View allAll Photos Tagged compositing
Adapted Rokinon 14mm f2.8 w/Metabones focal reducer. Set to f8 on lens, 3 hour composite image at 30 seconds each.
A composite image. I went up to Armour Hill, one of the highest points in town I believe, and set up to watch and photograph the lunar eclipse. This being well timed for the Americas and the next one visible from here will be December 20, 2010 overcame any resistance to braving the –14°C temperature.
It was a beautiful sight. I had invited a couple of students from the college to join me. I waited in the Price Chopper parking lot for them to show up and I could see the eclipse beginning as the Moon quickly entered the Earth's shadow.
It was about 20 minutes later that I finally starting taking photos after setting up a telescope and a couple of tripods. There was about 50 people on the hill including a few Peterborough Astronomical Association members. I had told the PAA I wouldn't show up if no one else did, so I was glad I was not alone.
The whole event was one of those rare thrills you experience that whets your appetite for more. I caught a nasty case of Nikon Acquisition Syndrome and am now looking for a cure in either the 300mm or 80-400mm telephotos. :)
I introduced a few onlookers to the wonders of telescope viewing. The best moment was the teenage girl who was blown away by seeing Saturn's rings through the telescope. She was astonished at the verisimilitude of what she saw in the eyepiece to what she'd only seen in TV and books.
There were a few photographic opportunities that I wish I had given more thought to, but the extreme cold weather kept me from fiddling around. I had a film camera set up for a long exposure so I'm looking forward to see how that turned out. Both students' Pentax K-1000 cameras failed in the extreme cold. My Nikon F3HP worked flawlessly.
Hopefully many people took a few moments last night to witness this glorious event. There will be many more as these are natural periodic events. And hopefully many people came away with a sense of what we are losing as we continue to send wasted light into the night sky. Seeing the stars on a night like this should evoke a feeling of awe and wonderment of the universe. I'm certain the few people who stopped by our telescope were impressed.
Here is a composite from the burst of this shot. It's not all of the frames, but the ones that made it turned out quite nice.
How I composited the iPhone photo.
What's not obvious is that the lens blur is at a variable rate using a gradient in Quick mask.
I put this composite together for Make It Interesting ~ Challenge #3.
Original balloon image with thanks to Mrs_DJ_Deh (see comment box below).
The sharks are mine. They are leopard sharks, part of a school of several dozen that were swimming quite close to shore in Richardson Bay, an offshoot of San Francisco Bay.
I KNOW, ITS VERY BRIGHT!
It has been a while since I have taken some photos. Everyday I am on flickr, and I study new tutorials and try planning my next shots, but I can just never get out and shoot. So after a good 2 weeks without a shot, I told myself I was going to take a photo today.
Lately I have been wanting to do a composite photo, but have never been successful. This is my first ever portrait composite photo.
I setup everything before I asked my dad to come in and model, so it only took me 4 shots to get the shot of him.
Composite was 3 separate pictures.
1. HDR background
2. My dad
3. The 6.5 Grendel
Strobist:
AB1600 through Octa Camera right.
580exII bare camera left.
380exII with diffuser in front camera left.
Overall how did I do?
A movie-poster study on multi-photo composites, cropping, angles, spacing and perspectives. Ideally I wanted to get ALL the cousins, but dammit there are TOO MANY OF YOU F*CKERS!
But oh well.
I was thinking about the Smokin Aces movie poster and a Guy Ritchie-esque title treatment and look (a la the Snatch opening credits).
Composite of 17 individual frames, taken with my Canon EOS 60D, 20mm Plossl lens, and Orion SkyQuest XT10 Dobsonian telescope. April 20, 2016. I used Photoshop CC's "photomerge" feature to automatically align all the images and then process.
Photoshop composites are not my strong suite... However, I am hoping with a lot of practice I will be able to recreate this photo at the send of the semester and make it even better. I tried to do something a little different then what I am used too. However, as you can see I struggled making myself look like I actually belong in the photo. This is something I will continue to work to improve on.
The Scaled Composites Model 348 WhiteKnightTwo (WK2) is a jet-powered carrier aircraft which will be used to launch the SpaceShipTwo spacecraft. It is being developed by Scaled Composites as the first stage of Tier 1b, a two-stage to suborbital-space manned launch system. WK2 is based on the successful mothership to SpaceShipOne, White Knight, which itself is based on Proteus.
Virgin Galactic has ordered two WK2s. Together WK2 and SS2 form the basis for Virgin Galactic's fleet of suborbital spaceplanes.
The first WK2 is named VMS Eve after Richard Branson's mother; it was officially unveiled on July 28, 2008, and flew for the first time on December 21, 2008. The second is expected to be named VMS Spirit of Steve Fossett after Branson's close friend Steve Fossett.
WhiteKnightTwo is roughly three times larger than White Knight, in order to perform a captive carry with the larger SpaceShipTwo spacecraft. The WK2 is similar in wingspan to a B-29 Superfortress. Despite that comparison, White Knight Two is a thoroughly modern aircraft - even the flight control cables are constructed of carbon fiber, using a new patented design.
WK2 will provide preview flights offering several seconds of weightlessness, before the actual suborbital event. It is intended to have a service ceiling of about 60,000 ft (18 km), offering a dark blue sky to passengers. This will allow tourists to practice before the real flight.
WhiteKnightTwo consists of a twin boom with two jet engines per hull.[8] One hull is an exact replica of that of SpaceShipTwo (to allow tourist training), and the other will carry cut-rate day-trippers into the stratosphere.
The design is quite different from the White Knight, both in size, use of tail, engine configuration and placement of cockpit(s). The White Knight uses two T-tails, but the WhiteKnightTwo uses two cruciform tails. Engine configuration is also very different, with engines hung underneath the wings on the WhiteKnightTwo as opposed to engines on either side of the sole cockpit on the White Knight.
General characteristics
* Payload: 17,000 kg to 50000 ft.; 200 kg satellite to LEO(test)
* Length: 24 m (79 ft)
* Wingspan: 43 m (141 ft)
* Powerplant: 4× Pratt & Whitney Canada PW308 turbofan
Performance
* Service ceiling: 21.3 km (70000 ft)
Rainy day blues. So in the heat of the summer thunderstorms love to just build up and dump on you. So while stuck at home thought I would finish up this little work I was doing. Not terribly happy with the final product - but bored none the less.
For Strobist info
B800 3/4 with Soft box under the rider.
B800 3/4 over riders right shoulder - Bare
580 1/2 over opposite shoulder - Bare
And Bare sunlight that had us both drenched in sweat
Another composite of my elephant friends completed in Photoshop using the "vanishing habitat" theme.
A friend's kid tears through the hurdles during their track meet. Composite pic from five images out of the eight shot.
Composite image of pictures of the infrared, visible and ultraviolet spectrums.
Taken with Fuji IS Pro.
White undercoated ply panels have been fitted to the top of the partitions in the First Class compartments while the partially varnished longitudinal lavatory partition leans against the side of the coach. This firms the northern end of the first class corridor.
This is a composite shot of 6 HDR images for a total of 18 total images. I correct each image first, then combine them into HDR, then correct the combined image. Then I stitch them together, crop and correct the final image. I love the detail that results from this kind of processing.
My new Pentax MX film camera - just arrived today! The body has some dings and brassing, but it is perfectly functional, and nice to have the black body.
Renoxbell® ACP is a composite panel consisting of two aluminum cover sheets and a plastic core.
1. Quality certificate: TUV, SGS, CE
2. Material
A) USA PPG fluorocarbon paint, Sweden Berger fluorocarbon paint
B) USA DuPont Macromolecule sticking film, Japanese Mitsubishi Macromolecule lamination film
C) 3003, 5005 high quality alloy aluminum
3. Color
A) Granite or marble, wood grain, silver/gold brush, mirror faced, chameleon.
B) Any other color or finish can be imagined by the customer
4. Specifications
A) Thickness: 2mm----10mm
B) Alu thickness: 0.2mm--------0.5mm
C) Weight: 5.5kg/sqm /4mm thickness
D) Non-standard sizes are also available if required.
5. Superb Characteristics
A) Good rigidity, Strong pressure resistance, good flatness, good weather resistant
B) Good formability, easy processing and installation.
C) Good fire resistance, Grade A2
D) Even coating, various colors
6. Application
A) Curtain walls
B) Exterior or interior decoration, advertising boards
C) Old buildings restoration, ceiling, petrol station, airport
D) Vehicles, shipping vessels, trains, and so on.
E) Furniture materials, interior partition.
Guangzhou Aloya Renoxbell Aluminum Industry
Please contact:
Young Ali 008613068805152
Email: Young@renoxbell-world.com
Web: www.renoxbell8.diytrade.com
Wenfa road 933, Panyu District, Guangzhou, China
A composite of 17 different players. It is hanging up all around our town!
Strobist: WL1600 in a 64" PCB parabolic as key. Big diffusion panel with an sb800 left for fill. AB800 left and behind in a gridded stripbox. Each player was shot individually in several poses and then composited into a team.
Window at the Sacred Heart Roman Catholic church in Bilton, Warwickshire.
This composite panel was made up of 'leftover' pieces of one of the former side windows of the nave, displaced when the church was extended in 1990. Other parts have been incorporated into windows two similar windows nearby.
Originally built in 1958 on a traditional plan with an oblong nave and chancel in one chamber, the church was dramatically re-organised and extended in the early 1990s under the guidance of Fr Paul Chamberlain, wherein the axis of the church was re-orientated by 90 degrees with a centralised granite block altar in what was the heart of the old nave. The 'south' nave wall was removed to allow an extended aisle and ambulatory on this side. The former main entrance narthex was blocked up to create what is now the Blessed Sacrament chapel.
One of the most dramatic innovations in the re-ordered church is the full immersion fount, a cruciform marble pool set into the floor before the altar, evoking the earliest method of Christian Baptism by immersion in the River Jordan.
The two main stained glass windows on either side of the old nave were removed and re-sited in truncated form in the new extension, and in the place of the northern one a large crucifix (painted by Fr Chamberlain) has been set up as a focus behind the new altar. The six high windows on this wall are the latest addition to the church and are my own work from 1999.
Two photos I put together - tree in the foreground plus photo of mountains. I wanted to isolate the tree (lots of complex branches) from its original sky. Used color range selection in the original sky to select and delete it. The sky in this composite is totally fake. Both photos are from stock sites (sxc.hu and commons.wikimedia.org).
FotografÃa compuesta de imagen del campo se futbol y fotografÃa tomada en estudio. Se cambia el fondo en photoshop.
blog.fabianvargas.com.es/2014/06/iluminacion-ideal-para-f...
Strobist info:
Two continuous lights at both sides of the subject and one flash gun (at low power) through umbrella, behind de camera as fill light.
visita mi blog: blog.fabianvargas.com.es