View allAll Photos Tagged compositing
I just joined the library today, after ten years in Korea it is good to have access to English books again. Perks of being home I guess. Borrowed some Photoshop technique books and this photo is the result. A composite of three images, the main photo...a statue (which I shot in Busan a while back), plus some texture and Bokeah that I got from: www.flickr.com/photos/lesbrumes/ Thanks to Lesbrumes for sharing your textures.
Just realized my pro account has expired and my last upload to Flickr was late in 09. Gosh, have I been away from Flickr for that long?.
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Composite patchwork made of elements of at least three separate figures, the undersized head appears to be early 16th century from a different hand, therefore later and unrelated to the chapel glass and probably originating from elsewhere in the church (perhaps the Dean's Chapel).
Detail of the east window glazed by the royal glazier John Prudde in 1447 with some of the most luxuriant stained glass available at the time. The seven lights originally most likely contained in the upper register a now lost central group of the Trinity crowning Mary to whom the chapel was dedicated (only three radiances remain in the cusped heads) flanked by four saints, St Thomas Becket, St Alban, St Winifred and St John of Bridlington (the only complete figures remaining in situ). The lower register appears to have been a display of kneeling donor figures of the Beauchamp family, with Richard in/near the centre (his is the only figure to survive, though his head is lost and replaced by that of one of his daughters!).
The bulk of this glass was tragically lost when the chapel was attacked by Cromwellian troops in 1643 (it is possible the chapel was locked and all this was done from outside as the tombs and statuary survived undamaged). The six side windows were a complete loss below the traceries and have remained plain-glazed ever since, but the surviving figures were used to fill the large gaps left in the east window to give the patchwork display we see today.
The gorgeous Beauchamp Chapel at St Mary's, Warwick is perhaps the best preserved example of a medieval church interior in England. I have been in love with it ever since my first childhood visit, and it remains my favourite room in all England.
The chapel is rich in excellent monuments, of which the tomb of Richard Beauchamp, the chapel's founder, is the most impressive with magnificent gilt bronze sculptures, an extremely rare survival.
Equally spectacular is the delightful east window, which is filled with superb 15th century glass by John Prudde, the King's glazier. Much if it is not in situ, since Cromwell's troops wrought havoc with the glass here and the surviving figures were assembled in this window (only the outer pairs of figures in the upper row are in their original positions). The north and south windows retain original glass only in their traceries and the cusped heads of the main lights, and knowing the quality of the surviving elements makes this loss all the more grievous.
A further treasure of this chapel and a miraculous survivor of Cromwells fanatics is the statuary surrounding the east window. This unique display of almost perfectly preserved figure sculpture from the early 15th century is exquisite, and gives an answer to all those empty niches we see in so many medieval churches elsewhere in England. The medieval splendour is further echoed by the use of colour on the sculptures and vaulted ceiling, all redone in the mid 20th century but based on medieval precedents.
When my best friends and I gather round the table for a chat, you would think it would be completely harmonious, after all, I know these people well and get on with them.
As you can see that was not entirely the case yesterday :-)
PS I confess this is not an original idea, I pinched it form my friend Pete who has posted two excellent examples of this kind of composite on his 365.
PPS Pete spotted an glaring error and made a note of it. I've corrected that in Mk 2
Canon 5D MkII with Canon EF 24-105mm f/4L IS USM lens.
Blender nodetree of a composition that I did for a matchmoving experiment with Syntheyes and Blender.
Eva-Last, Infinity, Swiss Oak, Capped Bamboo Composite Decking, VistaClad, Infinity, Swiss Oak, Composite Cladding.
A cream Edinburgh 2 @SolidorLtd Composite Door with clear glass and architectural hardware. Installed in Widmerpool, Nottingham.
Students are learning how to use the tools that are necessary for boat building and for working with composite materials
This rock is composed of a blistered crust of ironstone (= iron oxide rock). This material could also be called mammillary ironstone.
Provenance: modern fluvial gravel bar in Ohio; mammillary ironstone like this supposedly occurs at the Mississippian-Pennsylvanian unconformity in parts of Ohio
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Just in Time so :) first Time trying composite, not so easy cause i just use my arms, i préfer that Way to do as long i’m not too much shaking yet. In progress will come, passion is by my side :)
B&W Neopan 400 shot through 3 successive colour filters, red/green/blue and composited in PS to give a color image. I'm surprised how well they worked out !
This composite of this mural was in what I call the graffiti tunnel in the Deep Ellum neighborhood of Dallas.
This is my first pass. Couldnt shoot it in one image because of the narrow tunnel. I'd like to do better but I shot poorly for a flat composite. A lotta layers in photoshop.
A composite involving one of my Shanghai cityscape images - made by Liz Heinlein. I like what she did with it.
A Traditional Conway Solidor composite door and flag window in chartwell green with brushed aluminium hardware. Installed in Mapperley, Nottingham. For a free quotation contact us on 01158 660066 visit us at our West Bridgford showroom or design your door online at www.thenottinghamwindowcompany.co.uk #Mapperley #Nottingham #Chartwell #Composite #Door #Solidor #SOTM