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Asheville, NC. May 2017.
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Watching the game with Sports Tonight Live and Sky Sports News on my iPad and MacBook Air. Game up on the main screen on the iMac.
Project 365
Tuesday • August 23, 2011
Pretty much on this all morning editing pictures, job interview in the afternoon and then I'm spending time with my grandma because she leaves for Brasil tomorrow.
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Camera Info:
Nikon D5000
Nikon 18-55mm f/3.5
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Auburn, NY. June 2020.
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My newest and coolest lens so far - the legendary Leica Summicron-R 50mm f/2!
I couldn't resist the appeal of grabbing it at an almost bargain price. It's in excellent condition, the glass is as pure as it can be. This Summicron is the second version with e55 filter thread and lovely built-in hood. It's made in Canada in 1987.
I've done a bunch of tests in the past few days, but no real shooting yet. Have to say, I'm quite impressed. Image quality is an instant win, straight out of the camera. There are no problems of any kind both with my Canon 5D and Canon Elan 7 film camera.
I think this Summicron might become my favourite lens for a long time ahead.
Greenville, SC. May 2017.
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My mother recently found and sent me the first camera that was used to capture me as a baby. This camera came out in 1978 costing around $600 with a gallon of milk at that time was around $1.60. I now need to find some film and take this for a spin.
My $8 camera with my $4 lens.
Bought this at World of Photography in Columbus, Ohio. A little bit of cleaning of the cosmetics and it's a working camera. Shot a test roll of color and it seems to work just fine. I'm now working on a series of natural light portraits with a roll of Ilford HP5 B&W film.
Camera is a fully manual Yashica Penta J - circa 1964. It came with a very nice 50mm f/2.0 lens. But I'm using a Vivitar 135mm f/2.8 for the portraits.
Shot in natural light on a metal office window ledge. Cloudy afternoon light to the left. My all-time favorite light source, a white sheet of foam core, about 5 inches to the right. Using a Canon 5D Mk II with a 24-105mm lens.
Foto gemaakt als onderdeel van de review op www.spiegelloos.nl en blog.foka.nl
Deze foto kun je downloaden in groot formaat voor eigen gebruik of vergelijking. Als je de foto wilt gebruiken om te publiceren in gedrukte- of online media, neem dan contact op via www.spiegelloos.nl
I have wanted to take this picture for ages. I did want to do it differently eg not b+w, selective colour but sadly the state of the pavements is very poor so have had to do this to make it look better. I did select the telephone sign and put it in on phone box no 2 as the glass was smashed ;( I am still pleased with it though and will be coming up on Society 6!
I think these are the last group of phone boxes (as a group) in England, correct me if I am wrong!
STOP PRESS - its the longest row of continuous phoneboxes in England not the last ;)
"Go ahead and feed your photography obsession with the PENTAX K-5. For you, capturing that great shot isn't a casual interest. It's a part of your life. One spectacular image after another. This camera is the perfect piece of equipment to help you get your photo fix. With the compact, rugged K-5, the world is truly your studio."
Source: www.pentaximaging.com
(Pentax *ist DS, Pentax-M 50mm 1:1.4)
The Nikon F bought new in 1971 by my late uncle, with a 55mm f1.2 AI-converted lens.
My uncle was a keen amateur photographer and the Nikon F was an expensive camera... so he seldom used it. He did a lot of his work on an old Pentax and Praktica!
I just "inherited" my grandfather's old professional camera. He was a professional photographer through several journalism outlets. I really enjoy shooting with film, and as old as this camera is - it is amazing the quality photos it produces.
Typical studio/product shot with a 430EX II in 24" softbox camera left, 430EX II in 22" beauty dish camera right, and triggered by a camera mounted 580EX II.
A partire dagli anni '50-'60, con l'avvento dei produttori giapponesi, tutto il mercato della fotografia mondiale era in fermento. I nuovi arrivati stavano definitivamente colmando il divario tecnologico con quelli europei, e quindi tedeschi, offrendo prodotti sempre più competitivi ed a costi decisamente inferiori.
Nel tentativo di svecchiare la propra gamma la Zeiss Ikon di Stoccarda propose nel 1966 un nuovo modello: La Icarex 35.
Essa fu l'ultima reflex 35mm costruita dalla società tedesca e fu originariamente sviluppata dalla Voigtländer ma dopo la fusione tra le due case fu lanciata sul mercato anche come Icarex 35. Dotata di un otturatore sul piano focale a tendina con tempi da 2 secondi a 1/1000 di secondo, montava una baionetta specifica ed aveva il mirino intercambiabile, con la scelta tra uno a pozzetto, un pentaprisma o un pentaprisma con esposimetro TTL marchiato Icarex 35 CS, senza simulatore di diaframma, ma con vetrini intercambiabili.
La Icarex 35 S è fondamentalmente lo stesso corpo macchina ma con pentaprisma fisso e lettura TTL stop-down, bisogna quindi chiudere il diaframma per leggere l’esposizione. Ció lascia intuire che la fotocamera nacque giá vecchia, il che unito all'alto costo di produzione e alla baionetta specifica con una limitata gamma di lenti offerte decretarono il fallimento del progetto, che in un ultimo tentativo di ripresa fu modificato per accogliere obiettivi con passo a vite 42 mm, nasceva cosí nel '69 la TM (Thread Mount) per distinguerla dalle versioni a baionetta, che rimasero in produzione come BM (Bajonett Mount). Anche questo tentativo fu peró vano e
nel 1971, in un ultimo tentativo di ripresa, la Icarex fu sostituita dalla SL706, identica alla 35s TM ma con misurazione a tutta apertura e una calotta leggermente ridisegnata.
La mancanza di compromessi sulla qualità portó la Zeiss Ikon a trovarsi completamente fuori mercato e anche questo modello continuò ad essere venduto in perdita, finché nel 1970 la Carl Zeiss dichiaró di volere cessare l'attivitá di produzione nel 1972 e continuó lo smaltimento delle giacenze di magazzino fino 1975 dopodiché, esaurito quato compito, la Zeiss Ikon scomparve definitivamente dal mercato.
Ad ogni modo alla chiusura del settore fotocamere la Carl Zeiss non rimase inattiva e già nel 1972 iniziarono le trattative con la giapponese Yashica, dopo che quelle in corso con la Asahi Pentax erano fallite. Alla Photokina del 1974 fu quindi presentata una nuova fotocamera reflex elettronica, la Contax RTS, il primo modello di questa proficua collaborazione.
Technische Daten:
Typ: KB-SLR
Filmtyp: KB, Format 24x36
Objektiv: Wechselobjektiv
Objektivanschluß: M42x1
Verschluß:Stahllamellen, batteriebetrieben Zeiten: 1/2 bis 1/1000 und B
Blitzanschluß: ja
Blitzsynchronisation: 1/90 S Selbstauslöser: ja
Zubehörschuh: ja
Sucher:
Prisma,Microprismenring
Belichtungsmessung:
Elekt. Belichtungsmesser im
Sucher durch ED-Anzeige, Messung bei Arbeitsblende
Filmtransp.: Schnellschalthebel
Gehäuse: Guß, schwarz beledert
Fertigungszeit: 1968-74
Sonstiges: Spiegelverriegelung
Die TL Electro X ist eine Spiegelreflexkamera des japanischen Herstellers Yashica. Die Kamera wurde zwischen 1968 und 1974 hergestellt. Sie war die weltweit erste Spiegelreflexkamera mit einem vollelektronischen Belichtungsmesser. Zur Anzeige der Belichtung wurden statt der sonst üblichen Lichtwaage erstmals LEDs verwendet, welche im Sucher in Form von zwei Pfeilen jeweils Über- oder Unterbelichtung anzeigen. Es gab somit keine mechanisch beweglichen Bauteile mehr im Messsystem. Wie bei den meisten damals üblichen Kameras wird durch Betätigung des Abblendhebels die Belichtung bei Arbeitsblende gemessen und angezeigt.