View allAll Photos Tagged dramaticlighting
This is where raw coal would first enter the washing plant at Blaye-les-Mines. Standing in this massive space, I was struck by how these twin openings resembled furnace doors - a fitting connection to the material that once flowed through here.
I decided to add red lighting to emphasize this connection to fire and coal. The warm glow transforms what would otherwise be just another abandoned industrial space into something more dramatic that hints at its original purpose. The symmetry of the structure naturally created this almost theatrical stage-like composition.
I find something fascinating about these forgotten industrial places - they were once filled with noise, heat and constant movement but now stand silent. The graffiti adds another layer to the story, showing how these spaces find new meaning after their industrial life ends.
This particular section of the coal washing complex shows the scale of these operations and the engineering that went into processing something as seemingly simple as coal. The lighting was my way of bringing some of that energy back to the space, if only for a photograph.
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The City of Petra was hidden in the mountains of Jordan for thousands of years when a young Swiss explorer Johan Ludwig Burckhardt rediscovered it in 1812. Temples, tombs, and other buildings are all carved out of the sandstone cliffs, which also gives it the name the "rose red city"
You reach the ancient city of Petra it by going through a narrow corridor in a mountain of rock. This corridor is about a mile long and just wide enough to fit a small truck - although most people go through on horseback or on foot. When you emerge, you enter a little hidden valley, which is mountain-locked. Petra was a perfect location for Indiana Jones and the Last Crusade, in part because of its rich sense of history. It was famous around the time of Christ for being the only way through those mountains, and traders bringing back silk from China to Europe often traveled through there. Back then, the people of Petra charged a fee-and of course became quite rich. The valley is a mile long, and more than thirty temples line the canyon sides. The temple that was used was right opposite the narrow opening. Many of these temples or tombs go back to about 600 B.C., but the particular one they used was built around the time of Christ. Nobody knows for sure what it was used for. Behind the temple face are a few small, square rooms, which are completely empty. Whatever they held was stolen long ago. It's quite an incredible place - like a tenth wonder of the world." The Siq twists and turns, the high walls all but shutting out the early morning sunlight, until abruptly, through a cleft in the rock , the first glimpse of the city of Petra can be seen.
The Shiq is a great cleft in the earth, formed in the hazy depths of the geological past by the same earthquake activity that has plagued the area ever since. Its narrow, winding route through the lofty cliffs which protect the site on the east remains one of the great experiences for the visitor today, and is probably responsible for the belief that it was here that Moses struck the rock to secure water for his wandering people after the flight from Egypt - the first of the Moses-linked stories now associated with the whole Petra Basin.
Camera Model: Canon EOS 5D Mark II; Lens: EF17-40mm f/4L USM; Focal length: 17.00 mm; Aperture: 4.0; Exposure time: 1/20 s; ISO: 320
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Shot from below at night, a beautiful woman in red towers over the frame like a sacred and unsettling presence.
She is not the devil: she is an imagined Madonna, a Red Madonna.
She does not comfort, she does not caress — she looks at humanity with anger.
A silent warning: do whatever you want…
judgment will come. If not here, then beyond.
We have been up the shard a fair few times but only once like this...it was cloudy when we were in the lift going up and suddenly the sun dipped below a band of heavy cloud.....
Happy 2013!!
Wishing everyone a year full of inspiring moments, perfect weather conditions and luck!
Thank you for sharing all your great work! :)
Verbier, Switzerland.
©2012 Ana Stefanovic, All Rights Reserved
This image is not available for use on websites, blogs or any other media without the explicit written permission of the photographer. If you would like permission please contact me on info/at/anastefanovic.com.
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Iceland Waterfalls are perhaps the country's most recognizable series of attractions. They're everywhere! Its collection of waterfalls rivals any other country in sheer power and raw beauty. The falls range from powerful and wide river-type monsters like Dettifoss, Gullfoss, and Goðafoss to tall and narrow ones like Glymur, Háifoss, and Hengifoss. Moreover, the country sports classic waterfalls such as the rectangular Skógafoss as well as unique waterfalls such as the trapezoidal Dynjandi. And these are just the famous ones! There are countless other waterfalls tumbling by the Ring Road as well as many more that don't even have formal names!
The waterfall Skógafoss is situated in the south of Iceland at the cliffs of the former coastline. After the coastline had receded seaward (it is now at a distance of about 5 km from Skógar), the former sea cliffs remained, parallel to the coast over hundreds of kilometers, creating together with some mountains a clear border between the coastal lowlands and the Highlands of Iceland. The Skógafoss is one of the biggest and most beautiful waterfalls of the country with a width of 25 meters and a drop of 60 meters. Due to the amount of spray the waterfall consistently produces, a single or double rainbow is normally visible on sunny days. According to legend, the first Viking settler in the area, Þrasi Þórólfsson, buried a treasure in a cave behind the waterfall. A local boy found the chest years later, but was only able to grasp the ring on the side of the chest before it disappeared again.
There is not much one can do about composition of this waterfall, however I'm still glad that I have it as part of my Icelandic portfolio. I like the addition of those tiny ghost figures in the bottom left corner which really give you the scale of this place.
Camera Model: Canon EOS 5D Mark II, Lens's focal length: 70.00 - 200.00 mm, Photo Focal length: 70.00 mm, Aperture: 32, Exposure time: 10.0 s, ISO: 50
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
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"Throughout the centuries there were men who took first steps, down new roads, armed with nothing but their own vision."
Travel as well as life itself is a journey of its own, understanding one step leads to another, and each step relies on the existence of the previous one. How far each individual chooses to travel is up to him or her, but all must take the same initial steps. At a later stage the path begins to split but again the first steps must be taken for travel to start and to continue… There might be 1ooo different paths to take and none of them is better or more important, just different. It is only up to us how exciting and eventful we make any journey we are on..
NIKON CORPORATION NIKON D70, f/9, 0.003 sec (1/320), ISO 250, 70 mm
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Middle East - Iran - Isfahan Province - Abyaneh - Abianeh - One of the oldest villages in Iran with ancient houses built from peculiar reddish hue mud
Camera Model: Canon EOS 350D DIGITAL; Lens: 18.00 - 200.00 mm; Focal length: 88.00 mm; Aperture: 10; Exposure time: 1/250 s; ISO: 100
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Some shadows cast upon my bedroom ceiling.
Captured with iPhone and edited in Snapseed on the iPad.
Have a black and white version I like a lot as well and was torn between which one to post.
Mate said I should post this one as it was more interesting in color, more representative of the actual event.
Maybe I will post the B&W in the future.
In the heart of Santiago de Compostela, music echoes softly through stone and silence.
A fleeting moment of connection—raw, simple, and real.
The sun rises above the horizon, casting fiery shades of orange and gold across the sky. The restless waves reflect the morning light, creating a powerful and hopeful seascape.
This week, Insect Model Magazine features Maeve. Maeve is serving Mantis Realness, ready for her closeup.
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As you travel further north and west of Scotland, in particular on Scotland's islands, you will sooner or later find yourself on a road too narrow to pass the vehicle coming the other way towards you. Driving these roads requires thought and concentration. There are usually plenty of passing places (but they can get fewer and further between on more minor roads), and these are usually, but not always, marked with the sign captured on this shot.
The trick on single track roads is to drive with a combination of consideration and assertiveness. In an ideal world, vehicles approaching one another should adjust their speeds so as to meet at a passing place. That way neither waits for the other, and both proceed at best speed. It doesnt always happen like this, but in general, people in highlands are very friendly and tend to behave this way. Extra bonus is to watch those confused tourists that are just getting used to driving on the other site than in their home country so they tend to pick the first passing place, park on the opposite side as they would do in continental Europe and wait, staring like a scared rabbit being caught in headlights (I used to be one of them too, but no more!!).
Camera Model: Canon EOS 5D Mark II, Lens: EF17-40mm f/4L USM, Photo Focal length: 24.00 mm, Aperture: 5.0, Exposure time: 1/60 s, ISO: 160
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UK - Scotland - Inner Hebrides - Isle of Skye - Fairy tale Cascading Waterfall at Ben Dearg captured at summer time with rich green surrounding
Camera Model: PENTAX K20D; ; Focal length: 77.50 mm; Aperture: 32; Exposure time: 4.0 s; ISO: 100
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
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Khongor Sand Dunes are the largest and most spectacular sand dunes in Mongolia. Also known as the ‘singing dunes’, they are up to 800 m high, 20 km wide and about 100 km long. Top of the dunes can be climbed and the views of the desert from the top are indescribable.
I was wondering around and enjoying the majestic views of dunes when my eyes spotted this beautiful play of shadow and light with blowing sand over the dunes and with sun shining through the flying sand.
Canon EOS 350D DIGITAL, f/13.0, 0.001 sec (1/800), ISO 200, 200 mm
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
I've been sick and housebound for the last couple of days, so perhaps this is the product of a fevered mind...
OK.... I agree about the frame... so let's try it On Black instead.
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I was out photographing yesterday and I thought I came home with nothing. The light was bad, there were no interesting subjects, I looked but I saw nothing.
At home I downloaded my photos to my computer and I have never thrown away so much shots from one batch.
From what was left I got some inspiration to create this composition of stones and lines.
as the day's curtain draws to a close, portixol is set ablaze with the fiery spectacle of the setting sun. the dramatic sky, painted in strokes of orange and gold, reflects its warm colors on the rippling waters, creating a canvas of light that dances with the rhythm of the waves. this vivid scene at portixol bay not only captures the raw beauty of nature but also the serene end to a day in this enchanting seaside town. the palm trees silhouette against the radiant backdrop, adding a tropical touch to the Mediterranean landscape. it’s a moment where the sky seems to speak in hues of passion and tranquility, promising the return of another beautiful day.
"The mystical ambiance of a Gothic cathedral, where stained glass windows paint the stone with celestial hues."
"L'ambiance mystique d'une cathédrale gothique, où les vitraux peignent la pierre de teintes célestes."
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The majestic Sheikh Zayed Bin Sultan Al Nahyan Mosque is probably the most imposing religious and national landmark in Abu Dhabi to date. It is also arguably one of the most important architectural treasures of the contemporary UAE society - and one of the most beautiful in the world - initiated no less by the late president HH Sheikh Zayed bin Sultan Al Nahyan, who is fondly thought of as the father of UAE.
The Sheikh Zayed Bin Sultan Al Nahyan Mosque, popularly called Grand Mosque by local residents, is seen as a “globally unifying” landmark from its conception to completion, bringing together designers, features, materials and suppliers from nearly every corner of the globe: Italy, Germany, Morocco, India, Turkey, Iran, China, Greece and the UAE.
The Mosque’s initial architectural design was Moroccan, but it evolved to include many global features, including exterior walls that are of traditional Turkish design. Natural materials were chosen for its design and construction, which include marble, stone, gold, semi-precious stones, crystals and ceramics.
You might think that this mosque is hidden somewhere in the middle of the desert but the opposite is the truth. It is located between two main roads leading to Abu Dhabi. I have however taken use of the construction that is still going on there and found a spot with hopefully unusal POV and foreground. We've been also rather lucky for the light as we have got there early morning with light "storm" which created my favorite darker background and beautiful front light.
Camera Model: PENTAX K20D; ; Focal length: 14.00 mm; Aperture: 8.0; Exposure time: 1/250 s; ISO: 100
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Florida Everglades ~ #295 in Explore 8/5/13
Summer sunset light-stream on the lake.
(click more comments to see 8-pic series)
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Wahiba Sands lies in the eastern region of Oman. The sands stretch from north to south 180 kilometres, east to west 80 kilometres, with high dunes, extensive woodlands and an unspoiled coastline. Some of the sand dunes are 100 meters in height. Total land area is approximately 12,000 square kilometres with about 3,000 Bedu of varying tribal origins including Janabah, Mawalik, Hikman, Amr and Wahiba.
Evening conditions in Wahiba sands seem to be tricky for a photographer as it gets rather windy and the sand is blowing everywhere, however at the same time it creates fantastic new opportunities.
PENTAX K20D, f/6.7, 0.004 sec (1/250), ISO 100, 180 mm
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Here's another photo that I snapped in the dunes at the De Hoop Nature Reserve last Saturday.
This one was captured a few minutes before sunset.
Nikon D800, Nikkor 14 -24 mm at 14 mm, ISO of 100, aperture of f/14 with a 1/60th second exposure.
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Europe - Italy - Italia - Rome - Roma - Pantheon - Former Roman temple - Temple to all gods of Ancient Rome & One of most preserved & influential building of ancient Rome
The Pantheon (from Greek: Πάνθειον, meaning "Every god") is a building in Rome which was originally built as a temple to all the gods of Ancient Rome, and rebuilt circa 126 AD during Hadrian's reign. The intended degree of inclusiveness of this dedication is debated. The generic term pantheon is now applied to a monument in which illustrious dead are buried. It is one of the best preserved of all Roman buildings. It has been in continuous use throughout its history. The design of the extant building is sometimes credited to Trajan's architect Apollodorus of Damascus, but it is equally likely that the building and the design should be credited to Emperor Hadrian's architects, though not to Hadrian himself as many art scholars once thought. Since the 7th century, the Pantheon has been used as a Roman Catholic church. The Pantheon is the oldest large-scale dome in Rome. The height to the oculus and the diameter of the interior circle are the same, 43.3 metres (142 ft).
Camera Model: Canon EOS 5D Mark II; Lens: EF17-40mm f/4L USM; Focal length: 20.00 mm; Aperture: 20; Exposure time: 30.0 s; ISO: 100
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Prints and Canvasses Available
Patches of sunshine drift across snow covered fells above Holwick, Upper Teesdale, taken from Middle Side..
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Wahiba Sands lies in the eastern region of Oman. The sands stretch from north to south 180 kilometres, east to west 80 kilometres, with high dunes, extensive woodlands and an unspoiled coastline. Some of the sand dunes are 100 meters in height. Total land area is approximately 12,000 square kilometres with about 3,000 Bedu of varying tribal origins including Janabah, Mawalik, Hikman, Amr and Wahiba.
I was walking around Wahiba Sand dunes sea, starting to think how many more different desert photos I can take, having recently been in 4 different deserts across Arabia. To my surprise in a minute after this thought, strong wind started to blow, creating fantastic new opportunities.
PENTAX K20D, f/9.5, 0.006 sec (1/180), ISO 100, 130 mm
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.