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For more details and a how-to video, you can head over my blog at:
diycraftyscraps.wordpress.com/2015/05/25/create-a-card-wi...
The bright yellow in the upper right and the pink and yellow in the bottom right have since dried. It was mainly gel medium so it has dried clear -- not the color seen in this photo.
Created as a spin off from the steam room backdrop used in the show. Created using realistic textures and lighting as opposed to the over the top bright steam room used in the show.
6TH Womensphere Emerging Leaders Summit on Creating the Future - Advancing Women’s Leadership & Innovation in Technology & Fourth Industrial Revolution
March 3 Morning Sessions @ The New York Academy of Sciences
Kimberly Anstett — Chief Information Officer, Nielsen
@kimanstett @Nielsen
6th Womensphere Emerging Leaders Summit 2016
THE NEXT GENERATION OF WOMEN LEADERS & INNOVATORS CREATING THE FUTURE
Day 1 – March 3, 2016 @ The New York Academy of Sciences
Day 2 – March 4, 2016 @ The Asia Society New York
Day 3 – March 5, 2016 @ Ernst & Young (Times Square, New York)
*** Join in & continue the conversation:
#CreatingTheFuture #WomensphereSummit and #EmergingLeaders
Twitter: @womensphere @analisabalares
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Individual “ants” before attaching to Chain-link fence.
This was my submission ("Create...") to the 1st Annual Chain-link Fence Art Exhibition and Competition. Had a lot of fun with this, inspired by chain-link fencing of which I’ve never worked with before, tricky stuff ;) My arms got a work out.
MATERIALS: 4 ft. x 4ft. scrap piece of chain-link fencing, a found barbeque grill (web), crystals, glass beads, found metal nuts/bolts/washers, metal wire and scrap telephone wire. I wanted people to discover the message in the spider’s web, “create” that would tie into the leading ant’s message of peace, happiness, laughter, love, opportunity, dreams, something(!). It’s good fun if we choose to create positive things for ourselves and the world :)
If you are curious about the process and the other versions/redo’s that went into this piece, please visit my blog to see more!
Beginning process and alternate versions - mousehouseart.blogspot.com/2010/09/create.html
Finishing touches and final piece - mousehouseart.blogspot.com/2010/09/create-part-ii.html
Working up bits and bobs for the Strong Island Exhibition at The Round Tower this Friday 15th April in Old Portsmouth using rubber stamps and a bowl of teabags.
Dome Saint Salvator of Fulda. The Fulda Dome is the symbol of the city. Inside the cathedral is, inter alia, the tomb of St. Boniface, the first apostle of the Germans. The plans of the cathedral were in 1700 by one of the most important German baroque architects, Johann Dientzenhofer (1663-1726), on behalf of Prince-Abbot Adalbert von Schleifras manufactured. The previous building, the Ratgarbasilika, once the largest basilica north of the Alps, has been razed to the ground in favor of the new cathedral, before in 1704, the construction in the (then current) Baroque style was begun. On August 15, 1712, cathedral was consecrated. The Fulda Cathedral in its internal system is modeled according to the St. Peter's Basilica in Rome.
The Ratgar Basilica was built in 791-819 in Fulda monastery and named after the builder, the monk Ratgar. The basilica was a Holy Sepulcher over the relics of St. Boniface. It was created after the model of the great Peter's Basilica in Rome and was the largest church building north of the Alps. Construction swallowed so considerable amounts of ressources that Abbot Ratger was expelled from the convent of the monastery.
During the Middle Ages the building structure crumbled more and more, so that the Ratgar Basilica in 1700 was demolished. In its place, the baroque Fulda Cathedral was built by Johann Dientzenhofer over the tomb of Boniface.
Die Ratgar-Basilika wurde zwischen 791 und 819 im Kloster Fulda erbaut und nach dem Baumeister, dem Mönch Ratgar, benannt. Die Basilika war eine Grabeskirche über den Gebeinen des Heiligen Bonifatius. Sie entstand nach dem Vorbild des großen Petersdoms in Rom und war der größte Kirchenbau nördlich der Alpen. Der Bau verschlang so große Mittel, dass Abt Ratger vom Konvent des Klosters vertrieben wurde.
Im Verlaufe des Mittelalters zerfiel die Bausubstanz immer mehr, sodass die Ratgar-Basilika 1700 abgerissen wurde. An ihrer Stelle wurde über der Bonifatiusgruft von Johann Dientzenhofer der barocke Fuldaer Dom errichtet.
Dom St. Salvator zu Fulda: Der Fuldaer Dom ist das Wahrzeichen der Stadt. Im Inneren des Doms befindet sich u. a. die Grabstätte des Hl. Bonifatius, des ersten Apostels der Deutschen. Die Pläne des Doms wurden im Jahr 1700 von einem der bedeutendsten deutschen Barockbaumeister, Johann Dientzenhofer (1663–1726), im Auftrag von Fürstabt Adalbert von Schleifras angefertigt. Der Vorgängerbau, die Ratgarbasilika, einst größte Basilika nördlich der Alpen, wurde zugunsten des neuen Doms niedergelegt, ehe 1704 der Bau im (damals aktuellen) barocken Stil begonnen wurde. Am 15. August 1712 wurde der Dom geweiht. Der Dom zu Fulda ist seinem inneren System nach an den Petersdom in Rom angelehnt.
New terraced houses all with front doors opening onto a public footpath between the High Street and residential areas. No through motor traffic means this new space is safe for young and old alike. Honiton, Devon
This is the first of four prints I created for my second year Final Major Project. Each of them is based on some of the poorest countries in the world, and the patterns and collage used correspond to this. The project started with me researching poverty throughout in different countries, and seeing which were most affected by it. After I had chosen 4 final countries, I then start creating non-digital patterns using different techniques, materials and methods. As the concept progressed and evolved, it became more digital based and eventually came to be a set of prints. Finally, I printed the designs onto iPhone covers to show how they could be used as merchandise and raise money for charities. These prints were presented at the end of year exhibition, as well as the promotional material I created, and a Prezi presentation I made showing the background of the project.
A RECEPTIONIST YOU CAN BRING HOME TO THE MRS.
The name WorkSource, Inc. not only said nothing about their services as virtual receptionists, it didn’t capture their best attribute: the warm, personalized service that Ruby staffers give to each of their customers. We recommended a name change and developed the strong and cohesive voice that supports it. Ruby couldn’t be happier with the results. Business is booming, and they’ve grown from 5 to 65 receptionists in 7 quick years.
Paulita, you know this doesn't look like you at all, you are much prettier than this sketch but i can't do better while i'm in class...=) You don't stay quiet for more than 4 seconds and it's hard to get to drawing, hahaha. I promise I'll do one with more time and that hopefully will look more like you.
Created with fd's Flickr Toys.
Stacey falls prey to the curse of Triptophan on Thanksgiving...on our couch.
A collaborative project with Anglepoise, Strong Island & The University of Portsmouth.
10 artists/designers will be twinned with 10 photographers and an Anglepoise light.
Follow the project at creatingbalanceproject.tumblr.com/
This shoot was between artist Lorna Apps Woodland and photographer Matt Sills
Many thanks to BSc Film and TV students Max and Jonas