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A striking portrait utilizing dramatic chiaroscuro lighting, where a strong beam illuminates one side of the subject's face, creating a powerful contrast with the deep shadows that envelop the rest of the frame. The minimalist composition emphasizes the subject's contemplative gaze and the interplay of light and dark.
studio. the room is black. absolute silence. a wooden chair. a child, perhaps two years old, dressed in ribbed blue. the light strikes from the side, sudden and sharp. it is not a gentle light. the child reaches out into the void. the mouth is open, a cry or a song frozen in time. we do not know the cause. there is only the action. a raw, unfiltered expression of will. captured on medium format. the moment is held, undeniably.
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A 2-shot stacked pano view to provide more sky and foreground. Vivid autumn colours, strong sunshine and a super sky in this view of a swollen River Tees at High Force Waterfall. Taken from the viewpoint on the Pennine Way long distance footpath which passes to the left of the waterfall.
He doesn’t speak, but his silence echoes. Not anger, not fear, but something still forming in the quiet between childhood and knowing. Eyes wide with thought, lips soft with restraint, he waits for the world to answer a question he hasn’t yet found the words to ask.
For a moment, everything stood still.
The wind dropped, the water turned to glass, and the peaks of the Cuernos del Paine ignited in the first light of day. Even the smallest ripple would have broken the illusion — but for a few seconds, Patagonia felt perfectly balanced between fire and silence.
Did you wait for the perfect moment — or did it find you?
📍 Torres del Paine National Park, Chile
#torresdelpaine #patagonia #patagoniachile #chile #cuernosdelpaine
#reflection #mirror #sunrise #mountains #landscape
#landscapephotography #nature #southamerica #dramaticlight
Eager to catch the fall colors, we took a week in late autumn and headed to Austria and Italy for a road trip exploring the back roads while chasing creative photography opportunities.
From the Alps to the Dolomites - these photos are the result.
For licensing or usage requests, please reach out directly.
In the silence of light and shadow,
a story unfolds without words.
Lines carve across the skin
not prison bars,
but open roads of imagination,
leading us into places the eye cannot see,
but the heart remembers.
This is what I seek in Dublin.
To frame the moments where emotion hides,
to let stillness speak,
to let contrast sing louder than color,
to discover poetry
not in what is shown,
but in what is revealed.
Every shadow whispers secrets,
every highlight breathes confessions.
Between the two,
I find truth
fragile, fleeting,
yet eternal once captured.
Art is not only taken,
it is given,
it is uncovered slowly,
line by line,
like light carving meaning into darkness.
So here I am,
ready to create,
to chase these moments across this city,
to turn simple light into memory,
to turn faces into stories,
and stories into echoes
that linger long after the shutter closes.
If you feel these words,
if you see yourself in this vision,
if you want me to tell your story,
let me take your picture.
Let me show you
how beautiful silence can be
when it learns to speak through light.
In a world where faces often tell stories, this portrait speaks through what is hidden. A solitary eye emerges from the shadows, hinting at untold tales and silent emotions. It's a dance between concealment and revelation, inviting viewers to explore the depths beyond the visible
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Strong winter sunshine lights up Laneside Farm, Forest in Teesdale, under a sinister dark sky.
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This photo was taken just after the sunrise. It was not the most impressive desert place I’ve ever visited but I still managed to get some nice shots. It was taken in surrounding of troubled Marib area where we have been constantly accompanied by police, army or Bedouins. Marib, one of the key centers of the trade routes of the region, was one of the largest and most prosperous cities in the Sabaean kingdom and the site of some of the world's earliest civil construction projects.
To get to this desert place we have departed Marib at 5AM (accompanied by a armed bedouin) & travelled through the “incense road” across the undulating deserts of the Empty Quarter (Ramlat Al-Sab'atayn) to reach Sayun in the afternoon. It was one of the most amazing drives that took us across dessert with no sign of human existence through hundreds of kilometers.
I've included human figure in top left corner to give feeling of scale.
Canon EOS 400D DIGITAL, f/7.1, 0.008 sec (1/125), ISO 200, 18 mm
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
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Europe - Iceland - South Eastern Iceland - Jökulsárlón Glacier Lagoon - The largest glacier lagoon at the head of the Breiðamerkurjökull glacier branching from the Vatnajökull - Black Sand beach with Pieces of Ice
Timelapse movies had become my new way of capturing my travels besides regular photography. Check out these latest one :
► NORTHERN LIGHTS OVER JÖKULSÁRLÓN - THE GLACIER LAGOON, ICELAND
or
► NORTHERN LIGHTS - AURORA BOREALIS OVER WESTERN ICELAND
Camera Model: Canon EOS 5D Mark III; Lens: EF24-105mm f/4L IS USM; Focal length: 55.00 mm; Aperture: 22; Exposure time: 1.3 s; ISO: 50
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Observing this macaque in a moment of quiet contemplation, I was struck by the profound humanity visible in its upward gaze. There's something deeply moving about the way these intelligent primates pause and seem to reflect on their world, looking skyward as if searching for answers or simply lost in thought.
I chose dramatic black and white lighting to emphasize the sculptural beauty of this remarkable face and to create an intimate connection with the viewer. The low-key approach strips away distractions, focusing entirely on the emotion and intelligence visible in those soulful eyes and gentle expression.
What captivated me was the universal quality of this moment - that sense of wonder or contemplation that transcends species barriers. This macaque's upward gaze reminded me of our own human tendency to look to the heavens when we're pondering life's mysteries or simply appreciating a beautiful moment.
My intention was to capture more than just a wildlife photograph, but rather a portrait that reveals the emotional depth and individual personality of this remarkable creature, hoping to inspire greater appreciation for the complex inner lives of our primate relatives.
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Europe - UK - England - Cornwall - Land's End - Penn an Wlas - Pedn an Wlas - Mainland Britain's most westerly point and one of the country's most famous landmarks, with 200 foot high granite cliffs that rise out of the Atlantic Ocean
End of May or June are great months to visit this wonderful special place as the sun set north enough to appear behind the arch, plus the wonderful Sea Pink or Purple Sea Thrift Flower is in full bloom everywhere along the cliffs. All you need is just the right amount of clouds for bit of color and not too much wind which somehow seem to be part of this dramatic location at all times.
UK is blessed with such spectacular coastline, Cornwall is an amazing place to explore, but if you are curious to see how Dorset or Scotland looks in motion, check :
► REMOTE ISLE OF PORTLAND IN DORSET, UK - Timelapse Video - 4K
► SPECTACULAR JURASSIC COAST IN DORSET, UK - Timelapse Video - 4K
► SCOTLAND IN MOTION, UNITED KINGDOM - Timelapse Video
Camera Model: Canon EOS 5DS; Lens: EF16-35mm f/4L IS USM; Focal length: 16.00 mm; Aperture: 9.0; Exposure time: 30.0 s; ISO: 200
All rights reserved - Copyright © Lucie Debelkova www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
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The groundbreaking design of Kuwait's National Assembly building was designed by Jorn Utzon, the internationally renowned Danish architect and winner of the Pritzker Prize, architecture's highest honor after he won the competition for the Sydney Opera House in 1956. Design of the Kuwaiti parliament building is made of concrete and its shape evokes a series of large tents, traditional meeting places for Kuwait's Bedouin nomads. The building has had its share of criticism with some architectural intellectuals mocking it's grandiose modernity as a lame attempt at projecting the image of modernity by a not so modern state. "I reject such criticism; that is intellectual snobbery. Utzon created an image which is a real reflection of Kuwait's combination of old and new," said Abu Mohammed. After many months of the Iraqi occupation and the Gulf War, the Assembly building was left severely damaged. Immediately after the war's conclusion, the United States Army Corp of Engineers worked in conjunction with the Kuwait Emergency Recovery Office to rebuild it. The cost of repairing and restoring the grand building was $68 million. "Seeing Parliament's building back in shape was priceless.
On May 18th 2009 - there were some great news for women in the conservative Persian Gulf: Kuwaitis elected their first-ever women lawmakers [second item] to parliament. Voters in four districts elevated women into parliamentary jobs. It's believed to be the first time women have been elected to serve as lawmakers in any of the oil-rich Gulf monarchies.
Kuwaiti women were only granted the right to vote in 2005.
news.bbc.co.uk/2/hi/middle_east/8053088.stm
Camera Model: Canon EOS 5D Mark II, Lens: EF17-40mm f/4L USM, Photo Focal length: 23.00 mm, Aperture: 18, Exposure time: 30.0 s, ISO: 50
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Because it had been raining heavily all day and many photographic ideas simply did not work out as planned, I needed a plan B.
Rain, night and artificial light sources are an incredibly strong combination, so we went out again after dark and visited the small village center of Reine.
It actually took quite a bit of persuasion to head out into pouring rain. Not everyone thinks the way I do
I was shooting with the 28–70 mm wide open at f/2.0. ISO was around 3000 and the shutter speed was about 1/8 second.
I also used a mist filter, which gently diffuses the light and makes it softer. In Hollywood, filters like this are almost always used. They create a softer, more atmospheric, almost analog look.
Inside the glass are tiny particles that are invisible to the eye. They scatter the light within the lens and create that subtle glow around light sources.
I deliberately use only a very weak version. It should support the image, not draw attention to itself.
These kinds of filters work best at closer distances with visible light sources. For something like a large skyline five kilometers away at night, they would not be the right choice.
You might immediately see what I mean in the image.
That very fine, soft light that removes harshness and gives the scene a slightly analog feel.
Today’s lenses are technically perfect. Extremely sharp, extremely clean and in a way almost too perfect for scenes like this.
Sony states a surface precision of around 0.01 micrometers for their G Master lenses. That is several thousand times finer than a human hair. It is quite surreal when you think about it.
In the past, lenses had imperfections, but that is exactly what gave them character.
And that is precisely the character you can bring back with filters like this. Without them, many film productions in Hollywood would simply not look the way they do. Modern lenses have become too perfect for certain moods.
It is almost ironic. You buy the best lenses available and then intentionally make them just a little bit worse
In general, it is incredibly difficult to capture scenes that feel like they are taken from a film while still being completely unstaged.
The moment you start planning or thinking too much, it stops working.
It only works through intuition. Letting yourself drift. Immersing yourself in the atmosphere and reacting instinctively. The second you start overthinking, the moment is gone.
If I had said “stand right there,” the scene would have been ruined immediately. Body language changes, awareness changes, everything feels staged. And that is exactly what you want to avoid.
Years ago, I would not have been able to create images like this.
This is something that develops over a very long time.
Maybe it inspires some of you to try something different.
It does not always have to be sunshine and blue skies.
In the end, it is always about atmosphere, emotion and the things we often overlook in everyday life.
Technical Details
Camera: Sony Alpha 7R V
Lens: Sony FE 28–70mm f/2.0 GM
Focal Length: 28 mm
Aperture: f/2.0
ISO: 2500
Exposure: 1/8 s
Filter: Kase Magnetic System Mist Filter
Minneapolis, MN
Canon 5d Mark II
Canon 50 1.4
AB800 Boomed in a Gridded PCB Beauty Dish triggered via Pocketwizards II
This photo was inspired or how ever you look at it from: www.tattoosandtentaciles.com by: Julian Murray
Created using a blend of digital art techniques, this piece was initially rendered in Midjourney, capturing the isolated beauty of a remote aerodrome in a cold desert steppe. Post-production enhancements were meticulously applied in Photoshop, adding depth, contrast, and a vivid interplay of light and shadow to bring this minimalist yet evocative scene to life.
Some things are understood too late.
And they stay with you.
Dedicated to Lelya, goddess of love.
Support my work on Boosty — link in bio.
There is a kind of silence that only children know. The silence that asks them to be brave long before the world teaches them how. Wrapped in shadow, this young soul rests in the thin space between innocence and awareness, watching the world with an honesty adults often forget to carry.
In the softness of one eye, a quiet defiance lingers. In the darkness around them, the beginnings of a story wait for a voice. This portrait holds the moment before courage is named, the moment a child learns that even the smallest light can push back a very large night.
There is a moment in adolescence where silence becomes louder than words. Where the instinct is to hide, not because of fear, but because the world feels unfinished and the self even more so. The hands rise as a shield, not to block the gaze, but to negotiate it, to decide how much of the truth is allowed through.
This portrait sits in that fragile space between exposure and protection. The eyes remain steady, carrying questions that have not yet learned their language. It is the tension of becoming: caught between who you were yesterday and who you are struggling to imagine tomorrow.
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The Masmak (Qasr al-Masmak قصر المصمك) is a clay and mud-brick fort, with four watch towers and thick walls, founded on stone blocks, lying in the center of Riyadh, in the old quarters. This building played a major part in the kingdom's history, as it was here that the recapture of Riyadh, led by Ibn Saud, occurred on 14 January 1902. This building was built around 1865 under the reign of Mohammed ibn Abdullah ibn Rasheed (1289-1315 AH), the ruler of Ha'il to the north, who had wrested control of the city from the rival clan of Al Saud. In January 1902 the young Amir Abd al-Aziz ibn Abd al-Rahman ibn Faisal Al Saud, who was at the time living in exile in Kuwait succeeded in capturing the Masmak fortress from its Rashid garrison. The event, which restored Al Saud control over Riyadh, has acquired almost mythical status in the history of Saudi Arabia and has been retold many times, but has as its central theme the heroism and bravery of the future King Abd al-Aziz.
Today the fort is one among several buildings that form the King Abd al-Aziz Historical Centre, a series of restored buildings in Riyadh. Centennial celebrations were held in 1999. It's palm tree gate is of 3.65m high per 2.65m wide. There is an opening on the center of the door, called al-Khokha, which is just big enough for one pass to pass at a time, and is a feature design to enforce the security by allowing people in and out without opening the door. The castle also encloses a mosque and a well. The watch towers are circular and 18m high. The walls are 1.25m thick, pierced with narrow cylindric openings used to fire from inside for defense. The square-base shaped Al-Murabba tower in the center dominates the building.
Camera Model: Canon EOS 5D Mark II; Lens: EF17-40mm f/4L USM; Focal length: 28.00 mm; Aperture: 9.0; Exposure time: 1/160 s; ISO: 1600
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
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Europe - UK - England - Cornwall - Bodmin Moor - Cheesewring (Keuswask) near Minions - Granite tor on Stowe's Hill - Natural geological formation, rock outcrop of granite slabs formed by weathering. The name derives from resemblance of piled slabs to "cheesewring", press-like device that was once used to make cheese
This was one of those incredible sunsets that any photographer dreams about, especially as it seemingly came out of nowhere after a long dull day. It just shows, it is always good to be ready and out there ! Unfortunately it was so super windy that it would have been impossible to use tripod for steady shots at low ISO. I always love those weather forecast descriptions - they called it a "fresh breeze" ! I wonder what "strong wind" would feel like. I could hardly keep my feet on the ground, so all photos had to be taken hand held while praying they'll be sharp enough !
Camera Model: Canon EOS 5DS; Lens: EF16-35mm f/4L IS USM; Focal length: 21.00 mm; Aperture: 4.0; Exposure time: 1/30 s; ISO: 400
All rights reserved - Copyright © Lucie Debelkova www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
🔸Canon EOS R
🔸Canon RF 14-35mm F4 L | @ f8 | 35mm
🔸1/40 sec. ISO 100
🌎
A spectacular morning in front of the Auronzo Hut at the foot of the Tre Cime.
The first light of the day slowly made its way over the horizon, painting the peak of the 3,205-meter-high Punta Sorapis in a deep, glowing red.
We almost missed this brief moment, as there was already a lot of traffic at the pass gate early in the morning.
It took a while before we could pass – time was running short.
So, if you’re planning to experience the sunrise from up there, make sure to plan your arrival well or, better yet, stay overnight. 😉
✨Thank you for taking a look. Have a great day and always good light! ✨
🇩🇪
Ein spektakulärer Morgen vor der Auronzo-Hütte am Fuß der Drei Zinnen.
Das erste Licht des Tages kämpfte sich langsam über den Horizont und tauchte die Spitze des 3.205 Meter hohen Punta Sorapis in ein intensives Glutrot.
Fast hätten wir diesen kurzen Moment verpasst, denn schon früh am Morgen herrschte reger Andrang an der Schranke zum Pass.
Es dauerte eine Weile, bis wir passieren konnten – die Zeit wurde knapp.
Wer also plant, den Sonnenaufgang von dort oben zu erleben, sollte seine Anreise gut timen oder am besten gleich oben übernachten. 😉
“I’d rather leave shining than simply drift"
Beneath the door
The last sliver of light
From yet another day slips through.
Like a star,
It moves across the carpet,
Then comes to rest beside me.
And the wound that’s been left behind
Opens like a hand,
Gently caressing me with peace.
It’s the sharp pain
Of hope that has come to an end,
Yet it will never leave.
Never.
Never.
Never.
Never.
It will never leave.
I light another cigarette,
Lying in the same bed
Where I slept yesterday.
The smoke disappears
As it reaches the light bulb
That will never shine again.
And the love we made
Suddenly returns,
Like lightning over the sea.
It’s a heavy treasure
That drags me to the depths,
But I’ll never let it go.
Never.
Never.
Never.
Never.
I’ll never let it go.
Because despite all the pain,
I’d rather sink while shining
Than simply drift.
Because despite all the pain,
I’d rather sink while shining
Than simply drift.
(Pic From the Archive.
Reworwer 2026)
Fish Lake is about 15 kilometres southwest of, and 300 metres higher than, Whitehorse in southern Yukon. Downtown Whitehorse is, itself, approximately 640 m (2,100 ft) above sea level. Fish Lake has an average water depth of about 16 meters with a maximum depth of about 37 metres. At only 11 kms long, it is a relatively small Lake. All of that said, Fish Lake is big on beauty, especially when the sky gets as dramatic as it was today. An approaching rain storm, along with lots of spring colour made for a spectacular scene. Note all of the yellow flowers (Marsh ragwort (Senecio congestus)) growing along its margins.
This photo was taken using the Canon EOS R and RF 24-105mm f/4.0 L. The finished image was processed from raw in Adobe Lightroom.
Some places hold a stillness that speaks across every tradition.
Happy Orthodox Easter! Wishing peace to every corner of our world.
Prints and Canvasses Available
A very blustery day with fleeting sunny spots and a stormy looking sky over Holwick as seen from Middle Side
I wondered around yesterday evening looking for something interesting to photograph... Stumbled across this field full of milkweed and a few indian paintbrush blooms and believe it or not the light cooperated with me!!!! I thought it turned out kinda nice. Thanks for stopping by and hope you have a great week!........This is one of those shots that really does look better when viewed large!