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Toyo 45 G & dos 6x7 Horseman 120
Rodenstock Apo-Ronar 240 f/9
Ilford HP5+ dans Rodinal 1+25
Scanned with Canon 5d Mark II & EF 100 macro L IS
Following on from my last shots in August, i've been able to add to the sort of film camera bag i never thought i'd be able to put together in the first place.
Contained with an excellent Outfit Case in the form of a classic Billingham L2 in weatherproof canvas, tan leather and brass.
I chose this one because it perfect fits my 3 camera setup, while still offering space for a 4th camera (or 2 extra lenses as shown here), film and, of course, my wallet.
Inside we have the following
Leica M6TTL + Voigtlander 50mm Nokton f1.1 + 15mm viewfinder + Leica Grip (for the extra weight)
Leica CL + Voigtlander 35mm f1.4 Nokton Classic
Leica M2 + Leica 35mm Summaron f3.5 (Newly repaired, serviced and recovered in brown leather)
Voigtlander 15mm f4.5 Super Wider Heliar
Voigtlander 90mm f3.5 APO Lanthar
Film box + 6x 35mm rolls
6 Stop ND for 50mm
3 Stop ND for 35mm
Emergency replacement battery for M6 TTL
Monogramed Aspinal Wallet
Both M6 TLL and M2 have leather wrist-straps as i'm not a fan of neck straps and like to hold my cameras discreetly to my side until i see a shot.
The films are:
Kodak Ektar 100 Colour
Fuji Superia 200
Lomography Colour 800
Lomography Redscale XR 50-200
Fuji Neopan Acros 100 Black and White
Kodak Tri-X 400 Black and White
Needless to say, i'm thoroughly chuffed with this setup and while i won't always fill the outfit case with everything shown here, i almost certainly always go out with at least 2 bodies and some cash.
A normal replacement for the 3rd Leica body is the highly compact Sony NEX3 and Metabones adapter (which these photos were taken on)
A normal setup might consist of the M6 + 50mm and ND filter loaded with TriX, M2 + 35mm at f8/f11 for zone-focused street/landscape/travel shots and CL + 15mm and finder for zone-focused super wide shots often with 800 color film.
The entire kit weighs 4Kg and will soon be joined by a VC 21mm and finder which may spend much of it's time on the CL along with the 15mm.
1974
Two technically identical receiver classics from Sansui. On top the Sansui model 771 including the EU model 8010 with black applications. It had to be that I must have both models, sorry.
I like both versions and you ?
.
Zwei technisch identische Sansui Stereo Receiver. Oben der Sansui 771, darunter das EU-Modell 8010 mit schwarzen Applikationen. Ich hatte keine Wahl, beide Klassiker zu sichern, sorry.
Beide Versionen gefallen mir besonders, welcher Receiver gefällt Dir besser?
I would like to define my pictures by one or two words to know that conveys them , thank you very much to all .
new canon 760d body coming this April. This will be my next canon camera and I will be upgrading from my 600d .
Had camera for so time now and very pleased with both the camera and my results
La Mat-124 G es una cámara de origen japonés fabricada por Yashica entre 1970 y 1986. Se trata del último de los modelos TLR producidos por la marca. Fue una cámara que gozo de gran aceptación, y pese a que se trataba de un modelo que “a priori” podía parecer obsoleto, su aparición enel mercado fue un verdadero acierto de la factoria nipona.
Esta TLR permite trabajar con película de 120 o 220 mm. Entre sus principales características podemos destacar las siguientes:
- Objetivo formado por cuatro elementos marca “Yashimon” de 80 mm., con una apertura máxima de f/3,5 y mínima de f/22.
- Obturador “copal” que ofrece velocidades que van desde 1 seg. a 1/500 seg., además de un modo B (Bulb).
- Un sistema de enfoque basado en los siguientes elementos: una pantalla de vidrio esmerilado que se emplea cuando se enfoca a nivel de la cintura, una lupa de 3x dioptrías para el enfoque crítico y un visor deportivo empleado para el enfoque de objetos en movimiento a nivel del ojo.
- Un exposímetro de tipo CdS de aguja apto para sensibilidades 25 y 400 ASA con el interruptor acoplado en del visor. Este funciona con una pila de mercurio de 1,3 v, aunque responde igualmente con una pila alcalina de 1,5 v. (tipo pila 625A RL9 de 1,5 v.)
La velocidad de obturación y el diafragma se seleccionan mediante dos ruedas situadas en la placa frontal y los valores seleccionados aparecen en una ventanita situada encima de la lente de encuadre, de modo que mirando hacia la pantalla de enfoque en el visor de cintura, ambos valores, así como las indicaciones del exposímetro se ven cómodamente.
El enfoque se efectúa mediante una rueda de enfoque situada en el lateral izquierdo de la cámara. Tiene una escala de distancia rodeada de una escala de profundidad de campo grabada en el cuerpo de la cámara. También hay una pequeña ventana donde poner la sensibilidad de la película, tipo de film, velocidad de obturación y diafragma.
El cuerpo es completamente metálico recubierto de semipiel. Es una cámara pesada, alrededor de 1,1 kg. El arrastre de la película y el armado del obturador se realizan mediante una palanca, cuyo movimiento es bastante ruidoso.
Se ha dicho de ella que se trata de una copia de “gran calidad” de la Rolleiflex por lo que los controles tienen una configuración similar y alguno de los accesorios (filtros, parasoles, etc. ) comparten con esta la montura Bay 1.
Fuente: La Mirada del Fotógrafo...
Nikon D3s
Nikon 85mm f/1.4G
Nikon 14-24mm f/2.8
Nikon 24-70mm f/2.8
Nikon 70-200mm f/2.8 VR II
Nikon SB-900
Check out my blog: scottgrobarek.blogspot.com
I will be using this camera in week 353 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
An exercise in ridiculousness that is actually somewhat usable: a 1980s-vintage Nikkor 400mm f/3.5 AI-S manual-focus telephoto prime mounted on a Kenko 1.4x teleconverter, mounted on a Fotodiox Nikon F-to-Micro Four-Thirds adapter, mounted on my Olympus E-PL2 with a VF-2 electronic viewfinder. This ridiculous Frankenstein camera all adds up to an image-stabilized, manual-focus 1120mm f/5 that is hand-holdable for short periods!
Hận những ai mang lại cho tôi những niềm đau khỗ!Làm tôi đau có lẽ là thú vui cũa nhiều ng!
*Mẹ: Con thương mẹ. Con biết mẹ đang cô đơn w cuộc sống hiện tại. tuy con không thễ cùng bên mẹ hằng ngày, con chĩ có thễ nc cùng mẹ qa những cuộc đt ngắn ngũi mỗi đêm. nhưng như thế cũng đũ. đũ đễ con cố gắng sống tốt. Con xin lỗi mẹ vì con k phụ mẹ đc gì trong cuộc sống này. trái lại con lại làm khỗ mẹ và mang lại cho mẹ nhiều lo toan. Con nghĩ những lúc k ỡ cùng nhau lâu r` con w mẹ cũng dần có khoãng cách!! Con sẽ cố xóa khoãng cách bằng cách sẽ về thăm mẹ thường xuyên hơn <3 Con yêu mẹ.
*Ba : Con biết mặc dù ba cũng lo và thương con k kém gì mẹ. Nhưng con biết sao này rồi ba cũng k thể quyết định đc gì cho con, và ba cũng thể bên lo cho con hết mực, vì ba con còn có gia đình cũa ba, ng đàn bà con đang cùng chung sống. Con biết tuy bh thế nào đi nữa rồi đến lúc con phải đồi đầu và phải chạm trán w ng đàn bà đó thôi. Con không thễ chịu nỗi w cuộc sống gia đình như vậy. Tuy không dám làm gì con nhưng sống cùng ng k thích mình thì rất khó chịu ba à. Con sẽ cố gắng làm sao sẽ không cần đến ba nhiều nhưng con luôn săn sàng khi mỗi lúc ba cần con vì con không muốn làm ba khó xữ nhiều.
Những ai xem thường thôi thì cứ tiếp tục. Tôi không quan tâm vì các bạn cũng đâu hơn gì tôi? Nhìn kỹ lại bãn thân mình đi? Hơn tôi đc gì? Ai cũng có lúc thăng lúc trầm thôi các bạn à!
Nueva cámara!
Justo hoy la estreno con el inicio de un curso de fotografía al que iré todos los sábados por la mañana.
Ya irán viendo mis resultados y progresos... ♥
This type of camera is exotic to me, and therefore kind of fun. These are modern power cruisers with all the electronics and creature comforts... when I'm more used to a sailboat with a small diesel, maybe a GPS to go with the compass, otherwise minimalist...
"Il sole muore già,
E di noi, questa notte, avrà pietà
Dei nostri giochi confusi, nell'ipocrisia
Il tempo ruba i contorni, ad una fotografia. "
Printer
This was still in it's plastic when I opened it, but there was no "photograph" with it, so I had to make my own.
Pennsdale (Muncy), PA. June 2022.
If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an e-mail at natehenderson6@gmail.com.
It looks like I have been bitten by the Mamiya bug. I have shot film in four of these cameras so far and have enjoyed them all.
still alive. i can't believe it's been three months since my last post.... working at the portrait studio has kept me busy. i've barely had time for my my own pictures. i miss seeing everyone's pictures...i'm trying get back into the swing of it!
hope you all have been well!
Leica II
Leica Summitar 50mm f/2 (10 Blades, Single-Coated)
Leica M4 Repaint
Voigtlander Color-Skopar 50mm f/2.5
Johnson City, NY. March 2018.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
I've been wanting a wrist strap for my a5100 ever since I got it a few months ago. I read about these gordy straps and they looked good so I bought one and received it the other day. They are very nice and I can't wait to get it broken in.
Strobist info: SB800 in a Lumiquest Softbox III mounted on a magic arm so that it was directly above the camera (in the picture) shooting down. Fired by the Nikon CLS system at 1/64 power.
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Sorria!!!
[Não autorizo o uso de qualquer foto em Blog,Fotolog ou quarquer meio de comunicação,caso haja interesse entre em contato,mas não utilize sem permissão.O direito autoral é protegido no Brasil e no Exterior pelo ART. 7, INC. VII DA LEI Nº 9.610/98..]
Pentax MZ-S
Pentax MZ-5N (With Grip)
Pentax K-01
SMC Pentax-DA 14mm F2.8 ED [IF]
SMC Pentax-FA 20-35mm F4 AL
SMC Pentax-FA 43mm F1.9 Limited
SMC Pentax-FA 50mm f1.7
SMC Pentax K 55mm F1.8
SMC Pentax K 85mm F1.8
SMC Pentax-F 70-210mm F4-5.6
SMC Pentax-M* 300mm F4
Film Photography Podcast - Episode 149 – July 1, 2016..The internet radio show for people who love to shoot film! Minolta SR7, Film of the Week - Svema Mz3, School Donation Program, Walker Evans, Listener Letters and More!
filmphotographyproject.com/podcast/2016/07/film-photograp...
Shot with my Canon EOS Rebel Ti /
FPP hand-rolled RetroChrome 320 / Processed by thedarkroom.com/ / Epson v700 scan
I am very honored and excited to be featured on this lovely blog today! Thank you so much Claudia! ♥
Estoy super contenta de estar en este blog hoy! Muchas gracias Claudia!! Es un honor! ♥