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Dr Richard Pike and Dr R Mashelkar share a formal handshake setting the stage for brainstorming discussions among the UK and Indian delegates at the
'UK-India Developing Talent Workshop' held at the National Chemical Laboratory, Pune on 16-17th September 2010. Follow us on Twitter: www.twitter.com/ukinindia
Church of St Bartholomew, Coffinswell Devon
The village seems to have developed as a settlement beside the springs (one perhaps a sacred well) where the lands of 2 agricultural Manors of that time met. - Tavistock Manor to the north east owned from Saxon times by the Abbey of Tavistock who leased the land to a succession of tenant gentry. The other on the north and west known as the Lay Manor as it never belonged to the Church. In 1086 Lay Manor was held by Radulph Paganel and the Exeter doomsday survey of this year places both Manors in "Willa / Wille".
c1155 with the advent of the third manor of Daccombe to the south east, a site for a church was chosen where all 3 manorial boundaries came together and in 1191 the name of the area is givenas Wille et Daccumbe. (Later Church records of 1193 name it Willa et Daggecumba and a deed of 1225 mentions de Welle de Dacum).
c 1230 the Coffyn family acquired Lay Manor and by 1282 the Manor was called Welle Coffyn.
A visitation of 1301 reported that the chapel had a good missal with musical notes, an old gradale, a good troparium and ordinale, a legenda and psalter, an old monastic antiphonale, a manuale and hymnale. A fairly good chalice, gilt inside. Two complete sets of vestments and two alb, nine altar cloths. a thurible, wooden chrismatory and a wooden pyx for the eucharist without a lock. Also 2 surplices and a rochet, a lenten veil. a processional cross, two cruets & 2 bells for the dead..
By 1326 it was clearly differentiated from the Tavistock Manor by is name of Coffinswille, and consisted of the village of Coffinswell and the hamlet of Daccombe.
The Norman font www.flickr.com/gp/52219527@N00/7iNSyHF4ZM survives from the original building of c 1159 which was an oblong thatched structure of stone or cob with a small south chapel to the east, with narrow unglazed Norman windows .
It now consists of a continuous nave & chancel (the waggon roof extending from the east end to the west), a north aisle divided from the nave by 4 arches supported on columns with carved capitals, a small transept, north porch, and west tower
The earliest part now is the 70ft red sandstone two stage tower, now dark roughcast, dating to c1220, its walls 2.0 metres thick and not quite square with the nave It has 6 bells; (two being of pre-Reformation date (Henry Vll) inscribed in Old English lettering:" Protege Virgo Pia quos Sancta Maria" (Protect us, Virgin Pious, Holy Mary;) ; two date from 1626 and 1637, and have the inscription: "Soli Deo detur gloria" (Glory is given to God alone;) ; the latter was recast in 1894 when a fifth bell was added with the inscription: Sit Deo gloria" (To God be the glory) .; the sixth bell was added in 1904.
Glass windows in the decorated style were inserted mid-14c when a small south transept was built . A three-light granite window in the south-west corner near the tower was added in the 15c
The north aisle erected late 15c with 14c style windows was also thatched and a broad trench around it caught the rain dropping off the thatch. The most westerly column dividing it from the nave has several coats of arms which refer to the Holbeame family and their connections (Scobahull, Leyton, and Gambon). This suggests that the aisle was erected by John Holbeame, a local gentleman who died in 1473.
The chancel altar was at St Mary church before 1855, one of the several copies made in wood of the high altar in Cologne cathedral. An older oak table altar with carved sides stood in the vestry but was removed in 1925 to the chapel of the retreat house at West Ogwell. The altar rails of oak are carved in the Gothic style. www.flickr.com/gp/52219527@N00/9t90prBH82
The vestry was built in 1820, blocking the west window of the north aisle. inside are preserved the old stocks, remarkable for the fact that the board with the holes for the feet is flat instead of upright, so that the prisoners would either have to stand in them, or sit in a very cramped position. The old parish chest with slits for coins and two iron clasps for double locking. is also kept here, and some pieces of lead with foot and hand marks on them. ( It is said at one time visitors to the roof used to amuse themselves by tracing the shape of their hands and feet on the lead covering, and when the rood was re-leaded these shapes were preserved). devonhistoricgraffiti.org.uk/coffinswell-st-bartholomew/
The vestry has recently been refurbished with the facilities of kitchenette and WC, allowing for concerts and communal events to take place here
A fine granite cross in the churchyard was found supporting a cattle shed in the village. www.flickr.com/gp/52219527@N00/7Upg0S0o53
The registers date: baptisms, 1560; marriages, 1560; burials, 1561.
Near the church is Court Barton, a manor house of partly 16c date; the southern part of which was used as a court house by Torre Abbey. There are many traditional cob and thatch cottages of which 29 are listed.
Picture with thanks - copyright Legsie www.findagrave.com/cemetery/2543383/st-bartholomew%27s-ch...
my neighbor found a nice polaroid spectra at a yard sale. It came with film. :) $5. Could not resist. Now if she finds any film at yard sales I will have a camera for it. This was one of the shots I took with the film. Well, before it developed all the way. I liked the ghostly look of her. Looked like a miraculous Mary sighting in a water stain or something.
Developed in Microdol-X 1:3 16 MIn. 75 F.
Camera: Pentax K-1000
Lens: SMC Pentax-M 1.4/50
Film: Legacy Pro 100
Scanned from lith print. Arista Liquid Lith Developer. Fomatone MG Warmtone RC 332
SEE THE CAMERA AT THE LINK BELOW:
After this rubber vase. Because the only thing sillier than a rubber vase is a paper one.
From a circle, heptagonal symmetry. Crease pattern.
Leica M6 TTL, Soviet made Jupiter-8 50mm f/2 lens, Kodak TMAX 400 Stand Develop in 1:100 Rodinal for 60 minutes
ANTALYA, TURKEY - MAY 25: Fags of the United Nations and Turkey wave outside the Titanic Hotel where Midterm Review of the Istanbul Programme of Action, during the flag raising ceremony for the flin Antalya, Turkey on May 25, 2016. The Midterm Review conference for the Istanbul Programme of Action for the Least Developed Countries will take place in Turkey's Antalya from 27-29 May 2016. Murat Kaynak / Anadolu Agency
OwenMcKeon (McKeown) 8/87-7/6/48
A company 1st Batt DublinBrigade ,Roll of Honour. In 1916 Owen McKeon lived at 29 Earlsfort Terrace with his two brothers John and James.
He was a member of the Gaelic League where he developed a love of the Irish language which he spoke with proficiency, he was a musician and played the accordion, he was enjoyed Irish dancing the hornpipe being a personal favourite of his.
He worked as a law clerk (High Court) in the Four Courts Dublin He joined A company 1st Batt of the volunteers in August 1914 about the time of the Howth gun running and took part in Easter Rising of 1916.
On Good Friday he spent the day preparing equipment .There was a general mobilisation planned for, according to the news papers this was called off. Ignoring the notice in the paper he went to company H Q. to ascertain what was happening and was told to stay at home till 3 or 4 in the afternoon he made subsequent enquiries the same evening and was informed by M I Staines that everything was off at eleven o’clock Monday morning he was mobilised on arrival at parade grounds at 5 Blackhall St. he was informed that the company was taking action.
He first reported to Lieutenant O’Callaghan in a private hotel from there went across the wall into Cullinans yard He proceeded to nth.Brunswick St. where he assisted in the erection of barricades and the taking possession of two houses on either side then linking up communications. He took up position in one of the houses till later that day he was brought over to the Richmond Hospital where he stayed all night. He continued to move between the Richmond Hospital and North Brunswick St.and the junction of Church St as and when ordered till Saturday morning when he was brought to Moore’s coach factory at the lower end of BrunswickSt. where he spent most of the day till shortly before the truce he went into Clarkes in upper ChurchSt .where spent Saturday night.
He surrendered along with members of his batt. He was immediately arrested and was taken to Richmond barracks,on Sunday he was taken to Stafford gaol from there he was taken to Frongoch where he stayed till his release in August 16. He returned home and rejoined his company in Oct. 16 when his company was reorganised where he remained till his resignation in 1921. As he was finding it increasingly difficult to report for parades etc. due to a change of address and the incurred curfew of 8 o’clock. During his time with the Irish volunteers he participated in .the campaign against conscription.
He married Delia Murnane and resided at 26 Lr St Columbas Rd. Drumcondra till his death 7/6 1948 .He was buried in Glasnevin Cementery with full military honours.
Information and photograph courtesy of Catherine Murphy TD, granddaughter of Liam and Margaret Murnane.
developed with imaging Lomo400, PORTRA800
Large 1600 view recommended
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To develop the UK-India relationship on few strategic themes such as ‘Future Cities’, Science and Innovation Network India organised a ‘UK-India future cities workshop’. The aim of the event was to bring together UK stakeholders in future cities research and innovation to create a network with the Indian side which we would use a basis for our new strategic relationship with India on cities. The workshop took place on 24-25 February 2014 at Taj Palace Hotel, New Delhi. Follow us on twitter @UKinIndia
In developed countries around the world, birthrates have been falling. Governments have taken note, fearing for their long-term economic growth and national security, and many countries have developed policies to encourage their citizens to have more children. Through case studies of Sweden, France, Italy, Japan, and Singapore, ‘The Other Population Crisis’ explores the motivations, politics, programming, and consequences of national efforts to increase birthrates. Author Steven Philip Kramer and the Wilson Center’s Roger-Mark De Souza discuss the implications of these policies for national security, economic competitiveness, gender equality, and social welfare in the developed and developing world.
Read more: www.wilsoncenter.org/event/aging-and-security-what-can-go...
Item Number: 09385-39.
Document Title: Camden Shore Development/ Camden, Maine/ Preliminary Sketch/; Scale 1"= 20' [r].
Project: 09385; Camden Shore Develop.; Camden; ME; 01 Parks, Parkways & Recreation Areas; 35.
Artist/Creator: OLMSTED BROTHERS LANDSCAPE ARCHITECTS (OBLA).
Location: Olmsted National Historic Site, Brookline, MA.
Category: PLAN.
Purpose: PREL (Preliminary).
Physical Characteristics: [Dimensions]23 1/2" x 40"; [Medium]graphite; [Support]trace.
Dates: 26-NOV-1951 [r].
Notes: Revised 30-NOV-1951 [r], Public Building Removed 26-MAR-1952 [r], Revised 17-APR-1952 , Sections A,B,C,d with Scale 1,2"= 1' [r], Park & Parking, Boardwalk, etc. [r].
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Please Credit: Courtesy of the United States Department of the Interior, National Park Service, Frederick Law Olmsted National Historic Site..
You know your product is doing well in the marketplace when you start inspiring competitors to develop their own "not quite the same" take. One such product would be the Cu-Poche line from Kotobukiya.
Cu-Poche is a line that was clearly meant to compete with the reigning champion of the SD (Super Deformed) figure market, the Nendoroid line from Good Smile Company. Started in mid 2013, the line seems to still be active, but with releases numbering in the high hundred or so and not the 800+ releases that have graced the Nendoroid catalog.
While both lines do feature SD characters, the Cu-Poche figures are taller than their Nendoroid counterparts. Collectors of Nendoroid will know that there are several Nendoroid bodies, and the one that Cu-Poche competes against would be Nendoroids with the action bodies, having articulation rather than replaceable limbs.
With releases in both these lines being approximately 4,000 yen in 2013, what makes a Cu-Poche different and is it better or worse?
Using my sample Cu-Poche entry (Saber, again), I decided to do a bit more digging.
Like a Nendoroid, this set comes with several expression plates, relevant accessories and hands to utilize these accessories, and a dynamic stand.
Saber specifically comes with I believe it's Excalibur, the scabbard, an energy effect, as well as her Invisible Air sword (it's hard to make out on the photo, but take my word for it the various etchings on the coloured blade are on there too).
A comparison between this Saber and a 2013 action Nendoroid shows that while both have very similar points of articulation, the Nendoroid has at least one additional point of articulation just under the chest. Otherwise, they're pretty much a one to one comparison though that one missing point is a doozy. Both feature articulated ankles, but neither has fully articulated wrists.
The figure has several points of articulation on the skirt to allow for greater posing options, though the front flap only hangs onto the body through a very shallow groove, which causes that flat to come detached quite easily. I also found that her left shoulder pad came off quite consistently when posing.
Due to the slightly larger size, I found that handling the accessories and the hands of the Cu-Poche to be a significantly less maddening experience in comparison to the Nendoroid.
Paint work on the Saber is pretty good, with minimal overspray and bleeding even in some of the more detailed sections of her outfit. Decal work is solid as well, with the only hint of her Kobobukiya heritage being a slightly rough finish on the finer details of her hair.
So other than being slightly bigger, what else does a Cu-Poche offer?
Well, you may not notice this, but Saber is actually free standing in most of her photographs. There is no Nendoroid that I've ever owned that would actually allow you to do this.
So what sorcery allows for this? The answer is - magnets.
Cu-Poche have have magnets embedded into the soles of their feet which allows them to hold a vast array of positions while on their base. While the stubbiness of these figures doesn't exactly allow for the most elegant of poses, you can still coax some pretty neat stuff out of the figure.
The dynamic stand works as you would expect - there's a hole on the back of Saber, and you plug it in to suspend your figure in the air.
The actual arm itself looks very much like a Nendoroid arm. I guess the design is public domain?
So in the battle between Nendoroid and Cu-Poche, who won?
It appears that even today, the pricing between the two lines are very similar. The body hasn't changed, so Nendoroid still win the articulation game. My desire to go balls deep into either line is very limited as overly cute things are more of an accent piece in my collection rather than being the focus.
While each product line will inevitably have licenses unique to them, but given the same character I surprisingly would have to say I'd lean towards Cu-Poche for the magnets and the overall easier handling of the parts.
Naturally, with things I prefer over others, I don't see too many classifieds up selling this line, or even the Nendoroid cousin line, Parform, which I hope to get a hold of one day to do some analysis.
This is all just a nice way of saying I wouldn't hesitate to pick these up if I find them for a good price, but I wouldn't hold my breath waiting for the next one to show up here.
Developing thunderstorm, photographed from Dead Horse Road, southwest of Chadron, Nebraska, on May 16, 2022.
From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
This storm came oh-so-close to producing a tornado, but in the end it wasn't meant to be. This shot was taken from a dirt road east of Highway 385 about 10-15 miles southeast of Bridgeport.
This is a really cool all black photo developing envelope I found in a box. Judging by the images on the 110 film negs I think its from the late 1970s
Iszkaszentgyörgy - Amadé-Bajzáth-Pappenheim Mansion. About its long name: three families built and developed the buildings of mansion during centuries from 1730 until 1907.
The village is located next to Székesfehérvár, at the foot of Iszka hill belonging to the Bakony. It has 1,880 inhabitants. It has been inhabited for ages and was first mentioned in documents in 1193. There were three villages on its area in the Middle Ages: Iszka, Szentgyörgy and Atya. It has had its present name since 1590. The village is rich in historic relics. Besides agriculture and forestry, handicraft also flourished. The reputation of the wines produced here was equal to the ones of Mór. Its bath was famous before the two world wars. Today it is visited mainly because of the Amadé-Bajzáth-Pappenheim mansion, which was first mentioned in documents in 1735. The visit to the mansion is a journey in the history of art, as it has characteristics of all styles from the Baroque Age to the neo-Baroque of the beginning of 20th century. The events of the village - the St. George Days in April, the Late Summer Merry-making around the national holiday on 20th August and the Vintage procession at the end of September, beginning of October - are organized in the park of the mansion. Other sights of the village are the Calvinist and Roman Catholic churches.
www.turazas.eoldal.hu/cikkek/kastelyok_-varak/iszkaszentg...
the first in my project "developing"
to read a bit about it check out this blog entry :D
this is a film photo that I then scanned and edited in photoshop.