Sponsored images from 
View allAll Photos Tagged dramaticlighting
“A chain is only as strong as its weakest link.”
In this image, the protagonist pulls a chain with both hands: each link looks solid, bright, compact. But at the center there is one fragile point—darker, worn, weaker. And that is exactly where the chain gives way.
It is a truth that always applies: a system does not break where it is strong, it breaks where it is vulnerable. One weak link is enough to compromise the whole structure.
This is a virtual image created with Artificial Intelligence.
Not to replace photography or “pure” art, but to use a contemporary medium as a symbolic language. I do not become a slave to the machine: I use it to build metaphors, to provoke thought, and to remind human beings who they are—before any system, or any technology, tries to devour them.
LA BAMBOLA — by MORFEU
Sculptural. Provocative. Irresistible.
A heel that doesn’t just complete the look, it defines presence. The intense glossy finish paired with pearl detailing creates the perfect contrast between power and sophistication.
Designed to elevate every step with absolute elegance.
✔ Compatible with: LaraX, Legacy, Nhumana, Kupra, Reborn, Vipra
✔ Fat Pack includes: Pearl Add-on + Pearl HUD
Available in the main store.
maps.secondlife.com/secondlife/Wilmot/198/207/1988
Step in, take a closer look… and feel the impact.
MORFEU Exclusive
"The mystical ambiance of a Gothic cathedral, where stained glass windows paint the stone with celestial hues."
"L'ambiance mystique d'une cathédrale gothique, où les vitraux peignent la pierre de teintes célestes."
Ok, one more mountain profile over some delicious light. This was one of those days where everywhere you looked there was another photo to be had. This mountain face was in a lot of my photos from the trip, but this was the only time I was able to give it it's own tiem to shine!
Neat!
Prints and Canvasses Available
Looking up the dale over part of Holwick from Bell Farm near Newbiggin. Bright sunshine as far as Cronkley Fell, with Force Garth quarry, East and West Force Garth Farms, Strathmore Lodge, Hield House, Holwick Head and the High Force Hotel lit. Cronkley Fell and Scar in shadow in the background.
Amidst the night fog, a sinister figure emerges, axe in hand, casting an eerie shadow. Is it fear taking hold, or merely a trick of light and darkness?
(Dans la brume nocturne, une silhouette sinistre émerge, hache en main, projetant une ombre inquiétante. Est-ce la peur qui s'empare de nous, ou simplement un jeu de lumière et d'ombre ?)
"I've always been inspired by the Hollywood publicity photos taken during the Golden Age of Hollywood by George Hurrell and Sinclair Bull. Whenever I get a chance, I like to try to incorporate some of those elements into my portraits. For this shot of Bre, I used the Fotodiox 28 inch Beauty Dish with no diffusion as the key light. The backlight is a Fotodiox 12x56 stipbox with grid."
- Jeff Fuller-Freeman
Click here to learn more about our light modifiers: bit.ly/2EhWM7O
As daylight fades, the lighthouse becomes the last quiet promise between land and sea. Its solitary beam cuts through the blue hour, reminding us that even in silence and darkness, a single light can still guide the way.
Some places hold a stillness that speaks across every tradition.
Happy Orthodox Easter! Wishing peace to every corner of our world.
Photographer Justin Graham captured this striking senior football portrait with the help of our EZ-Pro Softboxes. Click here to learn more about our softboxes: bit.ly/2F45C9r
And check out more of Justin's work here: www.instagram.com/justingrahamphoto/
Pray for Peace ~ Pray for the 140 people that lost
their lives yesterday in Paris in senseless acts...RIP
French Colors in the Sunset ~ Florida Everglades
South Florida ~ Palm Beach County U.S.A.
Fall/Autumn 2015 ~ Boca Raton, Florida
[FYI: Tragedy in Paris - The last time we were in Paris was August
of 1997. We drove through the tunnel 'ten minutes' before Princess Diana was killed there... Our hotel, one mile from the tragic scene... Another senseless moment forever etched in my mind... RIP Diana]
(one more photo of this night in the comments)
After a longer break, I’ve finally managed to finish processing a few photos and would like to kick things off with the first shot from this year’s trip to Switzerland.
Taken on the way back from the Moosfluh viewpoint in the Bernese Alps.
A truly special moment!
Just after sunset, the red light of the low-hanging sun still shone precisely into a narrow, horizontal gap between two layers of clouds.
This illuminated the underside of the upper cloud layer and the top of the lower one from below, making both edges glow in intense red.
The razor-sharp transition from light to shadow along the edges of this gap — only a few hundred meters wide — created the incredibly crisp upper and lower boundaries of that glowing band of light.
Thank you for taking a look. Have a great day and always good light! ✨
🔸Canon EOS R
🔸Canon RF 70-200mm F4 L | f8.0 | 126mm
🔸1/8 sec. ISO 100
🇩🇪
Nach einer längeren Pause habe ich es endlich geschafft, ein paar Fotos zu entwickeln und möchte die Runde mit dem ersten Foto vom diesjährigen Trip in die Schweiz starten.
Entstanden auf dem Rückweg vom Viewpoint Moosfluh in den Berner Alpen.
Ein ganz besonderer Moment!
Kurz nach Sonnenuntergang schien das rote Licht der tief stehenden Sonne noch genau in eine schmale, horizontale Wolkenlücke zwischen zwei Wolkenschichten hinein.
Dadurch wurden der untere Rand der oberen und der obere Rand der unteren Wolkendecke von unten angestrahlt und leuchteten intensiv rot.
Der absolut scharfe Übergang von Licht zu Schatten an beiden Rändern dieser nur wenige hundert Meter breiten Lücke erzeugte die messerscharfen oberen und unteren Kanten des leuchtenden Streifens.
Standing beneath the towering geometry of the modern city, the sculpture evokes innocence confronting the scale of an urban future. The monochrome treatment transforms the financial district into a cold and dreamlike stage where childhood imagination appears both fragile and timeless.
Join me on Facebook | Google+ | Twitter | 500px | Instagram
~~~~~~~~~
Bir Ali is located on the spectacular coast road and it is surrounded by white sand dunes, green rocky mountains and black lava deposits. You can spend your afternoon swimming or relaxing on a white sand beach or spend overnight in beach huts. The surrounding coast is a mixture of volcanic landscape and occasional patches of sand dunes.
Canon EOS 400D DIGITAL, f/22, 0.6 sec (3/5), ISO 100, 18 mm
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
It wasn’t a day to stay.
The sky was closing in on one side, while on the other, light found a way through.
A thin, precise cut—just enough to hold time still between water and trees.
The rice fields become mirror and memory, holding everything: the weight of clouds, the breath before the storm.
Then everything shifts, quickly.
And you know it’s time to leave.
Non era un giorno da restare.
Il cielo si chiudeva da un lato, mentre dall’altro la luce trovava un varco.
Un taglio sottile, preciso, abbastanza da fermare il tempo tra l’acqua e gli alberi.
Le risaie diventano specchio e memoria, trattengono tutto: il peso delle nuvole, il respiro prima del temporale.
Poi cambia tutto, in fretta.
E capisci che è il momento di andare.
After centuries beneath the waves, the Kraken finally booked his dream Hawaiian getaway. As he rose from the surf to savor the golden sunset, barnacles glinting and seaweed trailing, a local sun-worshiper mistook his peaceful emergence for an ancient reckoning—and fled, leaving only footprints and panic in his wake.
Spent the past week in Cabo San Lucas. Although I didn't have any of my "real cameras" with me, I took this one with my cellphone from a boat trip we did. I then edited it (sky replacement, black and white conversion, etc.) in PS.
Join me on Facebook | Google+ | Twitter | 500px | Instagram
~~~~~~~~~
Red sand dunes cover the landscape in the region of Al-Ain, in the eastern region of Abu Dhabi emirate next to the border with Oman.
Al Ain is a fertile oasis city located approximately 160 kilometres east of the Abu Dhabi capital. Its name ("the spring" in Arabic) derives from its originally plentiful supply of fresh water, which makes its way underground across most of the plain lying before the Omani mountains.
PENTAX K20D, f/6.7, 0.003 sec (1/350), ISO 100, 18 mm
All rights reserved - Copyright © Lucie Debelkova www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Sunrays break through storm clouds and startled Canada Geese fly by at Penouille in Forillon National Park, Gaspé Region, Quebec. A moment later, a Bald Eagle passed by, a possible explanation for their sudden departure!
Sunset over Utah’s otherworldly Badlands, captured from Moonscape Overlook. The layered terrain glows under the last light of day, with the Henry Mountains rising in the distance. One of the most dramatic views in the desert Southwest.
In the heart of the sanctum, veiled in shadow and silence, the flickering candles guard relics of a bygone age. A dragon-clad grimoire rests atop arcane scrolls, while sigils of protection and summoning whisper through the air like echoes of the damned. Here, time stands still, and only those who dare to seek the forbidden may unlock its secrets.
Au cœur du sanctuaire, voilé d’ombre et de silence, les chandelles vacillantes veillent sur les reliques d’un âge révolu. Un grimoire orné d’un dragon repose sur des parchemins anciens, tandis que des sceaux de protection et d’invocation murmurent dans l’air, tels les échos des damnés. Ici, le temps s’est figé, et seuls ceux qui osent chercher l’interdit peuvent en percer les secrets.
Week #8 - Mythology
#LGC #Letsgetcreative #LGC2015
This week was one of the main reasons I joined this challenge. As soon as I saw ‘mythology’ as a theme, I knew I had a place to share two of my obsessions: iconography and religion. This, what I’m representing in this photo, is something that I’ve held very close to my heart ever since I was 13, and even though I have only half-practiced when I was a teenager, I adore the culture and the history of it: Candomblé, or Yoruba.
This religion was its roots in Africa and was taken to Brazil (and the rest of Latin America) by slaves. These men and women, forbidden by Catholics of practicing their own rites, found a way to mesh the two religions, with connections that last to this very day. Every Orixá, or deity, has a Catholic correspondence, in the form of a saint or a figure of the church. My Orixá is Oxum, usually represented by Our Lady of the Immaculate Conception (in Portugal and in some places in Brazil) or Our Lady of Charity de El Cobre (in Cuba). A more widely known Orixá is Yemanjá, who has a big following in Portugal because she is usually connected with Our Lady of Fatima. Just to exemplify. (You’ll have to forgive me, I get really excited when I get to talk about this).
I have been completely in love with this religion since I was thirteen years old, I have read book after book and it’s just one of those things from my teenagehood that brings me an immense amount of comfort. I’m a daughter of Oxum, the Orixá of the rivers and lakes, mother of lovers and deity of vanity (self-portrait artist, anyone?), of beauty and wealth, represented by the colors yellow and white (and gold), by a mirror in her hand and the waters of the river Osun, located in Nigeria. I tried to hold on to this iconography while giving it my own spin. I hope you guys like it! And that you don’t think I’m a weirdo. :p
For you Stephen King fans out there I hope you'll agree with me that this place has the look and feel of the Overlook hotel. But I doubt the architect would appreciate my opinion. : ))
Best viewed LARGE.
he speaks in gestures, not words.
his fingers hold stories, his eyes hold time.
you don’t need to understand — just look long enough, and you will feel it.
A lonely road fades into the mist, swallowed by the silent whispers of the trees. The air is thick with mystery, as if the forest itself is guarding a secret, waiting for those brave enough to listen.
(Une route solitaire s'efface dans la brume, avalée par les murmures silencieux des arbres. L'air est chargé de mystère, comme si la forêt elle-même protégeait un secret, attendant ceux qui auront le courage d'écouter.)
I use Artificial Intelligence not to create “prettier” images or to compete with photographers and graphic artists, but as an expressive tool: it allows me to transform ideas and concepts into visual manifestos.
My works are not meant to pursue aesthetics for its own sake: they are meant to say something, to spark human and social reflection, and sometimes to express a clear stance.
For me, AI is a means to communicate with strength and immediacy a message that can make people think and, in some way, bring value.AI-generated images, not for aesthetics or competition.
I use AI as an expressive tool to create visual manifestos: works meant to communicate ideas, spark human/social reflection, and sometimes take a stance.
sometimes, the best portraits aren’t planned. they just happen when the light is low, the atmosphere is thick with stories, and a stranger catches your eye. this man sat on a bench on paseo del borne in palma, the soft hum of post-sunset conversations around him. his face, framed by a long, majestic beard, held a certain defiance—rockstar energy, effortless cool, and an edge of mystery. his double sunglasses? an unapologetic flex that perfectly matched his vibe. it’s not about perfection; it’s about presence. enjoy the moment.
©2017 Gary L. Quay
I took this at the Gorge White House in Pine Grove, Oregon, which is just outside of Hood River in the Columbia Gorge. It looks a little unreal, but that’s the way it looked. I actually had to drop the saturation a bit to bring it to heel.
Camera: Nikon D810
Lens: Vintage 35mm Nikkor
# #pnwexplored #myoregon #hoodriveroregon #garyquay #cascadiaexplored #oregonexplored #autumn #hoodgorge #outside #outdoors #pacificnorthwest #nikon #viewfromhere #onlyinoregon #traveloregon #columbiagorge #nikond810 #pinegrove
My Blog: Gary L. Quay Photography
My portfolio on Shutterstock
My portfolio on iStock
My portfolio on Adobe
Feel free to join my Flickr groups
Dramatic light on the Chiesa del Santissimo Redentore in Venice, Italy.
The Chiesa del Santissimo Redentore (Church of the Most Holy Redeemer) is a 16th-century Roman Catholic church located in the Giudecca sestiere of the Italian city of Venice. It was designed by the architect Andrea Palladio and built as a votive church to thank God for the deliverance of the city from a major outbreak of the plague.
Join me @ Facebook | Twitter | 500px | Instagram | YouTube
* * * * * *
Middle East - Yemen - Sana'a - Sanaa - Sana - UNESCO World Heritage Site - One of the oldest continuously inhabited cities in the world & one of the highest capital cities in the world at an altitude of 2,300 metres (7,500 ft) - Stunning historical old town with many-storeyed tower-houses built of rammed earth (pisé)
Camera Model: Canon EOS 400D DIGITAL; Lens: 18.0-200.0 mm; Focal length: 72.00 mm; Aperture: 9.0; Exposure time: 1/200 s; ISO: 200
All rights reserved - Copyright © Lucie Debelkova www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Join me @ Facebook | Twitter | 500px | Instagram | YouTube
* * * * * *
One of those traditional local ger places where we stayed in Mongolia. It was particularly interesting night as we have adjusted our trip schedule and we were not really sure where we stay that night. We have passed couple of camps that our guide thought we might stay, but none were there, so we had to drive on.
Imagine complete darkness, no signs, just dust road (if you can actually call it a road) and nothing around us. We started to be bit worried where we'll sleep that night, but somehow our driver remembered one family he stayed over once. I have no idea how he found it, but he did. There were two of these gers where a family lived their usual life. We arrived there and they were very kind to let us stay in one of their gers. They all move over to the other smaller one. Imagine, it is like you live in your house, some strange group of foreigners come over and you move to your garden house and give them all your house to stay in. We have been deeply impressed and thankful. This definitely wasn't typical tourist thing, but real life experience, especially when all 7 of slept in this one ger… you really have to rethink what is your personal space..
Camera Model: Canon EOS 5D Mark II; Lens: EF17-40mm f/4L USM; Focal length: 32.00 mm; Aperture: 14; Exposure time: 1/400 s; ISO: 100
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
A close-up portrait of a majestic elk, captured in the quiet of the forest.
The soft velvet on its antlers and the deep shadows create a fine art, black-and-white mood — powerful, timeless, and serene.
Shot with natural light, processed for a dramatic yet natural look.
Portrait rapproché d’un élan majestueux, capturé dans le silence de la forêt.
La douceur du velours sur ses bois et les ombres profondes créent une ambiance fine art en noir et blanc — puissante, intemporelle et apaisante.
Photographié en lumière naturelle et traité pour un rendu dramatique mais naturel.
THE TRUTH ALWAYS COMES OUT.
I created this image to represent a simple and unavoidable idea: sooner or later, truth rises to the surface.
Even when someone tries to bury it, darken it, distort it, or keep it hidden, truth always finds a way through.
In this scene, the dark glass becomes a metaphor for a mind filled with omissions, silence and lies — yet something inside still moves, emerges, ignites, and breaks the surface. It is that precise moment when what was hidden becomes visible, and pretending is no longer possible.
I am creating a series of images inspired by proverbs because proverbs are the moral memory of humanity: in just a few words they contain experience, wounds, justice, irony, and survival.
I chose to create them digitally with Artificial Intelligence not because this technology can replace photography or “pure” art, but because I want to use a new tool without becoming its servant.
I want to bend the instrument to my own language — turning it into poetic provocation and visual protest.
Before the virtual becomes a weapon against human beings, I use it to remind human beings who they are.
And above all, to remind that truth — even when buried — always comes out.