View allAll Photos Tagged compositing
Two photos. One from Palos Verdes Beach taken during the summer of 2016, flipped and mirrored, and a log which was washed up on another beach at Bluff Cove on 06-11-17 composited on top, to meet the two other logs.
Composite of some of the stages of the eclipse against an infrared version of the scene in front of us as we were shooting.
Composite using a frame mask, background layer, directional lighting as well as extra layers including footprints and scratches and dust.
Second attempt at a composite. Used the moon here from another shot. Not a perfect combo, but looks pretty nevertheless.
This is the Niagara Mohawk #building, an art deco classic in #Syracuse. Built in 1932 it was the headquarters for the largest electric utility company at the time. This is a #composite of a couple different shots to get the look I was going for :]
while checking out the new battery packs for my flashes I thought I would try out an idea I had for a composite image. My SB-900 is balancing on my forearm with a red gel, and a SB-600 with an Insignia softbox diffuser is to my left. Colors and flames corrected in Photoshop CC
The rough workflow of this image can be seen here:
I decided to composite two photos which I have previously posted. Trilliums tend to grow in shady places, so I tried to keep it real and, therefore, on the dark side. I think it works, but I'd love to read your opinion. It's the first time that I have tried something like this.
Quick-Look Hill-shaded Colour Relief Image of 2014 2m LIDAR Composite Digital Surface Model (DSM).
Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...
For full raster dataset go to: environment.data.gov.uk/ds/survey
This should have had one more bird but it slightly overlapped the grass and the camera kindly refocused on the grass not the gannet. I have no idea what it is carrying in it's beak, it took it from it's nest, flew round twice and brought it back again.
©Max Slaughter 2009 all rights reserved
model Michelle MM #1010780
Strobist info: AB 1600 in a 22" beauty disk @ lowest setting above and slightly in front of the model silver reflector below model. 2 AB 400s into AB strip softboxes @ 1/4 on camera left and right behind model @ 45 degrees. Fired by PWIIs.
A friend sent me an image yesterday that has a faint headshot in composite with a torso shot. This is my first attempt at that style. Your thoughts please? C & C welcome.
I made an attempt to do a composite of the fireworks from last night. Hope everyone had a happy July 4th!!
Cutting composites material on a #zundcutter. In this picture you see also the center winder for wrinkle-free material feeding.
Jaylie, shot in my "studio" with a White Lightning X-1600 ~1/4, into a 43" Westcott Orb (socked and gridded). Pocket Wizards.
This is a composite of 5 phases of the moon, from 10% Waxing Crescent to First Quater.
Each phase has been overlaid, so as to bring out the crater detail. I have also tried to bring out the colour of the moon in a layer.
In doing this I have learnt the moon moves around a hell of a lot. It not only moved further away but also seemed to rotate slightly. In the end I had to resort to puppet warp to make the features line up.
I do plan to do the other half but may wait till the waxing crescent phases.
These photos were all taken with a Canon 7D, a Tamron Adaptall 500mm mirror lens and Tamron 2x TC.
ISO 320
f16
shutter speeds between 1/5 - 1/30
composite ideas came from the original image of the baboon with it's hand hand covering it's eyes..A nightmare Lost and Hunted... Baboon photographed at Colchester Zoo Rework of an old image for Shift Art 12 days of xmas challenge