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One thing that can damage your photography is burning your flame of inspiration at too high temperature. I experience this from time to time and usually it's the case of not letting go of my original vision. I might, for example, have a picture that is 'ok' but not quite there and I insist on editing on it too long in hope for salvation – only to find out after couple of days that I'm actually fed up with the picture and it's not serving my photographic pleasure at all anymore. Usually this results a drop of inspiration for couple of days as I get a feeling that I cannot get anything done. I used to suffer this kind of drops more often before I understood that it is actually the same flame of inspiration that can make my photography 'fly in the zone' and also 'crash it into to ground' – and what actually happens depends on how high temperature I let the flame burn. Controlling my expectations and learning to let go have definitely been educational experience to me and nowadays I feel that it's usually more productive to move on the next idea than try to edit things beyond what is reasonable.
I feel that similar kind of stuff can be projected to the camera setup your using. When you are getting great results the setup is also great and inspiring. But when things don't go as you've planned, the grass starts to look more green on the other side of the fence. It's very humane feeling, but as you already know, often a wrong projection. So the question is, does the high quality equipment such as Sony & Zeiss stuff change this cognitive behavior in some way. Based on my experience over the few months, I would say that while it has become a lot harder to blame my tools, I'm still experiencing same kind of highs and lows as I've always have – not a big surprise really since one cannot really buy mental things like inspiration and passion. But using high quality tools have definitely given me certain kind of mental reference points which makes it easier to orientate myself in my own cognitive sceneries. For example, I don't have to worry about the gear or daydream about it, which clears space for other kind of thoughts and targets in healthy way. 'Having it all here' helps me to concentrate on photography itself rather than the tools themselves, and I feel this raises a new kind inspiration in me. Of course one can be disappointed with any gear, even the Zeiss Otus lenses, if one has unrealistic expectations and projections, but so far I have to say that using this setup is more liberating than it is driving my inner expectations. It's all about the flame and controlling it.
Days of Zeiss: www.daysofzeiss.com
Olympus AF10 / Kodak Portra 400
A wild swimming walk with Cathy Harshaw
Dartmoor National Park, Devon, UK
9619 Helicon Box car 5342 Santa Fe Shock Control A Smoother Ride DF ATSF 1207 HO Tempo Mehanotehnika Izola anno ca 1969.
Roughly 8.5 x 11 inches. I was thinking a bit about the work of Hooded Fang when I collaged in the guy working at the bank of machines that control our lives.
Formerly a beautiful 1920's skylit control room, unfortunately now only half of it left and the skylight is blocked
I was driving from Jacksonville Florida to Lake City Florida when I came across a section of Pine forest that had recently undergone a controlled burn. I'm not sure I caught the image the way i wanted. I didn't have a tripod with me so you loose some detail in the pines in the background where i think the picture really is.
This photo was taken in a railway museum in Strasshof in Lower Austria near Vienna. The image shows a control panel inside of a draisine, which was originally built for railway workers and is not in use today.
I hope you like the picture. Please give me some feedback to let me know what you think about the photo.
Witness the man who raves at the wall
Making the shape of his question to Heaven
Whether the sun will fall in the evening
Will he remember the lesson of giving
Set the controls for the heart of the sun
yapımında emeğim geçtiği için demiyorum, silahtarağa gidip görülmeli çok güzel...
picture from the control room of the old thermal power plant silahtaraga, the museum of new campus of istanbul bilgi university. i was the design engineer of the infrastructure system during construction.
Remote controlled Rover, I challenged myself to make a remote controlled 6x6 with all wheel drive, as small as possible, front and rear steering, suspension and as many lights as I can cram into this model as possible. This model contains 1 buggy motor, 1 pf steering servo, 1 pf v2 IR receiver, 1 pf switch, 4 sets of pf LEDs, 2 pf extension cables and 2 old school lego LED lights (for the flashing lights)
Human Spaceflight and robotic exploration image of the week:
What is the best way to control a robot from afar as you circle a planet with your mechanised alter ego doing precise work on the surface? ESA is testing human–robot control in space and on Earth as part of a strategy that sees astronauts controlling robots from space.
Last week at ESA’s technical heart in the Netherlands, the Interact Centaur rover was controlled from the Human Robot Interaction Laboratory next door, formerly known as the Telerobotics and Haptics lab. Relying on video feedback, the operator drove the car-sized rover through an obstacle course.
The left hand controls the rover’s movements, while the right-hand controller pictured here moves the robot’s arm and gripper, offering 3D movement such as twisting and gripping.
Credit: ESA-G. Porter, CC BY-SA 3.0 IGO
Control room of a 1950s power plant. Once considered a true feat of engineering, this facility was among the most advanced in the world at the time of its operation.
Photographed during an intense overnight visit several years ago.
Wearing: Le'La Design - Lowri
Backdrop: The Bearded Guy - Peace Control
Credits:
Le'La Design: Lowri
Exclusively available at Designer Showcase November 5th through November 25th
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The Bearded Guy - Peace Control
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Wildlife Control vehicle in Park Slope Brooklyn. newyorkdailyphoto.blogspot.com/2007/03/wildlife-control.html