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Cajun herbs in plastic dispenser. Opened red coloured lid. Plate with Cajun herbs. Amber light effect. High angle view.
In Mass Effect 3, an ancient alien race known only as Reapers, has launched an all-out invasion of the galaxy, leaving nothing but a trail of destruction in their wake. Earth has been taken, the galaxy is on the verge of total annihilation, and you are the only one who can stop them. The price of failure is extinction. You, as Commander Shepard, must lead the counter assault to take it back. Only you can determine how events will play out, which planets you will save from annihilation and which alliances you will form or abandon as you rally the forces of the galaxy to eliminate the Reaper threat once and for all.
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A film to study the effect of the FOCA green filter x3.5 during a photo walk at the Parc Tête d'Or, Lyon, France, on November 7, 2023.
I used my Zorki 1 D (year 1955) camera loaded with a 36-exposure Svema FOTO 400 , with its leader trimmed for old Leica's. The Industar-22 lens was equipped with a 36mm push-on FOCA (France) green filter with a given coefficient of x3.5 plus a generic metal cylindric shade hood.
Svema Foto 400 was exposed for 160 ISO to compensate the filter absorption. Svema Foto 400 is a superpanchromatic film sensitized in the red to 780 nm and coated on a very thin maskless PET base. The anti-halation is provided by water-soluble black and blue pigments coated on the back and similar to one used for Rollei Retro 400S (Agfa Aviphot 400).
Expositions were determined using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas.
Parc de la Tête d'Or November 7, 2023
69006 Lyon
France
After exposure, the film was processed using Adox Adonal (= Agfa Rodinal) developer at dilution 1+25, 20°C for 10min30.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
The use FOCA green filter with the Svema FOTO 400 film resulted in mostly quite a bit under exposed views. Exposing the film for 80 ISO and/or bracketing [-1,0,+1EV] would have been likely better.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looks brand-new straight from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФÐД", "ФÐД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was deposited the custom receipt and a film label of Agfa negative-color CN17 likely from the 60's.
‘The Political Reporter’ is a new media installation by Boone, NC-based artist Mark Nystrom that generates random, but intriguing statements with words found on political websites and in the media. Sources include the Obama and Romney presidential campaigns, the Democratic and Republican parties, bloggers and the news media.
‘The Political Reporter’ animates a cloud of letters and periodically makes statements. These images are screen grabs taken while ‘The Political Reporter’ was running on Election Day and the day after.
Letters from words gathered from conservative sources are colored red and ones from liberal sources are blue. ‘The Political Reporter’s’ vocabulary includes over 70,000 words, but only 300 appear on the screen at any given time. As words are used to make statements, they are replaced by randomly chosen new ones from the list of 70,000.