shutter: Compur - Rapid, speeds: 1 - 1/250 +T & B,
setting: via a thumb wheel between the lenses, scale in the small indicator window, on top of the lens plate
Cocking lever: also winds the film, on the right side, with auto double exposure prevention, you must return the lever to its resting position after the cocking for making the next cocking
Shutter release: on the left lower front corner of the camera, w/ a locking cap
Cable release socket: on the right lower front corner of the camera
Frame counter: auto reset, above the winding lever, not works without the film in the camera
Self-timer: on the left upper corner of the camera
Back cover: hinged, also removable with bottom plate by latches on the sides, w/ exposure guide table, opens by a latch on the bottom of the camera
Film loading: insert the take-up spool into the upper side by pulling-out the knob right upper side of the camera, then insert the film into the lower side, move the film leader under the chrome cylinder and pull and insert to the take-up spool; close the cover and turn the cocking lever untill number 1 seen in the frame counter window
Tripod socket: 3/8''; Strap lugs
Body: metal; Weight: 928g
Engravings beneath the Rolleiflex logo: D.R.P. and serial no.1079399
(D.R.P. means Deutsches Reichs Patent stating that this design or part of it was patented sometime between 1890-1945)
The camera could be used with Rolleikin I to use 35mm film or with the special glass plate film adapter. More info:
I am very honored and excited to be featured on this lovely blog today! Thank you so much Claudia! ♥
Estoy super contenta de estar en este blog hoy! Muchas gracias Claudia!! Es un honor! ♥
Although Vivian Maier is mostly known for her medium-format work, she also used this wild 35-mm Zeiss Ikon Contarex, known as the Bullseye Camera. This was kindly shown to me by John Maloof, who owns most of Maier's photo work and her possessions. Taken on February 24, 2011, in Chicago. 55/365
Almost. Not too many of these around anymore but newer versions are still made.
CDC 2N3563 NPN with gold leads, ceramic base
Thats a part of my Pentax-Motor-camera-collection.
I have a special passion for the Pentaxes from the 70s and the 80s and here are some of my favorites: The K2DMD and the KX from the mid of the 70s, the MX from the end of the 70s and the LX from the beginning of the 80s.
Explored
..mentre il cielo e il mare erano senza un alito di vento, e una leggera nebbiolina velava l'orizzonte, un'orda di conquistatori dopo avere attraversato tutta la penisola giunse alle rive della città di Reggio e si trovò davanti allo stretto che divide la Calabria dalla Sicilia. A pochi chilometri sull'altra sponda sorgeva un'isola - la Sicilia - con un gran monte fumante - l'Etna - ed il Re barbaro si domandava come fare a raggiungerla trovandosi sprovvisto di imbarcazioni, quindi impotente davanti al mare. All'improvviso apparve una donna molto bella, che offrì l'isola al conquistatore, e con un cenno la fece apparire a due passi da lui. Guardando nell'acqua egli vedeva nitidi, i monti, le spiagge, le vie di campagna e le navi nel porto come se potesse toccarli con le mani. Esultando il Re barbaro balzò giù da cavallo e si gettò in acqua, sicuro di poter raggiungere l'isola con un paio di bracciate, ma l'incanto si ruppe e il Re affogò miseramente. Tutto infatti era un miraggio, un gioco di luce della bella e sconosciuta donna, che altri non era se non la Fata Morgana.
Williamsport, PA. November 2019.
------------------------------------------------------------------------------------------
If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
My tiny, compact and sharp shooting Chinon Bellami. I think these were made in the early 80's. It has a very cool retractable lens and a 'barn door' design lens cover. The doors are opened and closed by pulling the film advance lever back or forward. The lens is a chinonex 2.8 and remarkably sharp. I prefer this over my Minox 35 GT