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This is an image of part of the Veil Nebula - a Supernova remnant found in the constellation of Cygnus. While often imaged in narrowband this image is a broadband version.
Present in this area of the complex is the Witch's Broom Nebula, NGC 6960 and Pickering's Triangle.
The filamentous nature of the nebula is due to the interstellar shockwave from the supernova causing glowing filaments of excited interstellar material.
The red colour is due to atomic hydrogen and the teal colour is due to oxygen. These being separated into filaments.
The blazing star is giant 52 Cygni and is not connected to the nebula, its position being a line of sight effect.
The Witch's broom is around 35 light-years across and lies at a distance of 1400 light-years.
Pickering's Triangle is the fainter of the two and has no formal NGC number although NGC 6979 is occasionally used as reference.
Although imaged last October due to personal circumstances I have only just got around to analysing the data.
As always many thanks for looking!
Imaged with an Esprit 120ED and a ZWO 2600MC camera. Esprit matched focal reducer.
A total of 2hrs Exposure with temp. matched darks, flats & dark flats.
this pole reminded me of a pine cone, but the bright blue sky didn't quite fit, so I used the sepia effect in iPhoto to emphasize the wood tones.
Mass Effect 2 • GeDoSaTo (Downsampled) • Modified Coalesced • ToggleFreeCam • Playersonly • ToggleHud • One3rd/erikatschinkel CE Table • Pause • Tilt • FOV • Tonemap •
Hot water freezing faster than cold water at low temperatures? Yes, it’s a strange water property known as “Mpemba effect”. I decided to try it out. This is my version, with a little help from a thermos and my muse of course :)
Location: Yellowknife, North West Territories, Canada
Ambient Temperature: -30 Celsius / -22 Fahrenheit
If you, like me shot film at some point, you may have come across the "tungsten" film, which created this blue tint to your photos.
Edited to pull out the blues and desaturate most other colors.
Explore - #18
The Riverside Drive Viaduct, built in 1900 by the US City of New York, was constructed to connect an important system of drives in Upper Manhattan by creating a high-level boulevard extension of Riverside Drive over the barrier of Manhattanville Valley to the former Boulevard Lafayette in Washington Heights.
F. Stuart Williamson was the chief engineer for the municipal project, which constituted a feat of engineering technology. Despite the viaduct's important utilitarian role as a highway, the structure was also a strong symbol of civic pride, inspired by America’s late 19th-century City Beautiful movement. The viaduct’s original roadway, wide pedestrian walks and overall design were sumptuously ornamented, creating a prime example of public works that married form and function. An issue of the Scientific American magazine in 1900 remarked that the Riverside Drive Viaduct's completion afforded New Yorkers “a continuous drive of ten miles along the picturesque banks of the Hudson and Harlem Rivers.”[1]
The elevated steel highway of the viaduct extends above Twelfth Avenue from 127th Street (now Tiemann Place) to 135th Street and is shouldered by masonry approaches. The viaduct proper was made of open hearth medium steel, comprising twenty-six spans, or bays, whose hypnotic repetition is much appreciated from underneath at street level. The south and north approaches are of rock-faced Mohawk Valley, N.Y., limestone with Maine granite trimmings, the face work being of coursed ashlar. The girders over Manhattan Explore - #40
Street (now 125th Street) were the largest ever built at the time. The broad plaza effect of the south approach was designed to impart deliberate grandeur to the natural terminus of much of Riverside Drive’s traffic as well as to give full advantage to the vista overlooking the Hudson River and New Jersey Palisades to the west.
The viaduct underwent a two-year long reconstruction in 1961 and another in 1987. (source: Wikipedia)
The image reflected in the water is often enveloping. The setting is ideal to imagine how that image would be broken by the effect of a stone thrown in the center of it.
MY FRIENDS, IN THIS DAYS I AM OFTEN THINKING ON HOW RELATED the events of our personal life and our world ARE ( wars, tragedies, earthquakes here and there, floods, hurricanes etc..)
IT MAKES MY FEEL VERY "SMALL ".
I WISH YOU A THOUGHTFUL WEEK!
The butterfly effect is a metaphor that encapsulates the concept of sensitive dependence on initial conditions in chaos theory; namely that small differences in the initial condition of a dynamical system may produce large variations in the long term behavior of the system.
The term "butterfly effect" itself is related to the work of Edward Lorenz, and is based in chaos theory and sensitive dependence on initial conditions, already described in the literature in a particular case of the three-body problem by Henri Poincaré in 1890[1]. He even later proposed that such phenomena could be common, say in meteorology. In 1898[2] Jacques Hadamard noted general divergence of trajectories in spaces of negative curvature, and Pierre Duhem discussed the possible general significance of this in 1908[3]. The idea that one butterfly could eventually have a far-reaching ripple effect on subsequent historic events. [WIKI]
This is a close-up of a Tibetan prayer wheel made of metal and wood which is in Sheh palace, in Ladakh.
Here in the Himalayan hills, people believe that according to the Tibetan Buddhist tradition, spinning such a wheel will have much the same meritorious effect as orally reciting the prayers.
The most commonly used mantra in prayer wheels is Om Mani Padme Hum.
This mantra is the resonant vibration that helps tune a human being toward enlightenment energies.
The earliest recorded prayer wheels was written by a Chinese pilgrim around 400 CE. in Ladakh.
The concept of the prayer wheel is a physical manifestation of the phrase "turning the wheel of Dharma," which describes the way in which the Buddha taught.
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A scratch effect that works on almost any color!
Pastie: pastiebin.com/?page=p&id=4f02aa0118957
Credit me if used
I wonder what it’d be like to live at the bottom of the ocean… the ocean is probably my biggest fear in nature. Its just so large and vast and unknown… I guess coming from Michigan where there are no natural disasters, the ocean is just so different and wild. Anyhow, another shot done with Ella Sven. This was shot in Detroit at one of my favourite places with the incredible model Caroline Rooney!
On Square Crops:
I have recently been focusing more on square crops. I have seen so many make art with square crops, famous and not famous, and for some reason they always seem so alluring. Since I’m in my last semester of photo school, I’ve made the decision for my portfolio to contain mainly square crops to keep it consistent, which is another very important detail. I by no means want to be limited by square crops, as I especially love panoramic style images. Just expect to see more squares :)
My friend, "pixels in my head" sent me a tutorial for the "lomo effect" and I had to try it. The original version of this image is posted 5 photos before this one. I don't know if I accomplished the desired effect, but it is fun. Please check out Dewaun's photostream to see his lomo effect image:
www.flickr.com/photos/dewaun/304521245/
He has also posted the tutorial website.
What do you think? I'm going to have to experiment some more...
Disponible sur mon site officiel - Avalaible on my official website : emart-emmanuellebaudry.e-monsite.com/album-photos/2020-02...
strobe flash guns reflect particulates in the water
and spoil most photos. However I do like the effect with this shot. This is a lionsmane jellyfish which has stinging tentacles that can cause blisters. The young cod family of fish seem to be unaffected and seek protection
Feeling a little derailed this weekend.
A simple distortion effect, using the ‘Warp’ script in Paint Shop Pro.
Wishing everyone a safe and Happy Sliders Sunday.
Cheers,
Phil
DSC_3194_4
Test shot for 52 weeks of 2022/week 37
Created using GIMP
Originally, the Harris shutter was a device with three colour filters, allowing the photographer to make a single photo of a time series of shots with different primary colours. When the camera is kept steady, areas of the photo without any change end up having the same colour as in reality, whereas areas where motion takes place give a kind of rainbow effect.
FB - FREYA BEAUTY
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Alright, enough of the gas flame pictures for now. Back to my first love - no, not the pig *G* - I'm talking about HDR! I can't believe this wild boar at the "Lainzer Tiergarten" (a wildlife park in Vienna) was holding still until I took my 3 exposures for this HDR. It was literally posing for me. Luckily the park was closed and there was this fence between me and this beast - otherwise I swear it would have eaten me alive ;-))
So, I'm proudly presenting you my first HDR picture of an animal! As you might recognize I aditionally hit it with some nice orton effect.
(c) Jonny Jelinek