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See how we developed the best courtyard landscape in all of Korea within one year! I combined three clips of how the landscape looked.
In the beginning of 2016, the Wolmyeongdong Recreation Center started carving the cliff. I took the first clip while standing on the path they made. At that time, one of the offices was in front of the mountain. You can see all of that in the first video.
A few months later, they completely torn down the office in front of the mountain. It looks a bit surreal. If you visited Wolmyeongdong after this, you would have never guessed there was an office originally! The only way you can tell is because the bronze Jesus statue was left intact.
However, a year later, they finished developing the courtyard landscape. The courtyard space itself didn't change much. Is was mainly the mountain that changed. If you look closely, there is a groove in the mountain that we turned into the waterfall.
For the bronze Jesus statue, we moved it into the sports field. You can find it in front of Prayer Hill at the base of the mountain. It is at the entrance of the steps going up the hill.
As for the office, everyone moved into the offices across from the old offices. The place we moved to was actually a souvenir store. But we moved the store into the Culture Center.
So even within one year, Wolmyeongdong has changed so much! If you want to see more of these types of videos, please let me know! I will try to include more before and after videos. It's kind of hard to get resources. I happened to have this one, so I put it together.
If you have any videos you'd like me to compile of Wolmyeongdong, please send it!
==Follow Wolmyeongdong==
Website: www.wolmyeongdong.org
Facebook: www.facebook.com/EnWolmyeongdong/
Twitter: twitter.com/enwolmyeongdong
G+: plus.google.com/u/0/117988099616897484250?hl=en
Instagram: www.instagram.com/natural.temple/
Tumblr: wolmyeongdong.tumblr.com/
Canon AE1-Program
Canon FD 135mm, f2.5
Kodak Vision3 250D
Tetenal Colortec C41 kit
Reflecta RPS 10M
Colorperfect, Photoshop, Lightroom.
Film Developing Minolta Dynax 5 Tamron AF 28-200mm Kentmere Pan 400 Home Developed Ilfosol 3 22-8-2022
From Wikipedia:
"Developed in African-American communities in the United States, the Charleston became a popular dance craze in the wider international community during the 1920s. Despite its origins, the Charleston is most frequently associated with white flappers and the speakeasy. Here, these young women would dance alone or together as a way of mocking the "drys," or citizens who supported the Prohibition amendment, as the Charleston was then considered quite immoral and provocative."
I love fancy dress parties, and I'm always getting hold stuff that could be useful as vintage fancy themed outfits. I'm weak for hats and head ornaments, so this sparkly number just caught me!
I couldn't quite reflect all the drama, I envisioned for this photo, but there you go!
This is from my first home-developed roll of color, using the Tetenal Colortec C-41 Rapid Negative Kit. I'm really excited to have decent first results. :-)
Yashica 44 Twin Lens Reflex
Bluefire Murano 160
Normally I use this for Caffenol developing. Today I used it to make coffee as I ran out of coffee beans.
A year in 35mm Film 365 Project - Photo a Day
Photo taken using a dedicated NIkon FM2 for the project on iso 400 Ilford HP5+
OHANA, developed by Josephine Chao, Alida D’Souzza, Srinidhi Rao, Nilanni Kayamboo, Chantilly High School
Project Team’s Description: The increasing lack of communication between young people and their grandparents dramatically decreases the exchange of ideas. To combat this, the group created a website that streams information about pop culture trends to grandparents via computers. The grandparent would create a linked account with grandchildren, or any other family member. Features include a calendar countdown, which tracks the time until the grandparent can see their family members in person, and a scrapbook tab for photos.
Was really fun to brand and develop this fun yogurt and smoothies concept that allows the guest to build their own yogurt combination. Yummo brand designed to create a contemporary asian yogurt influenced experience for the whole family.
More can be found at www.tadcarpenter.com
A Norwich street scene taken with a folding camera.
Agfa Isolette I. 1954 folding camera.
Ilford HP5 Plus medium format film
Developed in ID11
Photo by Matt Koroulis,
Camera: Pentax ZX-60,
Film: Kodak Tmax 400 Black & White 35mm,
Developed and scanned at Panda Lab in Seattle.
On December 8th, 2012 P4K and EPN launched the Farmers of the Future program officially in Gueriguinde. Both the Minister of Education and the Minister of Livestock participated in front of a huge crowd of 400! This program is being piloted in three schools in Libore, with the goal of changing the mindset of children about agriculture -- teaching them that it is a business not merely a way to subsist.
Looking downstream to the town.
"Enkirch is a local community on the Moselle, below Traben-Trarbach. It belongs to the Verbandsgemeinde of Traben-Trarbach, in the Bernkastel-Wittlich district, in Rhineland-Palatinate.
Enkirch is located about 9 km northeast of Bernkastel-Kues and 19 km south of Cochem on the right side of the Moselle at Moselkilometer 102. A widely branched stream (Ahringsbach and Großbach) from the Hunsrück flows there. The Enkirch barrage is located at Moselle kilometer 103.
The name of the place developed from ANCHIRIACUM via ANKARACHA - ANCKIRCHA - ENKRICHA to ENKIRCH.
The area of Enkirch was inhabited long before it was first mentioned in documents in 733. This is proven by numerous finds that are exhibited in the Enkircher Heimatstuben. Accordingly, the first traces of settlement can be classified in the 3rd millennium BC, a period that experts refer to as the Neolithic or Neolithic period. At that time, people who had previously roamed around as hunters and gatherers gradually became settled. Numerous finds from later centuries have now been collected, which can also be seen in the local history rooms.
The first documented mention came when Adela, the daughter of the Merovingian nobles Hugobert and Irmina von Oeren, mentioned the Pfalzel monastery, which she had founded, in her will. In this document dated “1. April in the 12th year of the reign of King Theodericus "(732/733) it says: "I also give to the already mentioned monastery my shares in the houses of Anchiriacum, Ursiacum and Caimitas (Kaimt), which are located above the Moselle.“
In the book celebrating the town's 1250th anniversary, Enkirchen local historian and honorary citizen Hans Immich-Spier writes that the original document is considered lost. When the history of the Oeren monastery was recorded at the beginning of the 11th century, “there was a reading error, which turned “Adela, filia Hugoberti” into filia Dagoberti and thus also made Adela’s mother Irmina “von Oeren” her sister. Both became daughters of Dagobert II, who was murdered in 679. All later documents use this version.” It was later proven by the Luxembourg regional expert Prof. Wampach based on the introductory dating of the will (see above) that this version is incorrect. “Previous editors of the document believed that it was Theuderic III. (673–691), hence the earlier dating of 690,” Immich-Spier continues.
Mosel (German: [ˈmoːzl̩]) is one of 13 German wine regions (Weinbaugebiete) for quality wines (Qualitätswein, formerly QbA and Prädikatswein), and takes its name from the Mosel River (French: Moselle; Luxembourgish: Musel). Before 1 August 2007 the region was called Mosel-Saar-Ruwer, but changed to a name that was considered more consumer-friendly. The wine region is Germany's third largest in terms of production but some consider it the leading region in terms of international prestige.
The region covers the valleys of the rivers Mosel, Saar, and Ruwer from near the mouth of the Mosel at Koblenz and upstream to the vicinity of Trier in the federal state of Rhineland-Palatinate. The area is known for the steep slopes of the region's vineyards overlooking the river. At 65° degrees incline, the steepest recorded vineyard in the world is the Calmont vineyard located on the Mosel and belonging to the village of Bremm, and therefore referred to as Bremmer Calmont. The Mosel is mainly famous for its wines made from the Riesling grape, but Elbling and Müller-Thurgau also contribute to the production, among others.
In the past two decades red wine production, especially from the Spätburgunder (Pinot noir), has increased in the Mosel and throughout the German vignoble and has become of increasing interest to the international wine community. Because of the northerly location of the Mosel, the Riesling wines are often light, tending to lower alcohol, crisp and high in acidity, and often exhibit "flowery" rather than or in addition to "fruity" aromas. Its most common vineyard soil is derived in the main from various kinds of slate deposits, which tend to give the wines a transparent, mineralic aspect, that often exhibit great depth of flavor. In the current era of climate change much work has been done to improve and gain acceptance for completely dry ("Trocken") Rieslings in this region, so that most of the more famous makers have found acceptance for such wines, particularly in Europe." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Photos by Philipp Geist ©2013 / VG BildKunst
WAGNR RMX - Philipp Geist
WGNR rmx 2013 - PHILIPP GEIST
Light Installation / Video Mapping Installation
New City Hall Bayreuth from July 7th to August 28th On the occasion of Richard Wagner’s 200th birthday the Berlin artist Philipp Geist (1976) develops a comprehensive light and video mapping installation on the external walls of the New City Hall in Bayreuth over a period of 40 nights. The artist dismisses the use of screens and projects his artistic image and light projections directly onto the facade. The projection merges with the location and invites visitors to linger around the New City Hall. The art installation is going to be further developed and enhanced during the mentioned period.
The subject of the artistic installation is Richard Wagner and his works; images, words, quotes, and associations from his operas are artistically interpreted and incorporated into the installation. These terms and quotations from Wagner's operas are projected in a "carpet of words" and abstract verbal images on the facade. With his pictorial language the artist Philipp Geist develops his own artistic interpretation of Wagner's themes. Geist creates a dialog between the location, i.e. the New City Hall, the visitors, and the artistic works of Richard Wagner. In the process, the access to the "Wagner" topic is complex: On a first direct level, concepts and images of his major works will be displayed on the facade by means of the visual language of Philipp Geist. Visitors will be inspired by individual characters and scenes from the rich repertoire of fine arts, from paintings and illustrations, especially from the 19th century. However, the characters and scenes will be alienated and integrated into the abstract structures of Philipp Geist’s worlds of images. Known Wagner themes, such as fire, natural phenomenons, and symbols like the ring, the sword, and the storm as a mirror for the inner turmoil, can be re-experienced and emerge as quotes in the form of images. In this way the installation demonstrates connections in a non-narrative manner and thus admits a different modern and contemporary access to Wagner’s works.
In this manner the radiant face of the hero appears in order to darken and vanish in the next moment. The great void comes into sight through the building bathed in darkness symbolizing the fraud, the vile and the dark side existing in men.
A scenery appears for an instant to dissolve in a flash into a graphic pattern again. Pristine landscapes turn into pixels and remind the viewer of the actual romantic ideal.
The Rheingold shines and sparkles through a hinted blue surface of water to crumble to dust a moment later. Gray and white particles float over the facade; the material transience is almost palpable.
The symbolism of the colors is adopted from the works: white sails become black, and vice versa; for the contemporary video projection technology it is easy to decide instantly on fateful questions. The sails may also turn into colorful triangles and fly away over the facade as a graphic pattern. At the same time, it is the random and ludic character of the installation that lures out the tragic and borne nature of the Wagner pathos and allows viewers of any age to envision uncountable points of contact. The installation celebrates Wagner, but it also uncovers critical voices: polarizations like genius and kitsch clash together and cover the building as one, quotes as Wagner’s "Aber, aber, was sollen die Sentimentalitäten" [But for all that, what’s the point of all these sentimentalities] wander along the facade.
On another level the approaches followed by Wagner matter for Geist’s installation: Wagner crossed the boundaries between the different arts and contents. He allied image and sound, music and stories, symphony and legends. Also Geist’s installation is influenced by Crossover: the multimedia artist creates a synergetic work on the City Hall giving rise to images from texts and mixing the analog with the digital by painting with light and his computer
© 2013 Philipp Geist
Philipp Geist STUDIO | VIDEOGEIST
WAGNR RMX - Philipp Geist
Lichtinstallation / Video-Mapping-Installation
Bayreuth Neues Rathaus 20.07.2013 bis 28.08.2013
KONZEPT PHILIPP GEIST
Anlässlich des 200. Geburtstags von Richard Wagner entwickelt der Berliner Künstler Philipp Geist (1976) über den Zeitraum von 40 Abenden eine flächendeckende Licht- und Video-Mapping-Installation auf das Neue Rathaus in Bayreuth. Dabei verzichtet der Künstler auf den Einsatz von Leinwänden und projiziert seine künstlerischen Bild- und Lichtprojektionen direkt auf die Fassade. Die Projektion verschmilzt mit dem Ort und lädt Besucher zum Verweilen am Neuen Rathaus ein. Über den Zeitraum der Installation wird die künstlerische Installation weiterentwickelt und ergänzt. Inhalt der künstlerischen Installation ist Richard Wagner und sein Werk; Bilder, Begriffe, Zitate und Assoziationen aus seinen Opern werden künstlerisch interpretiert und in die Installation eingebaut. Dabei werden Begriffe und Zitate aus Wagners Opern als Wörterteppich und abstrakten Wort-Bilder auf die Fassade projiziert. Der Künstler Philipp Geist entwickelt mit seiner Bildsprache seine eigene künstlerische Interpretation der Wagner-Themen. Geist entwickelt einen Dialog zwischen dem Ort, also dem Neuen Rathaus, den Besuchern und dem künstlerischen Werk von Richard Wagner. Der Zugang zum Thema „Wagner“ ist dabei vielschichtig. Zum Einen auf einer ersten, direkten Ebene, werden Begriffe und Bilder seiner Hauptwerke in der Bildsprache von Philipp Geist auf der Fassade zu sehen sein. Einzelne Figuren und Szenen aus dem reichen Repertoire der Bildenden Kunst, aus Gemälden und Illustrationen v.a. aus dem 19. Jahrhundert werden dem Besucher begegnen. Sie werden jedoch verfremdet und in die abstrakten Strukturen von Philipp Geists Bilderwelten integriert. Bekannte Wagner-Themen wie das Feuer, Naturereignisse und Symbole wie der Ring, das Schwert, und den Sturm als Spiegel für die innere
Aufruhr werden neu erfahrbar gemacht und tauchen als Bildzitate in der Installation auf. Die Installation zeigt so in nicht narrativer Art Zusammenhänge auf und lässt somit einen anderen modernen und zeitgenössichen Zugang zu dem Werk Wagners zu. So erscheint das strahlende Gesicht des Helden, um sich im nächsten Moment zu verdüstern und zu verschwinden. Die große Leere erscheint durch das in Dunkel getauchte Gebäude und symbol- isiert den Betrug, das Niederträchtige und Düstere im Menschen. Eine Szenerie taucht auf, um gleich wieder in ein grafisches Muster zu zerfließen. Unberührte Landschaften werden zu Pixeln und führen dem Betrachter vor Augen, dass es sich um ein romantisches Ideal handelt. Das Rheingold strahlt und funkelt durch die blaue angedeutete Wasseroberfläche hindurch, um im nächsten Moment zu Staub zu zerfallen. Graue und weiße Partikel schweben über die Fassade, die materielle Vergänglichkeit wird geradezu greifbar. Die Symbolik der Farben wird aus dem Werk übernommen, weiße Segel werden zu schwarzen und umgekehrt, es ist der zeitgenössichen Videoprojektionstechnik ein Leichtes, ganze Schicksalsfragen zu entscheiden. Vielleicht werden die Segel auch zu bunten Dreiecken und fliegen als grafisches Muster über die Fassade davon. So ist auch das Zufällige und Spielerische Merkmal der Installation, die das Tragische und Getragene des Wagner-Pathos herausfordert und eine Vielzahl von Anknüpfungspunkten für das Publikum jeden Alters ermöglicht. Die Installation feiert Wagner, macht aber auch kritische Stimmen sichtbar: Polarisierungen wie „Genie“ und „Kitsch“ treffenen aufeinander und ziehen sich gemeinsam über das Gebäude, Zitate wie Wagners: „Aber, aber, was sollen die Sentimentalitäten“wandern die Fassade entlang. Auf einer weiteren Ebene werden die Ansätze, welche Wagner verfolgte, auch für Geists Installation von Bedeutung sein: Wagner überschritt die Grenzen der verschiedenen Künste und Inhalte. Er brachte Bild und Ton, Musik und Geschichten, Symphonie und Sagen zusammen. Auch die Installation von Geist ist geprägt vom Crossover: Der Multimedia-Künstler erschafft ein synergetisches Werk auf dem Rathaus, lässt aus Texten Bilder entstehen und mischt Analoges mit Digitalem, indem er mit Licht und dem Computer malt.
© 2013 Philipp Geist
Philipp Geist STUDIO | VIDEOGEIST
Studio Philipp Geist
Post Box (Postfach) 080311
10003 Berlin/ Germany
Leipziger Str. 6610117 Berlin Studio PHILIPP GEIST - Leipziger Str. 66 - 10117 Berlin
I can't believe it actually worked. I didn't measure time, temperature or ingredients particularly well.
Developed with caffenol
Approximately 500ml water
Approximately 27g washing soda
Approximately 8g of vitamin C powder
Approximately 20g instant coffee
100ml of Ilford Rapid Fixer + 400ml water
Water warm from the hot tap to help dissolve the ingredients, left for approximately 10 minutes to cool.
Develop - Approximately 15 minutes, 5 or 6 inversions in the first minute, and then occasional inversions at random intervals after that.
Stop - 5 or 6 changes of cold tap water, then left in cold tap water for approximately 5 minutes. Then 2 or 3 changes of cold tap water. [Actually while the film was left in the cold water I had a cup of tea.]
Fix – 3 or 4 minutes, 5 or 6 inversions in the first minute, then occasional inversions after that.
Wash – Approximately 10 changes of cold tap water, then after removing the tank lid running cold tap water for approximately 2 minutes.
Kodak 2238 shot at ISO 100 and developed in H&W Control 1:15. Underexposed and overdeveloped this is the first experiment. H&W Control was invented by Harold Holden and Arnold Weichert and “perfected” to work with Agfa Copex Pan Rapid microfilm which was rebranded by H&W as a house film to work with Control developer. The purpose of the creation was to use the high contrast film for aerial reconnaissance who H&W contracted with. Here I’m trying to see how high we could reasonable run 2238 as a standard film for snapshots etc.
H&W Control’s patent states it’s normal initial use should be 1:15 dilution at 68 degrees F for 12 minutes and then expand from there. This roll was shot at ISO 100 then split. I developed the first half of the roll at 68 degrees for 13 Minutes and the second half for 14 minutes. Standard agitation is constant for the first 2 minutes and then 6 seconds every minute thereafter. Stop/washed in tap water at 68 degrees and fixed in Ilford Hypam 1:4 for 3 minutes (H&W suggests 2 minutes).
These were shot on the same 2 days, overcast with little direct sunlight. The shots are obviously underexposed. But some of them are pretty adequate with some post process. There is a tendency for the picture to go dark and appear as evening or even well lit night. However it is easy to brighten the scene.
After some thought I think the goal will be to get clear ISO 80 pictures on 2238. I will next extend the developing time in order to clear up some of the blocked parts. I may try some sodium thiocyanate something around 1 g/Liter of stock so 0.06 gram in the working solution.
H&W Control
Water (60ºC)75 ml
Sodium Sulfite, anhydrous1.9 gpreservative
Hydroquinone0.3 gdeveloper agent
Sodium Carbonate8.7 galkali, accelerator
Phenidone2.07 gdeveloper agent
Water to make125 ml
Sodium Sulfite15.15 gpreservative
Water to make250 ml
Capacity at 1+15 dilution4 L for 13 rolls
On December 8th, 2012 P4K and EPN launched the Farmers of the Future program officially in Gueriguinde. Both the Minister of Education and the Minister of Livestock participated in front of a huge crowd of 400! This program is being piloted in three schools in Libore, with the goal of changing the mindset of children about agriculture -- teaching them that it is a business not merely a way to subsist.
nwboatschool.org
The Batela de Gamboa is a traditional Italian boat, developed in the city of Venice. It is a flat-bottomed boat with a slight degree of rocker (meaning, the bottom is curved from bow to stern) to make it easier to row and control. Rowed standing up, it is essentially a cargo carrier or passenger ferry.
The Traditional Small Craft class of 2014 under the direction of Master Instructor Jeff Hammond is building the boat.
The batela is approximately 30 feet long, and will be built largely of western red cedar planking over sawn sapele frames.
This is an extremely interesting commission. The boat was developed using design input provided by the owner in the form of sketches and commentary accompanied by video of several Venetian batelae. Jeff drew the boat using that data, and refined it based on additional commentary and guidance to meet the owner's desires.
A good picture of a classic Venetian batela can be seen here: tinyurl.com/kvnnvyj on the webpage of Row Venice. There are more pictures at rowvenice.org/whos-row-venice/
The Northwest School of Wooden Boatbuilding is located in Port Hadlock WA and is an accredited, non-profit vocational school. You can find us on the web at www.nwboatschool.org .
Our mission is to teach and preserve the fine art of wooden boatbuilding and traditional maritime crafts.
We build both commissioned and speculative boats while teaching adult students the traditional wood and wood composite boatbuilding skills they will need to work in the marine trades. We sell our boats to help support the School. Please feel free to give us a call should you like to discuss our building a boat for you.
You can reach us via e-mail at info@nwboatschool.org or by calling us at 360-385-4948.
Shoot, Develop, Print Workshop with Galena HS as part of the 2022 Community Dark Room at the Holland Project, Sept. 7, 2022.
Mind mapping my work before i get started since i like to have an organised and clear idea of where i am heading with my project and all the possibilities of outcomes i could achieve
saigonphotocenter.com.vn/Default.html
shop: 114Bis, Nam Kỳ Khởi Nghĩa, Phường Bến Thành, Quận 1, Hồ Chí Minh
fallen for somebody already, we were speaking constantly for like just over a week or so and I met up with him last night and yeah, like I really did not want to develop feelings for anyone else yet lol but I guess everything happens for a reason, my mums not happy and she hasnt even met him but because he comes from like a rough area and hes family are and stuff shes all stereotypical, not saying that we are even gonna get in a relationship but I hadnt been as happy as I was last night in ages.
got hit by a car a few days ago, that was not fun haha, was more embarrassed than anything because loads of people saw and this boy at my school keeps taking the piss out of me about it lol, it was not my fault though, I was at the crossing when it went red I crossed, didnt think to look because it was red and she hit me, apparantly my friend said she tried to speed up when the light went orange then she started having a go at me about it lol
had an a-level exam today, clearly failed it, I knew I would anyway
I dont like this photo but I literally took it the other day before I went out, did not take anymore and have not since so itll do for now
always on my tumblr so if you have it follow me and i will follow you back or you can check it out if you are interested anyway
www.formspring.me/lionheartttt
always on here too, get loads of pervy questions lol
This piece is entitled "self portrait of ones entire life". I executed this piece with the a theory I developed that is called Dimensionalism . This theory has its inspiration form my experiences with pre-seizure events for I have epilepsy. In this state I become detached from reality and see time in a different construct,that of a hyper intensity. A hyper awareness of a moment and everything that constructs it from sounds,thoughts,things tactile . While in these pre seizure states, some instances time is slowed down/speed up or frozen. While in other instances I am forced away form all comprehension of what is in my present environment and reality takes on a totally foreign existence where all has to be re learned.
For the viewers of my piece all of life is in dimensions and how one moves through these dimensions of either large dimensional constructs such as ones life or to the minute dimensional construct of a simple word. Thus giving the viewer this new perspective of time and space. The suspended animation of the piece is only dynamic as the viewer views the piece from the narrower sides form either end where a visible play of time sequencing exists and ones eye is drawn into the piece...
A perspective of a Dimesionalist where one has a view of a moment with a gods eye/time traveler or a pure energy source . From looking at a simple word to a memory one has. All is captured in dimensions. There are other branches of my theory that further portray my experiences. Demensionalising and facitile dimensionalism. These ideas also play with the constructs of how one sees time/moment.I hope to execute these ideas in the future...........
All these ideas/theories have a direct correlation with present day society...from the over abundance of information that is transferred by different technologies to the ways these technologies directly affect our existence and how it adds other dimensions of time to our lives.
I will be placing more info online in the future. and creating a temp website that fully explains all the details and shows examples of these theories as well as go into more details..
If you are interested in more info please feel free to contact ...efj@sbcglobal.net
Best best
Efj.
All these ideas/theories have a direct correlation with present day society...from the over abundance of information that is transferred by different technologies to the ways these technologies directly affect our existence and how it adds other dimensions of time to our lives.
I will be placing more info online in the future. and creating a temp website that fully explains all the details and shows examples of these theories as well as go into more details..
If you are interested in more info please feel free to contact ...efj@sbcglobal.net
Best best
Efj.
here's another of my recent images from my homemade pinhole camera, shot w/ DNP Centuria 100 C-41 color neg film, developed in coffee (caffenol C). the crazy wide angle is pretty evident here, when you consider that the right edge of the camera was propped against this stone wall for stabilzation! this is the entire frame (no crop, except the sprocket holes).
cheers.
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My new photography blog has yummy ice cream you can download! And fuel additives you can add to your car to triple your mileage!
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If you’d like to view my images larger… While I only allow my contacts to view my larger images (I generally upload at least 800px images on the long axis)…
a quick workaround I might suggest is to view my photostream as a slideshow. Works well for me. This is frequently how I view others’ ‘streams, and it will put a large image on black. just click the projector screen icon next to the stream or set. : )
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on 01 jan 2010, I began a new journey w/ a flickr 365 group that i formed. The idea is that I strive to push myself daily; by exploring techniques, ideas, and experiments.
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