View allAll Photos Tagged electronics
The OM10 was the first consumer camera in the OM line. Its lines are not quite as ellegant as the classic OM1 but it's still an OK, inexpensive 35mm SLR.
WEEK 29 – Carrollton, GA, Target (II)
Panning to the left, we get a view of the sleek new electronics desk: a far cry not only from the bulky “boats” of old, but also even the more modern “Target Electronics” desks! I guess a bunch of hard edges, reflective white material, and a backlit front shelving space will do that for you… speaking of which, I actually think it’s quite clever how that space has been utilized for an all-in-one battery station, even if it does sacrifice having any true branding to help identify the desk’s purpose.
That arrowed remodel sign informs us that we will encounter the entertainment, sporting goods, toys and games, and auto and home improvement departments as we press forward toward the store’s left-side wall, and indeed we shall, as our stour continues two weeks from now. Stay tuned!
NEXT WEEK – more from the Oakland Kroger post-remodel…
(c) 2021 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
As it's been 3 years since i last took photos of some of the fleet, WHEN I STARTED IN JUNE 2010 , i thought i would update by taking some more photos of the rest of the fleet other than mine, So i have decided when ever i do a job with another coach i will photograph it . I will also now start taking photos of the office for the day as i know a few of you like to see where we spend the day, so the first office shot is of todays office, the cab of YN57FZZ our Scania L92 / Irizar Skool C70FL
VH-ZTG Cessna C-165 Airmaster c/n 589 - Gympie Aero Club Competition Day 2010. Location: Gympie Airport, QLD. File: VH-ZTG_YGYM_20100516_0875
Rehoboth Beach, DE. October 2018.
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Canon AV-1 35mm aperture priority SLR camera. Introduced in 1979.
photo-analogue.blogspot.co.uk/2015/10/a-minor-fix-for-can...
The PCB Group Order! Woo!
The full 22x16 panel, with a lot of empty space. I could've fit a bunch more boards.
Now here's more the sort of cab-shot I try to get wherever possible. Albeit wishing for far from the first time that I had a wider angle lens!
No, I wasn't tearing along at 80mph here either, for some reason the speedo was having a bit of a fit at the time and was convinced we were however. While I reckon 131 might actually be able to get to 80 given a long enough road, don't think it would do so in neutral...and I'd be rather more concentrating on where I was going than taking photos! Know there was a ground fault somewhere in the nearside rear corner causing issues for the tail lights, so if it's fed from an electronic pickup on the gearbox I guess these things could be related. Alternatively it might just need someone to give the instrument panel a firm thump in the right place...Finding gremlins in a car is bad enough...Hunting the suckers in a bus must be all manner of fun...I'll get my multimeter shall I?
131 is definitely one of my favourites of the collection up at Alford. I've always liked these Olympians, having grown up with them I guess. They look like a bus, they smell like a bus, they feel like a bus, and sound like a bus - in the case of Olympians like this with the Cummins L10 engine in particular have a hugely satisfying thunderous exhaust note.
Goes well this one too!
The technic works very well after all this years! We heard radio messages from all over the world there...That made real fun!
Die Technik funktioniert noch hervorragend nach all den Jahren! Wir haben dort Funksprüche aus der ganzen Welt empfangen...Das hat richtig spass gemacht...
I want to maybe travel soon but I'm not sure what to bring. I do want digital for the ease of seeing what I'm photographing right away and backing up to phone and cloud with built in wifi in case of theft or loss but I definitely want to start exploring film and slides. I want capability but I also want freedom and ease of very little gear. Is a happy medium the answer or should I go stealthy? Perhaps capability is paramount and I should bring everything, besides I don't get to travel often and it is my favorite hobby. I have to bear in mind that I can only use one body and lens at a time when taking a photo while everything else just sits there in the backpack. The 24 and the 40 are my most used lenses. I also have to think about ease at airports and having to carry everything all the time when I'm at a hotel. Manual focus is okay but I have kids I like to photograph too. But I love landscape images and low light capability is always welcome for indoor and nighttime shots. I'm glad I have some options but... what to do???!!! Please share your thoughts you may have from personal experience. Thanks!
A computer circuit board.
Photographer: Harland Quarrington
Image 45153621.jpg from www.defenceimages.mod.uk
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fuji X20
kodak duaflex IV
cameraland hawaii
not sure about this as the lens assembly was loose and I'm not sure I put it back correctly
Tabb, VA. September 2018.
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with a MC Rokkor PF 55mm/f1.7
This picture was taken with a Minolta MC Macro Rokkor 50mm/1:3.5 adapted to the Minolta A-Mount on a A900. Two wireless flashes and umbrellas were used for the lighting.
Have a good time and thanks for your comments.
The Fujica 35-SE was a 35mm rangefinder released in the late 1950s. There were two versions, one with a Fujinon 45mm f/1.9 lens and the other with a Fujinon 45mm f/2.8 lens. The f/1.9 lens had leaf shutter speeds of B, 1"-1/1000" and the f/2.8 B, 1"-1/1000". The camera came with a selenium meter, thus no batteries were required. Another feature of the camera was a shutter-aperture linkage, such that once you set the aperture and shutter speed, changing the shutter speed would correspondingly change the aperture. For example, if the meter reading was set for 1/60" at f/8, you could change the shutter to 1/125" and the aperture would automatically change to f/5.6.
ROLLEI 35 Series Vintage camera. Rolleiflex was a highly respected brand-name being manufactured in Germany & Singapore. This one (ROLLEI 35B) was probably manufactured between 1969-72 and believed to be one of the smallest full-frame 35mm cameras ever built. 35B has a Selenium "solar cell" Exposure meter which generates its own electricity and works perfectly well even after 4 decades.
It comes with Triotar lens designed by Zeiss and made by Rollei. The camera has 3 distinct dials over the lens to set Aperture, Shutter & Focusing distance. Shutter speed varies from B to 1/500 of a second and Aperture between f/3.5 to f/22. This camera has an unusual placement of the flash hot-shoe at the bottom, due to which one had to hold the camera upside-down to take flash photos !!
An overview of the electronics desk (still rocking P97 style!), which is the centerpiece of the section itself. You'll note that this store has electronics and entertainment, while nearby, still technically separated. The departments are separated in new stores as well, I suppose, but they're right beside each other rather than across an aisle and oriented in a different direction.
(c) 2016 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
Manufactured by Voigtländer & Sohn AG, Braunschweig, West Germany
Model: c.1965, De Luxe version, third model, (Produced between 1963-1968)
35 mm film Rangefinder camera
Lens: Voigtländer Lanthar 50mm f/2.8, coated, (Lanthar 50mm f/2.8 lens was on early model CLRs, thus with this middle/late model camera is unusual)
Aperture: f/2.8 - f/22, setting: ring and scale on the lens-shutter barrel
Focusing: , matching rangefinder images in the finder via manual front element focusing, ring and scale on the lens, w/ DOF scale
Focus range: 1-20m +inf
Shutter: Gauthier Prontor 500 LK central leaf shutter, speeds: 1/15-1/500 + B
setting: ring and scale on the lens-shutter barrel
Shutter release: on front of the camera, beside the lens, w/ cable release socket
Cocking lever: short stroke, also winds the film, on the right back side of the camera,
double exposure prevention
Frame counter: window on the bottom plate, manual reset, decreasing type, w/ setting button beside it
Viewfinder: Coupled rangefinder / viewfinder, bright crystall frame for parallax correction, meter needle set is visible in the finder
Exposure meter: TTL (coupled to the lens) Selenium cell
ASA/DIN setting scale: on the shutter speed ring, w/ Uncoupling lever: disengages shutter speed ring when setting film speed, on the lens-shutter barrel
Exposure setting: after setting the speed, turn the aperture ring till two needles match in the window, on the top plate,
w/ Translucent plastic part reflects the meter needle set to the viewfinder
Re-winding: via a knob, on the left of the top plate, pops up via pushing the lever on the back of the top-plate
Back cover: Hinged, opens with latches on the left side of the camera
Flash PC socket: on the front of the camera, sync: X all speeds, bulb 1/30
Hot-shoe
Self timer: lever on the shutter, do not use in B
Memory dial: on the re-wind knob
Tripod socket: 1/4''
Serial no. 8503932
+ever ready case
A brief info for Vito C series cameras:
Vito C wo/ light meter and rangefinder, 1960-67
Vito CD w/ uncoupled light meter, 1961-66
Vito CL w/ a coupled light meter, 1961-67
Vito CLR w/ coupled light meter and coupled rangefinder, 1963-68
Vito CS w/ CdS light meter, 1968-71
Vito CSR w/ CdS lighmeter and rangefinder, 1968-71
All of the cameras, except CS and CSR, were sold as Standard or Deluxe models.
Differences between standard and de luxe models are cosmetic, like leatherette covered lens barrel, black shutter release, raised chrome name, film reminder disc with leather in the center. The light meter window is different in the deluxe third model of CLR .
Lanthar 50mm f/2.8 lens was on early model CLRs. The later model CLRs were offered with Color Lanthar or Skopar 50mm f/ 2.8 lenses. There were Pronto LK shutters also.
more info: Voigtländer Camera Collection, Doppeld by Dietrich Drescher, Orphan Camera manuals by M Butkus, ukcamera
Partially influenced by Simon, who uses the M mount Color Skopar 35mm f2.5 - I decided to shoot some films with my small stash of various 35mm f2.5's.
Top row - left to right: ColorSkopar 35mm f2.5 Ltm vI Pancake.
Leica Summarit-M 35mm f2.5, SC Skopar 35mm f2.5 (Nikon Rf mount).
Bottom row, Left to right: Color Skopar 35mm f2.5 Ltm vII and Color Skopar 35mm f2.5 M-mount.
I've had this Minolta 9000 for some time but without a suitable lens to go with with it. This Sunday I was at an antique fair and I managed to pick up a 50mm f1.7 lens for the bargain price of £18! Yay!
Unfortunately something isn't quite right :-( The lens isn't shutting down to the taking aperture properly, and I can't tell if it is the camera or the lens to blame. I have a freind with a Sony DSLR which I thinbk I will have to borrow to find out!
The Minolta 9000 was launched in 1985 and it was Minolta's second auto focus SLR camera after the 7000 launched just a few months earlier.
The 9000 provided a more professional feature set with a tough metal body, fast 1/4000 sec top shutter speed and an optional 5fps motor drive. Without the optional motor drive, and unlike the earlier 7000, power for the film advance is provided solely by the photographers thumb. Interesting factoid: the Minolta 9000 was the only AF SLR ever made with a manual film advance!
But despite the professional feature set, the AF was painfully slow… professional photographers would have to wait a couple more years before autofocus systems developed to a point that could really satisfy their needs.