View allAll Photos Tagged control
Models: Horace Silver and Michelle Lee
Controlling behaviour goes hand in hand with domestic violence .. a common trait for controlling men to exhibit is to stop 'their' women from wearing makeup. They can be manipulative about how they achieve their end result: it can appear as if he is meaning well by saying things such as 'you don't REALLY need that stuff on your face, you're pretty enough...' to 'I prefer my women more natural,' to sulking when he doesn't get his way to even using physical force. However, though he may use sweet and persuasive words at first, he is being driven by his own insecurity and jealousy, and whatever he says, it's really nothing to do with his personal sexual tastes. (Think about it ... he's actually contradicting himself as most women met their man and attracted him in the first place when they were dressed up really nicely and wore make up). So it's all (in his mind) about making you less attractive to other men, ebbing away your personal confidence and power, so you're less likely to leave HIM, meaning you'll put up with more and more of his crap, ultimately meaning you become under his control in every area of your life.
Parte de los controles de la E-3015, en ese momento se encontraba haciendo maniobras nocturnas en los patios de El Arenal: sacando AEL´s del andén principal, para después dejar en posición al "1000" que saldría esa noche con equipo AEZ. 30 de junio de 2005.
Rocky Mountain National Park was doing a controlled burn near the park visitor’s center in November of 2024
The Final run 1587's control cab. This is what 44 (almost 45) years of service through Chicago's "everything you can think of" weather does to A Highliner. This is the last revenue run where these cars will ever be used. Farewell Highliners, it was a great ride.
Pabellón Polideportivo y Aulario en la Universidad Francisco de Vitoria.
Ctra. Pozuelo-Majadahonda (M-515) Km. 1.800. Pozuelo de Alarcón, Madrid.
Arquitecto: Alberto Campo Baeza Proyecto: 2012. Construcción: 2015-16. Colaboradores: Ignacio Aguirre, Alejandro Cervilla, Miguel Ciria, María Pérez de Camino, Elena Jiménez, Tommaso Campiotti. Estructura: Andrés Rubio. Ingeniería: Úrculo Ingenieros. Aparejador: Francisco Melchor. Consultor vidrios: José Pablo Calvo Busello. Project manager: Francisco Navarro
El Estudio de Arquitectura Campo Baeza resume así su obra:
Se proyecta el edificio, que albergará un polideportivo y un aulario, en el campus de la Universidad Francisco de Vitoria, en Pozuelo (Madrid). El primero incluirá usos de pistas deportivas, salas polivalentes, gimnasio, piscina, fisioterapia, etc. El espacio de polideportivo también podrá admitir la función de gran sala de usos múltiples y de reunión, relacionada con actividades de carácter universitario.
Se plantea un edificio sobrio que volumétricamente se adapta a la ordenación general del campus en cuanto a alturas máximas y alineaciones. Y se propone una diferenciación clara en cuanto a volumen y material de fachada entre el uso deportivo y el docente. Así, el elemento fundamental del proyecto es una gran caja de luz traslúcida, tamizada y controlada, que pueda entrar en relación espacial con la plaza central del campus. Se construyen dos cajas limpias y bien definidas cosidas por un cuerpo bajo de una planta cuya cubierta se establece como patio exterior de interrelación. El edificio tiene unas dimensiones aproximadas en planta de 50 x 60 m, y una altura máxima de 12 m, coincidente con la línea general de cornisa del resto de edificios principales del campus.
El pabellón polideportivo se plantea como una pieza ligera, en vidrio y panel de hormigón aligerando GRC, en contraposición con el aulario y cuerpo bajo, más cerrados y pesantes, con fachadas de hormigón blanco visto. El volumen del polideportivo valora y diferencia las orientaciones, de forma que las fachadas del diedro sur, más expuestas a soleamiento, se cierran en panel prefabricado de hormigón aligerado GRC, mientras que las del diedro norte se plantean en vidrio traslúcido. En la fachada suroeste se abre una banda baja en vidrio transparente para potenciar la relación con la plaza central del campus. Y este mecanismo de transparencia se repite en la fachada noreste al patio alto. Se propone por tanto una relación visual entre la plaza y la pista polideportiva, quedando la fachada suroeste del aulario como telón de fondo del conjunto.
Funcionalmente la sala polideportiva es el tema principal. Será una sala clara y luminosa que además de para los temas deportivos, funcionará como gran sala para todo tipo de acontecimientos de la Universidad. Un gran espacio diáfano hecho de luz. La estructura del pabellón se plantea en acero: una retícula de pilares y vigas en fachadas y cerchas para resolver las grandes luces de cubierta. El resto de la estructura será de hormigón armado, con la singularidad de vigas de gran canto sobre el espacio de las piscinas sobre las que se apean los soportes del aulario.
www.campobaeza.com/es/sports-pavilion-university/
www.plataformaarquitectura.cl/cl/875390/pabellon-polidepo...
www.metalocus.es/es/noticias/pabellon-polideportivo-y-aul...
I bought this Acctim Radio-controlled clock from Robert Dyas. I could not get it to show anywhere near the correct time after several attempts - resetting it, leaving it to pick up a signal overnight, changing the battery, and switching it to a manual quartz clock and then back again. It was obviously picking up a radio signal but on each occasion that the hands stopped moving the time was several hours out.
I was about to return it to Robert Dyas when I decided to phone the manufacturers. The switchboard immediately told me that what you have to do is take out the battery, put it back the WRONG way round, leave it a few seconds, and then replace it the correct way round.
I tried this somewhat bizarre solution and the clock immediately worked perfectly. If this solution is so well known to the manufacturers that even the switchboard know of it, why can it not be included in the instructions?
“Whoever controls the media, controls the mind” - Jim Morrison
I am dipping my toes into the world of the surreal. This is my first attempt.
Control is what people have to do every day...every moment...but becomes impossible sometimes, na? :)
Crossing over Wyman creek and under the county road CN 2032 heads to Minntac to get loaded with fresh taconite.
The sadly vacant former Hotel "A La Marenda" in Grimentz, Val d'Anniviers, canton of Valais (Wallis), Switzerland.
Shot with Alpa 10d at f/5.6, 1/250sec paired with an M42 Schneider-Kreuznach PA-Curtagon 35mm f/4 perspective control lens (at 6° shift) via screw-mount to Alpa bayonet mount adapter. On CineStill 50D ISO-50 film.
2022:
From today's shoot with Zoey
Nikon D610
Nikon 28-70mm F2.8 Lens @ 52mm
F8 @ 1/200 second exposure
ISO 200
2 x Yongnuo YN568EX's either side of model on approx full power - triggered using the Nikon CLS
Control is Jesse Faden’s story. The main plot focuses on her personal search for answers as she grows into the role of the Director. The world of Control has its own story, as do the allies Jesse meets along the way. Side-quests and Secrets are everywhere. Jesse works with other Bureau agents, decodes cryptic ciphers and discovers strange Bureau experiments.
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