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When it comes to addictions of any form it's as if you're singing a contract in blood. There are unhealthy habits that I have tried to escape from and it definitely feels like I have signed a lifetime contract with my habits. We all have something that we are trying to deal with or change, but the journey of doing so is definitely not an easy one. Sometimes the trials the journey holds keeps us from pursuing our desire to change, which sucks.
Life. . .
This 2010 Gillig BRT for SamTrans/MV Transportation is seen deadheading back to SamTrans territory after running a commute route to the San Francisco Transbay Terminal.
©FranksRails Photography, LLC.
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Imagine a law that encourages the Federal government to partner with local businesses? A law that would create a partnership to do things such as restoring our forests, improving fish and wildlife habitat, removing noxious weeds, and creating healthy rivers. On top of these benefits to the environment, this law also improves the economies of rural communities. Sound too good to be true? Think again.
With the adoption of stewardship contracting authority (public law 108-7) in 2003, BLM has been able to offset forest product values against service costs, select “best value” contracts and award 10-year agreements with communities. Stewardship contracts may be used to improve, maintain or restore forests, rangelands, water quality and habitat. They can also be used to reduce hazardous fuels that pose risks. Since its inception, BLM has issued over 170 awards, covering over 51,000 acres.
Simply said, these contracts are a legal agreement to be “stewards” on Federally-managed lands. In real life this translates to a variety of projects from removing encroaching juniper trees and grinding them up to be used in a variety of ways, to restore native grasslands by cutting small confiers and selling them as Christmas trees, to thinning stands to increase forest health.
In the Lakeview District, stewardship contracting has allowed for maximum biomass utilization of forest and woodland products. Trees cut from the projects have been used for fuelwood, “hogfuel” chips burned to make renewable electricity, clean chips that are ground up and used to make hardboard and an array of juniper products like post and poles. Thousands of tons of BLM-sourced juniper has supplied the local Juniper Mill at REACH in Klamath Falls thanks to the Gerber Stewardship Contract. This contract has allowed for over 6,000 acres of forests and woodlands to be restored through treatments under this project. This unique mill is a non-profit organization that specializes creative utilization of juniper, finding uses for nearly all parts of the tree. On top of that, the REACH mill is an active participant in vocational-rehabilitation programs that focus on employing individuals with disabilities.
Thanks to the Gerber Stewardship, juniper byproducts that would have been previously burned can be used to foster community partnerships and stimulate the local economy.
The Medford District is also creatively implementing stewardship contracts to restore and maintain healthy ecosystems. Last year, the district awarded the Landing Pile Biomass Utilization Contract, an interagency contract in support of the Southwest Oregon Interagency biomass strategy. This contract allows landing piles from the BLM’s Medford District to be used locally rather than being burned.
As a result, the contract reduces open burning, improves air quality,and also stimulates local woody biomass markets—a good deal for everyone involved.
Stewardship contracting provides the BLM with the authority to implement landscape scale treatments that meet local and community needs. These contracts can include such activities as hazardous fuels reduction, fish and wildlife habitat improvements, forest health treatments, removal of noxious weeds, and stream restoration, to name a few.
As a result, stewardship projects make our public lands more resilient to natural disturbances, like wildfires and climate change.
The process is a unique one for several reasons, some of which include: First, the process requires collaboration. The collaborative process fosters community partnerships and stimulates local economies; particularly those whose economies depend on resources from nearby federal lands – such as timber or forage.
Second, contracts solicited under the stewardship authority are awarded on “best value,” allowing the BLM to thoroughly evaluate contractors’ proposals, and award contracts based on factors other than price or revenue generation. Conversely, a timber sale contract is always awarded to the highest bidder. Stewardship contracting allows BLM and communities to define other contracting attributes they also value.
And third, the stewardship authority allows BLM to exchange goods for services within a single contract. This means that BLM can essentially “trade” the cost of services received for the value of the treatment’s byproduct. All of these factors help increase efficiencies, which is good business for both the BLM and the contractors.
More commercialization has seen a rapid increase in the business. Contracts are an important part in a business since it structures the working of the business with parties at large. It becomes very important to take care of all the nuances of the contract and it is highly recommended to take the help of professionals for drafting. Read more: bit.ly/3bGTPND
Forest Contract Ltd is a leading Contract Furniture Supplier in UK. We manufacture quality furniture for hotel, offices and restaurants for commercial purposes.
Tadmur Contracting is the flag ship company of the Tadmur Group of companies. During a short span of time Tadmur became as one of the leaders in the Contracting sector in Qatar. Executed many prestigious projects in Qatar including several Government Schools, Commercial Buildings, Executive Residence Apartments, Stadiums, Qatar Scientific Club, Private Villas, First & Business Class Terminal at Qatar International Airport and the ongoing Library & Research Complex at Qatar University, Student Centre at Qatar Foundation and the recently awarded Barwa Commercial Avenue.
With the support of staff with high caliber and management with high vision, Tadmur has grown up as the pioneers in Construction field in the State of Qatar.
We are proud to be a part of Tadmur group.
Okay....so this is a very simple candid to be in a wedding set. But I somehow like it for the very same reason!
Meet the twins Amber & Neha, cousins of the bride (and obviously, also of my wife). Until this time, people used to recognize them with the mole on Amber's nose. But from this photograph onwards, they will also be recognizable by their different ways of smiling!
:-)
I caught them on the way here, when they were hurrying to see the bridal make-up.
AFGE signs collective bargaining agreement with Defense Contract Audit Agency officials Thursday, Feb. 6 2014.
Waiting on Platform E of St Andrew Square Bus Station is AEC Monocoach B578A. This one of a large order delivered to Scottish Omnibuses (SMT) between 1956 and early 1957 - the year the bus station opened. Most were allocated to depot 'A: Edinburgh but each outer depot had at least one in their allocations.
Between 1929 and 1965 SMT buses ran in 4 different liveries, first green, then blue till 1950, then green and finally to this smart dark green, known as 'Lothian Green' in 1965. As the fleet of monocoaches built up so the pre-war fleet of Regals and Tigers disappeared - most sold to building contractors. B578 is an Alexander 41 seat dual purpose version - slightly more comfortable though noisier than the Park Royal version, and continued in service for 22 years - proving the longevity of these fine vehicles.
A kiss is not a contract
but it's very nice
yes it's very nice
Just because you've been exploring my mouth
Doesn't mean you get to take an expedition to the south
A kiss is not a contract
but it's very nice
yes it's very very nice
Just because we've been playing tonsil hockey
Doesn't mean you get to score the goal in my jockeys
Just because I'm in an acoustic folk band,
It doesn't mean I only want poon-tang
I can't go around loving everyone
I just wouldn't get anything done
Oh because...
I'm only one man
Baby
We're only two men, Ladies
Baby, oh pretty babies
una patina lucida
non da sollievo
alle lacerazioni del cuore.
vago nudo
abbracciato al sogno
di ciò che non è lineare.
pictionid61652619 - catalogtravel contract in german english spanish portuguese and french translation - titlearray - filenamemeyer0444.tif--Image from the Henry Cord Meyer Collection-Please tag these photos so that the information will be kept with our Digital Asset Management System---Repository: San Diego Air and Space Museum
Amara glances at the black business card then at the door. “This is it.” She casually rings the door bell then knocks. “Mr. Mendle, it’s Dr. Dubois from Ashagi. I’d like to discuss the contract if you have time?”
Hector Mendle hears the bell and is grabbing a shirt to put on when the knock and voice come. He opens the door, his shirt opened. "Of course." he lets her come in. "Forgive my state of dress. I often relax as it gets later in the evening." if she looks down she will also notice that he is barefoot.
Amara chuckles, letting herself stroll in casually. “Please don’t mind me. I understand how late it is, but you weren’t at the docks according to Barry." She seemed to smile approvingly of the open shirt and informal dress, her sly grim complimented only by the gentle whisking of her tails. “I wanted to go over the pricing and minor details of your contract with us.”
Hector Mendle nods and leads her into his office. Instead of sitting behind the massive antique desk that could only belong to the boss, he sits in one of the chairs in front of it. It's almost midnight. Formality went out the window hours ago. "Of course. What were you wanting to talk about? Can I get you some coffee, tea? Hell, dinner? Bertha, my secretary keeps the fridge stocked." he chuckles. "She seems to think I live here." he says dryly. But Bertha knows him .... and that is why the fridge is stocked.
Amara waved off the polite offer, following him to the next available chair. “Thank you, but I’ve eaten enough for the day. I can understand the sentiment though; we have foldable couches and such in the lounge for employees taking the longer night shifts.” She carefully crossed her legs as she took out the datapad with the contract. “Considering the location I can be blunt. Most of your work will seem legal in method, but I have more use for your more direct methods of dealing with trouble. How much will such services run?”
Hector Mendle chuckles and motions behind her at the futon couch. He avoids sleeping there all night. He has promises to keep and he keeps them religiously. Then he listens and nods, licking his lips slowly. Since you're asking, I will assume you delved some into my past." he assumes she has *and* has put two and two together where few bother to. But he likes that. "That doubles my fee, I'm afraid. The risks ...." he shrugs. "I do hope you understand. Much of that kind of work I prefer to do alone or with very carefully selected partners."
Hector Mendle adds, "Much of that is covered under 'expenses'"
Amara nods. “Yes, I understand hence why I’m asking for the proper figure.” She grinned after replying, scrolling down to the suggested section of the contract. “It’s not pleasant nor cheap work that I’m asking of you after all. However the more contacts we have, the better for us. It’s not like you don’t know enough about our branch’s work…” That last sentence was dropped with a mild distaste in the tone; Amara was still not pleased the former spouse had been talking.
Hector Mendle nods and sighs. "Not all of us can resist pillow talk, Doctor." he says, almost in Allura's defense. "I was not blameless int he relationship, although Ashagi was not my intended target when I married." he confesses. "And since I do know ... I suppose it wouldn't be the worse decision on Ashagi's part to keep this particular 'law dawg' on a leash, even if it isn't a short one." While he wants the job, he also suspects that keeping him in sight is also part of the plan.
Amara ’s grin widens. “I’m glad you understand, Mr. Mendle. We don’t typically consider this with the spouse or lover of every employee, but you are an exception given your occupation. The branch is responsible for more of Ashagi’s critical ground work; the wrong soul with enough knowledge can cripple that market niche in a second.” She was protecting patents in the end.
Hector Mendle nods. "I was a bit surprised at Allura's …loose lips." he shrugs, not feeling catty. He never had. "But I learned enough and researched a bit more. And frankly .... I'd want me on the payroll also." he means forward a bit. "That being said, I can also be an asset to the company even though I believe jeans are meant to be worn." he admits his scientific knowledge is nill. Or near it. He loves his research, she'll find out if it ever comes down to it. "You can use me to quieten people. Negotiate with them. I am subtle and not ..." he shrugs slightly. "Prone to emotional outbursts usually." he thinks of Lana and how easily she would be to set to explode.
Amara picked up the stylus attached to the pad and started to sign and initial where it was needed. “Good, good. It’s hard to find employees and contractors that don’t leak something to their lovers or close friends. We have to be very particular about our screenings, but that’s not always the case with the ASF.” She sighed at the reference to Lana. “You may need to work with the ASF and the captain from time to time however which is why I wanted things to be very clear.” She’d offer the sighed contract to him. “Here you are.”
Hector Mendle watches her sign and nods. "I am professional when I must be professional." he tells her. "I think you know I could have antagonized the good captain into attacking me, very possibly breaking or destroying many things in this morning’s shipment." he tells her and he believes he could. "I am a lawyer. That's actually part of my job. To find chinks and manipulate them."
Amara leaned forward, her right elbow resting on her folded knee. “And that’s what’s scary about you,” she mused. “Lana’s one whose buttons are easy to push, but it takes a specific hand to actually get her riled up…and an even more cunning hand to know when to avoid provocation.” She was suggesting more there than just Lana of course; pissing off Ashagi was something even the lawyer should be wise enough not to do.
Hector Mendle meets her eyes and smiles. "I pick my battle. Lana is an easy mark. Real sharks.... I am very careful with. I like my limbs exactly where they are...." he understands. Completely.
Amara smiled, showing off more of her fangs rather than the normal looking teeth in the front. “Good. Glad we are clear.” She started to stand up slowly, the chair creaking at the release of weight. “Well thank you for your time even if it was after hours.”
Hector Mendle stands with her and offers her his hand. If she takes it he will give it a more secure squeeze than normal and hold it. "Thank *you*, Doctor." he says with a sincere smile. His strength. Her teeth. It was exciting just to think about. "I always love precise negotiations" in other words .. it is a pleasure to be threatened by someone as lovely as she is. Hey…the boy is charming. Ya have to give him that much.
Amara barely noticed the grip, but given that this was her right cybernetic arm, he might notice the hand felt more artificial than natural. Her natural left hand came to rest on top of his, the warmth likely a reassurance that she was human. “I like to get to the more direct points of endeavors such as this one, Mr. Mendle. It’s one of the reasons I’m in the position I’m in.” Charms aside, she sounded proud yet mildly manipulative in her suggestion of her work ethics.
Hector Mendle smirks. The warmth of one hand and the unnatural feel of the other suggested cybernetics. Well, she did work at Ashagi. "I like direct." he tells her, looking her up and down, as if assessing her, which is exactly what he is doing. "You come to me correct, and I'll give you the same." his hand still holds hers if she will allow.
Publisher Gary Durr and Associate Editor Kristin Brooks discuss the day's strategies at the new Contract Pharma booth.
Return to Contract Pharma
Last year, 162 people processed 57-tons of packaging material. Since then, our partnership has expanded to include a sort of production totes and packaging foam.
Aurora Aksnes (born 15.6.1996), is a Norwegian singer, songwriter and record producer. Born in Stavanger and raised in the towns of Høle and Os, she began writing her first songs and learning dance at the age of six. After some of her songs were uploaded online and became popular in Norway, she signed a recording contract with Petroleum Records, Decca and Glassnote Records in 2014. Aurora gained recognition with her debut extended play (EP), Running with the Wolves (2015), which contained the sleeper hit "Runaway". Later that year, she provided the backing track for the John Lewis Christmas advert, singing a cover of the Oasis song "Half the World Away".
Aurora's debut studio album, All My Demons Greeting Me as a Friend (2016) received generally positive reviews, charting in various European countries and earning platinum certification two times in Norway. Her second EP Infections of a Different Kind (Step 1) (2018) was the first part of a two-part album, while the second part was her second studio album, A Different Kind of Human (Step 2) (2019). Her third studio album The Gods We Can Touch was released on 21 January 2022.
Her music is primarily electropop, folk, and art pop with vocals referred to as "ethereal". She only played piano at the beginning of her career, but later involved herself in percussion and other aspects of music production. In addition to her solo work, Aurora has collaborated with and co-written songs for other artists, including Icarus, Askjell, Lena, Travis and the Chemical Brothers. She has also contributed to soundtracks for several films and television series, including Girls, Frozen II and Wolfwalkers.
She calls herself a "forest person" due to being surrounded by nature and her love to "climb trees", and being "isolated and hidden".[15] She has also shown interest in the ocean since she lived close to the sea, and her parents have a sailboat.[15][16] When she attended school, her sisters—Miranda (currently her makeup artist) and Viktoria Aksnes (currently her costume designer)—worried that she might be bullied due to her eccentric personality and style of dress.[17] Contrary to this, Aurora's classmates asked for more time than she was willing to give, and she instead preferred to spend time in the forest.[18] She also claimed that withdrawing into natural spaces gave her time to philosophize and discover the "power" of her own mind.[19] As a child, she was afraid of people who sought to hug her and disliked such a gesture in general: "I used to be terrified of people who wanted to hug me", she said. "I did not like to be hugged as a child. And I used to be terrified of one of my teachers at school, but then I met him a few months ago, and it was really nice. It’s weird how things change."[20]
At age nine, when she had a better handle of the English language, she began writing songs.[13] She has mentioned being influenced at that time by artists like Leonard Cohen, Bob Dylan, Enya, and the Chemical Brothers.[24][25]
According to Aurora, the first song she ever finished writing was titled "The Lonely Man".[33] Her first work before embarking on her music career was washing a pizza restaurant using a hose.[33] Songs from her early works were written in this early stage of her life.[34][35] Another of her early compositions was "I Had a Dream", which referred to how hard the world can be.[25][23] Although she considered it a "really long and boring song about world peace" she performed it once at her high school's leaving ceremony. The recording of her song "Puppet" (which was originally made as a Christmas gift for her parents) and a video filmed by a classmate of her school performance were uploaded online without her permission (which made her angry),[13][36] and was quickly discovered by a representative of the agency of Artists Made Management, a Norwegian management company, who invited Aurora to visit their office for a meeting in early 2013.[37][38] Aurora initially denied the proposal: "At first I thought no", she recalls, "but then my mum said I should think about the idea of sharing my music with the world because maybe there's someone out there who desperately needs it. And that could actually be a good thing".[36] In a few hours, both songs received thousands of visits in Norway, which earned Aurora some recognition in her country, in addition to a fan base on Facebook.[38][21][39]
2012–2016: Running with the Wolves and All My Demons Greeting Me as a Friend
Aurora self-released the song "Puppet" as her debut single in December 2012 under her birth name.[40] Aurora then set about working on her songwriting for around a year before giving her "first proper live performance" at Nabovarsel Minifestival in Bergen. About similar performances to that one she said: "I don’t think I was born to be an entertainer, I used to really be afraid of playing live on-stage. Obviously it’s terrifying! But now I’ve learned to, and I’ve learned to not focus on myself, cause it’s not about me. Now I only think about giving everyone the best experience. A magic moment."[20][41] Her second single, "Awakening", followed in March 2014, which became the first one released under the stage name Aurora.[42] Her third single "Under Stars" was the first one signed to her labels Glassnote Records and Decca Records, released in November 2014. Both songs established her as a "Promising Artist" of 2015 and attracted the attention of critics in Europe and the United States, especially for the artist's voice. Her next single "Runaway" was released in February 2015, which gained attention from singers Katy Perry and Troye Sivan.
Her next single, "Running with the Wolves" was released in April 2015, and its music video was released two months later. The song gained attention from BBC Radio station.[49] It was released alongside the announcement of the release of her debut EP Running with the Wolves.[50] Released in May 2015 on digital platforms, the EP received positive reviews from online music blogs and national press. To promote the EP, she appeared at summer festivals such as Way Out West, Wilderness, and Green Man Festival. Aurora's next single, "Murder Song (5, 4, 3, 2, 1)", was released in September 2015 and has received continued support in the national press, on national radio, and popular online music blogs.[51] Aurora also performed at the 2015 Nobel Peace Prize Concert,[52] saying that she and her family "have been following it from the living room at home for many years", and "it is an incredibly beautiful thing to be a part of."[53] Her presentation was praised by the concert's host Jay Leno.[54] She has played a sold-out headline show in London and supported Of Monsters and Men at Brixton Academy in November 2015.[55] Aurora recorded a cover of the Oasis song "Half the World Away" for the 2015 John Lewis Christmas advert.[56] Her next single, titled "Conqueror", was released in January 2016, and a music video was released the following month. Before the single release, the song appeared in the soundtrack of the videogame FIFA 16.[57]
In early 2016, Aurora featured on British band Icarus' song "Home" and released a cover of David Bowie's "Life on Mars" for the HBO Girls television series.[58][59][60] After a prolific start with her first musical productions, she released her debut album All My Demons Greeting Me as a Friend in March 2016,[61] receiving generally positive reviews from critics. After releasing the album, Aurora embarked on an international concert tour beginning in Australia that lasted more than a year.[62]
On 14 March 2016, Aurora made her American television debut on The Tonight Show Starring Jimmy Fallon, performing "Conqueror", which was later performed on Conan.[63] On 25 July 2016 she performed her cover of "Life on Mars" on The Howard Stern Show. The following night on 26 July, she performed "I Went Too Far" on The Late Show with Stephen Colbert, which was later released as the album's fifth single. The album's sixth and final single "Winter Bird" was released on 20 December. Aurora became the first in a series of emerging artists to partner with YouTube for a creative content distribution program,[64] she also starred in her own short documentary directed by Isaac Ravishankara and produced by The Fader, titled "Nothing is Eternal."[65]
2017–2019: Infections of a Different Kind and A Different Kind of Human[edit]
When All My Demons Greeting Me as a Friend debuted, Aurora said that it was "the first album of many" she was planning to release.[66] As of 12 May 2016, after coming back from her European tour, the singer announced that she was ready to begin writing and producing more material, which will form her second studio album. She stated in a Facebook event that she has fifteen demo songs and has written a thousand songs/poems. Her next project consisted of covering the song "Scarborough Fair" for the Brazilian telenovela Deus Salve o Rei and filming the opening sequence for it.[67] Between April and August 2018, the singer released two singles, "Queendom" and "Forgotten Love",[68][69] which would be included in the first half of a two-part album divided into "steps".[70] Aurora recorded the album during her stay in France in January of that year, and the production included the producers Askjell Solstrand, Roy Kerr and Tim Bran, with Aurora herself also involved in this aspect.[15] Some of that new material was anticipated in live performances, including festivals like Lollapalooza and Coachella.[71][72]
While maintaining some of the themes and stories of the previous album, this production would mark the first time that Aurora has incorporated themes of politics and sexuality into her music.[73] Most of the new inspiration came from the interaction that she had with her fans during her first tour.[74] The music video for "Queendom" saw its release in May 2018, which presented themes of inclusivity and empowerment of "the underdog", particularly her LGBT fans. In the video, Aurora kisses one of her female dancers to convey that "every type of love is accepted and embraced" in her "queendom".[75]
On 28 September 2018, the singer released the first half of her second album on EP format,[70] under the title Infections of a Different Kind (Step 1). The EP features eight songs,[76] and the title itself comes from the eighth track included on it, which Aurora declared as "the most important song I've ever written".[77] A Different Kind of Human (Step 2) followed on 7 June 2019, with lead singles "Animal" and "The River".
On 12 April 2019, Aurora contributed with co-writing and vocals in the songs "Eve of Destruction", "Bango", and "The Universe Sent Me" for the Chemical Brothers' ninth album No Geography.[78] On 4 November 2019, the soundtrack to the Disney film Frozen II was released, with Aurora providing backing vocals on the song "Into the Unknown". On 9 February 2020, she performed the song on stage as part of the 92nd Academy Awards alongside Idina Menzel and nine singers that dubbed the song in their respective languages.[79] She released her solo version of "Into the Unknown" as a standalone single on 3 March 2020.[80]
Aurora released the single "Exist for Love" in May 2020, which was presented as her first love song ever with a self-directed music video.[81] The song was made during the COVID-19 lockdown in collaboration with Isobel Waller-Bridge, who composed the string arrangements.[81] It was the first glimpse into what she described as "a new era" in her career, with the upcoming release of a new album.[82] Under the musical direction of Gaute Tønder, she recorded the title track of the Christmas miniseries Stjernestøv [no] for Norwegian public broadcaster NRK; such contribution was made known in mid-November of the same year.[83] She also provided her vocals on the songs "Vinterens Gåte" and "Det Ev Ei Rosa Sprunge" (Norwegian version of the German song "Es ist ein Ros entsprungen"), from the album Juleroser by Herborg Kråkevik, in which the Bergen Philharmonic Orchestra and other Norwegian artists.[84] She also re-recorded her track "Running with the Wolves" for the animated fantasy and adventure film Wolfwalkers.[85]
In early 2021, she released five compilation EPs in celebration of her song "Runaway" receiving over 100 million streams on Spotify: For the Humans Who Take Long Walks in the Forest, Music for the Free Spirits, Stories, For the Metal People and Music for the Fellow Witches Out There throughout February.[86] On 7 July 2021, Aurora released the single "Cure for Me" as the lead single for the forthcoming album.[87] On 14 October, "Giving in to the Love" was released as the album's third single, and The Gods We Can Touch was announced for release on 21 January 2022.[88] Aurora featured in Sub Urban's song "Paramour", released on 19 November as a single for the latter's upcoming debut album.[89] She also released the song "Midas Touch for the soundtrack of the third season of the Amazon Prime Video Hanna series. To promote The Gods We Can Touch, she announced a concert tour throughout the United States and Europe (with Sub Urban, Sei Selina and Metteson as supporting acts) in 2022.[90] "Heathens" was released on 3 December 2021 as the album's fourth single, and a virtual concert film was announced, which released exclusively to Moment House on 25 January 2022, a week later after the album's release.[91][92] A collaborative event with the video game Sky: Children of the Light was released on 17 October 2022, which included a virtual concert that premiered on 8 December after The Game Awards 2022 and reoccurred from 9 December until 2 January 2023.
Paul S Winson have won the contracts for services 3 and 13 from Centrebus. These routes are run on behalf of Leicestershire CC.
Acquired for the routes is Enviro200 JB51 BUS, which is duly seen here on route 3.
N18LUE was new as YN08DDX in April 2008 , a Scania K340IB4 / Irizar C49Ft of Burtons , Haverhill from whom it was acquired by Tarhum Ltd., trading as Blue Iris in November 2008.
Tarhum took over the business of Glenvic Coaches from Philip Holvey in December 2018 , and N18LUE is working the Churchill Academy contract , which was regularly worked by Glenvic's XYC561 . This is a double run , and N18LUE is returning to Churchill having dropped off in Congresbury.
Alternative rock band DIE MANNEQUIN from Toronto, Ontario performed a sold out show at RIOT FEST 2015 Music Festival in Toronto. In picture: CAROLINE "CARE FAILURE" KAWA,KEVVY MENTAL,KEITH HEPPLER,J.C. SANDOVAL
Contract workers unchain equipment at the railhead near Vaziani Training Area May 5, 2016,in preparation for Noble Partner 16. The exercise is scheduled to take place May 11 to 26 andwill include approximately 1300 participants from the U.S., Georgia and the U.K. Noble Partner16 is a critical part of Georgia's training for its contribution of a light infantry company to theNATO Response Force (NRF) and enhances Georgian territorial self-defense capability. (Photoby Spc. Ryan Tatum, 1st Armor Brigade Combat Team, 3rd Infantry Division)
Landscape Photography. Taken at the zoo a couple months ago. I was planning ahead for contract three and decided to do the shoot at the zoo. I got this wonderful shot. This is a very true to color shot. It was a spectacular view!
He's offering "legal insurance" in case I get sued by Google for my Google Maps abstracts. In exchange, he gets a painting.