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The Mamiya RZ67 is a medium format single-lens reflex system camera manufactured by Mamiya. There are three successive models: the RZ67 Professional (first model released in 1982), RZ67 Professional II (released in 1995) and RZ67 Professional IID (released in 2004). RZ67 is a modular camera system, meaning lenses, viewfinders, ground glasses, film winders and film backs are all interchangeable. It is primarily designed for studio use, but can also be used in the field. The RZ67 Sekor lenses have built-in electronic leaf shutters which are cocked and triggered from the body. Focusing is performed with a bellows on the body instead of the lenses.
The camera accepts 6×7, 6×6 and 6×4.5, 120 and 220 film magazines and Polaroid as well as Quadra 72 4×5 sheet film backs. Mamiya RB67 backs are also supported via the G-Adapter. The film speed is set on each RZ back via a dial. There are two versions of the 6×7 and 6×4.5 backs; the model II versions have a second film counter to always show the film count on the top. The RZ67 operates on one 6 V silver oxide 4SR44 battery, or 6 V 4LR44 alkaline battery. It can be used in emergency mode fully mechanically with a fixed 1/400 sec shutter speed. Multiple exposures are possible in the M-mode. Mirror flip up is supported. The body has one standard flash hot shoe on its left side, one plug for a standard remote shutter cable release, and a socket for an electronic shutter trigger. The RZ67 measures 104 mm (W) × 133.5 mm (H) × 211.5 mm (L) with the 110mm f/2.8 lens, and weighs approximately 2.4 kg (5.29 lbs). The flange distance is 105 mm.
I found a really sweet deal ($425) on this Canon FD 24mm f/1.4 L on ebay. Through some wheeling and dealing I was able to make my out of pocket expense for this really small. I was dead set on getting Nikon's version of a fast 24mm in 2010. I saved up for it but wound up blowing the cash I had on my Hasselblad. So 6 years later I was finally able to get a fast wide prime.
Pentax S1a 35mm SLR camera shutter 1-500 speed with extra unmarked click for 1000 speed, Super-Takumar f1.8/55mm lens mounted on top a Asahi Pentax meter made in Japan c1962
Sidney, NY. June 2015.
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WEEK 29 – Carrollton, GA, Target (II)
Panning to the left, we get a view of the sleek new electronics desk: a far cry not only from the bulky “boats” of old, but also even the more modern “Target Electronics” desks! I guess a bunch of hard edges, reflective white material, and a backlit front shelving space will do that for you… speaking of which, I actually think it’s quite clever how that space has been utilized for an all-in-one battery station, even if it does sacrifice having any true branding to help identify the desk’s purpose.
That arrowed remodel sign informs us that we will encounter the entertainment, sporting goods, toys and games, and auto and home improvement departments as we press forward toward the store’s left-side wall, and indeed we shall, as our stour continues two weeks from now. Stay tuned!
NEXT WEEK – more from the Oakland Kroger post-remodel…
(c) 2021 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
Seasonal occupies the back left corner of the store, and electronics has been in the front left location for the vast majority of the store's lifetime, if not from day one. (Doubtful it'll be remaining there however). I seem to remember very early models of computers more front and center within a Target, but this could very well be a memory from the old Hickory Hill location. No doubt though that computer software was (and I belive a small selection still is) in that more central location, evidenced by this photo of a directory from a much earlier time.
And unfortunately, I've had to color correct the green neon slightly as well, though it's nowhere near as far off as the red neon. Still not 100% happy with this result, so hoping my next view of it looks even better.
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Target, 1999-built (2023 remodeled), Interstate Blvd. near Goodman Rd., Horn Lake MS
As it's been 3 years since i last took photos of some of the fleet, WHEN I STARTED IN JUNE 2010 , i thought i would update by taking some more photos of the rest of the fleet other than mine, So i have decided when ever i do a job with another coach i will photograph it . I will also now start taking photos of the office for the day as i know a few of you like to see where we spend the day, so the first office shot is of todays office, the cab of YN57FZZ our Scania L92 / Irizar Skool C70FL
A Werra Matic with the 35mm f2.8 lens fitted and the 50mm f2.8 and 100mm f4 lenses along side.
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A while back I bought on eBay a complete Carl Zeiss Jena Werra outfit consisting of a Werra III rangefinder camera together with a complete set of 35mm, 50mm and 100mm lenses, all in a beautiful set of cases. The only problem was that the camera itself didn't work. Rather than send it back I decided to keep it as a complete outfit like this isn't something you see very often, and I thought that buying a replacement camera wouldn't take long or be very expensive.
Well it took me longer than I thought to find a really nice Werra camera to allow me to actually try out these lenses, but I have finally found one!
My original camera was a 'flat-top' Werra from the original series of cameras. I've always thought these original cameras are the purest of the Werras, and the III is most minimal of all without the light meter to sploil the top plate.
This Werra Matic is from the last series of camera. Not only does it have the slightly fussy striped details on the front, it also had an accessory shoe and the various windows for the light meter. But it is still a very attractive camera.
By modern standards these Werras are rather fiddly and fussy cameras to operate, but all Werras have some thoughful and very unusual design touches. The most famous one is the wind-on mechanism: see that wide band around the base of the lens? A quick twist of this band with advance the film and automatically cock the shutter ready for the next shot.
Almost as famous is the combined lens cap and lens hood which cover up all the dials when the camera is put into storage/carry mode.
The Werra Matic is the most advanced of all the Werras. It has a cross coupled light meter with a read out in the viewfinder. And a clever mirror in the viewfinder reflects a view of both the shutter speed and aperture setting into the viewfinder. Like all interchangeable lens Werras the viewfinder also features frame lines for the 50mm and 100mm lenses (with the whole viewfinder serving the 35mm lens).
I particularly like the range finder on these Werras... it is very bright and clear and easy to use.
Das Herz der Konica C35 (und vieler „Verwandten“) war der geniale „Copal B Mat special automatic programmed shutter“. Dieser Verschluss bestand nur aus zwei Lamellen, die gleichzeitig als Blende dienten. Das bedeutete nichts anderes, als dass die Blendenöffnung in einem direkten Verhältnis zur Verschlusszeit stand: Je weiter offen die „Blende“, desto langsamer die Zeit. Folglich ergaben die Blenden/Zeit-Werte fixe Paare und gingen von f 2,8 – 1/30 Sek. bis f 14,3 – 1/650 Sek.
Das funktioniert sehr genau, und zusammen mit dem ausgezeichneten Hexanon 1:2,8/38 mm (4 Elemente in 3 Gruppen) ist der Apparat wirklich diatauglich. Ein Mischbild-Entfernungsmesser hilft, die Entfernung präzise einzustellen.
Es gab – wie gesagt – unzählige „Verwandte“, weil viele bekannte Firmen (auch Vertriebsfirmen) sich dieses sicherlich preisgünstig herzustellenden Verschlusses bedienten und eine eigene Kompakte „drumherumbauten" (zum Teil waren aber die Objektive nicht so gut).
Davon in meiner Sammlung vertreten:
Voigtländer VF 135 (Spitzenobjektiv!)
Rollei XF 35 (Spitzenobjektiv!)
... und das ist nur eine kleine Auswahl aller hergestellten Modelle!
Die Konica und ein paar ähnliche hatten auch die Blitz-Leitzahlen-Automatik, die die Blende je nach Entfernung einstellte.
Die praktisch nicht mehr erhältliche 1,35-Volt-Quecksilberbatterie kann durch eine billige 1,4-Volt-Hörgerätebatterie ersetzt werden (hält aber nicht so lange).
The PCB Group Order! Woo!
The full 22x16 panel, with a lot of empty space. I could've fit a bunch more boards.
And here's another view of the Jackson TM electronics items. Actually this looks like it was just panned to the right a bit from the previous photo I uploaded of this section.
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Tuesday Morning, 1971-73-built (as ???), Old Hickory Blvd. near Hwy 45 Bypass, Jackson TN
The technic works very well after all this years! We heard radio messages from all over the world there...That made real fun!
Die Technik funktioniert noch hervorragend nach all den Jahren! Wir haben dort Funksprüche aus der ganzen Welt empfangen...Das hat richtig spass gemacht...
I want to maybe travel soon but I'm not sure what to bring. I do want digital for the ease of seeing what I'm photographing right away and backing up to phone and cloud with built in wifi in case of theft or loss but I definitely want to start exploring film and slides. I want capability but I also want freedom and ease of very little gear. Is a happy medium the answer or should I go stealthy? Perhaps capability is paramount and I should bring everything, besides I don't get to travel often and it is my favorite hobby. I have to bear in mind that I can only use one body and lens at a time when taking a photo while everything else just sits there in the backpack. The 24 and the 40 are my most used lenses. I also have to think about ease at airports and having to carry everything all the time when I'm at a hotel. Manual focus is okay but I have kids I like to photograph too. But I love landscape images and low light capability is always welcome for indoor and nighttime shots. I'm glad I have some options but... what to do???!!! Please share your thoughts you may have from personal experience. Thanks!
A computer circuit board.
Photographer: Harland Quarrington
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Tabb, VA. September 2018.
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Palmer, MA. October 2016.
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Graflex 3A Autographic SLR Roll Film Camera (circa 1915-20), 5x7 Baucsh & Lomb Tessar f/4.5-f/32 barrel lens.
These cameras were produced from 1915 to 1926. They were popular during WWI and were also used by railroad photographers and postcard photographers. The Autographic feature allowed the photographer to open a sliding panel on the back of the camera to write information along the margin of the negative. As indicated on the metal tag on the front of this camera, Folmer & Schwing (the makers of the original Graflex cameras) was controlled by Eastman Kodak at this time. Graflex later separated from Kodak and continued to produce cameras until 1973.
I purchased this camera at an antique store about 10 years ago. My father actually found it, as he is usually better at spotting items than I am. The camera and accessories were tucked away inside a leather case. Included in the case was an old film box and there was a roll of 112 Verichrome Pan film still in the camera. Also included in the case was the interesting Weston light meter. The price for all of this was only $40. The expiration date on the film box was 1959, so it appears that someone probably used the camera well into the 1950s. I have not personally used this camera, as 112 film has not been available for a long time. However the focal plane shutter appears to work perfectly and this camera makes a nice display and conversation piece.
No, this camera is not for sale!