View allAll Photos Tagged dramaticlighting
This is an image of a setup in our living room at night. The angel is part of an ornate lamp. The magical flowers on the right are from an LED flower-box decoration I placed near the lamp. Then the ghostly "apparitions" were created by light painting with a flashlight. Some additional adjustments were made in Lightroom.
This mountain is one of the most captivating peaks I've ever seen. The prominent spire ringed by glacier always got my imagination going. Given the mixed weather, the peak became even more interesting as it dipped in and out of clouds over and over again. What a treat to photograph this beauty!
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The Dead Sea (Hebrew: יָם הַמֶּלַח, Yām Ha-Melaḥ, "Sea of Salt"; Arabic: البَحْر المَيّت, al-Baḥr l-Mayyit, "Dead Sea") is a salt lake between Israel and the West Bank to the west, and Jordan to the east. It is 422 metres (1,385 ft) below sea level, and its shores are the lowest point on the surface of the Earth on dry land. The Dead Sea is 378 m (1,240 ft) deep, the deepest hypersaline lake in the world. It is also one of the world's saltiest bodies of water, with 33.7 percent salinity. Only Lake Assal (Djibouti), Garabogazköl and some hypersaline lakes of the McMurdo Dry Valleys in Antarctica (such as Don Juan Pond and perhaps Lake Vanda) have a higher salinity. It is 8.6 times as salty as the ocean. This salinity makes for a harsh environment where animals cannot flourish, hence its name. The Dead Sea is 67 kilometres (42 mi) long and 18 kilometres (11 mi) wide at its widest point. It lies in the Jordan Rift Valley, and its main tributary is the Jordan River.
The Dead Sea has attracted visitors from around the Mediterranean basin for thousands of years. Biblically, it was a place of refuge for King David. It was one of the world's first health resorts (for Herod the Great), and it has been the supplier of a wide variety of products, from balms for Egyptian mummification to potash for fertilizers. People also use the salt and the minerals from the Dead Sea to create cosmetics and herbal sachets.
My trip to Jordan was extremely rewarding with an amazing light and scenes. The weather was bit different than many people imagine Middle East is like. It was extremely windy and stormy, not the blue sky we all have in mind for place like Jordan.
Camera Model: Canon EOS 5D Mark II; Lens: EF17-40mm f/4L USM; Focal length: 28.00 mm; Aperture: 6.3; Exposure time: 1/80 s; ISO: 100
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
As the sun fades, silence settles over the graves. Shadows stretch, whispering stories only the wind remembers.
Alors que le soleil s’éteint, le silence s’installe sur les tombes. Les ombres s’étirent, murmurant des histoires que seul le vent se souvient.
I was inspired by an online talk from the wonderful photographer Les Forrester to revisit this shot, taken some time back when visiting a friend in Barcelona. Can't understand why I didn't see the potential in it before.
there is a kind of silence that speaks. he sat in the light, the charity session underway, and for a moment the camera was not a machine but a question. his answer was in the way he held still - not performing, not hiding, simply present. some faces explain themselves. others, like this one, only deepen the inquiry.
portrait / hamburg / 2025 / sony a1 mark ii
Every time I come home to Southern California via the Grapevine and Interstate 5, I notice how beautiful the rolling hills of the San Emigdio mountains are as you approach the Tejon Pass from the north--and also note that it's a tough spot to get a good pic, and I never seem to time it when the light is really good. This weekend, however, storm clouds moving over the mountains in late afternoon cast some nice dramatic light, and the hills have begun to green up (as they do in the winter) from all the rain we've had recently. I found a good spot where I could take aim at the edges of Tejon Ranch, and made the most of the light before continuing on home.
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Haraz mountains is about 85 kms (a good 2-hour drive) from Sana'a. It reaches to 2300 meters above sea. As far as you can see there's mountains, smaller ones, bigger ones, and about 90 percent of these mountains are covered with terraces for agriculture. Not all of them are used anymore, because lots of locals have moved to the capital and there's just not enough people left to work all the fields. On every hilltop or big rock a town was built, for protection against enemies in the past, incredible constructions, it is mind-boggling how they managed to build them all ... and then : the fields and hillsides are so green, it seems unreal, as if it was painted on.
Canon EOS 400D DIGITAL, f/8, 0.003 sec (1/320), ISO 200, 162 mm
All rights reserved - Copyright © Lucie Debelkova www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
he mountains have stood for a very long time. this is a fact.
they carry the weight of the sky without complaint.
for a moment, the sun isolates a small piece of the world, a few houses on a hill.
it is not a miracle, it is only physics. a brief, improbable geometry of light.
the people inside the houses do not notice. they are busy with their lives.
late afternoon in palma’s old arcade. a man walks through columns of shadow and light, the kind of geometric drama that only happens when architecture and sun align at exactly the right moment.
sunlight cuts geometry into walls. stairs lead somewhere. a person stands. their shadow stretches longer than they do. architecture turns people into patterns.
Dramatic-Light Sunset ~ Boca Raton, Florida
South Florida ~ Florida Everglades U.S.A.
Spring 2016 ~ Palm Beach County, Florida
(one more photo 'from this night' in the comments)
she holds the cigarette like a thought not yet spoken — suspended, unfinished. the smoke curls into the dusk with the grace of something that remembers how to vanish. it’s not about rebellion. it’s about time slowing down just enough to breathe in stillness and exhale a whisper.
There’s a moment after sunset when the sky forgets whether it’s night or day.
The horizon still burns — molten light spilling over the sea, painting everything in amber and rose.
The islands in the distance fade into silhouettes, and the world feels suspended between fire and calm.
Captured along Thailand’s coast — where silence and light meet at the edge of the sea.
We buried the masks a long time ago.
But some stages still remember our names. Reactivation in progress…
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Rannoch Moor as a place of wonder, one of the last really wild places in Scotland. Imagine a triangular area, stood on its apex, about 10 miles across its base and about 10 miles from top to bottom. Imagine that this 50 square mile inverted triangle is a roughly level plateau that sits at an altitude of a little over 1000ft. Imagine that its surface is dotted with innumerable lochs, lochans, peat bogs, and streams; that it is surrounded by mountains that rise to over 3000ft to the south-east and the west and to over 2000ft in the north. And, finally, imagine that this area is crossed by a railway line, running a little inside the south-east side of the triangle, and a single road, running a little inside the south-west side of the triangle. Congratulations: you've just invented Rannoch Moor.
Most people first see Rannoch Moor when driving north from Bridge of Orchy. Near Achallader the main road and the railway line diverge and the road makes a sweeping climb up to the Rannoch Moor plateau. What you find there can be a glory of heather and lochan surrounded by distant mountains. Or it can be a grey cloud-shrouded landscape through which you catch occasional glimpses of an other-worldly landscape. If Achallader marks the southern apex of Rannoch Moor's triangle, then the other two are equally distinctive. In the north-east lies Rannoch Station and the end of the public road in from Pitlochry, 40 miles to the east.
Camera Model: PENTAX K20D; ; Focal length: 20.00 mm; Aperture: 6.7; Exposure time: 1/60 s; ISO: 200
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.photographer.
I wasn't planning on going to Fred Howard Park a couple of days ago, but for some reason I felt like I might get some better pictures then rather than wait a week when I was planning to go. Just a hunch... no real reason - I hadn't checked the weather.
Ironically, it was stormy on and off during the day of the shoot, but then as I was heading to the beach, I could see some amazing cloud formations. I had to go fast to try to get there before I missed all the beautiful cloudscapes transforming before my eyes. I did miss some spectacular light rays piercing through the clouds, but there were more beautiful shots in store.
Some good fortune occurred the moment I arrived at the beach. I was getting ready to pay the $5 for parking, when someone who was leaving the beach offered to give me his full-day parking pass. Sure, why not? That's serendipity!
When I arrived at the shore and took my camera out, my lens fogged up horribly, the product of the cold air from my car's air-conditioner.. I took a few dozen "fogged-up" shots - it was an interesting effect but maybe there was one decent shot in the bunch, but nothing I did cleared up the fog. Then I opened up the lens to f 1.8, and just like that, the fog evaporated. I decided to keep shooting at f 1.8, because I liked the look coupled with my 6-stop neutral density filter.
Out in the distance, there was lightning and pyrotechnics happening, but it wasn't overhead so I kept on shooting. Then the sky lit up with an incredible orange glow as if out of a sci-fi movie... as if an alien space ship was landing. I kept shooting and shooting to try to capture the right moment.
Right after sunset, the lightning intensified and it started raining. Hurriedly, I stashed my camera into my camera bag and scurried back to my car.
Sometimes you have to go with your hunches! :)
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This week, Insect Model Magazine features Maeve. Maeve is serving Mantis Realness, ready for her closeup.
Beneath the silent arches of Paris, a solitary figure in red walks toward the distant Eiffel Tower. Suspended between memory and reality, the scene becomes less a photograph than a fleeting cinematic moment — intimate, mysterious, and timeless.
A moment of stillness, strength and thought.
This chimpanzee sat alone, immersed in the shadows, as a shaft of light revealed the textures of its timeworn face.
Shot in natural light, processed to preserve the raw intensity of the scene.
A hauntingly atmospheric tunnel scene where darkness slowly gives way to an almost blinding exit beyond. The damp brick textures, subtle green tones, and soft glow from the overhead lights create a cinematic and slightly dystopian mood. Captured to emphasise symmetry, depth, and the contrast between shadow and light — inviting the viewer to wonder what lies beyond the end of the tunnel.
Actually it came from the garden this afternoon, but I'm not one to pass up a truly pretentious title.
I bought a third strobe a few days ago, and it's what I used to get the glowing colors here. I used SB600's in a softbox to either side of the flower for decent flat lighting, and then hand held the third flash which I pointed to the underneath part of the flower for the glow. I adjusted the output of the strobes manually until I got the results that I liked. "Season to taste", as they say on the cooking shows. The strobes were triggered by the pop up flash on my D90.
Other plants and flowers that I've photographed using strobes can be seen in my strobe lit plant set. In the description, I list resources that I've used to learn how to do this. www.flickr.com/photos/9422878@N08/sets/72157628079460544/...
More iris pictures can be seen here. www.flickr.com/photos/9422878@N08/sets/72157623861858581/...
n the heart of palma, the calle sindicat is bathed in the dramatic light of a sun that plays hide and seek with the city's architecture. a solitary figure traverses the street, their shadow stretching long and mingling with the patterns of the pavement. above, festive stars hang, remnants of celebration, contrasting with the everyday scene below. it's a moment suspended between the lingering spirit of festivity and the steady rhythm of local life.
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As in all ancient societies, agriculture was the main economic activity. The harvests in Egypt were richer than in most other countries at the time, allowing for a larger percentage of urban dwellers and diverse forms of production. Hence the cities, temples, the wealth of the state and the ability to equip armies for campaigns against countries producing products that Egypt had in short supply. The main crops of Ancient Egypt were wheat and barley, as well as lettuce, beans, onions, figs, dates, grapes, melons and cucumbers. Flax was grown by many farmers, and then used for the production of linens.
There was no typical money system in Egypt. Products were bartered, and workers were paid in wheat, barley and, occasionally, in craft products like pottery, clothes etc. But barley could be defined as a type of money, since it was easy to use as payment. For example, if a peasant might pay with barley for a refined product, like a new garment, and then the seller would in his turn sell that barley to obtain other products.
Camera Model: Canon EOS 5D Mark II; Lens: 28-300mm; Focal length: 300.00 mm; Aperture: 6.3; Exposure time: 1/250 s; ISO: 100
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Beneath the deep blue twilight, the ancient tower rises like a forgotten gateway between history and myth. Prague becomes a silent labyrinth of shadows, stone and memory.
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An epic history has made Prague one of the most beautiful cities in the world, as well as a UNESCO World Heritage site. The magical city of bridges, cathedrals, gold-tipped towers and church domes, Prague is also a modern European metropolis full of energy, music, and art. Serene green isles in the river and peaceful parks draping the city's seven hills are just steps away from the architectural treasures and bustling street life of the city center. Prague's atmosphere is both intimate and romantic, and quite impossible to forget.
Ancient capital of Charles IV's Bohemian Kingdom, Prague has played a pivotal role in the development of Central Europe since the Middle Ages. During a walk through the city, you will quickly discover that the history of European architecture has left behind splendid representatives of its various periods and styles. There are Romanesque, Gothic, Renaissance, Baroque, and Classicist buildings, as well as various neo-historic styles and Art Nouveau. Mozart reportedly shocked the Viennese when he once scoffed at his Austrian patrons, claiming, "Praguers understand me." This statement placed Prague in the center of the musical world and entrenched the city in musical folklore.
Camera Model: Canon EOS 5D Mark II; Lens: 17.00 - 40.00 mm; Focal length: 20.00 mm; Aperture: 13; Exposure time: 32.0 s; ISO: 320
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Caught in motion as it rounds the corner, the Porsche GT4 looks perfectly composed — the briefest pause in time before it launches towards the next section of Prescott Hillclimb.
Almost every day during the summer (our rainy season), heat
accumulates (all day) over the inland Florida Everglades until
it builds and explodes in the late afternoon as thunderstorms.
(Above; could hear thunder & see some occasional lightning.
Below in the comments; is the left-side of this scene above.)
Sunset Blue Hour ~ Boca Raton, Florida
South Florida ~ Florida Everglades U.S.A.
Summer 2016 ~ Palm Beach County, Florida
"Have a seat! Enjoy the view! Have a good summer!"
Prints and Canvasses Available
Another one of those 'Close Encounters' moments. This one on the barns at Bowlees taken from across the dale at Holwick.
n the arkaded side of passeig de mallorca, a woman walks through one of palma’s sharpest patterns of light and dark. she doesn’t pause, doesn’t notice. but for a second, her dachshund floats mid-air, legs stretched like shadows themselves. the pillars frame the scene like a stage. and for the length of a breath, everything aligns.