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DEVELOPERS- TV, es un magazine televisivo, orientado a impulsar y promover los desarrollos inmobiliarios. Con una duración de 25 minutos, en un formato ágil y entretenido. Con todo el glamur que solo Eva Ramos le sabe dar. Se transmite por el canal Riviera Maya tv Online ( www.rivieramayatv.org ).
DEVELOPERS- TV llega a una importante audiencia nacional e internacional, ingresando a sus trabajos y hogares, mostrando lo más destacado del ¨luxury lifestyle¨ de las zonas más espectaculares de México.
“Posibilita a los futuros clientes visitar, conocer, y recorrer los desarrollos sin tener que moverse de su lugar de origen.”
Just downloaded Flock. A new browser developed on the Firefox core. Interesting tools such embedded blogger, flickr and del.icio.us native integration.
Well, four round tables and a rectangular one.
Tanguy K leading the crew and regaling us with stories of OWBuild
Copyright Aurélien Gâteau
FatRedCouch delivers exciting interactive experiences that connect brands, companies, and authors with new audiences on the worlds fastest growing new platforms. We develop interactive applications, books, appisodes, and games that engage, delight and ultimately immerse audiences in story and brand on a new level. We develop ideas from the earliest stages through complete production and marketing.
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Senior Airman Daniel Burkhardt and Staff Sgt. Christopher Bevins, both Air Force broadcast journalists currently supporting Joint Task Force – National Capital Region, a task force of Department of Defense military and civilian personnel stood up in support of the 57th Presidential Inauguration, put the finishing touches on a cellphone application Jan. 14 that they designed from the ground up to provide real time information on the historic event. Burkhardt and Bevins have come from 11th Wing Public Affairs on their home station, Joint Base Andrews, Md. Their app, called “Inauguration,” was released by Apple Inc. Jan. 14 and is currently available through the corporation’s App Store. (U.S. Army photo by Sgt. Christopher M. Gaylord, 5th Mobile Public Affairs Detachment)
The Khronos held their fall Face to Face in San Antonio this year. The F2F is a Khonos member event that happens 3 times a year. It gives all members a chance to meet and discuss the future roadmap, bugs and development of Khronos technology. Oh, and to have a little fun as well!
The iPhone apps developer is in a comfortable state – how long he stays that way is debatable. With competition breathing down the neck, it’s no time for complacency. As they say, Apple should “pull up their socks” and strive to maintain, if not, better their product portfolio. For the developers, they should be prepared to work with and for evolving platforms.
ref.: www.allvoices.com/contributed-news/14258716-if-you-are-an...
Photograph from Mobile Developer Summit 2012 held in Bangalore, India, 9-10 October 2012, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.
Mobile android developer ideas really are a curious commodity. Some appear destined for glory before they’re even performed. Others make time to mature and want refinement the entire way with the development process.
The minds themselves may come from numerous places. For many developers, ideas fall in the sky like apples shedding from the tree. For other people, it requires experience to determine solutions where others see only problems.
What should you can’t watch for gravity to start working? Have you got the abilities and time but deficiencies in direction? Take a look at these pointers for picking out original mobile application ideas within a few minutes.
1. Solution-Based Application Ideas
Among the best ways to generate mobile android developer ideas is to produce a solution for any problem people face within their everyday lives.
First, you have to identify an issue that you simply experience regularly. Are you able to consider a strategy to get this to problem less prominent? If you're able to, you very well may be at the bottom of the new application idea. Can this solution be performed by having an application? If the reply is yes, then there’s a high probability you’re onto something. The final factor you need to think about is do others have a similar problem too? If the solution to this is yes, then you've a good idea for any new application.
mobile_application_ideas_5
This can be a common method for creating newly discovered apps and companies generally. It really works mainly because android developer encourages you to check out things basically. It’s much simpler to repair a fundamental problem than to generate an intricate and brand-new idea. And when you realize the issue yourself, then you’re inside a good position to repair it.Canvsly is a superb illustration of this method. The application was produced by Amit Murumkar.
My first experiments with a low-contrast, home-made push developer.
The formula comes from a patent by Anneman that probably was a precursor to the now unobtainable Perfection XR-1 developer. Perfection XR-1 seems to have been based on POTA and was capable of pushing ultra-fine grain and microfilms by two stops while keeping grain small and contrast acceptable. In a discussion of the patent, Gainer suggested a variant that is a concentrate and that replaces the hydroquinone and sulphite in the original by ascorbic acid.
It is that concentrate that I have tried to recreate and test. My recipe was:
Dissolve in 100ml of hot triethanolamine
Phenidone 3.8g
Metol 0.6g
Ascorbic Acid 2.3g
Borax 1.9g
and allow to cool. The concentrate is a pale straw colour.
I convinced myself that a good starting point for a film like Bluefire Police film would be a dilution of 1+200 for 60 minutes at 20C stand developed. That's what I have done for the four images posted here.
This first image shows a scene as it came out of the scanner and, for comparison, the same after the contrast had been slightly reduced in Photoshop.
As a first attempt with the developer I'm pleased with it. Points worth noting I think are:
- minimal or no base fog, despite the 60 min stand
- a working temp of 20C, as opposed to Perfection XR-1 that typically had to be used at 30C or higher
- minimal grain: I can't see it at the scanning resolution I used (4800dpi on an Epson Perfection V700)
- stand processing, rather than frequent agitation
- about 2 stops push over the box speed, which for Bluefire must be about EI 20 or possibly less.
I also got a more moderate contrast using this Anneman-Gainer developer than I did using Bluefire's own, so I count that as a success. The results came out looking like Rollei Retro 80S when I develop it in Rodinal, but if anything finer-grained and with slightly less contrast.
This is obviously not the optimal dilution/timing/method for this developer, but I think it shows promise and it is very, very easy and cheap to make. It would be great if I could encourage anyone else to play with it.
I hope to expose some Rollei ATP 1.1 tomorrow, weather permitting, and try the same time and dilution on that.
Feel free to link to this post if you know any other discussion groups or websites where it might be of interest.
Zorki 1 with Jupiter-12
Bluefire Police film @ 80
Stand dev in Anneman-Gainer developer 1+200 for 60 mins, 30s initial inversions + 1 inversion @ 30mins.
ADDED: The ATP 1.1 needs something stronger that 1+200 / 60 mins. When I get some more I'll try 1+100 for the same time.
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Central Park Lake, Majestic Apartments
Upper West Side, Manhattan
The Majestic is one of five towered skyscraper apartment buildings which define the impressive skyline of Central Park West. Erected in 1930-31 by the Chart in Construction Company, headed by architect and developer Irwin S. Chanin, it is an excellent example of the Art Deco style in its streamlined later phase. Chanin had attended the highly influential 1925 Paris exposition of decorative arts, and returned a convert to the "modernistic" style. The Majestic was the Chanin organization's first "experiment" ^ in applying the Art Deco style to residential building. The Majestic successfully adjusts the city's housing laws to the new style; its soaring twin towers are a response to new regulations enacted in 1929. Although built during the Depression, it belongs to the luxury apartment building genre of the 1920s. While the Majestic's sparing use of ornament and simple materials reflect its date of construction, the resulting austerity is an integral part of the building's stylistic imagery.
Central Park West, the northern continuation of Eight Avenue bordering on the park, is today one of New York's finest residential streets, but in the mid-nineteenth century it was a rural and inhospitable outpost, notable for its rocky terrain, browsing goats and ramshackle shanties. With the creation of Central Park in the 1860s, followed by Riverside Park (begun 1876), as well as a series of transportation improvements such as the Ninth Avenue Elevated Railroad (1879), the Upper West Side in general experienced a period of intense real estate speculation. The 1880s were the first decade of major development, and set the pattern for the Upper West Side, where rowhouses line the side streets, and multiple dwellings, commercial and institutional structures are sited on the avenues.
Not surprisingly, those avenues closest to the parks, Central Park West and Riverside Drive, were immediately considered the most desirable. The potential of the parkside avenues for development as prime locations led to an anticipatory increase in land values; prices rose to such extravagant heights that many speculative builders shied away from row house and tenement construction, from which they would realized relatively meager returns, while the very wealthy, who could afford to build mansions for the most part remained on the more fashionable East Side.
The Majestic is a thirty-one story apartment building with a massive nineteen-story base which conforms to the lot line, extending from 71st to 72nd streets along Central Park West, and 225 feet westward along 72nd Street, 187.6 feet along 71st Street, with an interior courtyard.
Setbacks begin at the fourteenth story and continue to the nineteenth, above which rise the large twin towers. The three main entrances appear on each facade and are enframed by rose and black polished granite which also forms the watertable. These enframements are simply detailed with grooves. Office doors also appear at the first story. The first three stories of the building are faced with light gray cast stone. Where the piers appear this stone has been ornamented with notches above the third story.
The building from the fourth story up is faced in yellow brick. At the corners of the building, including the towers, the brick has been laid in a striated pattern between the windows. Uninterrupted piers articulate the base of the building on all three facades directly beneath the towers, and also appear on the side elevations surrounding the entrance bays. These piers also continue in the towers, creating a strong vertical element in the elevations. Beneath the windows which are flanked by these brick piers are panels of simple rectangular tiles, which form a slight convex curve, animating the wall surface. At the setbacks terraces are surrounded by simple metal railings. The original windows contain metal casements with upper and lower transoms.
The windows are varied in size, but the majority are bi- and tripartite. Some tripartite windows have sidelights. Single-paned windows appear beneath and in the towers, emphasizing their verticality, while windows with three panes, appear elsewhere and provide a horizontal counterbalance. The comer wrap-around windows contain three sections, with three panes on the north and south sides and eight sections with three panes on the east. The square-headed tower terminations on the east elevation above the piers are ornamented with simple abstract sculpture, typical of the Art Deco style. The rounded terminations on the wings at the west sides of the towers are faced in stone and are again typically Art Deco.
- From the 1988 NYCLPC Landmark Designation Report
Photograph from Mobile Developer Summit 2012 held in Bangalore, India, 9-10 October 2012, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.