View allAll Photos Tagged dramaticlighting
Landscape photography often rewards patience more than planning. This image was created during a period of rapidly changing weather when dense cloud cover obscured much of the surrounding landscape. For a brief moment, the clouds parted, allowing shafts of sunlight to reach the mountainside and lake below.
The composition uses the winding path as a visual guide, inviting the viewer into the scene while emphasizing the scale of the landscape beyond. The contrast between the darkened foreground, the illuminated slopes, and the dramatic cloud formations creates a sense of tension and balance that reflects the constantly changing nature of mountain environments.
This work explores the relationship between weather, light, and place—capturing a fleeting moment that existed for only a few seconds before disappearing back into shadow.
#LandscapePhotography #NaturePhotography #MountainPhotography #MoodyLandscape #StormClouds #DramaticLight #Sunbeams #GodRays #ChasingLight #AtmosphericPhotography #LandscapeLovers #EarthFocus #DiscoverEarth #WildernessCulture #OutdoorPhotography #ExploreMore #AdventurePhotography #MountainViews #TrailPhotography #NaturePerfection #EpicLandscape #LightAndShadow #WildWeather #Cloudscape #NatureLovers #RoamThePlanet #StayAndWander #VisualOfLife #EarthPix #FineArtPhotography
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A clearing sky creates some foreground brightness and a burst of strong sunshine on Cronkley Scar.
shot during my comparison test of the sigma 135mm f/1.4 art on leica sl3 versus the sony 135mm f/1.8 gm on sony a7rv. full review with sample images now online: arnds.photos/blog/sigma-135-mm-vs-sony-135mm-gm?utm_sourc...
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Europe - UK - Scotland - Western Isles of Scotland - Outer Hebrides - Isle Harris - Rugged rocky coastline of the south of the island
Camera Model: Canon EOS 5D Mark III; Lens: EF24-105mm f/4L IS USM; Focal length: 40.00 mm; Aperture: 9.0; Exposure time: 1/200 s; ISO: 100
All rights reserved - Copyright © Lucie Debelkova www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
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Europe - UK - United Kingdom - Scotland - Western Isles of Scotland - Outer Hebrides - Isle of Lewis - Island's West Coast - Callanish Standing Stones - Standing Stones of Challanish (Calanais or Chalanais in Gaelic) - One of the most spectacular megalithic sites in Scotland at Dusk - Twilight - Blue Hour
We all have those special places we always wanted to visit, Callanish Stone Circle was definitely on top of my list of such places. As you can guess, no visit to Scotland comes for free and weather can be at its most playfull.... as it was for last 3 days - near gale wind and constant drizzle, which is so famous for these islands but nothing should stop very devoted photographer from capturing what he/she had in mind... and therefore the gale and drizzle didnt stop us from taking photos at this unique location - that is also explanation for the EXIF data... I would have much rather used ISO 100, f11 and 30 sec but than the lens would get way too many drops... and I might have been blown away with the camera and tripod ;)... still despite those conditions I'm really pleased with the result ;)
Camera Model: Canon EOS 5D Mark III; Lens: EF16-35mm f/2.8L II USM; Focal length: 17.00 mm; Aperture: 5.0; Exposure time: 2.5 s; ISO: 400
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
From a little over a year ago. One I have not processed until this eveing from Canyonlands National Park. The way the cliff face closest to me lit up while shadows played with others lasted only a few minuets so I worked fast to compose and capture this shot.
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Jökulsárlón Glacier Lagoon is the largest glacier lagoon or lake in Iceland. Situated in south eastern Iceland, at the head of the Breiðamerkurjökull glacier branching from the Vatnajökull, between Skaftafell National Park and Höfn, it evolved into a lagoon after the glacier started receding from the edge of the Atlantic Ocean. The lake has grown since then at varying rates because of melting of the Icelandic glaciers.
When I got to Iceland I realized that we might have a full moon... and as it has become my tradition I want to make use of it in my photography. Being on the ice beach of Jökulsárlón Glacier Lagoon is very special on its own... but with added Full Moon... it is the perfect combination I have not seen on any photos yet ! The night was not completely clear, but luckily clouds were not too strong and let the Moon shine through.
Camera Model: Canon EOS 5D Mark II; Lens: EF24-105mm f/4L IS USM; Focal length: 40.00 mm; Aperture: 5.0; Exposure time: 32.0 s; ISO: 500
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Its been over six months since I visited the Lake District, and I'm missing it. Thats the trouble with the UK. SO many beautiful places to visit, so little free time to do so. Scafell Pike on a stormy February afternoon
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Buachaille Etive Mòr (Scottish Gaelic: Buachaille Eite Mòr, meaning "the great herdsman of Etive"), generally known to climbers simply as The Buachaille or The Beuckle, is a mountain at the head of Glen Etive in the Highlands of Scotland. Its almost perfect pyramidal form, as seen from the A82 road when travelling towards Glen Coe, makes it one of the most recognisable mountains in Scotland, and one of the most depicted on postcards and calendars. Buachaille Etive Mòr takes the form of a ridge nearly five miles (8 km) in length, almost entirely encircled by the River Etive and its tributaries. The ridge contains four principal tops: from north-east to south-west these are Stob Dearg (1022 m), Stob na Doire (1011 m), Stob Coire Altruim (941 m) and Stob na Bròige (956 m). Stob Dearg and Stob na Bròige are both Munros; the latter was promoted to Munro status by the Scottish Mountaineering Club in 1997.
The steep, craggy north-eastern face of Stob Dearg forms the classic aspect of the mountain as seen from the Kings House Hotel, and constitutes the most direct route of ascent for climbers and scramblers. Buachaille Etive Mòr is separated from its sister mountain of Buachaille Etive Beag to the west by the valley of Lairig Gartain. To the east lies Glen Etive, which provides an alternative route of ascent, heading up steep grassy slopes to the summit of Stob na Bròige.
Those of you that know Scotland well, know that this is rather classic view of this place. Even though I have been to Scotland many times by now, this was the first time I have actually found this location. The only trouble was that this summer was extremely dry across Scotland so when I finally found this place for the first time, there was nearly no water flowing through the stream/river. I was very disappointed as I was really looking forward to capture this view myself. Luckily on our way back from Isle of Skye, some rain has fallen which brought the water back to where it belongs. This shot was taken late evening (22.15PM) with sun setting behind the mountain. 60 sec exposure time allowed to take enough light and smooth the waterfall with clouds really nicely.
Camera Model: Canon EOS 5D Mark II; Lens: EF17-40mm f/4L USM; Focal length: 23.00 mm; Aperture: 20; Exposure time: 60.0 s; ISO: 125
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
J'ai vu des danseurs qui exécutent un mouvement, et d'autres qui semblent le vivre de l'intérieur: Léo fait partie de ceux-là. Le corps renversé, les mains en tension, le visage tourné vers la lumière, il se laisse traverser par sa danse. À cet instant, il n'y a plus vraiment de chorégraphie à regarder, mais une énergie qui s'exprime sans retenue. Derrière la puissance de son geste, on devine un plaisir presque viscéral à danser. Léo ne joue pas la danse, il la vit avec intensité...
EN I have seen dancers who perform a movement, and others who seem to live it from the inside: Leo is one of them. The body overturned, his hands in tension, his face turned towards the light, he lets himself be crossed by his dance. At this moment, there is no longer really a choreography to watch, but an energy that is expressed without restraint. Behind the power of his gesture, we guess an almost visceral pleasure to dance. Leo doesn't play dance, he lives it with intensity...
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The waters around Straumur Art Center are calmest during a high tide. The center itself is a great subject for photography. It has quite interesting surroundings to North and West (East there is a huge Aluminum smelter).
Camera Model: Canon EOS 5D Mark II, Lens: EF17-40mm f/4L USM, Photo Focal length: 37.00 mm, Aperture: 22, Exposure time: 25.0 s, ISO: 50
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
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Europe - UK - United Kingdom - England - North West England - Cumbria - Lakes - Lake District National Park - Derwent Water Lake in Borough of Allerdale - South of Keswick town
Derwentwater (or Derwent Water) is one of the principal bodies of water in the Lake District National Park in North West England. It lies wholly within the Borough of Allerdale, in the county of Cumbria. The lake occupies part of Borrowdale and lies immediately south of the town of Keswick. It is both fed and drained by the River Derwent. It measures approximately 3 miles (4.8 km) long by 1 mile (1.6 km) wide and is some 72 feet (22 m) deep. There are several islands within the lake, one of which is inhabited.
I think that probably every photographer that goes to Lake District comes home with at least one photo of a wooden jetty on the lake. This one in particular is rather popular. I have tried to make it little bit my own by using torch and lighting it up against dark and stormy sky.
Camera Model: Canon EOS 5D Mark II; Lens: EF17-40mm f/4L USM; Focal length: 19.00 mm; Aperture: 4.5; Exposure time: 32.0 s; ISO: 400
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
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The little village of Elgol is one of the most photographed parts of the Isle of Skye. Elgol is an increasingly popular destination for climbers and hill walkers of all levels due to its unparalleled access to the famous Cuillin Hills and the various smaller hills dotted around wherever you look. Elgol is a crofting and fishing village in the Strath area of the Island. The small, sparsely populated village is scattered along the final mile of the road from Broadford.
Though you may never have heard of the little fishing and crofting village of Elgol in the Scottish Highlands, there is a good chance that you have seen photos of Elgol's famous mountain and seascape scenery in postcards, Scottish books and even film scenes and television programmes. From the larger Skye village of Broadford many visitors have turned down the enchanting Elgol road completely unaware of the magnificent scenes that await them around almost every corner. The 15 mile journey over twisty single-track roads will take you past High Pastures Cave, one of the most significant archaeological finds in the area, then sweep you around the corner to the ancient, historical site of Kilchrist church
Every mile you drive on your journey from Broadford to Elgol will fool you into thinking that the scenery simply cannot be bettered. However, you will be proved wrong when you arrive in Elgol and reach the shore and the little fishing harbour. There is simply nothing on earth to compare to the site of the Cuillin Hills beyond the Elgol shore - a breathtaking view whether it is sunny or stormy.
There are various opinions as to the meaning of the name, 'Elgol' (or Ealaghol in the native Gaelic, some suggesting 'The Noble Dale' and others 'The Weeping Swan' (folklore details the story of a Viking captain who perished when his longboat named 'The Swan' came to attack the people of Elgol).
Camera Model: Canon EOS 5D Mark II; Lens: EF17-40mm f/4L USM; Focal length: 23.00 mm; Aperture: 18; Exposure time: 70.0 s; ISO: 100
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
A warm beam of low sun illuminates the railway at Burglauenen, casting long shadows across the tracks as they curve toward the mountains. The snowy peaks rise behind the village, softened by mist and winter light. A peaceful blend of industrial geometry and alpine landscape in the Bernese Oberland.
Abstract geometry of industrial forms emerging from deep shadow. A single shaft of light highlights the strict, repeating rhythm of metal gears against the chaotic, organic curves of coiled rubber tubes, creating a dense cinematic composition.
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This photo was taken early morning in the Lage Vuursche Forest on the way from Hilversum to Soestduinen. Lage Vuursche is a village in the Dutch province of Utrecht. It is a part of the municipality of Baarn, and lies about 5 km west of Soest, in the middle of the forest. Drakestein, the former residence of Queen Beatrix, is situated just east of the village. An oasis of rest directly next to the big city life.
Canon EOS 350D DIGITAL, f/5, 0.077 sec (1/13), ISO 100, 59 mm
All rights reserved - Copyright © Lucie Debelkova www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
A dramatic September sky stretches across Ringshaugstranda in Tønsberg, looking towards Furustrand across Ringshaugbukta. A narrow opening of blue sky and pale light meets a vast ceiling of dark clouds, while the calm water below catches the last silvery traces of daylight.
Along the shoreline, land and sea are reduced almost to silhouettes, leaving the sky to dominate the scene. It is one of those moments when the familiar coast of Vestfold suddenly feels much larger, shaped by light, weather and the constantly changing sky above the Oslofjord.
Fun fact: Coastal landscapes can appear especially dramatic when sunlight reaches the horizon beneath a thick layer of clouds, creating a strong contrast between illuminated distant sky and the much darker clouds overhead.
Generated By Midjourney V7
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**Prompt :**
Une exploratrice spatiale, jeune femme au regard intense et concentré, se tient immobile dans une forêt extraterrestre dense et bioluminescente. Elle porte une combinaison spatiale blanche légèrement usée, marquée par des traces d’expéditions passées, avec un casque transparent reflétant les lumières organiques environnantes. Son visage est éclairé par des reflets violets et magenta provenant de la végétation alien.
Face à elle, à quelques centimètres seulement, flotte une créature étrange, mi-amphibienne mi-éthérée, semblable à un axolotl cosmique. Son corps translucide pulse d’une lumière interne rose et violette, avec des filaments lumineux ondulant comme des méduses dans l’eau. Ses yeux brillent d’une intelligence mystérieuse, presque émotionnelle, fixant l’humaine dans un moment de tension silencieuse.
L’environnement est une jungle extraterrestre luxuriante, saturée de couleurs irréelles : feuillages pourpres, champignons luminescents, arbres élancés aux textures organiques et humides. De fines particules flottent dans l’air, captant la lumière comme une poussière d’étoiles. Le sol est humide, traversé par un ruisseau scintillant reflétant le ciel nocturne.
À l’arrière-plan, un immense astre bleu-gris domine le ciel, partiellement voilé par des nuages épais et dramatiques. L’atmosphère est chargée, presque électrique, suggérant un monde vivant et inconnu. Une légère brume flotte entre les arbres, accentuant la profondeur et la sensation d’immersion.
Éclairage cinématographique contrasté : lumière principale froide et lunaire venant de l’arrière, combinée à des sources lumineuses organiques chaudes issues de la flore et de la créature. Profondeur de champ réduite, focus net sur les deux sujets, arrière-plan légèrement flou avec bokeh bioluminescent.
Style hyperréaliste, rendu ultra détaillé 8K, textures précises (combinaison, peau, surfaces organiques), ambiance inspirée de la science-fiction contemplative. Composition équilibrée en face-à-face, tension narrative palpable, moment suspendu entre découverte et connexion.
Caméra : plan rapproché latéral, angle légèrement à hauteur des yeux, lent travelling avant.
Ambiance sonore suggérée : silence profond, léger bruissement organique, pulsations subtiles de la créature.
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**Prompt:**
A young female space explorer stands perfectly still in a dense, bioluminescent alien forest. She wears a slightly worn white spacesuit, marked with subtle scratches and signs of previous expeditions. Her transparent helmet reflects the organic glow around her, casting shifting violet and magenta highlights across her focused, intense face.
Hovering just inches from her is a strange, otherworldly creature, resembling a fusion between an amphibian and a luminous cosmic entity, like a celestial axolotl. Its semi-translucent body pulses with internal pink and violet light, while delicate, glowing tendrils drift and ripple as if suspended in water. Its large, radiant eyes convey an uncanny intelligence, locked onto the explorer in a silent, charged moment of connection.
The environment is a lush extraterrestrial jungle, saturated with surreal colors: deep purple foliage, glowing mushrooms, towering organic structures with wet, textured surfaces. Tiny particles float in the air like stardust, catching the light. The ground is damp, crossed by a shimmering stream reflecting the alien sky above.
In the background, a massive blue-gray celestial body looms low in the sky, partially veiled by thick, dramatic clouds. The atmosphere feels heavy, almost electrically alive, hinting at a sentient ecosystem. A thin mist weaves between the trees, enhancing depth and immersion.
Cinematic lighting: a cool, moonlit backlight contrasts with warm, organic glows emitted by the flora and the creature. Shallow depth of field, razor-sharp focus on both subjects, with a softly blurred background filled with bioluminescent bokeh.
Hyperrealistic style, ultra-detailed 8K rendering, highly refined textures (fabric, skin, organic surfaces), inspired by contemplative science fiction. Balanced face-to-face composition, strong narrative tension, capturing a suspended moment between discovery and connection.
Camera: tight side profile shot at eye level, slow forward dolly movement.
Suggested sound design: deep silence, faint organic rustling, subtle rhythmic pulses from the creature.
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--v 7 --style raw --ar 16:9 --q 2 --s 250 --chaos 8 --weird 50 --uplight
he world is often a dark room.
the facts are obscured, the motives hidden in shadow.
some people blend into the darkness.
others carry their own light with them.
an uncomplicated warmth that pushes back the gloom.
it is a simple, irrefutable testimony.
you do not need to see the whole room to know that it is bright.
A quiet moment, suspended between light and shadow.
No words, no movement. Just a subtle expression, a gentle touch of light, and the beauty of being completely oneself.
Sometimes, the most powerful emotions are found in stillness.
Emotion – Stillness – Light
© Peter Meirmans Photography
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Faroe Islands - Island of Viðoy - Norðoyar Region - Viðareiði - The northernmost settlement in the Faroe Islands - Classic view of Vidareidi church with cliffs of Bordoy and Kunoy islands
Although I was happy with my shots from this place during afternoon light, we still decided to come back for sunset time as it is a perfect spot for it during this time of year. This amazing light lasted for only about 10 mins after huge snow/rain/hail storm and before another one came in while the gale strong wind was trying to blow us away, however the final result is what I call the divine light...
Camera Model: Canon EOS 5D Mark III; Lens: EF24-105mm f/4L IS USM; Focal length: 28.00 mm; Aperture: 5.0; Exposure time: 1/60 s; ISO: 200
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
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As you travel further north and west of Scotland, in particular on Scotland's islands, you will sooner or later find yourself on a road too narrow to pass the vehicle coming the other way towards you. Driving these roads requires thought and concentration. There are usually plenty of passing places (but they can get fewer and further between on more minor roads), and these are usually, but not always, marked with the sign captured on this shot.
The trick on single track roads is to drive with a combination of consideration and assertiveness. In an ideal world, vehicles approaching one another should adjust their speeds so as to meet at a passing place. That way neither waits for the other, and both proceed at best speed. It doesnt always happen like this, but in general, people in highlands are very friendly and tend to behave this way. Extra bonus is to watch those confused tourists that are just getting used to driving on the other site than in their home country so they tend to pick the first passing place, park on the opposite side as they would do in continental Europe and wait, staring like a scared rabbit being caught in headlights (I used to be one of them too, but no more!!).
Camera Model: Canon EOS 5D Mark II; Lens: EF17-40mm f/4L USM; Focal length: 22.00 mm; Aperture: 5.0; Exposure time: 1/60 s; ISO: 160
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
barcelona at night. a face caught in thought, framed by steel, smoke, and invisible weight. light brushes skin and hope, while the city flickers on in the background.
Tambour en éclats,
jongle le cœur tsigane,
vivre, c’est danser.
Drums crack through the night,
the juggler's soul spins with fire,
to live is to dance.
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Cirque Imagine Lyon.
A silhouetted lifeguard stands watch under the bright summer sun at Robert Moses State Park Beach, NY.
After the summer, the wheat fields are being mowed. The grain is taken by the farmer, the stems are rolled together and will be used as straw and all that is left are the stubbles.
Sunrise from last year in Canyonlands National park. One other photographer was there so we danced back and forth to get different compositions. I liked this one alot.
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This was one of the last photos I took during my weekend trip to Switzerland. It was late afternoon during autumn when the shadows become very long and enhanced shapes, contours and textures of the landscape. This was one of the photos that made my trip worth visit.
Canon EOS 350D DIGITAL, f/7.1, 0.004 sec (1/250), ISO 100, 200 mm
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
a woman wrestles with her storm-wrecked umbrella, caught mid-movement, while a man watches from the edge of shadow — still, observant, immovable. two strangers, side by side, each within their own storm.
he has photographed wars. famines. the eyes of a girl whose name nobody knew. now he is the one being looked at. he allows it. barely.
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Vivid autumn colours, strong sunshine and a super sky in this view of a swollen River Tees at High Force Waterfall. Taken from the viewpoint on the Pennine Way long distance footpath which passes to the left of the waterfall.
Captain Carter and her friend. I asked the cosplayer but I forgot who she was playing.
Didn't watch the story yet.
Will update once she gets back to me
Strobe info: keylight from camera left, rimlight camera right from the back. All AD600 and AD200 in umbrellas.
High in the Pyrenees, I witnessed this incredible moment when storm clouds began to engulf the mountain ridges in a dramatic embrace. The atmosphere was electric, with layers of clouds rolling over the peaks like a slow-motion avalanche of vapor, creating one of the most powerful natural spectacles I've ever encountered.
My intention was to capture the raw power and beauty of mountain weather at its most dramatic. The multiple layers of ridges disappearing into the mist tell the story of these ancient peaks, while the threatening sky above reminds us of nature's awesome force. Those brief moments when golden light breaks through the storm clouds to illuminate select ridges create an almost theatrical effect.
This image represents what draws me to mountain photography - these moments when weather becomes the main character in the landscape. The Pyrenees have their own moods and personalities, and this stormy encounter felt like witnessing the mountains at their most wild and untamed. Sometimes the most compelling photographs emerge not from perfect blue skies, but from these dramatic weather events that reveal the true character of high places.
Sunlight breaks through heavy cloud and reaches the far side of a broad fjord framed by steep green slopes.
Panorama from my evening walk a couple of days ago. We have a forest, not a big one but a very diverse one, just ten minutes walk away. We have taken many walks there over the last couple of years, but we had never really ventured far beyond the forest but it really is a beautiful area. This one was a hard one, the autumn light was really warm and glowing, the sky delightfully blue. Monochrome just suited it too well. Constructive criticism is always welcome! Have a great day!
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Peyto Lake (pea-toe) is a glacier-fed lake located in Banff National Park in the Canadian Rockies. The lake itself is easily accessed from the Icefields Parkway.During the summer, significant amounts of glacial rock flour flow into the lake, and these suspended rock particles give the lake a bright, turquoise color. Because of its bright color, photos of the lake often appear in illustrated books, and area around the lake is a popular sightseeing spot for tourists in the park. The lake is best seen from Bow Summit, the highest point on the Icefield Parkway.
Camera Model: NIKON D70; Lens: 18.00 - 70.00 mm f/3.5 - 4.5; Focal length: 18.00 mm; Aperture: 9.0; Exposure time: 1/160 s; ISO: 200
All rights reserved - Copyright © Lucie Debelkova www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.