View allAll Photos Tagged effect
picture taken with an iphone, while taking the picture move your hand, these distorted pictures are the result. distortion effect
Butterfly Effect por Kate Louise Powell
Reproducción fotográfica
Fotografía II
Dulce Tlacotia, Diana Becerra
Victoria Meneses, Sergio Vázquez
See the edited version, which was edited using The Gimp image editor and the Lomo effect plugin.
was experimenting with photoshop again and decided to properly work out how to do this effect because so far i've never been all that successful with it.
i did this much and i'm not really sure why but i seriously love this, considering putting it on my wall.
so yes, this was the highlight of my day.
Created with fd's Flickr Toys using the FX tools and the negative effect. I was just playing around, but I liked this one
8mm厚のフレームの特徴をフルに活かした、エフェクターのコンセプトを体現する代表的モデル。
Fully emphasizing the 8mm-thick acetate frame, the "fuzz" best represents the concept of EFFECTOR eyewear.
Strange yellow sky at midday - the result of hurricane Ophelia lifting Saharan sand/dust into the atmosphere, or something.
she's a fan of the flaring effect caused by spinning when she's wearing a dress or skirt. even more a fan of immediately watching her performances.
Nikon FM10 with My Dice effect, pinhole inspired by The Dice. this is 0.3mm two pinhole as the 6th face of dice.
Taking my SX-70 graphic on the wall.
This is a close up of the hall effect sensor that was originally on my motor on my bike. It is roughly equivalent to the Honeywell SS41 hall sensor series, although which type of SS41 sensor it nearest is up for debate. They produce a sensor labeled SS41F, which might perhaps be most similar, but is hardest to find. In the end I used SS41 and it worked fine. From everything I understand, the difference between the different sensors is not important for ebikes.
3D image of the forest scene.
This photo is taken by a standard Kodak C360 camera and 2 photos are taken side by side of each other, approximately the distance between the left and right eye. Next, the 2 images are merged into 1 image and spaced with a red line added in-between to make lining up easier.
To view the 3D effect:
Cross your eyes so your right eye is looking at the left image and the left eye is looking at the right image. There will then be 3 images seen, where the red marks line up making 2 red marks with a “virtual” image in the middle. This virtual image might be out of focus at first, but give it a few seconds and it will turn in focus as your brain adjusts. This virtual image is the 3D effect and you can virtually look at the forest and tell how far away some of the trees are in the scene.
Vladimir Semyonovich Vysotsky (25 January 1938 – 25 July 1980) was a Soviet singer-songwriter, poet, and actor who had an immense and enduring effect on Soviet culture. He became widely known for his unique singing style and for his lyrics, which featured social and political commentary in often-humorous street jargon. He was also a prominent stage- and screen-actor. Though the official Soviet cultural establishment largely ignored his work, he was remarkably popular during his lifetime and has exerted significant influence on many of Russia's musicians and actors.
Vysotsky was born on 25 January 1938, at the 3rd Meshchanskaya Street (61/2) maternity hospital in Moscow. His father was Semyon Vladimirovich (Volfovich) Vysotsky, a Jewish man who came originally from Kiev. His mother, Nina Maksimovna Vysotsky (née Seryogina), was Russian, and worked as a German translator. The family lived in a communal flat at No. 126, 1st Meshchanskaya Street.
Vladimir's theatrical inclinations became obvious at an early age, and were supported by his mother, herself a great fan of theatre. Vysotsky later recalled: "I didn't have anyone in my family who was an actor or a director nobody who was in the arts. But my mother really loved theatre, and every Saturday—from the very earliest age until I was about thirteen or fourteen—she would take me to the theatre. And that probably stuck." His paternal grandmother Dora Bronshteyn also supported his interests. The boy used to recite poems, standing on a chair and "flinging hair backwards, like a real poet," and often used expressions he could hardly have heard at home. Once, at the age of two, when he had tired of the family's guests' poetry requests, he, according to his mother, sat himself under the New Year tree with a frustrated air about him and sighed: "You freeloaders, let the child rest!"[c] His sense of humor was extraordinary, but often baffling for people around him. At three years old he would jeer at his father while the latter was in the bathroom, breaking out unexpected poetic improvisation ("Take a look what's happening here! / Our goat's decided to shave!") or appall unwanted guests with street folk songs. Vysotsky remembered these earliest years of his life in the autobiographical song "Ballada detstva" ("Ballad of Childhood").
After the outbreak of World War II, Semyon Vysotsky, who had been a reserve officer, was called up for service in the Red Army. In March 1941 he was sent to the front. Nina and Vladimir were evacuated to the village of Vorontsovka in Orenburg Oblast, where the boy had to spend six days a week at kindergarten while his mother worked twelve hours a day in a chemical factory. In 1943, both returned to their flat in Moscow. In September 1945, Vladimir entered the first grade at the 273rd Moscow Rostokino District School.
In December 1946, Vysotsky's parents divorced. From 1947 to 1949, Vladimir lived with Semyon Vladimirovich (then an army Major) and his Armenian wife, Yevgenya Stepanovna Liholatova, whom the boy called "Aunt Zhenya," at a military base in Eberswalde in the Soviet occupation zone in Germany. "We decided that our son would stay with me. Vladimir came to stay with me in January 1947, and my second wife, Yevgenia, became Vladimir's second mother for many years to come. They had much in common and liked each other, which made me really happy," Semyon Vysotsky later remembered. Here the living conditions were much better than at Nina's communal flat in Moscow; the family occupied the whole floor of a two-story house, and for the first time in his life Vladimir had a room to himself. In 1949, Vladimir and his stepmother returned to Moscow. There he joined the fifth grade of the 128th School of Moscow and settled at 15 Bolshoy Karetny [ru], where they had two rooms of a four-room communal flat to themselves. Vysotsky found "Auntie Zhenya," who was just 28 at the time, to be a woman of great kindness and warmth, and later remembered as her as being a second mother to him.
In 1953 Vysotsky, by this point very interested in theater and cinema, enrolled in drama courses led by Vladimir Bogomolov. That same year he received his first-ever guitar, as a birthday present from his mother. His close friend Igor Kokhanovsky, who would go on to become a well-known Soviet pop lyricist, taught him basic chords. In 1955 Vladimir moved into his mother's new home at No. 76, 1st Meshchanskaya, and in June of that year he graduated from school with five A's.