View allAll Photos Tagged developer

FP4 N+1 in Tanol,

Gold toned Kallitype after fixer,

paper Hahnemühle Platinum Rag

developer Sodium acetate

Delta 100 4x5 in MZB,

Kallitype on HPR, Ferric oxalate no.4 toner test, Sodium acetate developer.

Platinum toner (6th print in 250ml) 70 seconds.

Chair and drying octopus, Parikia, Paros

July 1975

photo by Mary Lou

2400 dpi scan of a 6x6 cm Kodak VP120 negative

Mamiya C220 TLR, 80 mm lens

Affinity Photo

White Sunday in Hürth

Rolleiflex T, Delta 400 @ ISO 800 in Finol,

Kallitype on HPR, Rochelle salt developer, MT10 Gold toner 4 minutes prior to fixing.

With Gray Crag in the background.

A photo that hath been greatly messed about with in SilkyPix for the purposes of uploading on Sliders Sunday. HSS!

It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.

Fuji X-Pro1.

FP4 N+1 dev. Tanol,

Kallitype onto HPR,

developer Potassium sodium tartrate/Sodium tungstate mixture.

 

Zenza Bronica ETRSi

Rollei Retro 400 S

Moersch ECO developer

The southwestern point of Bald Head Island, where the Cape Fear River meets the Atlantic

 

Pentax K-1

SMC Pentax 1:3.5 28mm

Iridient Developer

Holga 120N Tri-x in efd.

 

Quality control is carried out after each production of ferric oxalate. I do not rely on the test for residual iron II salt, only the result after printing is really relevant.

Because different developers have their own characteristics in terms of maximum blackening, colour and susceptibility to fogging, I allow myself the pleasure of playing with developers.

 

Kallitype onto HPR,

Sodium acetate developer.

 

Delta 100 4x5 in MZB,

Kallitype on HPR, Ferric oxalate no.4 toner test, Sodium acetate developer.

MT3 Vario toner: bleach 1+50 30 secs, toner setting A50+40+900ml 30 secs.

Liebe Freunde und Kunden, ich freue mich über jede Bestellung, aber wenn es an Eurem Wohnort ähnlich aussieht wie auf diesem Bild, müssen wir mit dem Versand zu warten, bis es ein wenig wärmer wird. Wässrige Lösungen neigen dazu, bei frostigen Temperaturen zu gefrieren, wobei die Inhaltsstoffe kristallisieren und oft nur schwer wieder (durch Erhitzung) in Lösung gebracht werden können.

 

Dear friends and customers, I am delighted to receive every order, but if your place of residence looks similar to this picture, I suggest waiting until it gets a little warmer before shipping. Aqueous solutions tend to freeze in frosty temperatures, causing the ingredients to crystallise and often making them difficult to dissolve again (by heating).

 

Hasselblad Planar 80mm, Plus-X rated at 400 ASA, developed in eco film developer 2+1+40 22°C 17 mins.

Gold toned Kallitype on Hahnemühle Platinum Rag.

 

Coastal oak forest with an understory of Saw Palmetto (Serenoa repens), Big Talbot Island State Park

 

590nm IR-converted Pentax K-5

SMC Pentax-A 1:2.8 24mm

Iridient Developer

Late afternoon on a walking track around local coastal wetlands in Sydney, March 2021.

 

Camera: Canon EOS100

Lens: Canon EF24-105mm f/3.5-5.6 IS STM

Film: Ilford HP5+

Developer: Ilfotec HC dilution 1+47

Scan: Epson V700

Post processing: Lightroom 6

 

Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2021 Lynn Burdekin. All Rights Reserved.

Bald Head Island

 

Pentax K-1

SMC Pentax 1:3.5 28mm

Iridient Developer

Holga 120N, Adox CHS100 II in efd,

Kallitype, Hahnemühle Platinum Rag, Sodium citrate developer.

Seen in the Church of St. Ignatius in Dubrovnik Old Town

Zenza Bronica ETRS

Rollei RPX400

Moersch ECO developer

 

Where to end this nostalgic search for lost time? Perhaps by saying goodbye to my parents. My last photo of my father (with C) in Mallorca in 2001. I was on a whirlwind tour: Colombia, UK, Ghana, Nigeria, UK, Spain, UK, Colombia, the US and back to Cali, Colombia, where I was working at the time. Jack died a couple of days after Christmas, one month after my third child was born, who was named after his grandfather. www.theguardian.com/news/2002/jan/19/guardianobituaries.b...

Zenza Bronica ETRS

Rollei RETRO 400S

Moersch ECO developer

Mount Grace Priory, North Yorkshire, UK

Kallitype

Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:

untoned

MT10 Gold toner

MT3 Vario toner (thiourea)

developer: gearbox software

Illustrations/code-names for the development team here at work.

 

If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.

View toward Simpson Creek and Long Island, Big Talbot Island State Park

 

590nm IR-converted Pentax K-5

SMC Pentax-A 1:2.8 24mm

Iridient Developer

en.wikipedia.org/wiki/Pow%C4%85zki_Cemetery

 

Leica Vario-Elmar-R 1:3.5/35-70 E67 (S/N: 3662380)

Agfa APX 400 @400ISO

Fomadon Excel 1+1 for 12 min. (20C)

(Meopta Flexaret IV; Ilford FP4+ developed in Moersch Eco Film Developer; digitized with DSLR; edited with GIMP)

Dead developer browns - the death of me. Only two images in this whole pack weren't completely dead! Arghhh.

Camera: Nikon F6

Lens: Zeiss Makro-Planar T* 100mm F/2

Film: Kodak Ultramax 400

Developer: Lab

Scanner: Lab

Software: Camera Raw

Beginners in the technique of Kallitype often ask which developer they should choose.

Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.

Mushrooms in Bothell, Washinton.

 

Camera: Ricoh Diacord L

Lens: Rikenon f/3.5 8cm with Rondo Close-up attachment II

Film: Fujifilm Neopan Acros II

Developer: Beerenol (Rainier beer)

Leica M2

Leica Summilux 35mm f/1.4 II

Ferrania P30

Adox Silvermax Developer (1+29)

11 min 20°C

Scan from negative film

Mamiya C330 Prosfessional

Sekor 80/2.8

Ilford Ortho Plus

HC-110 Developer

DsLr DiGiTiZeD

PS 2023

Aria on the Bay is a high-rise condominium located in the Omni/Edgewater neighborhood at 1770 North Bayshore Drive, Miami, Florida, USA overlooking Margaret Pace Park and Biscayne Bay in Miami's Arts & Entertainment District, Aria on the Bay location is conveniently located to Downtown Miami, Design District, Wynwood, The Beaches and Brickell. It was approved at a height of 535 feet (163 m) in 2015 after an initial notice of presumed hazard by the FAA, who recommended a height of 460 feet. The 53-story building will have over 648 units ranging from 813-2365 sq ft as well as commercial space. Aria on the Bay is being developed by Melo Group and is designed by Arquitectonica who is handling the architecture, interior design and landscape.

 

Credit for the data above is given to the following websites:

en.wikipedia.org/wiki/Aria_on_the_Bay

www.buzzbuzzhome.com/us/aria-on-the-bay

Website | Twitter | 500px | Facebook | Instagram | Getty

 

They're windows developers, but not the Win32 kind!

Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.

 

Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?

 

Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.

 

Note: I chose this as my "photo of the day" for Nov 21, 2015

 

************************

 

In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.

 

I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…

Bonaventure Cemetary, Savannah, Georgia

 

Pentax K-1

HD Pentax-D FA 70-210mm F4 ED SDM WR

Iridient Developer

continuing to become better acquainted with this new-to-me Graflex Crown Graphic 2x3 and with working with sheet film generally. I like much about this image. Am puzzled though by thebreakdown of the surface into abstracted little tonal blocks (hinting at a Cezanne-like compartmentalization). Developer, fixer, developing process in general (temps, time, so on). The film? Ah, the many mysterious variables...

Nikon F

Nikkor 24mm f/2.8 ais

Kodak Tmax 400

Kodak HC-110 Developer

DsLr ScAn

LR/Negative Pro

Rolleiflex 2.8C Xenotar 2,8/80, with the Rollei Plate adapter, 6,5x9cm for 6x6 frame, Ilford FP4 Plus 125 film sheet, Romek PQ7 1+3 developer

Two uniformed police officers patrolling the beach in a public coastal reserve during the COVID-19 lockdown in Sydney, March 2020. Rollei 35S 40m f/2.8 Sonnar, Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.

Olympus OM-1

Zuiko 28mm f2.8

Kodak Vision3 500T color film

CineStill CS41 developer kit

Epson Perfection V800

Silverfast Ai Studio

Give me a Mouse,not a touchscreen.

A River Birch basks in morning light, Eno River State Park

 

Pentax K-1

SMC Pentax 1:1.8 85mm

Iridient Developer

Widelux F7

 

Ilford FP4 + ID-11 Developer. Fluid Scan - Epson V750 Pro.

1 3 4 5 6 7 ••• 79 80