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This shows the mist effect created from the smoke machines which generated the atmosphere for the battle scenes.
From the filming of "Gods and Generals" 2001 Film converted.
I tried the bland whether your night photo to get an impression of movement and color to the picture-treated software (Photoshop).
First, I colored the image in blue and yellow, which are aggregated appropriately (gradien map tool). Then I made a red transparent motion lines plycon tool's own layer.
THE SHAIDON EFFECT - Live at Flygeln
New Media Meeting 3 (Norrköping, SE)
New Media Meeting is an annual international media art festival taking place in Norrköping, Sweden. The festival premiered in 2006 and is devoted to innovative works and projects in electronic art, media, music and visualization. In only two years NMM has become one of the most important media festivals in the Nordic Region – attracting an impressive line-up of renowned and upcoming international artists on the Media art and electronic music scene.
Taken to higher level of excitement by the undefined entity 02L > OUTSIDE STANDING LEVEL, a one-shot and unforgettable show will take place on 19th's night, in a fight between interactive technologies, devastating beats and delectable dancing.
A swedish dancer group (Dom Duliga), DJ, VJ and the public will join an immersive show arbitrated by a sophisticated motion tracking environment that will take dance and sound into a complete merge.
I was looking through old photos and I found this one I took at Northstar, in Tahoe. I had been messing around with tilt-shift effects, this one didn't turn out like I'd hoped, but when I found it again later, I did like it regardless of the effect.
while the tunnel is actually running from left to right, the tunnel effect on this photo (through the opening) is perpendicular to this direction
While we were at the West Beach of Indiana Dunes National Lakeshore a couple of days ago, I noticed these clouds to our east, streaming south. If you've lived around here long enough, you know what that means: There was at that moment a ton of lake effect snow falling over Interstate 90 at Michigan City.
Lake effect snow takes place when water evaporates from the lake and forms very localized clouds that dump themselves over land as snow. The clouds often stream off the lake in thin threads that can reach more than a hundred miles inland. On rare occasions, I've seen them run all the way to the Ohio River almost 300 miles away. The streams can be very narrow, though, and the boundary between clear skies and hard snow is often instantaneous.
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original photo is from itunes.apple.com/us/app/tiltshift/id299782692?mt=8
Mass Effect: Andromeda takes you to the Andromeda galaxy, far beyond the Milky Way. There, you'll lead our fight for a new home in hostile territory - where WE are the aliens.
This was a shot I took of Gwen Stefani on her recent No Doubt Tour. I added the extra enlarged shot of her in the background to give the effect that her image was on the screen behind her as well.
Segesta was one of the major cities of the Elymians, one of the three indigenous peoples of Sicily. The other major cities of the Elymians were Eryx and Entella. It is located in the northwestern part of Sicily in Italy, near the modern commune of Calatafimi-Segesta in the province of Trapani. The Hellenization of Segesta happened very early and had a profound effect on its people. The origin and foundation of Segesta are extremely obscure. The tradition current among the Greeks and adopted by Thucydides, ascribed its foundation to a band of Trojan settlers, fugitives from the destruction of their city; and this tradition was readily welcomed by the Romans, who in consequence claimed a kindred origin with the Segestans. Segesta seems to have been one of the first of the Sicilian cities to set the example of defection from Carthage; on which account, as well as of their pretended Trojan descent, the inhabitants were treated with great distinction by the Romans. They were exempted from all public burdens, and even as late as the time of Cicero continued to be "sine foedere immunes ac liberi" - a free and immune city. After the destruction of Carthage, Scipio Africanus restored to the Segestans a statue of Diana which had been carried off by the Carthaginians, probably when they obtained possession of the city after the departure of Pyrrhus. The ruins of the city are located on the top of Monte Bárbara at 305 m above sea level. The city was protected by steep slopes on several sides and by walls on the gentler slope towards the temple. The hilltop offers a view over the valley towards the Gulf of Castellamare. The city controlled several major roads between the coast to the north and the hinterland. Very little is known about the city plan. Aerial photography indicates a regular city plan, built in part on terraces to overcome the natural sloping terrain. The current remains might be from the reconstruction after the destruction of the city by Agathocles. Current archaeological work indicates that the site was preoccupied by a Muslim community in the Norman period. Excavations have unearthed a Muslim necropolis and a mosque from the 12th century next to a Norman castle. Evidence suggests that the mosque was destroyed after the arrival of a new Christian overlord at the beginning of the 13th century. / The Doric Temple of Segesta / On a hill just outside the site of the ancient city of Segesta lies an unusually well-preserved Doric Temple. Some think it to have been built in the 420s BC by an Athenian architect, despite the city not having any Greek population. The prevailing view is that it was built by the indigenous Elymians. The temple has six by fourteen columns on a base measuring 21 by 56 metres, on a platform three steps high. Several elements suggest that the temple was never finished. The columns have not been fluted as they normally would have been in a Doric Temple, and there are still bosses present in the blocks of the base (used for lifting the blocks into place but then normally removed). The temple also lacks a cella, any ornamentation, altar or deity dedication, and was never roofed over. The temple was never completed due to the war between Segesta and Selinunte. It managed to escape destruction by the Carthaginians in the late 5th century. Segesta was one of the major cities of the Elymians, one of the three Indigenous peoples of Sicily. The other major cities of the Elymians were Eryx and Entella. It is located in the northwestern part of Sicily near the modern commune of Calatafimi-Segesta in the province of Trapani. The Hellenization of Segesta happened very early and had a profound effect on its people. Greek Theater / Inside the archaeological park of Segesta there is a theater dating from the middle of the second century BC, based on stylistic and stratigraphic elements, that is, when the city, under the political sphere of Rome, realizes a monumental new layout. Overall, the structure has undergone extensive remodeling in the nineteenth century. We do not have any historical source that mentions or describes this monument and what happened in it. However, given the presence of the not far bouleuterion, it is certain that entertainment shows, like many other theaters of antiquity, went on for whole days from morning to sunset. The ruins of the city are located on the top of Monte Bàrbaro at 305 m above sea level. The city was protected by steep slopes on several sides and by walls on the gentler slope towards the temple. The hilltop offers a view over the valley towards the Gulf of Castellamare. The city controlled several major roads between the coast to the north and the hinterland. Little is known about the city plan. Aerial photography indicates a regular city plan, built in part on terraces to overcome the natural sloping terrain. The current remains might be from the reconstruction after the destruction of the city by Agathocles. Current archaeological work indicates that the site was preoccupied by a Muslim community in the Norman period. Excavations have unearthed a Muslim necropolis and a mosque from the 12th century next to a Norman castle. Evidence suggests that the mosque was destroyed after the arrival of a new Christian overlord at the beginning of the 13th century. The city appears to have been finally abandoned by the second half of the 13th century. The theater is small by Greek standards but seated 4,000. It was excavated in the 19th century and parts of it have been restored. The theater had the typical shape of Greek theaters. It has a semi-circular tiered cavea, or seating area. But, unlike most Greek theaters, it wasn’t built into a mountain. Rather, it was built freestanding and then buttressed with an artificial fill. Worn stones served as high backed spectator seats. They are divided into 7 sections with 6 staircases, which you can tramp right up to take in the views. The theater has been altered somewhat. When the Romans arrived, they enlarged the stage, possibly to fit gladiators. Then, the theater was plundered in the Middle Ages. The theater had, and still has, good acoustics from the sea breezes. You can test it out yourself by standing on center stage and belting out an aria. In the summer, the theater hosts theater events and Greek dramas. The chronology of the theater is much debated. But scholars appear to think it was originally built sometime in the 2nd to 4th century B.C. What you see today is relatively more “modern” than the temple, dating from the 2nd century B.C. Segesta’s city square or L’Agora was built on three sloping terraces from the 2nd century B.C., following urban and monumental models widespread in Mediterranean cities and sanctuaries. The excavation took place on the southern side of the large square where a monumental portico closes the agora. It was built by making large cuts in the rock, as the mighty substructure works unearthed along the slope made clear: a complex as impressive as the one on the north side unearthed in past years. The upper portico faced the square, in front of a monumental building, with a lower-level facade facing the roadway. A wide doorway opened here, with compartments that served an important role: thanks to the new findings, it was discovered that those entering could read on a base, preserved in its original place, the name and works of a prominent personage in Segesta, one of those who between the 2nd and 1st centuries B.C. supported financially and oversaw monumental public building works: Diodorus, son of Tittelo. “It was the base, well preserved and legible, of one of the statues erected by this personage, already known for having erected the statue of his sister, priestess of Aphrodite Urania, found at the Doric temple in the 17th century,” said Carmine Ampolo. “Another Greek inscription, discovered near the gate, thus enriches the picture of evidence of evangelism, there appears the same name that was inscribed on a statue base (now in Palermo) in the theater of Segesta, perhaps that of its financier. Diodorus has a statue placed here of his father Tittelo, who had been gymnasiarch and had in turn financed the construction of a building for the city’s youth. All this evidence clearly shows the role that great families played in the history of ancient Sicily.
The butterfly effect
This case contains butterflies displayed on a silhouette of two humans holding hands. The intention is to illustrate the visible differences between male and female butterflies. Why is a depiction of a human relationship used to describe differences in appearance between the butterflies’ sexes?
Vin(g)klade könsroller
Här visas olika fjärilsarter på en siluett av en man och en kvinna som håller varandra i hand. Detta görs för att visa hur utseendena mellan hon- och han- fjärilar skiljer sig åt. Men varför visas en bild av en mänsklig relation för att illustrera en skillnad mellan djurens kön?