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Printer
This was still in it's plastic when I opened it, but there was no "photograph" with it, so I had to make my own.
31DC2013 Day 5: Blue Nails. Detalhes no blog: gionails.blogspot.be/2013/10/31dc2013-day-5-blue-nails.ht...
Yaaaaaaaaa! Thi xong r thì mh chả hứng onl nữh :( Thi hog như mong mún j hết T^T hiuhiu
30/6 vừa r thì mới vào NK prison cs4 học TToTT áplựcdồnnénkinhkhủng
Vừa mệt mỏi khi thi bh vào đó cs mh như nhà tù :-< Chẳng lúc nào mh thấy là mh đang nghỉ hè :((
TRƯỜNG MỚI - BẠN MỚI - c.s mới c~ đang dần hình thành :|
Xao có thể từ bỏ dễ dàng cs ngày trước nv. :((
Trở thành hs chăm ngoan?!
Trở thành 1 đứa hiền lành?!
Không còn như trước nữh :(
TLR (Twin Lens Reflex) medium-format film camera for 120 film. It was produced from 1958 to 1974.
This one comes with a better 4-element Tessar-style Yashinon 80mm f/3.5 taking lens instead of the Yashikor ones found on earlier models.
still alive. i can't believe it's been three months since my last post.... working at the portrait studio has kept me busy. i've barely had time for my my own pictures. i miss seeing everyone's pictures...i'm trying get back into the swing of it!
hope you all have been well!
Johnson City, NY. March 2018.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
Rolleiflex T model K8 T1 (1958)
Taking Lens:
Tessar 3,5/75mm, by Carl Zeiss at Oberkochen, Bayonet 1
Finder lens:
Zeiss Heidosmat 2,8/75mm, Bayonet 1
Shutter: Synchro Compur MXV, 1 - 1/500 sec., B, X-sync., self timer.
Film Transportation: winding lever, film marker in film chamber, exposure counter for exposures 1-12. Blank film pressure plate.
Dimensions: 11.2x9.7x17.8cm.
Weight: 1,020 grams.
Can not be used with Rolleimarin.
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia.
PL25mm is the best image quality lens for m43 system, I think no one will object, hehe :-)
Photo taken by this setting :
www.flickr.com/search/?w=16112759%40N02&q=Summilux+25...
Camera for the photo : Olympus EPL3
Lens for the photo : Lumix Leica DG Macro-Elmarit 45mm f/2.8
All rights reserved. REPRODUÇÃO PROIBIDA - ® Todos os direitos reservados.
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Sorria!!!
[Não autorizo o uso de qualquer foto em Blog,Fotolog ou quarquer meio de comunicação,caso haja interesse entre em contato,mas não utilize sem permissão.O direito autoral é protegido no Brasil e no Exterior pelo ART. 7, INC. VII DA LEI Nº 9.610/98..]
Buying a Fujifilm X100S in 2013 I was hooked on mirrorless. In January 2014 I bought an X-T1 to replace my Canon 5D as my workhorse. I could not sell my 5D...I love that camera and it was worth way more to me than market value. I sold all my L glass and bought 40MM pancake just so I can shoot with it from time to time.
What better way to set off for new year of photography than with a new camera.
First roll is in to test speeds, but they look and sound OK so not expecting a surprise. Another 5.0cm Nikkor f1.4, but you can't have too many, matching the camera this is a more recent example than my other. This SP is fairly early and has the cloth shutter fitted. I have found the cloth shutter variants of the NNikons to be smoother and a tad quieter, I'm used to avoid the direct sun from the Leicas.
Asheville, NC. May 2017.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
I am very honored and excited to be featured on this lovely blog today! Thank you so much Claudia! ♥
Estoy super contenta de estar en este blog hoy! Muchas gracias Claudia!! Es un honor! ♥
I was never a fan of Minolta cameras, I really don't know why. They have always been very advanced if sometimes slightly over the top. Anyway, I found this 7s at a fleamarket and was struck by its looks. Its black finish is drop dead gorgeous. The laqueer is outstanding and the white engravings superb. This was a case of love at first sight! It doesn't happen too often, but it did this time!
Launched in 1966, it features all the goodies of a high end camera, bright (and possibly sharp) 1,8/45 lens, automatic parallax corrected viewfinder, exposure information and Minolta's SLR exposure system of that time, the CLC. I have to find a PX 635 equivalent to find out how it works in auto mode.
The icing on the cake is that it seems this black version is pretty rare, it shouldn't be like that, if I was the Minolta designer, I would skip the alluminium version!
Thats a part of my Pentax-Motor-camera-collection.
I have a special passion for the Pentaxes from the 70s and the 80s and here are some of my favorites: The K2DMD and the KX from the mid of the 70s, the MX from the end of the 70s and the LX from the beginning of the 80s.
Finally gave into the strange sort of lust that makes a person want a Zenit. Is it a good looking camera? No. Is it refined? No! (although to be fair it is well built and has a remarkably smooth and non-tractorish film wind and shutter release).
It's just, well, functional and purposeful. And heavy. And cheap, too cheap to find an excuse for not having it really.
I have wanted to take this picture for ages. I did want to do it differently eg not b+w, selective colour but sadly the state of the pavements is very poor so have had to do this to make it look better. I did select the telephone sign and put it in on phone box no 2 as the glass was smashed ;( I am still pleased with it though and will be coming up on Society 6!
I think these are the last group of phone boxes (as a group) in England, correct me if I am wrong!
STOP PRESS - its the longest row of continuous phoneboxes in England not the last ;)
Duel Vintage
Entre le Fujifilm x100 (2011) et le Lumix GX7 (2013)
Fujifilm FinePix X Series X100 12 MP (4288x2848)
L’appareil qui à remis Fujifilm sur les rails
Prix: $1,299.99 USD
Photos prise avec le Fujinon 23mm f/2
(facteur de multiplication de 1.5) APS-C
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Panasonic Lumix GX7 de 16.1 MP ( 4592 x 3448 )
Prix : $1,000.00 US
Photo prise avec le Panasonic Lumix G 20mm f/1.7 II
(facteur de multiplication de 2) Micro 4/3
wasting film on a road trip. btw, that nikon f6 has to be the best film camera i've ever owned. it's amazingly good.
stagecoach hotel & casino
beatty, nevada
nikon f6
nikon 50mm f/1.4d
kodak portra 400
This is the camera that has taken every one of my pictures for the last fortnight and a bit - and bearing in mind that I've been doing gig pics, clones, and new-years stuff, on top of 365, it has already taken in excess of 1500 pictures.
This is a Canon 400D DSLR (Digital Single Lens Reflex) with the 18-55mm f3.5-5.6 mk II kit lens (see the nasty pun in the name?). This was taken with my ickle Samsung v800 point-and-shoot - hence the nasty grain, unsharpness etc.
---- press L for a better view ---
After the Christmas market and some hot wine, i had a short photo trip with Daniel in Munich
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Nach lecker Glühwein auf dem Weihnachtsmarkt in München sind Daniel und ich auf der Suche nach ein paar Motiven durch die Stadt gezogen. Dieses Bild ist natürlich leicht bearbeitet :-)
Viele Grüße
Stephan
This camera is a gift from my friend Dr.Mithat Çamlıbel
Manufactured by Kodak AG, Stuttgart, Germany
Model: c.1954, Type 021 first version, an early model that the “c” written as lower case, (produced between 1954-57)
35mm Folder Rangefinder film camera
Engraving on the top plate: Retina IIIc
Lens: Schneider-Kreuznach Retina-Xenon C 50mm f/2, 6 elements in 4 groups total; interchangeable front element: 3 elements in 2 groups, w/ red delta symbol indicating coating, Mount: special bayonet type snap lock , filter thread: 24mm
serial no.3967648, beside the cold shoe and on the right of the front element lens mount
Caution: Notice the two sets of serial numbers. These must match for you to have a properly working 50 mm lens.
Lens release: for removal use Kodak Retina 50mm lens component case which is a special grip-top container, first press the transparent center of the top to bring the grip-insert to its full-open position, then place the insert over the lens rim, press the black outer ring toward the lens as far as it will go to tighten the hold of the grip-insert, then turn counterclockwise then remove the lens and place it in the container, wo/ removing the grip-top
Aperture: f/2-f/22, setting: lever and scale on the lens-shutter barrel
Focusing: Matching rangefinder images in the finder, by focusing ring behind the lens-shutter barrel, distance and DOF scales and separate scales for tele- and wide-angle lenses on the lens, w/ handle for easy using
Focus range: 2.5-50 feet +inf
Shutter: Synchro-Compur leaf shutter, speeds: 1-1/500 +B
setting: ring and scale on the lens-shutter barrel
Cocking lever: also winds the film, short stroke, on the bottom plate, w/ double exposure prevention, w/ a special Film release button for to deal any blockage of the winding lever, on the top plate beside the counter window
Shutter release: on the top late, w/ cable release socket
Frame counter: decreasing type, manual setting, press the button beside the counter window, and simultaneously pull rightward the button on the backside of the top plate
Viewfinder: Optical projected view frame type coupled with rangefinder light yellow glass, Coupled rangefinder is diamond shape
**There was an auxiliary finder for wide and tele-lenses
Exposure meter: Uncoupled Selenium cell light meter, w/ a pop-up lid on it, for allowing the measurement of incident light, exposure meter reading in Light Values (LV)
Film speed range: 5-3200 ASA, setting: the dial windows on the exposure setting dial
Metering range: 2-18 LV
Exposure setting: set the film speed by turning the ASA /DIN dial on top of the exposure setting dial, open the light cover, match the black and red needles in the window just beside the exposure setting dial, by turning the dial, then read the light value on the dial, then set the LV dial on the speed ring as a same LV number on the dial. If exposure meter window is closed use green dial marks, otherwise use red dial marks
Light Values (LV) system: lever of LVS lock is the aperture setting lever also, engaged to speed ring notches, so locks the shutter and aperture into combination which moves together, at the pre-selected light value, and when you move to a larger f/stop, the shutter speed automatically shifts to a higher speed too. The LV scale and lock are on the bottom side of the shutter.
Re-wind knob: on the left of the top-plate
Re-wind release: by a knob on the bottom plate
Flash PC socket: on the bottom side of lens-shutter barrel, flash sync up to the maximum speed, green setting lever for X and M on the right lower side of the the lens-shutter barrel
Cold-shoe
Memory dial : on the rewind knob
Self-timer: by green setting lever on the right lower side of the the lens-shutter barrel, set to V
Front cover opening: by a knob on the front cover, closing: first the focus must be on the inf., then push the big silver buttons on the back side of the lens-shutter barrel
Back cover: hinged, opening: turn the small arrow on the tripod socket plate, then press the small button visible under it
Engraving on back cover: Kodak Retina Camera
Tripod socket: 1/4''
Locating hole for accessories on the bottom plate
Strap lugs
Body: die cast aluminum alloy, Weight: 694g
serial no. EK 250052
Front component of the lens is interchangeable with 35mm f/4 Retina Curtar Xenon C and 80mm f/4 Retina Longar Xenon C lenses.
The most sophisticated of the folding Retinas and many consider it is the best of all folding 35mm cameras. It has the reputation of an overly complicated internal construction.
Kodak Retina IIIC (upper case C) with multi-frame adapter was next to IIIc, and produced between 1958-61.
more info: Kodak Classics by Mischa Koning, Cameraquest by Stephen Gandy, Photoetnography by Karen Nakamura, Camerapedia