just got my latest batch of film photographs developed

 

This is a constant-width cut-out. I wanted it to look more or less like this one or like this one. I figure it out in my head, did not look back at the two inspirations, and managed to have one half turn too much. Close, but not quite.

 

Each piece is made of three half-circles, two small ones and a large circle (a diameter).

 

Another foldable pattern (i.e., you can print, cut, bend, and tape this, to get a roughly spherical object).

05/05/2023. London, United Kingdom. Bilateral meeting between David Rutley and Luis Abinader President of the Dominican Republic at the Small Island Developing States Coronation Event. Treasury. Picture by Kirsty O'Connor/Treasury

Back to b/w film, and the last of the Viking series.. Godmanchester Viking Festival.

Bronica SQ-A

Zenzanon PS 150mm f/4 lens

Ilford FP4+ film

Developed in Rodinal

Downtown Brooklyn, New York, New York City, United States

 

Erected between c.1835 and 1847. these four houses are unusually intact survivors from the early nineteenth century residential neighborhood that once flourished on the blocks east of Brooklyn's civic center. In contrast to wealthier Brooklyn Heights and the working class district near the Navy Yard, this neighborhood evolved between the late 1820s and 1840s as a upper middle-class enclave and remained downtown Brooklyn's leading middle-class neighborhood throughout the nineteenth century.

 

Moved two blocks to their present site in 1990, these houses were originally located on Johnson Street between Bridge and Lawrence Streets on one of several blocks developed by Rev. Samuel Roosevelt Johnson, who had inherited a portion of his grandfather's colonial-era farm. Three of the houses were constructed by Johnson; No. 184 was erected in 1847 as an investment property by merchant Francis Chichester.

 

Nos. 182, 184, and 186 display aspects of the Greek Revival style. No. 186 is especially noteworthy as one of the few surviving row houses in the city with a free-standing Greek Revival portico. No. 188, an 1830s house remodeled in the early 1880s, is ornamented with a combination of Queen Anne and Second Empire elements including an elaborate bracketed porch hood. During the nineteenth century and early twentieth century, these houses were occupied by merchants, lawyers, brokers, engineers, teachers, builders, and shipmasters.

 

Residents included surveyor John S. Stoddard, credited with laying out the streets in many of the older sections of Brooklyn, who owned No. 188 in the 1850s and early 1860s, and teacher Helen Lawrence who conducted a private school in No. 182 from the mid-1850s through the mid-1870s. The houses remained in residential use through the 1980s. They were moved to their present site as part of the MetroTech redevelopment plan in 1990. Today they survive as a significant reminder of the history of downtown Brooklyn and of the evolution of Brooklyn's middle-class residential architecture.

 

DESCRIPTION AND ANALYSIS

 

Early Brooklyn and the Johnson Estate

 

In the mid-eighteenth century the village of Brooklyn was a small hamlet centered around the highway (modern-day Fulton Street) and the ferry that linked the farming communities of western Long Island with New York City. In 1755, Barent Johnson, a prosperous farmer of Dutch descent, purchased a pie-shaped tract of land of about forty acres which extended from the highway to Wallabout Creek (near present-day Navy Street) between present day Willoughby and Tillary Streets.

 

Barent Johnson died in 1777 of wounds he received fighting on the American side during the Battle of Long Island." Johnson left his property in trust for his orphaned nine-year-old son, John Barent Johnson. John Barent Johnson attended Columbia College and became a minister in the Dutch Reformed Church.3 In 1803, Rev. Johnson and his wife Elizabeth Lupton Johnson became ill and died with a few months of one another. They left three young children who were raised by Elizabeth Johnson's half-brother, Peter Roosevelt, an Episcopalian minister at Newtown.

 

Both of the Johnsons' sons, William Lupton Johnson (1800-1870) and Samuel Roosevelt Johnson (1802-1873), attended Columbia and became Episcopalian ministers. Their daughter, Maria Laidlie Johnson (1798-182?), married Rev. Evan M. Johnson, an Episcopalian minister from Rhode Island who served as curate at Newtown from 1814 to 1826. In 1823, when Samuel Roosevelt Johnson, the youngest of the three Johnson heirs, reached the age of majority, the heirs entered into a partition agreement to divide their Brooklyn property which was subdivided into city blocks and lots.

 

By that time the village of Brooklyn was growing rapidly due to the opening of the Brooklyn Navy Yard in 1801 and the introduction of steam ferry service between Fulton Street in Manhattan and Fulton Street in Brooklyn in 1814.

 

The village was incorporated in 1816 and in 1819 began an ambitious program to map and improve its streets. The opening of the Erie Canal in 1825 brought increased growth to Brooklyn. New warehouses were built along the Brooklyn waterfront and new factories were erected on the outskirts of the village; a thriving commercial district developed along Fulton Street.

 

The new opportunities for employment brought many new residents to the area. At the same time the expansion of New York City's downtown commercial district led many businessmen who had formerly made their homes in Lower Manhattan to look to Brooklyn for convenient suburban residences. A wave of speculative residential building began. At first, most of the new houses were concentrated in Brooklyn Heights and in the neighborhood around the Navy Yard. In the late 1820s and 1830s, however, the heirs to the farms east of Fulton Street began to develop their property.

 

By 1834, Brooklyn had a population of 24,310 and was incorporated as a city. In 1836, construction began on the foundations for a magnificent city hall, located on a triangular site at the junction of Court, Joralemon, and Fulton Streets, just opposite the southwest corner of the Johnson Estate.

 

Development of the Johnson Estate began in the mid-1820s, moving east from Fulton Street along Myrtle Avenue, then expanding to the north and south. Rev. Evan Johnson, who had inherited his wife's share of the estate, was instrumental in this development. In 1826, he sold his farm in Newtown and moved to Brooklyn where he established St. John's Church at Washington and Johnson Streets.

 

(Churches were an amenity that attracted home buyers to a neighborhood). According to the historian Henry Stiles, Rev. Evan Johnson regarded the civic growth of Brooklyn as a key factor in enhancing the value of the family's real estate and actively promoted the development of "its City Hall, its parks, its ferries, its streets."

 

Moreover, Stiles credited to Rev. Evan Johnson's "exertions and perseverance.... the opening of that great eastern wing of the city Myrtle Avenue."9 All three of the Johnson heirs contributed to the growth of Brooklyn by selling the right-of-way through their property for Adams Street and Tillary Street to the city at the cost of only $1 in 1826.

 

The heirs also gave considerable importance to the development of Johnson Street, entering into an agreement in May 1833 to develop the street "in a uniform manner so as to render it pleasant and desirable for private residences" and establishing restrictive covenants that required all the houses be set back ten feet from the edge of the lot.

 

Thus, they tried to ensure that their property would attract well-to-do buyers and that the neighborhood would develop as a fashionable enclave.

 

Construction and Early History of the Johnson Street (now Duffield Street) Houses

 

In the mid-1820s, Rev. Samuel R. Johnson, sold a few unimproved lots (mostly on Bridge and Tillary Streets) to builders and investors. In most cases he held mortgages on the properties. Development increased in the area in the 1830s and Johnson began to erect houses on his lots which he either sold or leased to tenants. He began developing the block bounded by Bridge Street, Johnson Street, Lawrence Street (formerly Barbarin Street), and Myrtle Avenue around 1835.

 

By 1840, when a street directory was published listing occupants of residential buildings by their addresses, there were four houses standing on the south side of Johnson Street between Lawrence and Bridge Streets including the houses formerly at 108 and 110 Johnson Street (now Nos. 186 and 188 Duffield Street), four houses on the east side of Bridge Street between Johnson and Myrtle Streets (demolished), one house on the north side of Myrtle Avenue between Lawrence and Bridge Streets (demolished), and two houses on the west side of Lawrence Street between Johnson Street and Myrtle Avenue (demolished). The occupants included shipmasters, builders, a butcher, and several merchants.

 

Johnson continued to build houses and sell vacant lots through the 1840s. In 1839-40, he erected a house at 100 Johnson Street (now No. 182 Duffield Street), which was acquired by his cousin Oscar Johnson in April 1840 and sold to a widow, Elizabeth Liscomb, in June 1840. Liscomb resided at 100 Johnson Street until around 1844-45. In January 1842, she purchased the vacant lot at 106 Johnson Street from Samuel R. Johnson that she sold to Charles H. Baxter, a sandpaper manufacturer, in 1845. In February 1847, Francis H. Chichester, guardian of Henrietta Chichester, purchased the vacant lot from Baxter and erected a house at 106 Johnson Street (now 184 Duffield Street), which was leased for a period of five years beginning in May 1847.

 

During the late 1830s and early 1840s, Rev. Samuel R. Johnson resided in Lafayette, Indiana. For most of the period, his real estate affairs were handled by his nephew, Samuel E. Johnson, a distinguished attorney and judge, who was the son of Maria Laidlie Johnson and Rev. Evan Johnson. In 1847, Samuel R. Johnson returned to Brooklyn and took over the pulpit of St. John's Church. In 1850, he was appointed Professor of Systematic Divinity at the General Theological Seminary and moved to Manhattan. That year he sold his remaining rental properties on the block.

 

The house at 110 Johnson Street (now 188 Duffield Street) was acquired in 1850 by John S. Stoddard, a surveyor and civil engineer who was responsible for laying out the streets in a large portion of Brooklyn and who served in the late 1850s and early 1860s as chief engineer for Brooklyn's municipal water company.

 

In 1866, Stoddard's widow sold the house to investor Alfred E. Lyman who leased it to furrier Thomas Finnigan through the mid-1870s. In the early 1880s it was occupied by clothing dealer Isaac Cohn and his family. In 1881, the building was sold to Catherine Bagley, who raised the attic to a full story and altered the facade.

 

Occupants included John McDonald, a carpenter, who occupied the house with his family in 1900, William J. Cummings, an engineer, and Joseph Henderson, an undertaker, both of whom resided in the house with their families in 1905.

 

Samuel R. Johnson sold 108 Johnson Street (now 186 Duffield Street) to merchant George Hastings in 1850. It was acquired the following year by attorney Henry Hagner (1824-1880) who had offices on Court Street in Brooklyn. It was occupied until 1910 by members of the Hagner family, including Henry Hagner, Jr., who also practiced law in Brooklyn, his sister Mary H. Lyman and her husband Robert A. Lyman, an officer, at a coal and wood company.

 

No. 100 Johnson Street (now 182 Duffield Street) changed hands several times in the early 1850s. In 1856 the house was purchased by schoolteacher Helen W. Lawrence who conducted a school on the premises with her sisters Sarah and Margaret until the early 1870s. It was leased to Zebulon Post, a fish merchant at the Fulton Market, in the late 1870s and occupied by members of the Lawrence family in the 1880s.

 

No. 106 Johnson Street (now 184 Duffield Street) was purchased in 1852 by Charles B. Prindle, a grocer with a wholesale business on South Street in Manhattan. After his death in 1858, his heirs retained the house as an investment property. Around 1860, it was leased to Sarah Halstead, a widow, who kept a boarding house for two or three tenants at a time including a lawyer, a printer, and a bookkeeper. In 1880, it was leased to Jacob York, a brick mason, and in the 1890s was occupied by I. Craven, a broker, and his wife. William Nolting, a physician, and Archibald Crowe, a bookkeeper, and their families resided there in the early 1900s.

 

This occupancy by professionals and well-to-do merchants was typical of the neighborhood which evolved as an upper-middle class enclave and remained a middle-class residential neighborhood until the early 1900s. To a certain extent this evolution sets it apart from downtown Brooklyn's other nineteenth-century residential neighborhoods.

 

Brooklyn Heights, while retaining a significant amount of its older middle-class housing, became a neighborhood of the wealthy following the construction of large numbers of elegantly-appointed new houses along Montague Street, Montague Terrace, Remsen Street, and Columbia Heights in the 1840s and 1850s.

 

It remained Brooklyn's most fashionable and aristocratic district throughout the nineteenth century. The Fulton Ferry neighborhood, which had initially incorporated a mixture of housing and commercial enterprises, became

 

exclusively commercial and industrial by the mid-nineteenth century.

 

The neighborhood to the south and west of the Brooklyn Navy Yard, developed largely between the mid-1830s and the 1850s and built up with modest rowhouses, became a working-class enclave. As immigrants flocked to the neighborhood to take advantage of the jobs provided by the Navy Yard and neighborhood industries, it became one of Brooklyn's most densely populated areas and was popularly known as "Irishtown" or "Vinegar Hill," for the large number of residents of Irish descent.

 

By the mid-nineteenth century other middle-class enclaves began to develop just beyond the downtown, including the neighborhoods now known as Boerum Hill, Cobble Hill, Clinton Hill, and Fort Greene, but the neighborhood to the east of City Hall, now Borough Hall, retained its desirability, probably as a result of its convenience to Brooklyn's commercial and governmental center.

 

The Desink of the Houses'

 

Erected between c. 1835 and 1847, these two-and-one-half-story and three-story brick and clapboard-covered frame houses are representative of the urban residential buildings that once lined the blocks east of Brooklyn's civic center and for the most part have now been replaced or severely altered.

 

Three of the four buildings display aspects of the Greek Revival style, which dominated American architecture from the late 1820s to the late 1840s, and is characterized by its emphasis on planar wall surfaces, simple massive forms, and classical ornament primarily derived from classic Greek sources. No. 188 Duffield Street (formerlyllO Johnson Street) a mid-1830s house remodeled in the early 1880s, features a combination of Queen Anne and Second Empire decorative elements. In accordance with the agreement the Johnsons had made regarding the development of Johnson Street, the houses originally set back from the street along a uniform building line and had small front gardens with iron picket fences. (This arrangement was replicated when the houses were moved to Duffield Street).

 

No. 182 Duffield Street (formerly 100 Johnson Street), constructed c. 1839-40. is a Greek Revival style, three-bay-wide, two-and-one-half-story, brick townhouse with a peaked roof. This house was originally located on the comer of Johnson and Lawrence Streets and its north wall is articulated by two lines of windows that are now mostly sealed.

 

The north gable is capped by paired chimneys joined by a parapet, a characteristic Greek Revival feature. On both the primary and north facades, the window and door openings are set off by the simple marble lintels and sills. The wide marble stoop with cast iron railings has not survived.

 

The tall parlor windows may be an original feature since such floor length windows were just becoming fashionable around 1840 or may be the result of an early alteration. Historic photographs show that the other windows originally had six-over-six wood sashes which have been replaced. The building's most notable feature is the crowning wood entablature composed of a tripartite architrave, fascia board frieze pierced by horizontal attic windows, and denticulated cornice.

 

Similar attic friezes and entablatures are found on such notable examples of the Greek Revival design as the houses at 1 -13 Washington Square North (1831-33) familiarly known as "The Row" in the Greenwich Village Historic District and the houses in Cushman Row (1839-40) at 408-418 West 20th Street in the Chelsea Historic District.

 

Alterations to the facade have included the replacement of the original wood entrance surround, doors, and transom with paired paneled wood and glass doors and single-light transom, probably in the 1880s or 1890s. These handsome doors are enriched with beaded moldings and the transom bar above the entrance is decorated with an unusual stylized classical motif.

 

The two-story extension at the rear of this house was probably added in the 1870s or 1880s. Its north wall, which is partially visible from Duffield Street through the alley between this building and 3 MetroTech Center, has lost its first story angled bay visible in historic photographs of the house.

 

No. 184 Duffield Street (formerly 106 Johnson Street), constructed in 1847, has a restrained design typical of mid-and-late 1840s urban vernacular buildings influenced by the Greek Revival style. As was characteristic for houses in the late 1840s, it has a full third story surmounted by a flat roof. This house is designed using an English basement plan, a type of house plan modeled on English precedents that was just coming into vogue in New York in the late 1840s.

 

In an English basement house the first story is set only a few steps above street level and contains a formal dining room and a stairhall which leads upstairs to a double parlor on the second floor. This plan is expressed in the exterior design of the house by the tall windows at the second story which extended to the parlor floor to provide adequate light and ventilation for the large room.

 

A stone band course between the basement and first story and a string course beneath the second-story windows emphasizes the dining room floor. These stone courses create strong horizontal lines to counter the tall proportions of the building and the height of the second-story windows. Also characteristic of the period is the use of dark stone trim (probably bluestone or brownstone which is now painted white) rather than the limestone or marble customary in the 1830s and early 1840s and the employment of somewhat heavy sills and lintels. The facade is capped by a Tuscan Doric entablature with a boldly projecting crowning cornice.

  

No. 184 also originally incorporated some Gothic Revival details, including the trefoil pattern cast iron railings and fences (no longer extant) and the cusped arch panels which may survive on the paired wood doors (now covered with metal panels). The entry retains its original molded wood door surround and single-light transom. The house originally had a basement entry and small basement windows which were not recreated when it was set on the present foundation.

 

At the rear extending across the back of the house is a two-story porch with brick side walls and a wood- framed rear wall clad with non-historic wood siding. In the 1840s and 1850s such multi-story galleries were a popular feature for urban houses. Typically these galleries opened on to the back rooms of the house through floor-length windows or French doors which ensured adequate light and ventilation and provided a view of the back garden. In many instances one or more stories of the porch was enclosed with framing and lit by multiple windows. When an enclosed porch opened off the back parlor it was often used as an informal sitting room or "tearoom."

 

Here, it appears that the first-story porch opening off the dining room was an open porch and had steps leading down to the back garden.

 

The second story porch was probably always enclosed and used as a tearoom-sitting room. Because rear porches were usually not built on as firm a foundation as the rest of the house during this period many galleries and tearooms have disappeared making this porch something of a rare survivor.

 

No. 186 Duffield Street (formerly 108 Johnson Street), constructed c. 1835-38, was built as a pair with the house at 188 Duffield Street (formerly 110 Johnson Street) with which it shares a party wall. A two-and-one-half-story frame house, faced with clapboard siding above a masonry basement (originally brick), No. 186 displays elements of the Federal and Greek Revival styles. Its most notable feature is the freestanding Greek Revival portico with square Doric columns supporting a heavy entablature. According to architectural historian Charles Lockwood, "the high cost of cutting ... columns and building a freestanding porch limited this [type of] doorway to only the finest row houses" during the Greek Revival period. Surviving examples of such porticos are rare in New York City and are exceptionally rare for frame row houses.

 

No. 186 also is distinguished by the handsome Greek Revival entrance surround with its narrow sidelights framed by pilasters, and tripartite transom set off by console ornaments and a transom bar ornamented with a beaded molding. The house retains its original wood door articulated with two long narrow recessed panels. The articulation of the door, entrance surround, and portico may have been adapted from plate in Minard Lafever's The Modern Builder's Guide (1833),20 a popular source for builders and architects of the period.

 

The parlor and second story windows are framed by molded wood surrounds and have historic six-over-six wood sashes. The facade is crowned by an entablature composed of a wide frieze and a denticulated cornice which was modified by the addition of small decorative brackets in the late nineteenth century and by the removal of a decorative architrave molding sometime after 1940.

 

The building is surmounted by a peaked roof with two pedimented dormers at the front of the house and a single dormer at the center of the rear facade. The use of such dormers is typical of the Federal style and points to the early date of this house. Another early feature is the irregular arrangement of windows at the second story of the rear facade, where the northernmost window is somewhat lower than the other windows since it lights the staircase landing.

  

No. 188 Duffield Street (formerly 110 Johnson Street), built as a pair with 186 Duffield Street (formerly 108 Johnson Street) with which it shares a party wall, was raised from two-and-one-half stories to three stories and given a new facade enriched with Queen Anne and Second Empire details when it was remodeled in the early 1880s.

 

Faced with clapboard siding, it has molded window surrounds with decorative lintels and two-over-two wood window sashes. The entrance is sheltered by an elaborate bracketed hood which may to have been adapted from an earlier portico roof. This surround features decorative spandrel panels including stylized foliate forms and sunflowers, a favorite motif of British Aesthetic movement, which became an emblem of the Queen Anne style.

 

Historic photographs show that doorway contained paired Queen Anne style paneled doors which were replaced by the current door, side panels, and transom by the 1980s. The facade is capped by a Second Empire style metal comice enriched by a paneled frieze, modillions, and console brackets. A large two-story wing at the rear of the house was demolished immediately prior to the house being moved to this site. While all of the window casings appear to be historic, the present wood clapboard siding and brick side wall facing were installed c. 1990.

 

Later History'

 

By the time of Consolidation in 1898, the area around Brooklyn's City Hall (subsequently Borough Hall), had become its financial, commercial, transportation, entertainment, and governmental center. While much of this development took place in the area south and west of Borough Hall, Fulton Street remained the Borough's prime commercial artery with businesses radiating outward for several blocks. The western portion of the former Johnson Estate (Washington, Adams, Pearl Streets, at Willoughby Avenue, Myrtle Avenue, and Johnson Street) became a commercial area with many of the borough's leading shops, hotels, theaters, and major office buildings.

 

This development was assisted by improvements in transportation, notably the opening of the Brooklyn Bridge (John A., Washington, and Emily Roebling, 1867-83, a designated New York City Landmark) which terminated in Brooklyn at Sands Street between Fulton Street and Washington Avenue where it connected with the Kings County Elevated line, which ran along Fulton Street, and with the Brooklyn Elevated line, which ran along Washington Street and Myrtle Avenue. Within a few years of the opening of the elevated.

 

Myrtle Avenue was transformed into a commercial and manufacturing corridor with buildings such as the Wilcox Millinery Company factory (1889) at the northwest comer of Myrtle Avenue and Bridge Street and the McEnnery and Mullins & Son furniture warehouses on the south side of Myrtle Avenue at Lawrence Street (pre-1903). For about twenty years Johnson Street and blocks to the north remained residential and middle class. However, the opening of subway service to downtown Brooklyn in 1908, the construction of the Manhattan Bridge and the Flatbush Avenue Extension in 1905-09, and the opening of a new Long Island Railroad terminal at Flatbush and Atlantic Avenues in 1906 made downtown Brooklyn even more accessible and led to a further expansion of the downtown business and entertainment district.

 

At the same time Brooklyn's manufacturing sector, which had traditionally been located near the Navy Yard, was also expanding. A number of new factories and warehouses opened along the Flatbush Avenue Extension. In 1920, the American Safety Razor Corporation erected the first building of its factory complex on Lawrence, Johnson, and Jay Streets. By that time, many of the older houses in the neighborhood had been altered to accommodate commercial uses at the first story and most of the houses had been converted from single-family occupancy to boardinghouses or multiple dwellings. These changes were reflected in the occupancy of the houses on Johnson Street by 1915 when the census indicates that all but No. 108 (now 186 Duffield Street) were being used as multi-family dwellings with residents employed in such occupations as teamster, newspaper dealer, nurse, stenographer, and printer.

 

The majority of occupants were of Irish descent but No. 106 (now 184 Duffield Street) was occupied by a Brooklyn Rapid Transit Company conductor from Guinea who leased rooms to a number of fellow countrymen. By 1925 a number of the houses were occupied by Italian working-class families.

 

In the post-World War II era several blocks east of Fulton Street were demolished to create a new Civic Center centered around Cadman Plaza. A portion of Fulton Street between Pierrepont Street and the old ferry landing was renamed Cadman Plaza West and Washington Street was widened and renamed Cadman Plaza East. Tillary Street was also widened to provide an easier approach from the Flatbush Avenue Extension to the Brooklyn Bridge.

 

The elevated tracks that had formerly descended from the Brooklyn Bridge on Fulton Street and Myrtle Avenue were removed. As factory jobs and long-time residents moved to the suburbs in the 1950s and the Brooklyn Navy Yard closed in 1966, the downtown business and residential districts began to contract. Many of the historic stores along Fulton Street closed and a number of houses in the neighborhood east of the civic center became derelict or were demolished.

 

The neighborhood began to experience new growth in the late 1950s when the Polytechnic Institute of Brooklyn (now Polytechnic University) acquired and renovated the American Safety Razor Company's old buildings on Lawrence Street. In 1977 construction began on the Fulton Mall. In the early 1980s plans began for MetroTech, a sixteen-acre complex of new and renovated buildings developed as joint venture by Polytechnic University and Forest City Ratner Corporation.

 

As part of the development, the Johnson Street site was redeveloped for Polytechnic University's Bern Dibner Library of Science and Technology, 5 MetroTech Center. These four houses were moved from their original site to Duffield Street in 1990 where they adjoin historic St. Boniface's Church. Today they survive as a significant reminder of the early history of the neighborhood and of the evolution of Brooklyn's middle-class housing stock, representative examples of what Walt Whitman described in 1861 as "the architectural greatness" of Brooklyn, "the hundreds and thousands of superb private dwellings, for the comfort and luxury of the great body of middle class people."

 

Description

 

Moved to their present location in 1990, the four houses are located on a single tax lot which extends 98.4 feet along Duffield Street and is 100.3 feet deep. A low non-historic wrought-iron fence set on blue stone foundation borders the property on Duffield Street and divides the front yards of the individual houses. A non-historic metal gate extends across the narrow alley between the north wall of 182 Duffield Street and the south wall of 3 Metrotech Center. The matching gate across the alley between 188 Duffield Street and St. Boniface's Church (190 Duffield Street) is partially on church property. The north wall of the handicap ramp to the church and a cyclone fence bordering the south side of the rear yard of No. 188 mark the division line between the two properties. The houses set back several feet from the fence and are approached by non-historic bluestone pavers and small grass plots. The houses were stabilized and refurbished when they were moved to this site in 1990.

  

No. 182 Duffield Street is a Greek Revival style, three-bay-wide, two-and-one-half-story peaked-roofed brick rowhouse with a two-story flat-roofed extension. The house rests on a non-historic basement (constructed when the house was moved) which is parged with brownstone-colored stucco. The basement window openings contain one-over-one wood sash and metal grilles which were salvaged from the building's old basement. A small spigot is set between the north window and the northeast comer of the building. A small areaway in front of the basement windows is protected by a low non-historic stuccoed masonry wall that is coped with bluestone.

 

The house is approached by a high stoop, which appears to incorporate a historic masonry base that has been parged with stucco and new brownstone-tinted concrete steps. The wrought-iron railings were installed when the house was moved. The iron gates under the stoop were salvaged from the old basement entrance.

 

Above the basement, the house is faced in brick laid in running bond and has marble window sills and lintels on its Duffield Street and north facades.

 

The parlor-level entrance is set off by a marble lintel. The brick facades and the lintels and sills on the north facade are painted. The entry contains a pair of historic wood doors and a single-light transom in a historic molded surround that probably dates from the late nineteenth century. The doors are decorated with recessed panels and are lit by tall windows. The transom bar above the doors is enriched with an unusual stylized egg-and-dart molding. The current wood one-over-one window sash and wood surrounds at the first and second stories are non-historic.

 

They replace one-over-one aluminum sash and frames that had been installed by the mid-1980s. A photograph from the 1930s shows six-over-six sash in most of the windows and late-nineteenth-century two-over-two sashes in the front parlor windows which were lengthened. The facade is capped by a wood entablature composed of tripartite architrave, fascia board frieze pierced by attic windows, and denticulated cornice. The paired wood casement windows are historic.

 

The north elevation of the main portion of the house is visible from Duffield Street. Above the basement, the facade is articulated by two lines of windows. On the east side of the facade, the first story is lit by a non-historic one-over-one wood window. The second and third story windows are sealed and may have originally been blind windows. The western line of windows have non-historic one-over-one wood sashes at the first and second story.

 

The attic window is sealed with brick. This wall is capped by a pair of chimneys that are joined by a parapet. Both of the chimneys were rebuilt after the house was moved in 1990. The one-bay deep, three-bays-wide, two-story extension is faced with brick. On the north wall of the extension the former first story oriel has been removed and the opening sealed with brick. The second story is lit by a single window.

 

No. 184 Duffield Street is a three-story, twenty-feet-wide, brick rowhouse with a two-story porch extension. Its facade is designed in a restrained style typical of mid-and-late 1840s urban vernacular buildings influenced by the Greek Revival style. The building rests on a non-historic masonry foundation. A small pipe head and round metal vent are located at the north end of the base. There is a small spigot just north of the stoop. The low masonry stoop and iron side rails are non-historic.

 

Above the base the building is faced in red brick laid in running bond. The windows and entrance are set off by brownstone sills and lintels. The lintels are painted; the sills and a sill course beneath the second-story windows have been rebrownstoned. The entrance retains its historic molded wood surround, single-light transom and paired paneled wood doors with long single lights.

 

The bottom part of the doors have been covered with painted sheet metal. Metal numerals reading 184 are affixed to the top of the south door. A non-historic metal light fixture has been installed between the entrance and the middle window at the first story. Non-historic metal window grilles have been installed on the doors and the first story windows. All of the window openings on this facade have historic one-over-one double-hung wood sash. The facade is

 

capped by its original molded wood cornice which is edged at the top with non-historic sheet metal flashing.

 

The rear elevation rests on a tall non-historic basement which is faced with stucco. Above this base the wall is faced with common brick. Much of the facade is concealed by the historic two-story porch which has brick side walls (painted). None of the fenestration or cladding on this porch appears to be historic but the presence of an enclosed porch at the second story, the brick sidewalls and framing of the porch, and the use of a shed roof are historic.

 

At the third story the rear facade is articulated by historic segmental window openings with trabeated wood surrounds. The windows have non-historic aluminum sashes. The facade is capped by a denticulated brick cornice.

 

No. 186 Duffield Street, constructed c. 1835-38, is a twenty-four-feet-wide, two-and-one-half-story clapboard-covered frame house which displays elements of the Federal and Greek Revival styles. It rests on a low non-historic foundation which is faced with stucco. There is a small spigot just north of the stoop. The entrance porch and steps are supported by non-historic foundations which are stuccoed.

 

Non-historic wood lattice screens cover the openings beneath the stairs and porch. The stoop has non-historic wood steps and railings dating from the 1990s, however, the porch floor appears to be historic. The heavy entablature of the Greek Revival entrance porch is supported by square wood Tuscan Doric columns and pilaster responds that frame the entrance. Extending between the columns and pilasters at the sides of the porch are historic wood lattice screens which have small wood benches built into their bases.

 

The elaborate Greek Revival entrance surround features a central paneled door which is flanked by narrow sidelights and surmounted by a tripartite transom. The pilasters framing the door are ornamented with anthemions and the transom is enriched by a egg and dart molding and by richly carved console brackets. A non-historic recessed light fixture has been installed in the porch ceiling. The door has non-historic hardware and a non-historic mail slot. Non-historic metal numerals reading "186" have been applied to the lintel above the entrance. The house retains its original wood clapboard siding and molded window surrounds and has historic six-over-six wood window sash.

 

The non-historic louvred wood shutters date from the 1990s. The facade is capped by an entablature composed of a wide frieze and a denticulated cornice which was modified by the addition of small decorative brackets in the late nineteenth century and by the removal of a classical architrave molding sometime after 1940. The gabled roof and gabled dormers are covered with standing seam sheet metal. The wide piers framing the paired windows in the dormers were once ornamented with classical motifs (probably brackets) which were removed after 1940. The historic brick chimney on the south side of the roof was largely rebuilt in the 1990s. The metal pipe vent at the northeast corner of the roof was installed prior to 1940.

 

The rear elevation is also faced with historic wood clapboards. This facade has a one-story shed- roofed porch which was completely enclosed and entirely clad with non-historic wood clapboards after the house was moved in 1990. The present stoop and paneled door are non-historic additions from the 1990s. At the second story the facade has three window bays, the northernmost set slightly below the others. All three have six-over-six wood sashes. At the attic level, there is a central gabled dormer which is identical to the dormers on the Duffield Street facade. Its paired window openings contain non-historic one-over-one wood sashes.

 

No. 188 Duffield Street is a mid-1830s twenty-four-foot-wide frame rowhouse which was raised from two-and-one-half stories to three stories and given a new facade enriched with Queen Anne and Second Empire details when it was remodeled in the early 1880s. It rests on a low non-historic foundation which is faced with stucco. There is a small spigot just south of the stoop and a round metal vent cover at the south corner of the base.

 

The entrance is approached by a historic wood stoop which rests on a non-historic masonry base and has non-historic wood railings. The upper stories are faced with wood clapboard siding. The windows retain their original Queen Anne style molded window surrounds with decorative lintels and historic two-over-two wood window sashes. The entrance is sheltered by an elaborate bracketed hood with sawn and turned decorations including spandrel panels featuring stylized foliate forms and sunflowers.

 

The entrance retains its original molded wood surround with paneled jambs. The current door, sidelights, and single-light transom are non-historic infill replacing paired Queen Anne style doors visible in c. 1940s photographs of the house. The facade is crowned by a Second Empire-style metal cornice enriched by a paneled frieze, modillions, and console brackets.

 

The south wall of the building was faced with brick when it was moved to its present site. A large two-story extension at the rear of the building was also removed.

 

- From the 2001 NYCLPC Landmark Designation Report

The cat (Felis catus), commonly referred to as the domestic cat or house cat, is the only domesticated species in the family Felidae. Recent advances in archaeology and genetics have shown that the domestication of the cat occurred in the Near East around 7500 BC. It is commonly kept as a house pet and farm cat, but also ranges freely as a feral cat avoiding human contact. It is valued by humans for companionship and its ability to kill vermin. Because of its retractable claws it is adapted to killing small prey like mice and rats. It has a strong flexible body, quick reflexes, sharp teeth, and its night vision and sense of smell are well developed. It is a social species, but a solitary hunter and a crepuscular predator. Cat communication includes vocalizations like meowing, purring, trilling, hissing, growling, and grunting as well as cat body language. It can hear sounds too faint or too high in frequency for human ears, such as those made by small mammals. It also secretes and perceives pheromones.

 

Female domestic cats can have kittens from spring to late autumn in temperate zones and throughout the year in equatorial regions, with litter sizes often ranging from two to five kittens. Domestic cats are bred and shown at events as registered pedigreed cats, a hobby known as cat fancy. Animal population control of cats may be achieved by spaying and neutering, but their proliferation and the abandonment of pets has resulted in large numbers of feral cats worldwide, contributing to the extinction of bird, mammal and reptile species.

 

As of 2017, the domestic cat was the second most popular pet in the United States, with 95.6 million cats owned and around 42 million households owning at least one cat. In the United Kingdom, 26% of adults have a cat, with an estimated population of 10.9 million pet cats as of 2020. As of 2021, there were an estimated 220 million owned and 480 million stray cats in the world.

 

Etymology and naming

The origin of the English word cat, Old English catt, is thought to be the Late Latin word cattus, which was first used at the beginning of the 6th century. The Late Latin word may be derived from an unidentified African language. The Nubian word kaddîska 'wildcat' and Nobiin kadīs are possible sources or cognates. The Nubian word may be a loan from Arabic قَطّ‎ qaṭṭ ~ قِطّ qiṭṭ.

 

The forms might also have derived from an ancient Germanic word that was imported into Latin and then into Greek, Syriac, and Arabic. The word may be derived from Germanic and Northern European languages, and ultimately be borrowed from Uralic, cf. Northern Sámi gáđfi, 'female stoat', and Hungarian hölgy, 'lady, female stoat'; from Proto-Uralic *käďwä, 'female (of a furred animal)'.

 

The English puss, extended as pussy and pussycat, is attested from the 16th century and may have been introduced from Dutch poes or from Low German puuskatte, related to Swedish kattepus, or Norwegian pus, pusekatt. Similar forms exist in Lithuanian puižė and Irish puisín or puiscín. The etymology of this word is unknown, but it may have arisen from a sound used to attract a cat.

 

A male cat is called a tom or tomcat (or a gib, if neutered). A female is called a queen or a molly, if spayed, especially in a cat-breeding context. A juvenile cat is referred to as a kitten. In Early Modern English, the word kitten was interchangeable with the now-obsolete word catling.

 

A group of cats can be referred to as a clowder or a glaring.

 

Taxonomy

The scientific name Felis catus was proposed by Carl Linnaeus in 1758 for a domestic cat. Felis catus domesticus was proposed by Johann Christian Polycarp Erxleben in 1777. Felis daemon proposed by Konstantin Satunin in 1904 was a black cat from the Transcaucasus, later identified as a domestic cat.

 

In 2003, the International Commission on Zoological Nomenclature ruled that the domestic cat is a distinct species, namely Felis catus. In 2007, it was considered a subspecies, F. silvestris catus, of the European wildcat (F. silvestris) following results of phylogenetic research. In 2017, the IUCN Cat Classification Taskforce followed the recommendation of the ICZN in regarding the domestic cat as a distinct species, Felis catus.

 

Evolution

Main article: Cat evolution

The domestic cat is a member of the Felidae, a family that had a common ancestor about 10 to 15 million years ago. The evolutionary radiation of the Felidae began in Asia during the Miocene around 8.38 to 14.45 million years ago. Analysis of mitochondrial DNA of all Felidae species indicates a radiation at 6.46 to 16.76 million years ago. The genus Felis genetically diverged from other Felidae around 6 to 7 million years ago. Results of phylogenetic research shows that the wild members of this genus evolved through sympatric or parapatric speciation, whereas the domestic cat evolved through artificial selection. The domestic cat and its closest wild ancestor are diploid and both possess 38 chromosomes and roughly 20,000 genes.

 

Domestication

See also: Domestication of the cat and Cats in ancient Egypt

It was long thought that the domestication of the cat began in ancient Egypt, where cats were venerated from around 3100 BC, However, the earliest known indication for the taming of an African wildcat was excavated close by a human Neolithic grave in Shillourokambos, southern Cyprus, dating to about 7500–7200 BC. Since there is no evidence of native mammalian fauna on Cyprus, the inhabitants of this Neolithic village most likely brought the cat and other wild mammals to the island from the Middle Eastern mainland. Scientists therefore assume that African wildcats were attracted to early human settlements in the Fertile Crescent by rodents, in particular the house mouse (Mus musculus), and were tamed by Neolithic farmers. This mutual relationship between early farmers and tamed cats lasted thousands of years. As agricultural practices spread, so did tame and domesticated cats. Wildcats of Egypt contributed to the maternal gene pool of the domestic cat at a later time.

The earliest known evidence for the occurrence of the domestic cat in Greece dates to around 1200 BC. Greek, Phoenician, Carthaginian and Etruscan traders introduced domestic cats to southern Europe. During the Roman Empire they were introduced to Corsica and Sardinia before the beginning of the 1st millennium. By the 5th century BC, they were familiar animals around settlements in Magna Graecia and Etruria. By the end of the Western Roman Empire in the 5th century, the Egyptian domestic cat lineage had arrived in a Baltic Sea port in northern Germany.

 

The leopard cat (Prionailurus bengalensis) was tamed independently in China around 5500 BC. This line of partially domesticated cats leaves no trace in the domestic cat populations of today.

 

During domestication, cats have undergone only minor changes in anatomy and behavior, and they are still capable of surviving in the wild. Several natural behaviors and characteristics of wildcats may have pre-adapted them for domestication as pets. These traits include their small size, social nature, obvious body language, love of play, and high intelligence. Captive Leopardus cats may also display affectionate behavior toward humans but were not domesticated. House cats often mate with feral cats. Hybridisation between domestic and other Felinae species is also possible, producing hybrids such as the Kellas cat in Scotland.

 

Development of cat breeds started in the mid 19th century. An analysis of the domestic cat genome revealed that the ancestral wildcat genome was significantly altered in the process of domestication, as specific mutations were selected to develop cat breeds. Most breeds are founded on random-bred domestic cats. Genetic diversity of these breeds varies between regions, and is lowest in purebred populations, which show more than 20 deleterious genetic disorders.

 

Characteristics

Main article: Cat anatomy

Size

The domestic cat has a smaller skull and shorter bones than the European wildcat. It averages about 46 cm (18 in) in head-to-body length and 23–25 cm (9.1–9.8 in) in height, with about 30 cm (12 in) long tails. Males are larger than females. Adult domestic cats typically weigh 4–5 kg (8.8–11.0 lb).

 

Skeleton

Cats have seven cervical vertebrae (as do most mammals); 13 thoracic vertebrae (humans have 12); seven lumbar vertebrae (humans have five); three sacral vertebrae (as do most mammals, but humans have five); and a variable number of caudal vertebrae in the tail (humans have only three to five vestigial caudal vertebrae, fused into an internal coccyx).  The extra lumbar and thoracic vertebrae account for the cat's spinal mobility and flexibility. Attached to the spine are 13 ribs, the shoulder, and the pelvis.  Unlike human arms, cat forelimbs are attached to the shoulder by free-floating clavicle bones which allow them to pass their body through any space into which they can fit their head.

 

Skull

The cat skull is unusual among mammals in having very large eye sockets and a powerful specialized jaw.  Within the jaw, cats have teeth adapted for killing prey and tearing meat. When it overpowers its prey, a cat delivers a lethal neck bite with its two long canine teeth, inserting them between two of the prey's vertebrae and severing its spinal cord, causing irreversible paralysis and death. Compared to other felines, domestic cats have narrowly spaced canine teeth relative to the size of their jaw, which is an adaptation to their preferred prey of small rodents, which have small vertebrae.

 

The premolar and first molar together compose the carnassial pair on each side of the mouth, which efficiently shears meat into small pieces, like a pair of scissors. These are vital in feeding, since cats' small molars cannot chew food effectively, and cats are largely incapable of mastication.:  Cats tend to have better teeth than most humans, with decay generally less likely because of a thicker protective layer of enamel, a less damaging saliva, less retention of food particles between teeth, and a diet mostly devoid of sugar. Nonetheless, they are subject to occasional tooth loss and infection.

 

Claws

Cats have protractible and retractable claws. In their normal, relaxed position, the claws are sheathed with the skin and fur around the paw's toe pads. This keeps the claws sharp by preventing wear from contact with the ground and allows for the silent stalking of prey. The claws on the forefeet are typically sharper than those on the hindfeet. Cats can voluntarily extend their claws on one or more paws. They may extend their claws in hunting or self-defense, climbing, kneading, or for extra traction on soft surfaces. Cats shed the outside layer of their claw sheaths when scratching rough surfaces.

 

Most cats have five claws on their front paws and four on their rear paws. The dewclaw is proximal to the other claws. More proximally is a protrusion which appears to be a sixth "finger". This special feature of the front paws on the inside of the wrists has no function in normal walking but is thought to be an antiskidding device used while jumping. Some cat breeds are prone to having extra digits ("polydactyly"). Polydactylous cats occur along North America's northeast coast and in Great Britain.

 

Ambulation

The cat is digitigrade. It walks on the toes, with the bones of the feet making up the lower part of the visible leg. Unlike most mammals, it uses a "pacing" gait and moves both legs on one side of the body before the legs on the other side. It registers directly by placing each hind paw close to the track of the corresponding fore paw, minimizing noise and visible tracks. This also provides sure footing for hind paws when navigating rough terrain. As it speeds up from walking to trotting, its gait changes to a "diagonal" gait: The diagonally opposite hind and fore legs move simultaneously.

 

Balance

Cats are generally fond of sitting in high places or perching. A higher place may serve as a concealed site from which to hunt; domestic cats strike prey by pouncing from a perch such as a tree branch. Another possible explanation is that height gives the cat a better observation point, allowing it to survey its territory. A cat falling from heights of up to 3 m (9.8 ft) can right itself and land on its paws.

 

During a fall from a high place, a cat reflexively twists its body and rights itself to land on its feet using its acute sense of balance and flexibility. This reflex is known as the cat righting reflex. A cat always rights itself in the same way during a fall, if it has enough time to do so, which is the case in falls of 90 cm (3.0 ft) or more. How cats are able to right themselves when falling has been investigated as the "falling cat problem".

 

Coats

Main article: Cat coat genetics

The cat family (Felidae) can pass down many colors and patterns to their offspring. The domestic cat genes MC1R and ASIP allow for the variety of color in coats. The feline ASIP gene consists of three coding exons. Three novel microsatellite markers linked to ASIP were isolated from a domestic cat BAC clone containing this gene and were used to perform linkage analysis in a pedigree of 89 domestic cats that segregated for melanism.[citation needed]

 

Senses

Main article: Cat senses

Vision

A cat's nictitating membrane shown as it blinks

Cats have excellent night vision and can see at only one-sixth the light level required for human vision.  This is partly the result of cat eyes having a tapetum lucidum, which reflects any light that passes through the retina back into the eye, thereby increasing the eye's sensitivity to dim light. Large pupils are an adaptation to dim light. The domestic cat has slit pupils, which allow it to focus bright light without chromatic aberration. At low light, a cat's pupils expand to cover most of the exposed surface of its eyes. The domestic cat has rather poor color vision and only two types of cone cells, optimized for sensitivity to blue and yellowish green; its ability to distinguish between red and green is limited. A response to middle wavelengths from a system other than the rod cells might be due to a third type of cone. This appears to be an adaptation to low light levels rather than representing true trichromatic vision. Cats also have a nictitating membrane, allowing them to blink without hindering their vision.

 

Hearing

The domestic cat's hearing is most acute in the range of 500 Hz to 32 kHz. It can detect an extremely broad range of frequencies ranging from 55 Hz to 79 kHz, whereas humans can only detect frequencies between 20 Hz and 20 kHz. It can hear a range of 10.5 octaves, while humans and dogs can hear ranges of about 9 octaves. Its hearing sensitivity is enhanced by its large movable outer ears, the pinnae, which amplify sounds and help detect the location of a noise. It can detect ultrasound, which enables it to detect ultrasonic calls made by rodent prey. Recent research has shown that cats have socio-spatial cognitive abilities to create mental maps of owners' locations based on hearing owners' voices.

 

Smell

Cats have an acute sense of smell, due in part to their well-developed olfactory bulb and a large surface of olfactory mucosa, about 5.8 cm2 (0.90 in2) in area, which is about twice that of humans. Cats and many other animals have a Jacobson's organ in their mouths that is used in the behavioral process of flehmening. It allows them to sense certain aromas in a way that humans cannot. Cats are sensitive to pheromones such as 3-mercapto-3-methylbutan-1-ol, which they use to communicate through urine spraying and marking with scent glands. Many cats also respond strongly to plants that contain nepetalactone, especially catnip, as they can detect that substance at less than one part per billion. About 70–80% of cats are affected by nepetalactone. This response is also produced by other plants, such as silver vine (Actinidia polygama) and the herb valerian; it may be caused by the smell of these plants mimicking a pheromone and stimulating cats' social or sexual behaviors.

 

Taste

Cats have relatively few taste buds compared to humans (470 or so versus more than 9,000 on the human tongue). Domestic and wild cats share a taste receptor gene mutation that keeps their sweet taste buds from binding to sugary molecules, leaving them with no ability to taste sweetness. They, however, possess taste bud receptors specialized for acids, amino acids like protein, and bitter tastes. Their taste buds possess the receptors needed to detect umami. However, these receptors contain molecular changes that make the cat taste of umami different from that of humans. In humans, they detect the amino acids of glutamic acid and aspartic acid, but in cats they instead detect nucleotides, in this case inosine monophosphate and l-Histidine. These nucleotides are particularly enriched in tuna. This has been argued is why cats find tuna so palatable: as put by researchers into cat taste, "the specific combination of the high IMP and free l-Histidine contents of tuna" .. "produces a strong umami taste synergy that is highly preferred by cats". One of the researchers involved in this research has further claimed, "I think umami is as important for cats as sweet is for humans".[87]

 

Cats also have a distinct temperature preference for their food, preferring food with a temperature around 38 °C (100 °F) which is similar to that of a fresh kill; some cats reject cold food (which would signal to the cat that the "prey" item is long dead and therefore possibly toxic or decomposing).

 

Whiskers

To aid with navigation and sensation, cats have dozens of movable whiskers (vibrissae) over their body, especially their faces. These provide information on the width of gaps and on the location of objects in the dark, both by touching objects directly and by sensing air currents; they also trigger protective blink reflexes to protect the eyes from damage.: 47 

 

Behavior

See also: Cat behavior

Outdoor cats are active both day and night, although they tend to be slightly more active at night.[88] Domestic cats spend the majority of their time in the vicinity of their homes but can range many hundreds of meters from this central point. They establish territories that vary considerably in size, in one study ranging 7–28 ha (17–69 acres). The timing of cats' activity is quite flexible and varied but being low-light predators, they are generally crepuscular, which means they tend to be more active near dawn and dusk. However, house cats' behavior is also influenced by human activity and they may adapt to their owners' sleeping patterns to some extent.

 

Cats conserve energy by sleeping more than most animals, especially as they grow older. The daily duration of sleep varies, usually between 12 and 16 hours, with 13 and 14 being the average. Some cats can sleep as much as 20 hours. The term "cat nap" for a short rest refers to the cat's tendency to fall asleep (lightly) for a brief period. While asleep, cats experience short periods of rapid eye movement sleep often accompanied by muscle twitches, which suggests they are dreaming.

 

Sociability

The social behavior of the domestic cat ranges from widely dispersed individuals to feral cat colonies that gather around a food source, based on groups of co-operating females. Within such groups, one cat is usually dominant over the others. Each cat in a colony holds a distinct territory, with sexually active males having the largest territories, which are about 10 times larger than those of female cats and may overlap with several females' territories. These territories are marked by urine spraying, by rubbing objects at head height with secretions from facial glands, and by defecation. Between these territories are neutral areas where cats watch and greet one another without territorial conflicts. Outside these neutral areas, territory holders usually chase away stranger cats, at first by staring, hissing, and growling and, if that does not work, by short but noisy and violent attacks. Despite this colonial organization, cats do not have a social survival strategy or a herd behavior, and always hunt alone.

 

Life in proximity to humans and other domestic animals has led to a symbiotic social adaptation in cats, and cats may express great affection toward humans or other animals. Ethologically, a cat's human keeper functions as if a mother surrogate. Adult cats live their lives in a kind of extended kittenhood, a form of behavioral neoteny. Their high-pitched sounds may mimic the cries of a hungry human infant, making them particularly difficult for humans to ignore. Some pet cats are poorly socialized. In particular, older cats show aggressiveness toward newly arrived kittens, which include biting and scratching; this type of behavior is known as feline asocial aggression.

 

Redirected aggression is a common form of aggression which can occur in multiple cat households. In redirected aggression there is usually something that agitates the cat: this could be a sight, sound, or another source of stimuli which causes a heightened level of anxiety or arousal. If the cat cannot attack the stimuli, it may direct anger elsewhere by attacking or directing aggression to the nearest cat, dog, human or other being.

 

Domestic cats' scent rubbing behavior toward humans or other cats is thought to be a feline means for social bonding.

 

Communication

Main article: Cat communication

Domestic cats use many vocalizations for communication, including purring, trilling, hissing, growling/snarling, grunting, and several different forms of meowing. Their body language, including position of ears and tail, relaxation of the whole body, and kneading of the paws, are all indicators of mood. The tail and ears are particularly important social signal mechanisms in cats. A raised tail indicates a friendly greeting, and flattened ears indicate hostility. Tail-raising also indicates the cat's position in the group's social hierarchy, with dominant individuals raising their tails less often than subordinate ones. Feral cats are generally silent.: 208  Nose-to-nose touching is also a common greeting and may be followed by social grooming, which is solicited by one of the cats raising and tilting its head.

 

Purring may have developed as an evolutionary advantage as a signaling mechanism of reassurance between mother cats and nursing kittens, who are thought to use it as a care-soliciting signal. Post-nursing cats also often purr as a sign of contentment: when being petted, becoming relaxed, or eating. Even though purring is popularly interpreted as indicative of pleasure, it has been recorded in a wide variety of circumstances, most of which involve physical contact between the cat and another, presumably trusted individual. Some cats have been observed to purr continuously when chronically ill or in apparent pain.

 

The exact mechanism by which cats purr has long been elusive, but it has been proposed that purring is generated via a series of sudden build-ups and releases of pressure as the glottis is opened and closed, which causes the vocal folds to separate forcefully. The laryngeal muscles in control of the glottis are thought to be driven by a neural oscillator which generates a cycle of contraction and release every 30–40 milliseconds (giving a frequency of 33 to 25 Hz).

 

Domestic cats observed in a rescue facility have total of 276 distinct facial expressions based on 26 different facial movements; each facial expression corresponds to different social functions that are likely influenced by domestication.

 

Grooming

Cats are known for spending considerable amounts of time licking their coats to keep them clean. The cat's tongue has backward-facing spines about 500 μm long, which are called papillae. These contain keratin which makes them rigid so the papillae act like a hairbrush. Some cats, particularly longhaired cats, occasionally regurgitate hairballs of fur that have collected in their stomachs from grooming. These clumps of fur are usually sausage-shaped and about 2–3 cm (0.79–1.18 in) long. Hairballs can be prevented with remedies that ease elimination of the hair through the gut, as well as regular grooming of the coat with a comb or stiff brush.

 

Fighting

Among domestic cats, males are more likely to fight than females. Among feral cats, the most common reason for cat fighting is competition between two males to mate with a female. In such cases, most fights are won by the heavier male. Another common reason for fighting in domestic cats is the difficulty of establishing territories within a small home. Female cats also fight over territory or to defend their kittens. Neutering will decrease or eliminate this behavior in many cases, suggesting that the behavior is linked to sex hormones.

 

When cats become aggressive, they try to make themselves appear larger and more threatening by raising their fur, arching their backs, turning sideways and hissing or spitting. Often, the ears are pointed down and back to avoid damage to the inner ear and potentially listen for any changes behind them while focused forward. Cats may also vocalize loudly and bare their teeth in an effort to further intimidate their opponents. Fights usually consist of grappling and delivering powerful slaps to the face and body with the forepaws as well as bites. Cats also throw themselves to the ground in a defensive posture to rake their opponent's belly with their powerful hind legs.

 

Serious damage is rare, as the fights are usually short in duration, with the loser running away with little more than a few scratches to the face and ears. Fights for mating rights are typically more severe and injuries may include deep puncture wounds and lacerations. Normally, serious injuries from fighting are limited to infections of scratches and bites, though these can occasionally kill cats if untreated. In addition, bites are probably the main route of transmission of feline immunodeficiency virus. Sexually active males are usually involved in many fights during their lives, and often have decidedly battered faces with obvious scars and cuts to their ears and nose. Cats are willing to threaten animals larger than them to defend their territory, such as dogs and foxes.

 

Hunting and feeding

See also: Cat food

The shape and structure of cats' cheeks is insufficient to allow them to take in liquids using suction. Therefore, when drinking they lap with the tongue to draw liquid upward into their mouths. Lapping at a rate of four times a second, the cat touches the smooth tip of its tongue to the surface of the water, and quickly retracts it like a corkscrew, drawing water upward.

 

Feral cats and free-fed house cats consume several small meals in a day. The frequency and size of meals varies between individuals. They select food based on its temperature, smell and texture; they dislike chilled foods and respond most strongly to moist foods rich in amino acids, which are similar to meat. Cats reject novel flavors (a response termed neophobia) and learn quickly to avoid foods that have tasted unpleasant in the past. It is also a common misconception that cats like milk/cream, as they tend to avoid sweet food and milk. Most adult cats are lactose intolerant; the sugar in milk is not easily digested and may cause soft stools or diarrhea. Some also develop odd eating habits and like to eat or chew on things like wool, plastic, cables, paper, string, aluminum foil, or even coal. This condition, pica, can threaten their health, depending on the amount and toxicity of the items eaten.

 

Cats hunt small prey, primarily birds and rodents, and are often used as a form of pest control. Other common small creatures such as lizards and snakes may also become prey. Cats use two hunting strategies, either stalking prey actively, or waiting in ambush until an animal comes close enough to be captured. The strategy used depends on the prey species in the area, with cats waiting in ambush outside burrows, but tending to actively stalk birds.: 153  Domestic cats are a major predator of wildlife in the United States, killing an estimated 1.3 to 4.0 billion birds and 6.3 to 22.3 billion mammals annually.

 

Certain species appear more susceptible than others; in one English village, for example, 30% of house sparrow mortality was linked to the domestic cat. In the recovery of ringed robins (Erithacus rubecula) and dunnocks (Prunella modularis) in Britain, 31% of deaths were a result of cat predation. In parts of North America, the presence of larger carnivores such as coyotes which prey on cats and other small predators reduces the effect of predation by cats and other small predators such as opossums and raccoons on bird numbers and variety.

 

Perhaps the best-known element of cats' hunting behavior, which is commonly misunderstood and often appalls cat owners because it looks like torture, is that cats often appear to "play" with prey by releasing and recapturing it. This cat and mouse behavior is due to an instinctive imperative to ensure that the prey is weak enough to be killed without endangering the cat.

 

Another poorly understood element of cat hunting behavior is the presentation of prey to human guardians. One explanation is that cats adopt humans into their social group and share excess kill with others in the group according to the dominance hierarchy, in which humans are reacted to as if they are at or near the top. Another explanation is that they attempt to teach their guardians to hunt or to help their human as if feeding "an elderly cat, or an inept kitten". This hypothesis is inconsistent with the fact that male cats also bring home prey, despite males having negligible involvement in raising kittens.:

 

Play

Main article: Cat play and toys

Domestic cats, especially young kittens, are known for their love of play. This behavior mimics hunting and is important in helping kittens learn to stalk, capture, and kill prey. Cats also engage in play fighting, with each other and with humans. This behavior may be a way for cats to practice the skills needed for real combat, and might also reduce any fear they associate with launching attacks on other animals.

 

Cats also tend to play with toys more when they are hungry. Owing to the close similarity between play and hunting, cats prefer to play with objects that resemble prey, such as small furry toys that move rapidly, but rapidly lose interest. They become habituated to a toy they have played with before. String is often used as a toy, but if it is eaten, it can become caught at the base of the cat's tongue and then move into the intestines, a medical emergency which can cause serious illness, even death. Owing to the risks posed by cats eating string, it is sometimes replaced with a laser pointer's dot, which cats may chase.

 

Reproduction

See also: Kitten

The cat secretes and perceives pheromones. Female cats, called queens, are polyestrous with several estrus cycles during a year, lasting usually 21 days. They are usually ready to mate between early February and August in northern temperate zones and throughout the year in equatorial regions.

 

Several males, called tomcats, are attracted to a female in heat. They fight over her, and the victor wins the right to mate. At first, the female rejects the male, but eventually, the female allows the male to mate. The female utters a loud yowl as the male pulls out of her because a male cat's penis has a band of about 120–150 backward-pointing penile spines, which are about 1 mm (0.039 in) long; upon withdrawal of the penis, the spines may provide the female with increased sexual stimulation, which acts to induce ovulation.

 

After mating, the female cleans her vulva thoroughly. If a male attempts to mate with her at this point, the female attacks him. After about 20 to 30 minutes, once the female is finished grooming, the cycle will repeat. Because ovulation is not always triggered by a single mating, females may not be impregnated by the first male with which they mate. Furthermore, cats are superfecund; that is, a female may mate with more than one male when she is in heat, with the result that different kittens in a litter may have different fathers.

 

The morula forms 124 hours after conception. At 148 hours, early blastocysts form. At 10–12 days, implantation occurs. The gestation of queens lasts between 64 and 67 days, with an average of 65 days.

 

Data on the reproductive capacity of more than 2,300 free-ranging queens were collected during a study between May 1998 and October 2000. They had one to six kittens per litter, with an average of three kittens. They produced a mean of 1.4 litters per year, but a maximum of three litters in a year. Of 169 kittens, 127 died before they were six months old due to a trauma caused in most cases by dog attacks and road accidents. The first litter is usually smaller than subsequent litters. Kittens are weaned between six and seven weeks of age. Queens normally reach sexual maturity at 5–10 months, and males at 5–7 months. This varies depending on breed. Kittens reach puberty at the age of 9–10 months.

 

Cats are ready to go to new homes at about 12 weeks of age, when they are ready to leave their mother. They can be surgically sterilized (spayed or castrated) as early as seven weeks to limit unwanted reproduction. This surgery also prevents undesirable sex-related behavior, such as aggression, territory marking (spraying urine) in males and yowling (calling) in females. Traditionally, this surgery was performed at around six to nine months of age, but it is increasingly being performed before puberty, at about three to six months. In the United States, about 80% of household cats are neutered.

 

Lifespan and health

Main articles: Cat health and Aging in cats

The average lifespan of pet cats has risen in recent decades. In the early 1980s, it was about seven years,: 33  rising to 9.4 years in 1995: 33  and an average of about 13 years as of 2014 and 2023. Some cats have been reported as surviving into their 30s, with the oldest known cat dying at a verified age of 38.

 

Neutering increases life expectancy: one study found castrated male cats live twice as long as intact males, while spayed female cats live 62% longer than intact females.: 35  Having a cat neutered confers health benefits, because castrated males cannot develop testicular cancer, spayed females cannot develop uterine or ovarian cancer, and both have a reduced risk of mammary cancer.

 

Disease

Main article: List of feline diseases

About 250 heritable genetic disorders have been identified in cats, many similar to human inborn errors of metabolism. The high level of similarity among the metabolism of mammals allows many of these feline diseases to be diagnosed using genetic tests that were originally developed for use in humans, as well as the use of cats as animal models in the study of the human diseases. Diseases affecting domestic cats include acute infections, parasitic infestations, injuries, and chronic diseases such as kidney disease, thyroid disease, and arthritis. Vaccinations are available for many infectious diseases, as are treatments to eliminate parasites such as worms, ticks, and fleas.

 

Ecology

Habitats

The domestic cat is a cosmopolitan species and occurs across much of the world. It is adaptable and now present on all continents except Antarctica, and on 118 of the 131 main groups of islands, even on the isolated Kerguelen Islands. Due to its ability to thrive in almost any terrestrial habitat, it is among the world's most invasive species. It lives on small islands with no human inhabitants. Feral cats can live in forests, grasslands, tundra, coastal areas, agricultural land, scrublands, urban areas, and wetlands.

 

The unwantedness that leads to the domestic cat being treated as an invasive species is twofold. On one hand, as it is little altered from the wildcat, it can readily interbreed with the wildcat. This hybridization poses a danger to the genetic distinctiveness of some wildcat populations, particularly in Scotland and Hungary, possibly also the Iberian Peninsula, and where protected natural areas are close to human-dominated landscapes, such as Kruger National Park in South Africa. However, its introduction to places where no native felines are present also contributes to the decline of native species.

 

Ferality

Main article: Feral cat

Feral cats are domestic cats that were born in or have reverted to a wild state. They are unfamiliar with and wary of humans and roam freely in urban and rural areas. The numbers of feral cats is not known, but estimates of the United States feral population range from 25 to 60 million. Feral cats may live alone, but most are found in large colonies, which occupy a specific territory and are usually associated with a source of food. Famous feral cat colonies are found in Rome around the Colosseum and Forum Romanum, with cats at some of these sites being fed and given medical attention by volunteers.

 

Public attitudes toward feral cats vary widely, from seeing them as free-ranging pets to regarding them as vermin.

 

Some feral cats can be successfully socialized and 're-tamed' for adoption; young cats, especially kittens and cats that have had prior experience and contact with humans are the most receptive to these efforts.

 

Impact on wildlife

Main article: Cat predation on wildlife

On islands, birds can contribute as much as 60% of a cat's diet. In nearly all cases, the cat cannot be identified as the sole cause for reducing the numbers of island birds, and in some instances, eradication of cats has caused a "mesopredator release" effect; where the suppression of top carnivores creates an abundance of smaller predators that cause a severe decline in their shared prey. Domestic cats are a contributing factor to the decline of many species, a factor that has ultimately led, in some cases, to extinction. The South Island piopio, Chatham rail, and the New Zealand merganser are a few from a long list, with the most extreme case being the flightless Lyall's wren, which was driven to extinction only a few years after its discovery. One feral cat in New Zealand killed 102 New Zealand lesser short-tailed bats in seven days. In the US, feral and free-ranging domestic cats kill an estimated 6.3 – 22.3 billion mammals annually.

 

In Australia, the impact of cats on mammal populations is even greater than the impact of habitat loss. More than one million reptiles are killed by feral cats each day, representing 258 species. Cats have contributed to the extinction of the Navassa curly-tailed lizard and Chioninia coctei.

 

Interaction with humans

Main article: Human interaction with cats

Cats are common pets throughout the world, and their worldwide population as of 2007 exceeded 500 million. As of 2017, the domestic cat was the second most popular pet in the United States, with 95.6 million cats owned and around 42 million households owning at least one cat. In the United Kingdom, 26% of adults have a cat, with an estimated population of 10.9 million pet cats as of 2020. As of 2021, there were an estimated 220 million owned and 480 million stray cats in the world.

 

Cats have been used for millennia to control rodents, notably around grain stores and aboard ships, and both uses extend to the present day.

 

As well as being kept as pets, cats are also used in the international fur trade and leather industries for making coats, hats, blankets, stuffed toys, shoes, gloves, and musical instruments. About 24 cats are needed to make a cat-fur coat. This use has been outlawed in the United States since 2000 and in the European Union (as well as the United Kingdom) since 2007.

 

Cat pelts have been used for superstitious purposes as part of the practice of witchcraft, and are still made into blankets in Switzerland as traditional medicine thought to cure rheumatism.

 

A few attempts to build a cat census have been made over the years, both through associations or national and international organizations (such as that of the Canadian Federation of Humane Societies) and over the Internet, but such a task does not seem simple to achieve. General estimates for the global population of domestic cats range widely from anywhere between 200 million to 600 million. Walter Chandoha made his career photographing cats after his 1949 images of Loco, an especially charming stray taken in, were published around the world. He is reported to have photographed 90,000 cats during his career and maintained an archive of 225,000 images that he drew from for publications during his lifetime.

 

Shows

Main article: Cat show

A cat show is a judged event in which the owners of cats compete to win titles in various cat-registering organizations by entering their cats to be judged after a breed standard. It is often required that a cat must be healthy and vaccinated in order to participate in a cat show. Both pedigreed and non-purebred companion ("moggy") cats are admissible, although the rules differ depending on the organization. Competing cats are compared to the applicable breed standard, and assessed for temperament.

 

Infection

Main article: Feline zoonosis

Cats can be infected or infested with viruses, bacteria, fungus, protozoans, arthropods or worms that can transmit diseases to humans. In some cases, the cat exhibits no symptoms of the disease. The same disease can then become evident in a human. The likelihood that a person will become diseased depends on the age and immune status of the person. Humans who have cats living in their home or in close association are more likely to become infected. Others might also acquire infections from cat feces and parasites exiting the cat's body. Some of the infections of most concern include salmonella, cat-scratch disease and toxoplasmosis.

 

History and mythology

Main articles: Cultural depictions of cats and Cats in ancient Egypt

In ancient Egypt, cats were worshipped, and the goddess Bastet often depicted in cat form, sometimes taking on the war-like aspect of a lioness. The Greek historian Herodotus reported that killing a cat was forbidden, and when a household cat died, the entire family mourned and shaved their eyebrows. Families took their dead cats to the sacred city of Bubastis, where they were embalmed and buried in sacred repositories. Herodotus expressed astonishment at the domestic cats in Egypt, because he had only ever seen wildcats.

 

Ancient Greeks and Romans kept weasels as pets, which were seen as the ideal rodent-killers. The earliest unmistakable evidence of the Greeks having domestic cats comes from two coins from Magna Graecia dating to the mid-fifth century BC showing Iokastos and Phalanthos, the legendary founders of Rhegion and Taras respectively, playing with their pet cats. The usual ancient Greek word for 'cat' was ailouros, meaning 'thing with the waving tail'. Cats are rarely mentioned in ancient Greek literature. Aristotle remarked in his History of Animals that "female cats are naturally lecherous." The Greeks later syncretized their own goddess Artemis with the Egyptian goddess Bastet, adopting Bastet's associations with cats and ascribing them to Artemis. In Ovid's Metamorphoses, when the deities flee to Egypt and take animal forms, the goddess Diana turns into a cat.

 

Cats eventually displaced weasels as the pest control of choice because they were more pleasant to have around the house and were more enthusiastic hunters of mice. During the Middle Ages, many of Artemis's associations with cats were grafted onto the Virgin Mary. Cats are often shown in icons of Annunciation and of the Holy Family and, according to Italian folklore, on the same night that Mary gave birth to Jesus, a cat in Bethlehem gave birth to a kitten. Domestic cats were spread throughout much of the rest of the world during the Age of Discovery, as ships' cats were carried on sailing ships to control shipboard rodents and as good-luck charms.

 

Several ancient religions believed cats are exalted souls, companions or guides for humans, that are all-knowing but mute so they cannot influence decisions made by humans. In Japan, the maneki neko cat is a symbol of good fortune. In Norse mythology, Freyja, the goddess of love, beauty, and fertility, is depicted as riding a chariot drawn by cats. In Jewish legend, the first cat was living in the house of the first man Adam as a pet that got rid of mice. The cat was once partnering with the first dog before the latter broke an oath they had made which resulted in enmity between the descendants of these two animals. It is also written that neither cats nor foxes are represented in the water, while every other animal has an incarnation species in the water. Although no species are sacred in Islam, cats are revered by Muslims. Some Western writers have stated Muhammad had a favorite cat, Muezza. He is reported to have loved cats so much, "he would do without his cloak rather than disturb one that was sleeping on it". The story has no origin in early Muslim writers, and seems to confuse a story of a later Sufi saint, Ahmed ar-Rifa'i, centuries after Muhammad. One of the companions of Muhammad was known as Abu Hurayrah ("father of the kitten"), in reference to his documented affection to cats.

 

Superstitions and rituals

Many cultures have negative superstitions about cats. An example would be the belief that encountering a black cat ("crossing one's path") leads to bad luck, or that cats are witches' familiars used to augment a witch's powers and skills. The killing of cats in Medieval Ypres, Belgium, is commemorated in the innocuous present-day Kattenstoet (cat parade). In mid-16th century France, cats would be burnt alive as a form of entertainment, particularly during midsummer festivals. According to Norman Davies, the assembled people "shrieked with laughter as the animals, howling with pain, were singed, roasted, and finally carbonized". The remaining ashes were sometimes taken back home by the people for good luck.

 

According to a myth in many cultures, cats have multiple lives. In many countries, they are believed to have nine lives, but in Italy, Germany, Greece, Brazil and some Spanish-speaking regions, they are said to have seven lives, while in Arabic traditions, the number of lives is six. An early mention of the myth can be found in John Heywood's The Proverbs of John Heywood (1546)

 

Husband, (quoth she), ye studie, be merrie now,

And even as ye thinke now, so come to yow.

Nay not so, (quoth he), for my thought to tell right,

I thinke how you lay groning, wife, all last night.

Husband, a groning horse and a groning wife

Never faile their master, (quoth she), for my life.

No wife, a woman hath nine lives like a cat.

 

The myth is attributed to the natural suppleness and swiftness cats exhibit to escape life-threatening situations. Also lending credence to this myth is the fact that falling cats often land on their feet, using an instinctive righting reflex to twist their bodies around. Nonetheless, cats can still be injured or killed by a high fall.

Welcome Queens Village part II congrats u did it

I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.

 

I was just a little guy when this happened. I remember going to HerPak Meats, (Cameron St), Dad parked in the upper lot of Acme Markets (Hbg River Rescue Quarters) and they set up cattle chutes across Cameron and herded the live stock to the Acme building.

Formed: June 14, 1972 | Dissipated: June 23, 1972.

Agnes developed on June 14 from the interaction of a polar front and an upper trough over the Yucatán Peninsula. Agnes began its long life as an extratropical cyclone once cold air invaded its circulation late on June 22. The system looped across south-central Pennsylvania on June 23 and then looped across southern Ontario on June 25. Due to the significant effects, the name Agnes was retired in the spring of 1973.

In Pennsylvania, heavy rainfall was reported, with much of the state experiencing more than 7 inches of precipitation. Furthermore, a large swath of rainfall exceeding 10 inches was reported in the central part of the state. Overall, the rains peaked at 19 inches in the western portions of Schuylkill County. Due to the significant effects, the name Agnes was retired in the spring of 1973. Overall, more than 100,000 people were forced to leave their homes due to flooding. Some buildings were under 13 feet of water in Harrisburg. At the Governor's Mansion, the first floor was submerged by flood waters. Hundreds were trapped in their homes in Wilkes-Barre due to the overflowing Susquehanna River. At the historic cemetery in Forty Fort, 2,000 caskets were washed away, leaving body parts on porches, roofs, and in basements. In Luzerne County alone, 25,000 homes and businesses were either damaged or destroyed. Losses in that county totaled to $1 billion. At Chadds Ford Township, the Brandywine Creek crested at 16.5 feet, sending flood waters into the city. Water poured into the first floor of an art museum in Chadds Ford Township, which threatened at least $2.5 million in N.C. Wyeth paintings, though they were quickly moved to the upper floors. Along the Allegheny River, it was above flood stage in some low-lying areas. During the height of the storm, the river was rising at about 7 inches per hour. In Reading, the Schuylkill River reached a record flood of 31.5 feet.

More than one hundred Harrisburg YMCA campers and staff were evacuated using two CH-47 Chinook helicopters flown by the National Guard at Camp Shikellimy located downstream of DeHart Dam in Middle Paxton Township. Additionally, 36 Girl Scouts were rescued by state police while at a camp in York. A bridge collapsed in Danville, which caused two diesel locomotives and several freight cars to fall into a swollen creek. In the state of Pennsylvania, more than 68,000 homes and 3,000 businesses were destroyed. Due to the destroyed houses, at least 220,000 people were left homeless.The damage and death toll was the highest in Pennsylvania, with 50 fatalities and $2.3 billion in losses in that state alone. Willow Mill Amusement Park in Mechanicsburg was also damaged, including the Red Streaker, a defunct junior small wooden rollercoaster, which was severely damaged and had to be rebuilt.

On June 26, 1972, three news correspondents were killed in a helicopter crash in Harrisburg, where they had been covering the flooding. The victims were Del Vaughn of CBS News and Sid Brenner and Louis Clark of WCAU in Philadelphia, and the pilot, Mike Sedio. The helicopter lost its rotor some three hundred feet above the Capital City Airport, crashed, and exploded on the runway.

Following the storm, then-President of the United States Richard Nixon declared the states of Florida, Virginia, Maryland, Pennsylvania, and New York as disaster areas. Agnes had a devastating impact on the already-bankrupt railroads in the northeastern United States, as lines were washed out and shipments were delayed:

The Erie Lackawanna Railway (EL) estimated that damage between Binghamton and Salamanca, New York, amounted to $2 million. EL filed for Chapter 77 bankruptcy.

The Penn Central Railroad sustained nearly $20 million in damages

The resulting cost of repairing the damage was one of the factors leading to the creation of the federally financed Conrail.

Most pictures are photo's I took of pictures from collectors books from the 1972 flood.

Developed using darktable 2.6.2

 

2019.08.26-16.50.29

Portra 160NC ain't shabby at all, either.

   

Norita 66 + Noritar 80mm f2 + Kodak Portra 160NC @ ISO100, Jobo/Tetenal C-41 Press Kit self develop

04/05/2023. London, United Kingdom. Foreign Secretary James Cleverly greets Bermuda Governor Rena Lalgie during the Small Island Developing States Coronation Event at Lancaster House. Picture by Rory Arnold / No 10 Downing Street

04/05/2023. London, United Kingdom. Foreign Secretary James Cleverly greets Charles Angelo Savarin, President of Dominica during the Small Island Developing States Coronation Event at Lancaster House. Picture by Rory Arnold / No 10 Downing Street

Which is (predictably) half of a double helical globe. This one is unusual, in that instead of alternating curved and straight folds abab, this model alternates them abba, so that you get flat strips curving slantwise.

 

Hasselblad 500C

CARL ZEISS Planar C 80mm f2.8 T* Lens

Fuji Neopan 100 Acros BW Film 黑白菲林

Rodinal developer 1+25 4min 18C developed in Apr 2016

Plustek OpticFilm 120 film scanner

澳門

Macau

Macao

Ou Mun

Aomen

21Oct2015

04/05/2023. London, United Kingdom. Foreign Secretary James Cleverly greets John Kerry, Special Envoy for Climate Change during the Small Island Developing States Coronation Event at Lancaster House. Picture by Rory Arnold / No 10 Downing Street

Jamaica Business Resource Center, 90-33 160th Street, Jamaica, Queens, New York City, New York, United States

 

La Casina is a rare surviving example of Streamlined Moderne design in New York City. The metal and stucco facade of this former nightclub and restaurant structure was constructed c. 1933, during the period of greatest popularity for the streamlined style. The building, erected in the heart of Jamaica’s commercial center, is representative of the many entertainment facilities built in Jamaica during the first decades of the twentieth century as this area developed into the commercial and entertainment hub for Queens County and nearby sections of Long Island. Although altered over the years, the La Casina Building has been beautifully restored and is again one of the most distinctive structures in Jamaica’s business district.

 

Development of Jamaica

 

Jamaica, one of the oldest settlements within the boundaries of New York City, developed into the leading commercial and entertainment center of Queens County. The Dutch purchased land in Jamaica from the Jameco (also spelled Jemeco) Indians in 1655. The following year, Governor Peter Stuyvesant granted a charter to the town, originally known as Rusdorp.

 

Following the transfer of power from the Dutch to the English in 1664, Rusdorp was renamed Jamaica, after the original Indian inhabitants of the region. Queens County (incorporating present-day Queens and Nassau Counties) was chartered in 1683. The English established Jamaica as the governmental center of Queens County, with a court, county clerk’s office, and parish church (Grace Church; the present structure, dating from 1861-62, is a designated New York Landmark). Outside the town center, Jamaica was largely an area of farm fields and grazing land for cattle. The rural village was officially incorporated by New York State in 1814.

 

Jamaica’s central location in Queens County and the extensive transportation network that developed in the town during the nineteenth century, resulted in the transformation of the community into the major commercial center for Queens County and much of eastern Long Island. It was the arrival of the railroads that began this transformation. The roads and rail lines connecting Jamaica with other sections of Queens County, with Brooklyn to the west, eastern Long Island, and ferries to New York City had a tremendous impact. Jamaica’s farmland was soon being subdivided into streets and building lots, and new homes were erected.

 

By the turn of the century, Jamaica’s importance as a commercial area became evident in the impressive buildings beginning to appear on Jamaica Avenue, most notably the Beaux-Arts Jamaica Savings Bank Building (Hough & Deuell, 1897-98), 161-02 Jamaica Avenue. After Jamaica was incorporated into the borough of Queens and became a part of New York City on January 1, 1898, additional transportation improvements brought increasing numbers of people. As a result, the population of Jamaica quadrupled between 1900 and 1920.

 

It was during the 1920s, when the major mass transit links were in place, and during a period when private automobile ownership was growing at an extraordinary rate, that Jamaica experienced its major expansion as a commercial and entertainment center. By 1925, Jamaica Avenue between 160th Street and 168th Street had the highest assessed valuation in Queens County.

 

During the 1920s and early 1930s, many small- scale commercial buildings were erected in Jamaica, as well as several major office and commercial structures, including the Jamaica Chamber of Commerce Building (George W. Conable, 1928-29) on 161st Street; the Title Guarantee Company Building (Dennison & Hirons, 1929), 90-04 161st Street; and the J. Kurtz & Sons Store (Allmendinger & Schlendorf, 1931; a designated New York City Landmark) on Jamaica Avenue. In addition, Jamaica developed into a significant entertainment center. By the mid-1930s, there were at least eight movie theaters on or just off of Jamaica Avenue, and there were over sixty restaurants, bars, and clubs, ranging from small ethnic taverns to elegant restaurants. It was within this bustling commercial and entertainment setting that La Casina opened.

 

The Nightclub:

 

A Brief Examination of Its History and Design

 

During the late 1920s and 1930s, the nightclub became a prominent and romantic symbol of New York’s nightlife. While partially based on the reality of the city’s exclusive clubs and restaurants, the nightclub image was largely a fantasy based on Hollywood’s interpretation of these elegant establishments. Nightclubs and restaurants with live shows began to appear in New York City in the late 1920s as the enforcement of Prohibition ebbed. With the end of Prohibition in 1933, nightclubs proliferated." As nightclubs and restaurants with live shows grew in popularity, their designs became increasingly elegant. Clubs and related restaurants such as the Central Park Casino, the Persian Room, the Rainbow Room, El Morocco, the 21 Club, and the Stork, catered to an exclusive clientele. While most New Yorkers could not afford to patronize these establishments, they were well known through newspaper gossip columns, magazines, and other popular media outlets.

 

Movies such as Broadway (1929), Puttin’ on the Ritz (1930), Gold Diggers of 1935 (1935), Broadway Melody of 1936 (1935), and Swing Time (1936) created a romantic image of nightclubs with Modeme and Art Deco decor incorporating streamlined walls and ceilings, glistening mirrored floors, and elegantly appointed revelers. Perhaps in homage to popular Latin dances, many of these clubs, both real and cinematic, were given Spanish- sounding names.

 

Although modest in scale, La Casina was designed to fit the image of the up-to-date night spot. The club and restaurant was provided with a Latin name and its streamlined design echoes, in miniature, the elegant clubs enjoyed vicariously by patrons as they viewed movies at their local movie palaces.

 

La Casina: The Site and the Design of the Building

 

La Casina is located on 160th Street between Jamaica Avenue and 90th Avenue. Located only a few blocks from the center of Jamaica, 160th Street was initially developed with modest frame buildings, most erected as residences but later converted for commercial use. In 1907, the Queens Borough Real Estate Exchange erected a neo-Classical style brick and limestone office building designed by Tuthill & Higgins at 90-33 160th Street.

 

The building was purchased in 1918 by Arnold Behrer, Jr., and Clarence Behrer. On November 1, 1932, the Behrers leased the site to Bernard Levy and La Casino, Inc., for a period of four years (until 1936). According to the lease agreement, the building was "to be used and occupied only as a restaurant, cabaret, beer garden, casino and dance hall." The rent rose from $1,800 a year the first year to $3,000 during the fourth year. All alterations made to the building by the lessee had to be approved by the owner.

 

The La Casino Supper Club opened in 1933. It first appeared in the Queens telephone directory for winter 1933-34. Apparently, the club was only open for a short time since it did not appear in the telephone directory for winter 1934-35. The club reopened by May 1936. Telephone directory listings continued to call the establishment the La Casino Restaurant. However, the weekly La Casina Journal, published by the establishment, spelled the name with an "a" and also referred to the La Casina Restaurant and Supper Club in its text. The work undertaken to create the present streamlined design was an alteration of the original building, but no surviving alteration application has been located that specifically notes the construction of a new front. Several permits for small alterations were issued in 1933, and one of these may have included the new facade.

 

La Casina was designed in the Streamlined Modeme style which became popular in America in the 1930s.' Although it initially appeared on residential buildings, the Streamlined Moderne style was soon adapted for commercial buildings since the dramatic massing and dynamic stripped forms drew attention and, therefore, brought people to the buildings. The style was popular for relatively small-scale public buildings, especially those that were erected for businesses that relied on a large paying clientele.

 

These businesses included hotels, such as those in Miami Beach; theaters, such as the Pan Pacific Auditorium in Hollywood; movie theaters, notably those designed by S. Charles Lee; bus depots, such as the Greyhound Bus Terminal in Washington, D.C.; and roadside structures such as auto showrooms, motels, and diners. Historian Martin Greif characterized the Streamlined Moderne (also sometimes referred to as Depression Modem) as "an art stripped bare of all ornamentation. . . . Ideally, the Depression Modern style was spare . .

 

. without a single detail that could be called extraneous, without any embellishment, without a line that did not seem inevitable."

 

With its smooth planes of stucco, dynamic ziggurat massing, sweeping bands of metal, and its lack of applied ornamentation, the La Casina building fits Greifs description of the ideal streamlined structure. The streamlined mode was an appropriate choice for La Casina, not only providing an up-to-date image for the establishment, but also creating a noticeable form for the small midblock structure, one that would attract attention from busy Jamaica Avenue. This was heightened by the use of a bright projecting vertical neon sign announcing the nightclub’s presence.

 

La Casina: The Restaurant and Nightclub

 

La Casina offered dining, dancing, and entertainment. According to the La Casina Journal, La Casina offered three shows a night performed by the La Casina Adorables and the La Casina Swing Melo-Dears. The club also featured special guests such as Maureen Rio, the Broadway star of Earl Carroll’s Sketch Book? There was no cover charge and the club offered free parking.

 

The Journal noted such special events as "Celebrity Night"; "Democratic Night" and "Republican Night" (at the latter two evenings guests were to meet primary candidates); and "Bowery Night," where guests were to dress in old clothes, men were to arrive unshaven, and all were to be entertained by Diamond L’il, Cuspidor Carrie, Fishface Fanny, Gashouse Gertie, Willie the Gonof, Little Annie Rooney, Champagne Lil, and Limehouse Lou.

 

Later History

 

La Casina (or a facility with a similar name) occupied the building until about 1938; the last entry in the telephone directory is for winter 1937-38. In 1940, Arnold Behrer, Jr., lost the property in a legal proceeding to the mortgagor, the Domestic and Foreign Missionary Society of the Protestant Episcopal Church in the United States of America. A tax photograph taken by New York City in 1940 shows "For Rent" signs in the picture windows of the club.

 

In 1942, the building was sold to the Church of God of Greater New York, Inc., although it does not appear to have ever been used as a church (the Church of God was headquartered on 224th Street). The use, if any, of the building in the early 1940s is not known.

 

In 1946, the former nightclub was sold to Polly Foundations, Inc., which converted the building into a factory that manufactured Ladyform bras. In 1952, the building was purchased by the Ellen Howard Corporation which manufactured Roxanne swim suits in the building until c.1987.

 

At some point, probably in the 1960s or 1970s, the galvanized-iron cladding of the ziggurat was covered in aluminum siding. The building was vacated in the late 1980s and deteriorated. In 1989, the Greater Jamaica Development Corporation acquired the former home of La Casina. A restoration was undertaken in 1994-95 under the guidance of the architectural firm of Li-Saltzman.

 

The restoration entailed the removal of the aluminum siding, the replacement of the deteriorated galvanized iron with aluminum that matched the form of the original, the restoration of the stucco at the lower level to its original colors, the removal of historically and stylistically inappropriate glass block windows and their replacement with historically accurate plate-glass windows, and the restoration of the tile flanking the entrance and of the original doors and glass entrance surround. The original vertical sign was conserved and encased within a new sign. The building now houses the Jamaica Business Resource Center.

 

Description

 

La Casina is a one-story symmetrical structure with a two-tiered streamlined facade in the form of a stepped pyramid or ziggurat. The base of the pyramid is set parallel to the sidewalk. This section of the building is faced with stucco.

 

The stuccoed portion of the facade is divided into a lower section that is painted gray and an upper section painted coral (paint studies determined the historical accuracy of these colors). The base is punctuated by a central entrance that is set back from the sidewalk within a five-stepped enframement clad in glazed black tiles at the lower section; the upper section is coral-colored stucco.

 

The entrance contains its original wood and glass double doors with very large vertically-placed bronze handles supported by silver-metal upper and lower stepped brackets. The doors are set within a frame of opaque black glass. The entrance bay is flanked by rectangular windows.

 

During the restoration, glass blocks that were crudely installed, probably when the building became a factory in the 1940s, were removed and replaced with historically accurate undivided plate glass. In addition, a shallow ramp for handicapped access has been added in front of the building.

 

Directly above the entrance is a curving streamlined frontispiece. It is divided into six wide horizontal bands with seven raised narrower bands covering the joints. To either side of this frontispiece is a six-layer stepped ziggurat. The frontispiece and flanking ziggurats were originally clad in smooth galvanized sheet metal attached to a wooden frame. The metal may originally have been painted gray. During the restoration, the deteriorated galvanized metal was replaced with shiny bands of aluminum.

 

Attached to the Building is the original vertical neon sign. This sign, which retains the words "La Casina" (an "o" for "casino" overlaps the "a"), "Ladyform Bras," "Swim Suits," and "Roxanne Swim Suits,” has been encased in a new aluminum sleeve with the "JBRC" initials of the Jamaica Business Resource Center in neon.

 

- From the 1996 NYCLPC Landmark Designation Report

Self-developed C41. Scanned from the negative.

  

Rolleiflex K4B

Carl Zeiss Jenna Tessar 75mm f.3.5

FujiPro 160NS

 

samuelpayne.weebly.com/the-camera

Some pics from recent developed 35mm film roll. There are taken in London, in March 2015. Slow photography is like a time capsule, isn't it?

Yeah, I'm actually getting bored with taking picture of flowers ;-)

Juniper Grove Campground has 3 developed sites. This site provides access to the Jarbidge Willd and Scenic River. The Jarbidge has a short boating season, typically it only has enough water to float in the spring. The river has challenging whitewater and sections that most boaters portage. Two-wheel drive vehicles are sufficient to reach the put-in, located at the confluence of the West Fork and East Fork of the Jarbidge River about two miles north of Murphy Hot Springs.

www.blm.gov/visit/juniper-grove-campground

Developed by Fritz B. Burns Research Division for Housing

Architects: Walter Wurdeman and Welton Becket

Landscape Architects: Eckbo, Royston & Williams

 

Popular Mechanics - July 1946

 

laist.com/2009/02/07/laistory_the_post-war_house.php

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A better version, doesn't fall apart when used.

 

PDF available,

Lantau Island, based on the old local name of Lantau Peak, is the largest island in Hong Kong, located at the mouth of the Pearl River. Administratively, most of Lantau Island is part of the Islands District of Hong Kong.

 

Originally the site of fishing villages, the island has been developed in recent years with the construction of Tung Chung New Town on its north-western coast and the completion of several major infrastructure projects, including Lantau Link (1997), Hong Kong International Airport (1998), Hong Kong Disneyland (2005) and Ngong Ping 360 (2006).

 

With a land mass of 147.16 square kilometres (56.82 sq mi), it is the largest island in Hong Kong, almost twice the size of Hong Kong Island.

 

Lantau Island primarily consists of mountainous terrain. Lantau Peak (934 m) is the highest point of the island. It is the second highest in Hong Kong, after Tai Mo Shan, and is almost twice the height of Victoria Peak. Other mountains include Sunset Peak (869 m), Lin Fa Shan (766 m), Nei Lak Shan (751 m) and Yi Tung Shan (747 m).

 

Lantau Island is often referred to as "the lungs of Hong Kong", because of its abundance of indigenous forest and relative scarcity of high-rise residential developments which characterise Hong Kong Island and Kowloon.

 

Lantau Island has a relatively low population density, with a population of 45,000, compared to 1.4 million on Hong Kong Island.Settlements are scattered throughout the island and each has its own distinctive characteristics. The completion of the Hong Kong International Airport at Chek Lap Kok in 1998 has led to economic development in north-western Lantau; the once quiet village of Tung Chung became a new town and is now home to over 25,000 people located in 30 to 50 storey high-rise housing estates and condominiums located near the airport.

 

Early human artifacts have been discovered on the island. These artifacts include rock carvings at Shek Pik which are thought to date back to the Bronze Age, and a stone circle at Fan Lau which is probably from the Neolithic Age. Both sites are located on the southwestern coast of the island.

 

Like Cheung Chau, Lantau was once the base for pirates and smugglers, and was one of the bases of Cheung Po Tsai in the 19th century. Silver was also mined at Mui Wo until the 19th century.

 

Whilst on Lantau I took the Cable car from Tung Chung to Ngong Ping. The Bus to Tai O and looked at the big Buddha.

 

The Ngong Ping Plateau features the Po Lin Monastery and its vegetarian restaurant, as well as the 26 m high bronze Tian Tan Buddha (or "Giant Buddha") statue, once the world's largest seated outdoor bronze Buddha statue. Walkers can ascend from Tung Chung to the monastery in two hours. Visitors can also take a 25 minute ride on a Ngong Ping 360 from Tung Chung to the Ngong Ping Plateau. Ngong Ping 360 is a tourism experience which combines a 5.7 km cable car journey with a cultural themed village and easy access to the Tian Tan Buddha Statue.

 

Tai O is a fishing town located in the northwest of Lantau Island which is more than three centuries old. Tourists visit Tai O for its several hundred stilt houses (pang uk), though many of those houses were damaged in a fire in July 2000. Tai O retains most of its historical setting such as waterways, stilt houses and fishing boats and it is famous for its fishing village scenery. Traditional Chinese food like salted fish and locally produced shrimp paste can be found there.

 

Over 50% of Lantau consists of national parks, including a large number of well-marked trails. The best known of these is the 70 kilometre, 12 section Lantau Trailcomposed of beauty of natural stone steps and the dense woodland along a 3-kilometer stretch.Section 11 of the Lantau Trail starts just across the Tung Chung Road, which is not far from Ngong Ping 360.

 

Chinese white dolphins, often called pink dolphins, can be seen off the coast of Lantau.

 

The Ngong Ping 360, a gondola lift, is located on Lantau and is operated by the MTR. Opened in mid-September 2006, this provides a 5.7 km 20 minute gondola cableway journey between Tung Chung and Ngong Ping.

 

I was lucky enough to get a glass floored cabin known as the Crystal Cabin.

 

Canon EOS 5D, 24-70L

 

2013

 

Img_2332

The former regional finance was built 1841-1847 by Paul Sprenger and together with the buildings No. 5 & 7, forms an ensemble of ärarischer (belonging to the state) functional buildings that develop across the river Wienfluss monumental representativeness. This building was built in the late classicist forms of the Hofbauamt on strictly regular ground plans. The portal zone has laterally presented Tuscan double columns, thereover are allegorical statues by Josef Klieber, transport, industry, trade and commerce representing.

de.wikipedia.org/wiki/Liste_der_denkmalgesch%C3%BCtzten_O...

 

History of the Applied

Of the Imperial School of Applied Arts for today's " Applied "

In the center of Vienna, the capital of the monarchy, was in 1867 the forerunner of today's University of Applied Arts, the Imperial School of Applied Arts was founded. She was (today's MAK) affiliated to the Austrian Museum for Art and Industry, the Museum of Decorative Arts first on the European continent. This was in 1863, called on the model of the South Kensington Museum in London, today's Victoria & Albert Museum in life and should serve as role model collection for artists, industrialists, and the audience. The early industrialized England then played a pioneering role in the promotion of arts and crafts reformed to act the decline in the "Machine Age" counter. Within the meaning of historicism should be set up in Vienna the great style of the past and can be studied at art and craft objects in the museum and the art school, a training and education center for designers and craftsmen. The Viennese art school should educate both artists and teachers to serve the requirements of the "art industry".

Heinrich von Ferstel, who had already built the museum, was commissioned to design a custom building for the school. 1877 could the till now used main building of the university in a prominent position at the Vienna Ringstrasse been inaugurated. Students were admitted in contrast to the Academy of Fine Arts, from the beginning. As one of the many graduates of that era only Gustav Klimt should be mentioned here .

With the artistic development toward nature observation and on the free design also continued at the Art School in the late 19th Century a detachment from work in historical styles. Felician of Myrbach, a member of the newly founded Vienna Secession art association, in 1899, appointed director of the school, which was dissolved the following year from the administration of the museum. In Myrbachs time in office fall many reforms and callings that made it one of the cradles of the Austrian Art Nouveau from the art school and justified its reputation as the committed modern institution. Otto Wagner had as a member of the school board of trustees major influence on their reform implementation. The former teachers reads like a who 's who of today's much acclaimed "Vienna 1900" with names like Kolo Moser, Josef Hoffmann, Alfred Roller - who's formative time as director 1909 began - and students such as Oskar Kokoschka.

The end of the monarchy meant the end of the " kk" Arts and Crafts School, although the long time as director of Roller (until 1934) ensured the continuity of the high standards of artistic quality. An educational reform program continued to Franz Cizek in his widely acclaimed youth art classes. From Cizek's class of Ornamental morphology came out the Vienna Kinetism, which is only recently (re) finding its international art-historical recognition, and where for the first time (female) artists - as Erika Giovanna Klien - have been predominat. Architects such as Josef Frank and Oskar Strnad Haerdtl Oswald continued the great tradition of Viennese art space and transformed it. Margarete Schütte-Lihotzky, a graduate of the School of Art, became the inventor of the first produced in large series, the so-called "Frankfurt Kitchen"; which had a lasting effect in social housing.

During the period of National Socialism, the Vienna School of Arts and Crafts was "Reich Chamber of Fine Arts", what supposed many teachers and students from the school excluded, threatened and persecuted, the teaching brought into line. In particular, the graph class under their manager Paul Kirnig supplied visualized propaganda for the objectives of the "Third Reich", which contributed to the collection of the School of Applied Arts for "Empire High School for Applied Arts in Vienna."

After 1945 had the present "College of Applied Arts " under the era as director of Maximilian Fellerers a difficult start. Their orientation as an art academy model was also reflected in the name "Academy of Applied Arts" from (1948  1971, then again "University") . The extension of the curriculum, increasing student numbers and a large annex to plans by Karl Schwanzer on the side of Vienna channel (based 1965) are signs of expansion in the era of economic boom .

In 1980s and 1990s, the Applied developed under the leadership of long-time rector of Oswald Oberhuber and Rudolf Burger, who headed the university from 1995 to 1999, a progress-oriented institution. In this period of falling vocations professors who briefly gave impetus or had long lasting effects on generations of students . To the teachers in the fields of architecture, design, visual art and theory of this decade belong figures such as Friedrich Achleitner, Christian Ludwig Attersee, Carl Auböck, Wander Bertoni, Joseph Beuys (visiting ), Rudolf Burger, Jean -Charles de Castelbajac, Tino Erben, Adolf Frohner, Peter Gorsen, Hans Hollein, Wilhelm Holzbauer, Alfred Hrdlicka, Wolfgang Hutter, Karl Lagerfeld , Maria Lassnig, Bernhard Leitner, Walter Luerzer, Axel Manthey, Paolo Piva, Wolf Prix, Christian Reder, Jil Sander, Sigbert Schenk, Kurt Schwarz, Johannes Spalt, Mario Terzic, Peter Weibel, Manfred Wagner - just to name a few.

Since 1999, Gerald Bast heads as principal the University of Applied Arts Vienna after the year before new legislation had made the Austrian art schools to universities. His ambitious program for both content and a growing number of students in University of Art in the age of globalization and complex political and economic upheavals is i.e. reflected in the establishment of new courses and the appointment of many new lecturer."

Patrick Werkner

 

www.dieangewandte.at/jart/prj3/angewandte/main.jart?rel=d...

Balloon's Day Parade - Comic Strip Experience 2020

 

The immersive experience

 

Ta-da! The Brussels Comic Strip Festival has turned into an immersive experience in the impressive Gare Maritime at Tour & Taxis. The route, spread over more than 3,400m2 and combining breathtaking scenery and giant balloons, takes you on a journey through nine drawn worlds. It's an educational experience developed in collaboration with publishers and various partners.

 

Curious? Follow the guide.

9 worlds

Bob et Bobette/Suske &Wiske (Willy Vandersteen / Standaard Uitgeverij)

 

You start your immersive journey with Spike & Suzy (Bob & Bobette in French, Suske & Wiske in Dutch). Professor Barabas welcomes you in his strange laboratory. It is here that the famous duo reveals the secrets that link them to Brussels. What's more, Spike & Suzy are celebrating their 75th anniversary this year! It's a great opportunity to discover the new giant balloon bearing their faces. You can also see the heroes in their famous car 'Vitamitje' (Vitaminette in French), one of professeur Barabas' thousands of inventions, which appeared for the first time in the album 'De sprietatoom' (le Rayon Magique in French) in 1946.

Yakari (Joris Chamblain, Job & Derib / Le Lombard)

 

A very different world reveals itself to you here; that of Yakari. By the new giant Yakari balloon and in the setting of a real native American village, you learn the history of Yakari and his people. They have a rich past, full of history and legends, and have a lot to teach us about respect for nature and ecological values.

Yasmina (Wauter Mannaert / Dargaud) (French)

 

Go for a stroll through the big vegetable garden belonging to Yasmina. Salads, pumpkins, carrots, edible plants, ... Yasmina, a talented young chef, gives you her tips for 'good food'.

Lucien et les mysterieux phenomenes (Le Lay & Horellou / Casterman) (French)

 

Discover the unique decor of Lucien et les mysterieux phenomenes (Lucien and the mysterious phenomena). Do you know Art Nouveau? Inside Mr Price's splendid building you will learn more about this architectural and artistic movement. The art of 'living together' is also a theme specific to his world.

Alternative comic strips

 

Ten young Belgian authors present their wonderful worlds. An exhibition introduces you to alternative comic strips with original works by Charlotte Pollet, Mortis Ghost, Gabri Molist, Aniss El Hamouri, Felix Laurent, Exaheva, Aurelie Wilmet, Rebecca Rosen, Stephane de Groef and Mathilde Van Gheluwe. Each author edited a comic strip with alternative comics publishers.

Star Wars - 501st FanWars Garrison South Belgium

 

Welcome to a galaxy far, far away. FanWars and its garrison of empire soldiers accompanies you through a decor filled with a 6m AT-AT and a giant BB8 balloon, both well-known to Star Wars fans around the world.

Korean Webtoons - The Korean Cultural Center

 

What is a Webtoon? They're digital comics which are loved by Koreans. Discover this new trend thanks to the Korean Cultural Center in Brussels.

L'Eleve Ducobu (Zidrou et Godi / Le Lombard)

 

It's the perfect opportunity (or not) to go back to school. Ducobu, the nation's favourite dunce, welcomes you to his classroom and gives you some tips on how to cheat. You never know, they could come in handy...

Gaston (Franquin / Dupuis)

 

At a time when teleworking is in vogue, discover the unlikely office of Gaston Lagaffe and his zany inventions. But how does he ever get any work done?

The giant balloons and Billy and Buddy's 2CV

 

Your comic strip stroll is accompanied by about fifteen giant balloons distributed all along the route. You'll find the stars of the Balloon Parade floating in the heart of the majestic Gare Maritime at Tour & Taxis. Ducobu, Spirou, Tintin, a Classic Smurf, Papa Smurf, Lucky Luke, Gaston Lagaffe, BB8, Blork, Le Chat, Billy, Yakari (new 2020), Spike & Suzy (new 2020), Dooly, Toto and the Atomium... they're all here. Even Moucherot, the hero of our 2020 poster by Francois Boucq, will make an appearance for this edition.

 

Exclusive! The Comics Art Museum has also brought out Billy & Buddy's 2CV.

 

( Balloon's Day Parade

Journal Tintin Rally )

A 10-sided tato box with a point instead of a bottom. I was looking for something that would accomodate a 10 line ballade stanza. Also, makes a nice top.

 

Left, 11 inch 60 lbs. cobalt bond. Right, 8 inch gray linen résumé paper.

 

Crease pattern available.

Endogenous lipid pneumonia, sometimes called obstructive pneumonia, develops from the accumulation of lipid-rich debris from destroyed alveolar cells, typically in the setting of bronchial obstruction or chronic inflammation. Unlike exogenous lipid pneumonia, which results from aspiration of external lipid materials, endogenous lipid pneumonia arises from endogenous lipid sources within the lung parenchyma.

The pathogenesis involves disruption of normal alveolar cell turnover and lipid metabolism. Bronchial obstruction leads to impaired clearance mechanisms and accumulation of cellular debris distal to the obstruction. Chronic inflammation damages alveolar epithelial cells and type II pneumocytes, releasing cholesterol and phospholipids into the alveolar spaces. These lipids are then phagocytosed by alveolar macrophages, which become engorged and transform into characteristic foamy macrophages.

 

Image contributed by Dr. Yale Rosen - @yro854

Karate For Kids

 

Karate for kids classes in Cave Creek, Chandler, Mesa, Glendale, Arizona are taught in a method to develop life skills such as respects, enhanced self-discipline, greater confidence and respect in children. The karate for kids programs with the local ATA martial arts schools doesn’t only teach how to kick and punch. The karate classes will teach kids the valuable life lessons of self-control and the ability to defend themselves. All of the Karate Kids classes teach the attributes necessary to be a confident individual within our community.

 

Our Local ATA Martial Art schools in Cave Creek, Chandler, Mesa, Glendale, Arizona have carefully designed the karate programs for the youth within the community- age appropriate programs that are specifically aimed at the child’s development both physically and mentally. These karate lessons are taught through a top ranked and nationally recognized “Karate For Kids” program, that has a well established training curriculum designed school aged students.

 

bullying seminars, martial arts business coaching mesa karate, chandler karate, cave creek karate,

 

#1 with parents in the ATA Karate Schools in Cave Creek, Chandler, Mesa, Glendale, Arizona is the renowned Karate for Kids character development “ATA Life Skills” program designed for personal Victory in Martial Arts with skills such as perseverance, integrity, courtesy, self-esteem and the respect for others while incorporating social life skills that develops naturally within the group.

 

It is always a good time to start a program at one our three locations as the #1 Karate For Kids schools in Las Vegas and Henderson. Together with kids their own age, every youngster can mature and grow with the self confidence that a karate kids program develops within them.

  

Martial Arts Classes For Women

 

In today’s world of fitness, women are looking for a structured and interesting workout in a manner to stay fit that breaks away from their traditional daily routine. Repeating the same exercise every day can be draining and break ones motivation and is rarely goal oriented. It isn’t the normal daily gym workout. ATA Martial Arts of Cave Creek, Chandler, Mesa, Glendale, Arizona is a training facility that women are finding the variety of goal oriented conditioning that is exciting. While the physical nature of martial arts is rewarding and a personal martial arts victory, it also teaches the self defense and survival tactics that is needed in todays ever changing world.

 

There are many important mental and physical health benefits in our women’s martial art classes in Las Vegas and Henderson. While toning vital muscles and building coordination will enhance self-confidence, awareness and increase cardiovascular is health. Women who Attend ATA karate classes will improve balance, flexibility, increase exercise stamina levels while developing a greater sense of self-esteem, hence the term… “Victory” in Martial Arts.

Martial Arts have been known to provide much needed stress relief, promote self-control, concentration, and boost the ability to remain calm under stress. ATA Martial Arts routines are even helping women keep their memory sharp on a day-to-day basis!

 

Cave Creek, Chandler, Mesa, Glendale, Arizona ATA Martial Arts facilities are the community martial arts experts that provide rigorous karate classes for women of all ages to develop their strength of body and mind.

 

It’s a fact! Women are breaking away from their traditional exercise routines such as gym workouts and finding balance, freedom and motivation at ATA Martial Arts. It’s time for you to experience the benefits of karate classes designed for women with the community Martial Art experts in Las Vegas and Henderson.

   

Adult Martial Arts Classes for Men

 

Martial Arts classes for men in Cave Creek, Chandler, Mesa, Glendale, Arizona is more then just kicking and punching. ATA Karate Classes create a stronger self awareness, enhanced confidence, greater focus, and a true Victory in Martial Arts for men of all ages.

 

In an adult class a karate student will train will practical concepts in a safe, clean and enjoyable facility, while incorporating life skills to de-stress from life’s everyday challenges. Las Vegas ATA Martial Arts and Henderson ATA Martial arts offers three location to serve our community. Learning a skill set that will stick with you for life, no matter what age, allowing you to gain the self confidence desired so that you can feel comfortable with confrontation in any real life situation.

 

As one of the top martial arts training facilities in the community our Martial Arts programs such as Karate for Kids, Taekwondo and MMA and Fitness is a key method of enhancing the body’s functions, including flexibility, coordination, and balance with strength and endurance. Yes! It relieves stress while having some fun as well as meeting new people. As an adult, you do not need to have prior training before you get into a Martial Arts class. ATA Martial Arts has a defined teaching curriculum designed to take each student to the peak of their performance while greatly enhancing their skills creating a personal “Martial Arts Victory”.

    

KRAV MAGA & MMA FITNESS

Krav Maga and ATA’s MMA and athletic training is combined to provide a diverse full body workout while incorporating real life scenario drills for self defense.

This class features a structured curriculum that is in continuous motion utilizing all levels of MMA and Krav Maga skills with self defense drills in a manner to enhance cardio-respiratory for your cardiovascular system. Krav Maga students don’t’ just perform blocks, punches, kicks and movements you would find at a gym to music or in the mirror, students train in an environment that is preparing them for real life conditions.

 

The Krav Maga & MMA Fitness in Cave Creek, Chandler, Mesa, Glendale, Arizona is a true Conditioning Program that specializes in a Total Body Workout that doesn’t feel like to boring fitness class you may have taken before. Krav Maga Conditioning Program brings a fresh experience and keeps each and every student motivated in class on a day to day basis.

With a strong dedication and commitment to the Krav Maga and MMA Fitness Training student, Krav Instructors teach a combination of strength training, combatives, flexibility skills, and workouts with our top notch academy training facility. There is a emphasize on muscular strength and cardiovascular endurance for Krav students in Henderson and Las Vegas while instilling the distinctive awareness and self defense techniques needed for street survival in our ever changing world.

Correct body alignment to maximize efficiency can be key, our team of professional instructors will work on refining Krav Maga technique through exciting repetition drills and training.

All levels of Krav Maga, MMA & Fitness from the beginner to the experienced can train at anyone of our three locations. Call today and don’t delay.

 

www.karatebuilt.com

   

16 September 2020. The Governors of ADB’s 14 Pacific developing member countries met with ADB President Masatsugu Asakawa, Vice President (Operations 2) Ahmed M. Saeed, and the Pacific Department’s management team to discuss critical development issues facing the Pacific, which have become more challenging due to the COVID-19 pandemic, and the role of ADB in supporting Pacific countries as they respond to these challenges.

 

ADB’s 53rd ADB Annual Meeting of the Board of Governors (2nd Stage) will be held via virtual meetings and online seminars from 17 to 18 September.

 

At the event, Ministers from ADB members, ADB Management, and development and industry experts will discuss a range of issues confronting Asia and the Pacific as it responds to the coronavirus disease (COVID-19) pandemic. Webinar topics include universal health coverage, regional cooperation, technology and investments, resilient and inclusive recovery, and domestic resource mobilization. View the full list of webinars and meetings.

 

The first stage of the 53rd Annual Meeting comprised a reduced-scale meeting of the Board of Governors on 22 May, during which Governors approved ADB’s financial statements and net income allocation in line with ADB institutional requirements.

Hasselblad xpan 2, Fomapan action 400, self developed with fomatol LQN

  

Developed using darktable 3.0.2

HPD pupils are developing concept models as part of their Developing Design Proposals Unit. As usual lighting remains a popular choice. Pupils are also developing proposals on themes as diverse as seating, kitchen utensils and sportswear equipment.

 

Good to see evidencs of great strides being made in quich modeling techniques using materials like plasticine, copper wire, plywood and foam. The glue gun gets a lot of use at the moment as does the bandsaw and fretsaw.

 

Fortunately, Cathy, our cleaner has been very understanding. The mess at times you would not believe!

 

Good work everybody. Have a great Christmas break, get some rest. You'll need all your energy for the new year!

16 September 2020. The Governors of ADB’s 14 Pacific developing member countries met with ADB President Masatsugu Asakawa, Vice President (Operations 2) Ahmed M. Saeed, and the Pacific Department’s management team to discuss critical development issues facing the Pacific, which have become more challenging due to the COVID-19 pandemic, and the role of ADB in supporting Pacific countries as they respond to these challenges.

 

ADB’s 53rd ADB Annual Meeting of the Board of Governors (2nd Stage) will be held via virtual meetings and online seminars from 17 to 18 September.

 

At the event, Ministers from ADB members, ADB Management, and development and industry experts will discuss a range of issues confronting Asia and the Pacific as it responds to the coronavirus disease (COVID-19) pandemic. Webinar topics include universal health coverage, regional cooperation, technology and investments, resilient and inclusive recovery, and domestic resource mobilization. View the full list of webinars and meetings.

 

The first stage of the 53rd Annual Meeting comprised a reduced-scale meeting of the Board of Governors on 22 May, during which Governors approved ADB’s financial statements and net income allocation in line with ADB institutional requirements.

Airesflex

 

Fujifilm Neopan 100 ACROS

 

Developed in TMAX developer

 

view large

Elk Island Park

Fuji GW 690 III / Fujinon 90/f3.5 / Kodak Ektachrome EPP 100 S@50, D@100

2009/1/12

日本、東京、大田区、多摩川

 

Shot at ISO50, Developed at ISO 100

 

See where this picture was taken. [?]

Fossil of the day 12 December COP25

 

1st 🇺🇸 US (again!) for blocking money for victims of severe climate impacts for 6 years now!

 

2nd - Developed Countries especially 🇪🇺🇨🇦🇦🇺 for lack of ambition in #lossanddamage for vulnerable countries

 

🇦🇺 Australia for using carbon market loopholes

 

#RayoftheDay 🌅

 

For the people rolling up their sleeves to take on the fossil fuel industry

 

🇵🇭 Philippines - climate activists petitioning #CarbonMajors for human rights

🇳🇴Norway-fighting extraction in the Arctic

Indigenous heroes from the 🇧🇷Amazon to 🇦🇺Australia

 

Today we have in first place for the fossil of the day award the United States of America (USA) (again and again)!

 

The main reason is for generally really standing in the way of any money going to the people suffering from climate change. This has been going on for at least six years. This should really raise eyebrows about the country´s lack of empathy. Are there real people in office in the US People with actual hearts? Or have they replaced their humanity with a lump of coal?

 

First inhumanity, and now they put on full display their paranoia! They are afraid of being held accountable for causing droughts in Africa. They are afraid of being held accountable for the drowning of the Pacific; the destruction of entire civilisations. Actually, they should be held accountable but this is not what the Paris Agreement is about. It is about international cooperation, no developing country talked about liability. Yet the US insists on language on liability and compensation in the draft COP Decision text on the Review of the Warsaw International Mechanism on Loss & Damage (WIM).

 

Hey US you are on your way out, you are not giving a single dollar to the Green Climate Fund and now you don’t want any help to get to the people bearing the brunt of the mess you created! And still, you want to be part of the WIM’s Executive Committee! Pay up or step out, let others move forward already.

 

The Second Fossil of the Day award goes to developed countries with special mention to the European Union, Canada and Australia for showing lack of ambition in responding to vulnerable peoples’needs on loss and damage.

 

The WIM Review unofficially began on December 1st, and the overwhelming message was that finance to address loss and damage must be an outcome of COP25.

 

Two weeks later, poor and vulnerable countries and civil society are wondering if developed countries attended a different meeting on December 1st.

 

While we acknowledge they have been less problematic than the US, developed countries, including Australia, Canada and the European Union have done very little very late to advance discussions on loss and damage finance age. It’s especially confusing when all three have agreed that existing climate finance is insufficient. Anyhow, aren’t they the rich people in the room? And part of the club that caused the problem in the first place? Why is it so difficult for them to pay for the damages they are still causing. Also…hey Canada… isn’t high time you differentiate yourself from cronies like Australia and the US?

 

It is beyond us to understand how developed countries can sit by and continue to twiddle their thumbs whilst vulnerable communities in developing countries experience severe losses and damages. You have one day left to show you want to be on the right side of history!

 

The third fossil award goes to Australia - for using carbon market loopholes to meet its climate targets

 

We award this fossil to Australia for planning to cheat the atmosphere by carrying over its credits from the Kyoto protocol. Instead of cutting greenhouse gas pollution, Australia is using creative accounting. Please bear with us now: Australia plans to count surplus carbon credits from exceeding previous targets against future targets. Regrettably, this was allowed under the old Kyoto protocol, but it is not even mentioned in the Paris agreement. No country in though about such trickery.

 

To make things worse, since the Paris Agreement is a new and separate treaty, this is not even legal stuff!

Hey Australia: Article 6 deserves some more love here instead of your distractions. When you rig your climate target you shouldn't showcase this as "overachievement". You must do more in the future, not less. Please stop cooking up the books, stop shifting carbon pollution around. Grow up, be a responsible adult and get over Kyoto, it´s long gone now!

 

The Ray of the Day goes to the people rolling up their sleeves to take on the fossil fuel industry

 

We would like to especially mention:

The activists from the Philippines who petitioned the Philippines Commission for Human Rights to denounce the responsibility of the Carbon Majors for climate-induced human rights violations

The amazing Norwegians campaigning to denounce fossil fuel extraction in the Arctic and who will be facing the government in court tomorrow - hoping that the judge will realize how incompatible large scale fossil fuel extraction is with the right to a healthy environment for present and future generations

The indigenous heroes, from the Amazon to Australia risking their already vulnerable lives to fight fossil fuel development on traditional land and to preserve cultural and environmental integrity

 

These heroes are leading the charge in bringing down the real elephant occupying the UNFCCC hallways and backing the deniers and the blockers. Hur-Ray to the people! They are the hope and they will prevail!

 

About the fossils:

Every day at 18:00 local time you can watch the Fossil ceremony in Hall 4 during COP25.

 

The Fossil of the Day awards were first presented at the climate talks in 1999, in Bonn, initiated by the German NGO Forum. During United Nations climate change negotiations (www.unfccc.int), members of the Climate Action Network (CAN), vote for countries judged to have done their 'best' to block progress in the negotiations in the last days of talks.

 

About CAN: The Climate Action Network (CAN) is a global network of over 1,300 Non-Governmental Organizations (NGOs) in more than 120 countries working to promote government and individual action to limit human induced climate change to ecologically sustainable levels.

 

Watch the Facebook livestream video

 

Attribution: John Englart/Climate Action Network

2nd Regiment, Advanced Camp Cadets develop critical skills during the Platoon Situational Training Exercise at Cadet Summer Training 2018. (Fort Knox, Kentucky, 24 June) Photos By: Jakob Coombes

developed in the fridge

Pacific Northwest National Laboratory's scientists are developing low enriched nuclear fuels that can be used in conventional nuclear reactors. These developments are key to proliferation countermeasures. This cross-section of an irradiated fuel plate, taken with a remote operated Nikon 200MA inverted microscope, shows uranium-molybdenum metal grains resting on aluminum cladding material below a layer of zirconium.

 

Terms of Use: Our images are freely and publicly available for use with the credit line, "Courtesy of Pacific Northwest National Laboratory." Please use provided caption information for use in appropriate context.

Fuji GW690

Provia 100F (expired 2004)

self-developed in Tetenal Colortec E-6 kit

Following my penguin sketches, I've been developing some cute little characters. No idea where, how or why they are dancing with Maracas, but as long as they're having fun :o)

 

Found a fabulous song Maraca Rock by Rachel Rambach

 

kidsmusictown.com/childrenssongslyrics/artists/rachelramb...

 

Thanks Rachel for giving me permission to display these lyrics.

© Rachel Rambach. All rights reserved.

 

Check Rachel out on www.rachelrambach.com/

 

The badge of Queensland developed from the need to include a seal or badge in the design of the state flag.

 

The badge was adopted as part of the state flag on 29 November 1976. It is officially described as "On a Roundel Argent a Maltese Cross Azure surmounted with a Royal Crown".

 

It was designed by William Hemmant, the then Queensland Colonial Secretary and Treasurer. It is not known why this was chosen as a suitable badge.

 

However, it is interesting to note that a Maltese Cross is the final stop on the legend band around the Great Seal of Queensland (1859). The Royal Crown also appears on this seal.

 

It was last altered in 1963, after Queen Elizabeth II decided to reproduce the Crown during her reign.

 

Description source:

Queensland Government

 

View the original record at the Queensland State Archives:

Item ID 1055857

Developed using darktable 3.0.0

developed raw

Developing thunderstorm, photographed near Ardmore, South Dakota, on May 28, 2016.