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An IC C44-9W, SD70M-2, and SD40-2W lead NS 17W through Hammond

Every night we get a different kind of sunset. Not that my XPeria manages to capture it to it's full extent but I am still amazed daily.

ovvero come differenti approcci portano a differenti risultati

PINOCCHIO FA LA DIFFERENZA

FONDAZIONE NAZIONALE CARLO COLLODI & COSEA AMBIENTE SPA

www.essedicom.com/pinocchio_fa_la_differenza.php

 

Le nuove avventure di Pinocchio si svolgono oggi in un mondo che deve imparare ad instaurare un nuovo rapporto con l’Ambiente, ed i primi testimoni di questo cambiamento di mentalità possono essere proprio i giovanissimi lettori della sua straordinaria storia.

La Fondazione Collodi e Cosea Ambiente hanno promosso la realizzazione di questo Diario scolastico “Pinocchio fa la differenza” per consegnare ai bambini uno strumento affascinante che, partendo dagli episodi originali, giunge a delle innovazioni narrative tali da sensibilizzarli al tema della riduzione, riutilizzo e riciclaggio dei rifiuti.

mio nipotino Thomas e il piccolo struzzo...

Different pepper seeds. Spices I use in the kitchen :)

 

there are different expressions inside

View from the Bassa di Terrarossa, between Valle Maira and Val Varaita. Against the sky, the Pelvo di Ciabriera.

 

These are color combinations that I would consider more "parrot-like," but I thought I should show some examples of what else is available. There are more skeins with this degree of difference in colors. Quite a few of them have some peach or pink, though. The color balance is pretty good on these - the yellow tag in the bottom of the picture is a pretty good example of the tag color.

2 Different Harris's Sparrows - 770 3 Crabs Rd. (left) and Jct. East Palmer St. & Sequim-Dungeness Way (right), Sequim, Clallam Co., WA 02/15/2014

Different f-stop/ISO - Canon 500D close-up lens

Title: Spanish Village Arts Center

Creator: Requa, Richard S., 1881-1941

Creator role: Architect

Date: 1935

Current location: San Diego, California, United States

Description of work: The charming site was designed by Requa for the 1935 California Pacific International Exposition to represent a typical Spanish village. Thirty-nine cottages surround a courtyard of painted flagstones. There are terracotta roofs, arches, and a gazebo in the center. Today over 50 craftspeople and artists work on-site demonstrating their skills to visitors. (Source: Hudson, Andrew. 'The Magic of Balboa Park' La Jolla, CA 2000.)

Description of view: General view of the building complex, with spaces for different artists.

Work type: Architecture and Landscape

Style of work: Modern; Revival: Colonial Revival: Spanish Colonial Revival

Culture: American; Spanish

Materials/Techniques: Masonry

Trees

Plants

Source: Pisciotta, Henry (copyright Henry Pisciotta)

Date photographed: April 2008

Resource type: Image

File format: JPEG

Image size: 2048H X 1536W pixels

Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm

Collection: Worldwide Building and Landscape Pictures

Filename: WB2010-0070 Spanish Village.jpg

Record ID: WB2010-0070

Sub collection: historic districts

Copyright holder: Copyright Henry Pisciotta

different levels..

many shades..

all so silent

all so blue....

Alrededores de General Dávila (Santander, Spain)

The first TEDxNileStree Event held on the 9th of November 2013 with the theme "A Different View". Organized by Mujtaba Musa, photos credits: Omer Awad photography

this is an actual screenshot of an inconvenient funny Mac moment while trying to Quit an application called "Think". Dear Mac developers Next time choose a name more wisely! Cheers...

We have different moms. That's how I got to be so much more attractive than Raul.

 

By the way, poor bastard's in way over his head.

Len Whalley has parked his T in the sidings so he can try out Damon's T415.

Wagga Wagga Invitation Run - November 2022.

The Anatomy of Prejudice

 

5-year-growing-exhibition

 

on prejudice and xenophobia

 

@IKM Museum in Oslo

  

"Thierry Geoffroy’s art format EXTRACTEUR is different from the scientific and academic investigation methods. Rather than following the standard categories, the EXTRACTEUR is based on an artistic way of combining the factual and the poetic interpretations of a subject matter. I consider EXTRACTEUR to be a unique way of extending our understanding of data-collection, classification, and analyses."

  

—Tijana Miskovic, curator

  

The exhibition is based around “The Jungle” - an EXTRACTEUR art format, created to collect data about prejudice and give them an evolutive artistic form. The format also includes academic studying of the collected data in order to understand the anatomy of prejudice. The information collected during the exhibition period is aesthetically forming part of a monumental sculptural artwork, but can at the same time be considered as valuable data for scientific and academic purposes. This doubleness between aesthetics and analytics is the core idea of all EXTRACTEUR formats, developed to analyze the socio-political context of the world we live in through artists lens. By the end of the 5-year long exhibition period, the collected data will consist of a huge number of detections of xenophobia-signs reported by 50.000 active participants.

  

"The Anatomy of Prejudice"

  

5-year-growing-exhibition

  

on prejudice and xenophobia

  

@IKM Museum in Oslo

  

#anatomyofprejudice #thereisnobut #typiskdem #fordommer

  

#ikmmuseum#interkultureltmuseum #thierrygeoffroy #utstilling #strongpeopledontfearothers #whoistheotherinyou #artformat

  

#formatart #ultracontemporary #interculture #multiculture

  

"Thierry Geoffroy’s art format EXTRACTEUR is different from the scientific and academic investigation methods. Rather than following the standard categories, the EXTRACTEUR is based on an artistic way of combining the factual and the poetic interpretations of a subject matter. I consider EXTRACTEUR to be a unique way of extending our understanding of data-collection, classification, and analyses."

  

—Tijana Miskovic, curator

  

The exhibition is based around “The Jungle” - an EXTRACTEUR art format, created to collect data about prejudice and give them an evolutive artistic form. The format also includes academic studying of the collected data in order to understand the anatomy of prejudice. The information collected during the exhibition period is aesthetically forming part of a monumental sculptural artwork, but can at the same time be considered as valuable data for scientific and academic purposes. This doubleness between aesthetics and analytics is the core idea of all EXTRACTEUR formats, developed to analyze the socio-political context of the world we live in through artists lens. By the end of the 5-year long exhibition period, the collected data will consist of a huge number of detections of xenophobia-signs reported by 50.000 active participants.

  

Thierry Geoffroy/COLONEL’ s exhibition "The Anatomy of Prejudice" is part of TYPISK DEM curated by the IKM museum team: Annelise Bothner-By, Gazi Øzcan and Anders Bettum.

  

Apart from “EXTRACTEUR”, the artist Thierry Geoffroy/COLONEL works with many other art formats such as "EMERGENCY ROOM" and "CRITICAL RUN". For more information: www.colonel.dkThe exhibition also presents several new videos produced in Oslo this winter together with Jella Bethman and Åsmund Boye Kverneland. The videos express the artist’s meeting with the city and its inhabitants through performative interventions.

  

Thierry Geoffroy/COLONEL’ s exhibition "The Anatomy of Prejudice" is part of TYPISK DEM curated by the IKM museum team: Annelise Bothner-By, Gazi Øzcan and Anders Bettum.

  

Apart from “EXTRACTEUR”, the artist Thierry Geoffroy/COLONEL works with many other art formats such as "EMERGENCY ROOM" and "CRITICAL RUN". For more information: www.colonel.dk

  

www.emergencyrooms.org/formats.html

Different views on the road between the Nyon river and Yaoundé.

 

Photo by Ollivier Girard/CIFOR

 

cifor.org

 

forestsnews.cifor.org

 

If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org

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