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This is an 8 image LE pano taken from Fajada Butte Overlook in New Mexico. I had to create this LE effect in photoshop because WAYNE ran over my camera bag with his jeep and shattered my 10 stop ND filter. Jeez, you just can't trust some people. Hehe (Sorry Wayne!!!) :)
I have to speak in Wayne's defense though, he was busy operating the crane to unload Chris's massive tripod, you should have seen Chris carrying that behemoth across the desert cradling it in his arms as if it was a wounded child, kinda reminded me of the ending of the movie "True Grit". Man that's determination. After watching him try to find a comfortable position to carry it I mistakingly offered to carry it for him the last 1/2 mile and within 50 ft immediately regretted it. :)
Leave a comment and let me know what think. :)
Thanks for taking the time to take a look at my photos, and as always, your views, comments, faves, and support are greatly appreciated!! Have a great week ahead my friends :)
This is is not an hdr,i used luminosity-masks,and high pass sharpening filter and a lot of selections and masks to create the final.
Thank you for taking the time to view my image.
Marion is a city in McDowell County, North Carolina, United States. It is the county seat of McDowell County. Founded in 1844, the city was named in honor of Brigadier General Francis Marion, the American Revolutionary War Hero whose talent in guerrilla warfare earned him the name “Swamp Fox”. Marion's Main Street Historic District is listed on the National Register of Historic Places. The population was 7,838 at the 2010 Census. [source: en.wikipedia.org/wiki/Marion,_North_Carolina]
City of Marion NC website: www.marionnc.org
Marion Cruise In links:
Facebook: www.facebook.com/themarioncruisein
Website: www.marioncruisein.com/index.html
2016 Image Flyer: scontent-iad3-1.xx.fbcdn.net/t31.0-8/12983248_78761507467...
This image was created from multiple exposures blended together in Photoshop CS6 layers using the "Lighten" blend mode. All exposures were taken with a single Paul C. Buff Einstein strobe with a 22" beauty dish attached to a Elinchrom boom arm. If you send me a FlickrMail message, I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use, along with some YouTube video links that help explain this process.
Please have a look at my automotive photography album: www.flickr.com/photos/kenlane/albums/72157634353498642
(fiddling with the CS6 oils filter) Great spot! This sub-tropical forest is part of the Kholo Gardens, outside Ipswich, Queensland, Australia, which have been restored after the 2011 floods devastated the area.
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Skyline de Manhattan (New York City)
Cámara Nikon D850 con lente 24-120 F4/G-VR editada con Capture NX-D de Nikon y Photoshop CS6
Recomiendo "HACER CLICK" sobre la imagen y ver en grande / I recommend see in larger, clicking on the imagen.
Muchas gracias por adelantado, por vuestros favoritos y comentarios. Saludos.
Thank you very much in advance for your favorites and comments. Greetings.
"Just living is not enough... one must have sunshine, freedom, and a little flower."
-- Hans Christian Andersen (Danish author)
This photo was taken in 2013 during my previous Project 365…please visit my album for this “REMASTERED” Project 365 as I revisit each day of 2013 for additional photos to share!!
Technical Information (or Nerdy Stuff):
Camera - Nikon D5200 (handheld)
Lens – Nikkor 18-300mm Zoom
ISO – 100
Aperture – f/5.6
Exposure – 1/160 second
Focal Length – 300mm
The original RAW file was processed with Adobe Camera Raw and final adjustments were made with Photoshop CS6.
"For I know the plans I have for you,” declares the LORD, “plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the link below: www.flickriver.com/photos/photojourney57/
October 23 1983 Beirut barracks bombing Wikipedia
Early on a Sunday morning, October 23, 1983, two truck bombs struck buildings in Beirut, Lebanon, housing American and French service members of the Multinational Force in Lebanon (MNF), a military peacekeeping operation during the Lebanese Civil War. The attack killed 307 people: 241 U.S. and 58 French military personnel, six civilians, and two attackers. Source Wikipedia
en.wikipedia.org/wiki/1983_Beirut_barracks_bombings
Leica M4-P @35mm lens Summilux f/1.4 - Kodax Tri-X Pan 400 ISO processed D76 1+1 9'45" 20° exposure ISO 400, natural daylight, incident light meter. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
In war, truth is the first casualty. Aeschylus.
No weapon has ever settled a moral problem. It can impose a solution but it cannot guarantee it to be a just one. You can wipe out your opponents. But if you do it unjustly you become eligible for being wiped out yourself. Ernest Hemingway.
This is is not an hdr,i used luminosity-masks,and high pass sharpening filter and a lot of selections and masks to create the final.
Thank you for taking your time to view my image.
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Dati Tecnici
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a) Nikon D3S + Ottica Nikon AF-S N Nikkor 24/70mm f.2,8 G IS WMS-ED IF Aspherical (Hipers Sonic Motor) Impostazione alla focale 50mm;
b) Filtro Nikon F37C Digital Filters Professional 77mm;
c) Formato “24:16” – Dimensione Immagine Originale“L- 4288x2848 Dpi” – Dimensione Originale Raw File Mb 16,2 – Qualità “Raw” – Espsizione “Media a Prevalenza Centrale” – I. Dinamico “HIGH” – Spazio Colore “S-RGB” – Stabilizzazione “Si” – Messa a Fuoco “Manuale Assistita” – Impostazione Iso “200” – Bilanciamento del Bianco “Auto 1” – Regolazione Immagine Colore “0-0-0-0” – NR su ISO Elevati (Moderata - Media) – staratura intenzionale in macchina in B&W;
d) Esposizione Tempo 1/60s con apertura a f.5,6 utilizzando il cavalletto Art. n°144 Manfrotto;
e) Lettura Esposimetrica Angolo 1° con Sekonic DualSpot F-L-778 (effettuate 6 misurazioni con metodo del Sistema Zonale di Ansel Adams) a luce riflessa;
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PREMESSA
Vista la complessità dell’illuminazione della scena, luce in parte proveniente dal retro (lampada a soffitto) e una fonte di luce laterale sinistra (Finestra con tende velate) abbastanza intenza e parti molto scure (laterale destro e fondo), ho effettuato dei tentativi e delle prove con l’esposimetro della macchina per cercare di ottenere una esposizione ottimale fra primo piano e sfondo nonché interventi nelle zone chiare e scure sulla figura ma l’una penalizzava fortemente l’altra e viceversa a meno di non usare un flash di schiarita (cosa che io non ho mai usato per i miei scatti ne ho usato in questo caso preferendo la luce naturale), abbassare i toni del fondo e con il flash alzare la luminanza del primo piano ma avremmo avuto un falso della situazione reale (solo l’occhio riesce a compensare tale squilibrio luminoso). Ho provato anche ad utilizzare diverse letture come la lettura spot, media a prevalenza centrale o integrale ma purtroppo ancora l’elettronica non riesce a compensare queste situazioni estreme, solo con calcoli in manuale si riescono ad ottenere risultati egregi…ovvero:
e) Effettuate delle letture esposimetriche con un esposimetro esterno (visto i toni scuri del fondo, visto le zone molto chiare sul soggetto alternate a parti molto scure, l’esposimetro della macchina veniva fortemente influenzato dalle zone scure sovraesponendo irrimediabilmente le zone chiare rendendo il file inutilizzabile pertanto l’esposimetro esterno ha permesso di superare questo ostacolo. La differenza nella scala dei grigi era di circa 9 stop (con l’esposimetro impostato in spot della macchina si otteneva o una figura chiara e lo sfondo nero e privo di dettagli o figura alternata a parti chiare e scurissime e un fondo quasi correttamente esposto oppure viceversa uno sfondo slavato e sgradevole). Con il Sekonic DualSpot F-L-778 – impostato a 1° come angolo di lettura ho effettuato 7 misurazioni finali con metodo del Sistema Zonale di Ansel Adams;
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Esposizioni:
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1) …la prima è la somma di tutta una serie di letture effettuate sulle parti chiare della scena dalla quale ho ottenuto una media che ho posto sulla zona V al 18% con una leggera sovraesposizione di 1+2/3 di stop per aumentare la consistenza delle luci e dare maggiore risalto ai particolari;
2) …la seconda lettura è la somma di tutta una serie di letture effettuate sulle parti chiare sulle piegature dei vestiti e quelle scure, qui ho lasciato invariato il valore ottenuto visto che le zone si alternavano a zone chiare e scure con una differenza in stop di circa 2,0/4. Se variavo la risultante ottenuta avrei avuto degli scompensi di luminanza notevoli;
3) …la terza sullo zigomo sinistro del ragazzo (quello in parte in ombra e penombra);
4) …la quarta effettuata fra i capelli del ragazzo in avanti con l’acconciatura ad aghi, un’altra fra lo zigomo destro e l’occhio;
5) …la quinta sulle zone luminose e meno luminose delle braccia di entrambi anche se il ragazzo in avanti aveva la camicia chiara. Qui le letture sono state circa 6 per ottenere una risultante confacente alla scena in quanto ho dovuto indovinare la perfetta ed adeguata timbrica tonale per non fare risultare il braccio scoperto troppo chiaro e quello con a camicia scuro, inoltre visto che si trovavano alcune parti in forte penombra ed altre parti in ombra più lieve ho dovuto compensare per non fare risultare questa parte del fotogramma troppo pesante come tonalità e rischiavo di ottenere un falso sulla luce reale. (La lettura finale è stata sfalsata aumentando l’esposizione di n+1,5 per compensare la luminanza delle altre aree della scena, in particolare quella sulle zone molto chiare);
6) …la sesta lettura l’ho dedicata alla quinta della scena, tre letture fra parti chiare e scure per ottenere un buon compromesso di leggibilità e nello stesso tempo dare profondità di campo all’insieme. Questa parte è stata anch’essa posta a n+2,0 stop;
7) ...la lettura finale è la media ottenuta di tutte le letture sopra (sovraesposta di n+1,5) è stata confrontata con la settima lettura effettuata con l’esposimetro Gossen Lunalite con la calotta rivolta perpendicolarmente all’ottica di ripresa. Con il Gossen la luminanza principale è stata posta sulla zona IV del Grigio Medio al 18% abbassando volutamente la scala tonale alla zona IV per attutire i grigi medi che risultavano di 2 valori superiori alla media ponderata della luminosità generale. Ciò ha permesso di equiparare i grigi e alzare la scala tonale generale di una zona. Vista la forte prevalenza delle zone basse il valore totale è stato sovraesposto di n+1/3 per evitare che l’esposizione finale impostata non penalizzasse le basse luci dello sfondo (la luce che si proiettava su i due ragazzi “nonostante il cielo limpido e leggermente soleggiato” era molto corposa “temperatura cromatica 5950°k”) e le basse luci (le luci in ombra e penombra erano troppo basse stimate in 1850°K/2700°K) nel calcolo della tecnica dell’Esposizione a Destra. Questa tecnica rappresenta un importante metodo di lavoro nella fotografia digitale, che permette al fotografo di ottenere foto meno rumorose e qualitativamente migliori;
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f) Prima Leggera Post-Produzione effettuata con Nikon Capture NX 2 (effettuando diverse mascherature localizzate, riduzione di luminanza delle zone “zona VI-VIII e IX” e aumentando la struttura della zone “zona III-IV e V”)
g) Seconda Post-Produzione Leggerissima effettuata con Corel Photo-Paint X7 64Bit e Adobe Photoshop CS6 (64Bit) per il miglioramento globale dell’immagine riducendo il divario zonale delle aree (ovvero effettuando una compressione delle zone);
h) Ultima Post-Produzione di completamento con Nikon Capture NX 2 per migliorare e rinvigorire le zone con mascherature parziali e localizzate;
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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
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Tutti i diritti riservati ©2023/2035 da ArchiMlFotoWord/Luigi Mirto/Photography
Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
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All rights reserved ©2023/2035 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means Without prior permission.
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Italiano
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Questa immagine è tratta da un reportage in continua evoluzione che sto effettuando nella ricerca di particolari volti che esprimano particolari sensazioni, scene di particolare enfasi ambientale, espressioni e sentimenti profondi trasmessi attraverso semplici sguardi, di particolari posture del corpo o anche dai semplici abiti e decorazioni fisiche.
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Tali immagini verranno raccolte in un “Manuale Artistico Tecnico Fotografico” nella quale saranno descritte le particolari tecniche di ripresa, i materiali impiegati, l’attrezzatura fotografica, i luoghi e le condizioni sceniche ambientali.
Grazie
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English
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This image is from a report in continuous evolution that I am making in the search for specific faces expressing particular feelings, scenes of environmental emphasis, expressions and deep feelings conveyed through simple look, a particular posture of the body or even from simple clothes and decorations individuals.
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These images will be collected in a "Artistic Photography Technical Manual" which will describe the special filming techniques, materials, photographic equipment, sites and scenic environmental conditions.
Thanks
Un ciel rare aujourd'hui, du coup ... 5 heures de photos à Gruissan, le plein de photos pour un petit moment ... :-)
A beautiful sky today, so .. 5 hours walking into Gruissan, a lot of pics for a while ! :-)
Retrouvez plus de contenus sur / More contents on Facebook
Another long exposure photo. This time i stack 30 images of 2 sec each for a total 1 minute exposure, using photoshop cs6.
Please click here to view this large!
Captured this with three RAW shots at -2..0..+2 EV. Digital blending in Photoshop CS6. I increased the overall saturation with Hue/Saturation in Photoshop. Curve adjustment to increase the overall contrast. 1 layer mask in soft light mode at 50% gray, using brush tool to lighten and darken some areas of the image, to bring out details. Topaz DeNoise to reduce noise. Topaz Clarity to boost color and contrast some more.
Fairy Falls at the Columbia River Gorge in Spring. Happy Waterfall Wednesday!
To view my other waterfall images, click here.
To purchase a print of this, please visit Fine Art America
If you are interested in my works, they are available on Getty Images and Adobe Stock; prints on Photos.
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Follow me also on Portfolio Website | Instagram | 500px | Facebook Page | EyeEm | Wix |
The Liberty Historic District is located in the small community of Liberty (population of 374 in 2019) in rural western Dekalb County in Middle Tennessee. The District was nominated for the National Register of Historic Places under criteria A & C for its association with the Sparta-Lebanon center for the surrounding farms in the nineteenth and early twentieth centuries and as a fine collection of vernacular architecture dating between the 1820's and 1930's. When Liberty's small scale vernacular architecture is combined with its narrow tree-lined streets, rock walls and stone fences, outbuildings, and surrounding farmland, the feeling of a nineteenth to early twentieth century community is readily conveyed. Located at 375 East Main Street, this is the Organ House built circa 1890 with its Greek Revival architecture. This house is listed on the original documents submitted to the NRHP as inventory item #65 and includes a great description of the details of the house. The historic district, including the Organ House, was added to the registry on June 25, 1987. More information about the historic district (and that description of this house) can be viewed on those original documents located here:
npgallery.nps.gov/NRHP/AssetDetail/1394c62e-679c-41e6-a1c...
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
I haven't touched my camera in so long. Just got a new laptop and Lightroom 4 and Photoshop CS6 so I'm excited to start using those.
I was just tryin' out my macro attachment in this image, nothing special.
OTA: Celestron Edge 11 F/2 Hyperstar
Mount: Celestron CGX-L
Camera: ZWO071 MC Pro
Guided by: Stellarvue SV60EDS and Starshoot Autoguider, PHD2.6
34 frames of 360 Sec 90 Gain
Captured with ASI Studio
Processed with Images Plus 6.5, Photoshop CS6.1
Check out my last client work, hope you like it - xoxo.
Follow also this amazing DJ around the best clubs of SL!
PUT YOUR HANDS UP IN THE AIR! 💛
Visually reminiscent of the Age of Rail, which had a positive impact on the economy of Hillsboro, the Katy Depot stands today in close proximity to the Missouri-Kansas-Texas Railroad lines as well as the Hill County Courthouse (National Register, 6/21/71), the focal point of the downtown commercial district. Hillsboro was established in 1853 to serve as the governmental seat and trade center for a basically agrarian county, cotton the primary crop. The completion of the MKT Railroad through Hillsboro in 1881 increased the commercial activity of the city and broadened its economic base. With locally raised funds, the citizens of Hillsboro purchased the right of way and property needed for a depot. Functional requirements dictated the size and massing of the structure which reflects architectural and decorative styles popular at the turn of the century, reminiscent of the Prairie style of architecture.
The Missouri-Kansas-Texas Railroad, commonly known as the Katy, was the first rail line to reach Hillsboro. Passenger service on the line, which connected Fort Worth and Temple, began on April 26, 1881, with four daily trains and a sleeper through to Chicago. The Katy Railroad brought a surge of economic activity to this agricultural region, becoming a major means of exporting cotton and livestock. As the economic base broadened, so did the population, which facilitated both residential and commercial expansion. Building materials were brought in by train and used to construct then contemporary structures. With the completion of the railroad several Katy buildings were constructed including: a frame station consisting of a waiting room, office, and a freight room; a cotton platform; and a section house. In 1894, Katy built division shops and a roundhouse in Hillsboro. The original station was converted to a freight house in 1902 and the present depot (seen in the photograph above) was erected on the land purchased by the city of Hillsboro. Throughout its operating years, the depot served as an integral part of the Hillsboro community. Among those visiting Hillsboro via the Katy were railroad tycoon Jay Gould, and Presidents Woodrow Wilson, William H. Taft, Calvin Coolidge, and Harry Truman. And, the depot served as the departure and arrival point for World War I and II soldiers serving their country.
On December 19, 1979, the Katy Depot (aka the Missouri-Kansas-Texas Company Railroad Depot) was added to the National Register of Historic Places (NRHP) for its architecture, history, and being the location of historic events as described above. All of the information above was found on the original documents submitted for listing consideration which can be viewed here:
catalog.archives.gov/id/40972599
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
una y no mas santo tomas.
no creo que haga mas panoramas. no me convencen. pero es divertido.
no more panoramas for me. i am not convinced. but its fun.
An oldie Revisited. I'm doing a lot of that lately but this weekend I will have chance to get out in the city and get some cool city shots, I'm looking to buy the 200mmL prime but I'm renting it first to see what its like, I can't wait!!
Have a great week everyone!
a bald cypress "twirled" in photoshop. I exempted the trunk from the twirl and had to fill in a bit afterwards. Might try this again in another shot.
at the amboy salt works. nikon D7000 + nikkor 18-200mm, photoshop CS6 + nik color efex + nik silver efex.
This is a photo of a rock formation that I cycled passed in Joshua Tree. My friend and I decided to Mountain Bike around Joshua Tree so I grabbed my camera gear and we headed out. This was the only time that I have ridden a mountain bike with a camera around my neck(No Hills). We rode about 5 miles and where riding cross country style using only the old climbing trails that wrap around the rock formations when we decided to stop here in the shade and rest. The light streaming across the rocks with golden late afternoon sunshine caught my eye so I moved around a bit to align this composition. :)
Thanks for looking and as always, your views, comments, faves, and support are much appreciated!! Have a great weekend everyone :)
If you have any questions about this photo or about photography in general, I will do my best to help, just post a comment or send me a Flickr mail and I will respond as quickly as possible.
For those of you new to photography, I would like to provide you with some very helpful videos that will help you get more from your photography. They were very useful to me while I was learning and I hope that they will help you out as well. Just click the link below and on the left side column there are pre-made playlists on everything you could ever want to know about photography. I hope you enjoy them and as always my friends "Happy Shooting"