View allAll Photos Tagged compositing
Composite image created from multiple mug shots of Newcastle upon Tyne criminals of the 1930s.
Original images from the 'Tyne & Wear Archives & Museums' here: www.flickr.com/photos/twm_news/sets/72157631080087096/
Window at the Sacred Heart Roman Catholic church in Bilton, Warwickshire.
This composite panel was made up of 'leftover' pieces of one of the former side windows of the nave, displaced when the church was extended in 1990. Other parts have been incorporated into windows two similar windows nearby.
Originally built in 1958 on a traditional plan with an oblong nave and chancel in one chamber, the church was dramatically re-organised and extended in the early 1990s under the guidance of Fr Paul Chamberlain, wherein the axis of the church was re-orientated by 90 degrees with a centralised granite block altar in what was the heart of the old nave. The 'south' nave wall was removed to allow an extended aisle and ambulatory on this side. The former main entrance narthex was blocked up to create what is now the Blessed Sacrament chapel.
One of the most dramatic innovations in the re-ordered church is the full immersion fount, a cruciform marble pool set into the floor before the altar, evoking the earliest method of Christian Baptism by immersion in the River Jordan.
The two main stained glass windows on either side of the old nave were removed and re-sited in truncated form in the new extension, and in the place of the northern one a large crucifix (painted by Fr Chamberlain) has been set up as a focus behind the new altar. The six high windows on this wall are the latest addition to the church and are my own work from 1999.
Two photos I put together - tree in the foreground plus photo of mountains. I wanted to isolate the tree (lots of complex branches) from its original sky. Used color range selection in the original sky to select and delete it. The sky in this composite is totally fake. Both photos are from stock sites (sxc.hu and commons.wikimedia.org).
Image size width 80 cm x height 53 cm at 300 dpi (31 x 21 inches).
Pixel dimension 9476 x 6317.
A composite image consisting of the following elements: The person, the pentagram on his forehead plus the scar on his neck. Both the right and left shoulder was originally left out of the original stockphoto, so they had to be made from other parts of his sweater. The background image was found on a stockphoto site.
First off, the image of the person was warped a bit to make his facial expression.
The light effects were added: A bright light source simulating a backlight was placed on the background. Then rim lights on both shoulders and on his side of the face and nose were painted on. Finally the main spotlight washing out the details was supplemented. Shadows and dark areas were also done in coordination with the spotlight.
Some retouching of the eyes and skin were done, plus the knitted pattern in the sweater in order to merge the added shoulders with the original.
Finally, the different elements of the image was blended together with a mix of color correction, blurring and also feathering certain areas of the masks.
At the final stage, some selective sharpening on the face, a depth of field-filter on the rest of the image plus film grain reticulation was mixed in.
Copyright © Adlersimonsen
All rights reserved
Some composite textures from paper stock by designshard.com, hello-streetlight.blogspot.com,martinsiilak.deviantart.com, and
hibbary.deviantart.com.
fabric stock by valleysinthevinyl.com, and grunge by buzillo-stock.deviantart.com,
Decided to release these under a CC license.
Please credit
Encompass--rose.blogspot.com visit the blog for a zip file
16 shot composite of the Eclipse sequence taken with a 70-300mm @300mm with a Baader Solar filter attached, which gives a bluish tint, the last image is orange due to the Sun being so close to setting even the filter's hue couldn't overpower "Golden Hour" light.
Read more about this here: newd7000user.wordpress.com/2012/06/05/may-20-2012-partial...
photo credit Tom Woodward - if you want to help me out and buy prints directly from me click here, otherwise use them non-commercially all you want
Germany, 1510-60.
The term composite means that the armour was assembled from various pieces (possibly from different workshops/cities/countries), not an original complete suit. When museums assemble a composite armour, they generally try to choose pieces that are alike in style/period/maker.
Historically, a knight might have assembled his armour from available pieces or replaced damaged pieces, so composite armours are "historically accurate" in their own way.
Eva-Last, Infinity, Oasis Palm, Composite Decking, Eva-tech, Xavia Tri-extruded Aluminium Bamboo Composite
added some clouds to the original. The original was shot in Nebraska at the Crane Migration on the Platte River region in Kearney, Nebraska.
Someone has been making beautiful composite color copes and stitching them together on Mission Street, on some wood cladding outside of an empty restaurant. This is a composite photo of a composite photo - dude, it's meta!
Eva-Last, Infinity, Oasis Palm, Composite Decking, Eva-tech, Xavia Tri-extruded Aluminium Bamboo Composite
Taken with a Cannon Rebel EOS XS. Used about 25 individual pictures. Put together manually using Photoshop. Inspired by David Hockney
Composite image created with Microsoft Groupshot.
My wife says I'm too competitive. I guess this just proves it.
A composite. Inspired by a forced viewing of the entire Twilight series.
The crypt and church grounds is St. Mary Magdalene, Taunton, Somerset, England.
The dancer was shot in studio.
Strobist: 3 lights. Key is a B800 in a large octa, boomed overhead, f/5.6. 2 B800s in gridded strip boxes, behind, f/8. Triggered by Pocket Wizards.
Brano Meres special bamboo composite bike. The material is bamboo fibers in a resin that Brano had specially formulated.
Seen in Portland, Oregon.