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An imperial garden for more than 1,000 years, Bei Hai Park was open to the public in 1925. Filled with artificial hills (made from the dirt excavated to create the lake), pavilions and temples. The park is associated with Kublai Khan who reputedly designed it during the Mongol Yuan Dynasty. Bei Hai Park (in particular, Qiónghuá Island) is topped by the 118ft (36m) White Dagoba, a Tibetan-style structure built to honor the visit of the fifth Dalai Lama in 1651.
Most of the attractions in Bei Hai Park are located on Qiónghuá Island and this is accessed via a stone bridge. In the lake, on either side of the bridge, there is an abundance of lotus plants and a small number of them were still blooming when we visited in late summer. This image was captured from atop that bridge.
This picture was captured in color (the original is part of this set) and converted to B&W using Adobe Camera Raw (included with Photoshop CS6). The appropriate sliders, in the 'Grayscale Mix", were then reduced to zero to darken the background and thus make the flower stand out from the background.
On August 20, 2015 this picture became the 500th of my images to get to graduate to the "Super~Six Superstar Academy".
Check posting in Comments section to see how much her front has changed since 2012.
2014 Sydney Tattoo & Body Art Expo.
Royal Hall of Industries, Moore Park Precinct, Sydney, Australia (Saturday 8 Mar 2014 @ 12:34pm)
Texture courtesy of Skeletal Mess
For a company that's only been making road cars for a short time (exception being the F1) they are really getting busy.
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This is the oldest covered bridge still in use in NH. The roadway is disconnected and only available to foot traffic. All other forms of movement faster than a walk on the bridge are restricted (according to the sign). The bridge was constructed in 1829 to connect the towns of Bath & Haverhill. The bridge is listed on the national register of historical places.
On a beautiful day back in September of 2014, I went out to the car show in South Meriden, and took about 200 pictures. I had a lot of fun, talking to the owners of these magnificent vehicles, and spectators as well. Then I finished my tour at the Village Barn, and kicked back a few. I still like to go through some of the files from that day, and find one that I would like to work on tor a while. Well, more like an hour. lol. But this is my favorite part. Using all the cool tools on my PC to develop the RAW image files taken during the day.
September 14, 2014 - PENTAX K-x- smc PENTAX-DA 18-55mm F3.5-5.6 AL - / 2:03:47 p.m. / - 1/250 sec at ƒ/5.6 - ISO 100 - Normal- 18 mm - (27 mm).
327/365 Days Project.
Went up to do support a friend in a very important project. Been over a year since I'd been outside to shoot anything seriously. This is the first landscape-ish thing out of me with something other than a phone since February 2012. So that's what air smells like...
Of course, I'm extremely rusty. Shot this a 70mm. Who shoots a single-layer panorama at 70mm? Way out of practice. And no nodal slide, so there are some strange things going on in the image. And, apparently I didn't have the head quite level, so there's a crown. Oy.
But I guess I'm out. And back. A long interval. Hello, world. Again.
Oh. New tool, thanks to the Whites (Dallas and Ed). Used PTGui to stitch this pano together. Much less frustrating than CS.
Buenas a todos!!!
Si os apetece podeis ver el video como he hecho este fotomontaje ;)... con musica cañera!!!! AC/DC de la BSO Iron Man
Taken with: Canon A-1 SLR
Taken on: Kodak HD400 (Expired)
Scanned with: Epson V500 (EpsonScan, Photoshop CS6)
In hindsight I wish I had brought a faster film with me to the Ripley's Aquarium but I enjoyed the challenge of working with a limitation.
And that's some photos of the amazing Lamborghini Aventador LP 700-4, a little reportage of a beautiful car
Canon EOS 7D & Canon EF 24-105mm f/4 L IS USM
Post Production with Lightroom 4.1 & Photoshop CS6
©2012, Stefano Minella Photo
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© 2012 Eric Adeleye Photography. All rights reserved. (Press "L" for a larger view of the photograph)
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Ver fotos de Pepe Gil Paradas. on Flickeflu
** Camara Nikon D700.
Objetivo SAMIANG 14mm f2,8 ED AS IF UMC Ultra Vide Angle. Enfoque manual.
F 3,2 1/160 seg. 14mm. 0 EV ISO 100 RAW 14 bits.
**Revelado con CAMERA RAW V8.3 para CS6 Mac. y OBJETO INTELIGENTE
EQUILIBRIO DE BLANCOS:
Con herramienta equilibrio de blanco neutralizar las dominantes de color.
CORRECCIONES DE LENTE:
Color Marcar Quitar la aberracion cromatica.
BASICO:
Ajustar exposición, contraste, blancos, negros, luces, sombras, claridad intensidad y saturacion
CURVAS DE TONOS:
Reajustar ligeramente Iluminaciones, claros, oscuros y sombras si son necesarios.
DETALLE:
Ruido y enfoque lo hago con A.P.S.
Pincel de ajuste (K):
Esta potente herramienta permite realizar el tratamiento clásico por zonas con capas, de una manera mas fácil
Opciones de flujo de trabajo para abrir en Photoshop.
Espacio de color Adobe RGB(1998).
Profundidad de color bit16/canal.
Tamaño 2832x 4256(12,1MP).
Resoluccion 300 ppp.
Enfoque de salida Enfocar Pantalla.
Marcar Abrir en Photoshop como OBJETO INTELIGENTES.
Abrir objeto en Photoshop.
**PHOTOSHOP CS6 MAC. OBJETO INTELIGENTES.
Flujo de trabajo. Tratamiento por Zonas.
Capas fondo de objeto inteligentes.
*Filtro Angulo ancho ajustable y si es necesario Transformar, Sesgar, Desformar, Escala (Para mejorar el encuadre) y clonados varios. Recortar a proporcion original.
*Capa>nueva capa de ajuste > EXPOSICION modo luminosidad. Ajustar exposición y gamma, con la mascara creada en automático reajustar luces y sombras.
*Capa>nueva capa de ajuste> CURVAS, modo luminosidad. Reajustar contrastes, con la mascara creada en automático.
*Capa>nueva capa de ajuste> INTENSIDAD, modo normal. Reajustar intensidad del color, con la mascara creada en automático.
*En capa fondo de objeto inteligentes. Filtro>Topaz Labs>Topaz DeNoise5, Raw-lightest. Si tiene mucho ruido Raw-moderate, y para lavar menos la imagen aplicar el efecto por zonas.
*En capa fondo de objeto inteligentes. Filtro>Nick Software>Color Efex Pro 3.0 Tonal contraste, aplicar opacidad aprox. 60%, aplicar por zonas.
* Enfocar con Filtro>Otro>Paso alto, radio3,5, aplicar modo de fusión luz suave, opacidad aprox 50%.
Si aparecen halos blancos, elimino el filtro paso alto y enfoco con.
*Enfocar con separación de halos negros aprox. 60% y blancos aprox. 40% de opacidad (Accion mía) La opacidad mas baja en los blancos 40% es para no crear halos blancos en los bordes + mascara de capa para aplicarlo a voluntad según las zonas.
*Si veo que la imagen lo pide le aplico el Pluing Nif Software Viveza2 en filtro inteligentes a una opacidad baja.
*Accion mia. Acoplar imagen, Pasar de modo16 bits a 8 bits, convertir a Perfil de color incrustado sRGB IEC6 1966-2.1 + Guardar como J.P.G.
Ver el flujo mas detallado en foto nº 0640 y anteriores.
Impressive Dynamic Range by iPhone 6 editing by snapseed+photoshop cs6+Lightroom .. I think sensor for Mobile will be improvement each year and dynamic range near to DSLR and Mirrorless Camera especially with portability and best choice for travel without bulky camera and lenses
Some more work with CS6 Beta - mostly some adjustments in RAW 7, then the oil painting filter applied twice, levels and color balance layers.
Our Daily Challenge - Group 3: Shadows.
All rights reserved. Please do not use this picture anywhere else without my express permission.
*** IF YOU HAVEN'T HEARD ***
If you were maybe thinking about upgrading, and buying PhotoShop; Or possibly you have a version of PhotoShop and you were thinking about upgrading to the newest version; O perhaps you had been considering moving your video work up to Premier CS6...
Forget about it! Adobe will no longer sell you any software! They are out of the software retail business. From now on, if you don't already own PS or Premier, the ONLY way you'll be able to use it is to pay the ransom to access PhotoShop and / or Premier in the Adobe CLOUD. Fifty bucks a month...assuming your internet access is consistent, and fast.
If this works for Adobe -- and, honestly, Adobe is so big that they don't really give a hoot, since they've just eliminated ALL of their retail distribution costs -- look for other software sellers to become Cloud landlords, and to insist that you become their Cloud tenants...or do without their products.
If you doubt this description, just go to the Adobe website and see for yourself.
Busch pressman model D 4x5
Schneider Kreuznach Symmar s 135mm 5.6
Foma 100 @100
Ilfotec lc29 1+19 -25% 4'40 20°C
Epson perfection 4990
Photoshop cs6
Pont Aven Bois D'Amours
Elouan Cousin 2020
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