View allAll Photos Tagged compositing
Composite of two images. I need some lessons in how to do this technique. Short on time to watch any tutorials and I found this challenging
It has been a while since I did any night photography, actually any photography for that matter. Apart from the shot of Pomponio beach sunset I uploaded a couple of days ago I've just not had the time to go out much this whole year. Most of my recent uploads have been from the archives. This is a composite of two different images. The Davenport beach shot was taken at sunset with a shutter speed of 1/4 s to get some texture in the wave motion and the Milky way shot is a completely separate shot taken at ISO 3200 for 15 s. I darkened the beach shot, replaced the cloudy sky with the Milky way shot and then converted the whole image to black and white using a Nik filter.
This is a simple composite photograph that I just High-passed the heron, then changed the background.
📷 August Most Versatile: Composites
made from three images to put the bridge and water into the area that was just path
West Street view of Lower Manhattan using my Olympus 7-14mm lens.
More photos with the Olympus 7-14mm Pro 2.8 lens are in my set
More photos like this one are in my set
More Live Composite photos are in my set
More photos of the World Trade Center are in my set
Strobist
Nissin Di700 with 32" softbox camera left just above head
White reflector camera right 0,5m away from the subject
Background is HDR shot made from 3 exposures +-2
Triggered with Hähnel Combi TF
Shot with Canon 5D mark II and 24-105mm F/4L
Here is a breakdown of the editing and composite of a recent photoshoot. I have always found it to be very helpful when others share details and insight to how they created a photo. Hope it helps.
Here is a large view of final image: www.flickr.com/photos/justin_trapp/5077432966/
Just a fun project compositing in photoshop. Strobist info: 580exii camera right in a 48" octabox at 1/8 power SB700 at 1/16 in a 28" Apollo softbox and a 560 Yongnou in a 8x36 gridded strip light at 1/4 power.
A fun experiment with angles and action. Skatchy lines added in PS after the composite to give an artistic edge.
Quick-Look Hill-shaded Colour Relief Image of 2014 1m LIDAR Composite Digital Terrain Model (DTM).
Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...
For full raster dataset go to: environment.data.gov.uk/ds/survey
It is a composite image made from two images shot from the same position and angle. First image is a conventional photo (made in visible spectrum) and second image is an Infrared photo shot with an IR converted camera.
You can see the clarity's coming from IR and the color's coming from the conventional image.
Buildings on the horizon are 12km (7.5miles) away and visibility conditions aren't perfect.
See those images here:
A composite I made for CPS with the theme "Paint With Light."
This was my origional conception, but I couldn't make it happen all at the same time, sooooo I had to piece it together in photoshop.
4 elements used
paint rollerer and red swoosh
paint brush with blue scribble
paint bucket
green eminating light
Red and blue light came from LED flash lights, The red glowing paint on the paint brush was actually the juice from a Glow stick I cut open. Green light was a zoom effect on a small glass filled with green glow stick juice.
Total cost of production : $4.99 plus tax for the glow sticks, everything else was laying around the house.
My Ellie at 3 months old!
This is obviously similar to Kelly Ryden's picture...minus the neat old scale. :)
I don't generally like pictures that aren't natural, but I haven't done too many composites with babies so it was fun to try this idea!
Info: My husband held her on the right side, and then held her on the left side. In photoshop, I took one of the pictures and dropped it as a layer on to the other one. Then, just erased away my husband's hand. It wasn't quite that simple, but that's the basic idea! :)
This composite image presents the three most visible elements of space weather: a storm from the Sun, aurora as seen from space, and aurora as seen from the Earth. The solar storm is a corona mass ejection (CME) composite from EIT 304Å superimposed on a LASCO C2 image, both from SOHO. The middle image from Polar’s VIS imager shows charged particles as they spread down across the U.S. during a large solar storm event on July 14, 2000. Lastly, Jan Curtis took this image of an aurora display in Alaska, the visible evidence of space weather that we see here on Earth.
Credit: NASA/GSFC/SOHO/ESA
To learn more go to the SOHO website:
sohowww.nascom.nasa.gov/home.html
To learn more about NASA's Sun Earth Day go here:
A composite Christmas card. I live in LA. Yes that is my dog.
If you would like to see a tutorial of how i did it, go to my blog.
I was going through one of my back-up drives and found a folder of "to be edited" pics. Saw two pictures from 10/15/2008 that I meant to merge together but never got around to doing. Both had great elements going for them but neither one was great on it's own.
Background image (clouds): 150mm, f/5, 1/5 second exposure.
Foreground image (moon): 150mm, f/5, 1/60 second exposure.
Selection of 15 photos from about 50 taken over about 2 hours.
300mm lens on D200 = 480mm effective length.
Varying exposures: the full eclipse shots are around 1 second at f5.6 at ISO400, the partial are much shorter exposures.
Composition by photoshop (sorry!) - the earth rotates much farther than this in two hours, and fitting it all on one shot with a composite exposure would result in a bunch of tiny dots.
Even in 1 second, the moon moves a couple of pixels, resulting in some blur.
TESTING SOME COMPOSITING
*Background image is not mine.
Peep the composite breakdown - 3byone.tumblr.com/post/317022218
THis is a composite i did, a friend of mine showed up between a couple shoots i had scheduled and he was fooling around doing some dance moves. I shot him with a beauty dish as my main light and a single speedlite as the rim light. Thanks
More of my work can be found on my Facebook
I have lately been addicted with some kind of underwater composite shots. There is the sense of dark ominous mystery to it and I love those sort of things. It probably stems from my childhood as young swimmer, going under those really deep pools, or enjoying the deep end of the beach. I was not scared, in fact, I really loved it.
For me it was much more peaceful underwater. It's like a whole new world down there.. with new horizons to pursue (See what I did there? hahah). Anyways, I already had the concept in head, I wanted an underwater shot, but the pose should be dramatic or some sort of dance like. So we tried different pose then finally she showed me this. I really loved it so I took a couple shots with it and got the one I liked.
Radiant Sorceress. Working on my compositing skills. And next time I see a beautiful, rich backdrop and decide I should use it when shooting material for compositing, please remind me that actually a boring, single color that isn’t close to my model’s hair or costume pieces would be better.
Model: @azagame (www.alizagame.com/)
Headpiece / Waist-corset: @kmbienwald_design (www.kmbienwalddesign.com/)
We went to Kaktovik for the polar bears, but I found the isolated Arctic Inupiat Eskimo village extremely interesting. The population of Kaktovik is approximately 300 people. 7 out of 8 residents are wholly or partially Alaska native Inupiat whose families have lived in the area for centuries. It is the only village within the ANWR (Arctic National Wildlife Refuge), covering only 1 square mile of land. Subsistence hunting, fishing and whaling are a vital part of life for the people and economy of Kaktovik. They are allotted 3 whale harvests each fall, and the whale meat, etc. is distributed among the residents. Kaktovik is 90 mi. from the Canadian border.
This composite contains the following images:
- Slabs of bowhead whale meat from a recent harvest are divided and distributed to the residents, where the pieces remain in yards in freezing temperatures until they can be stored inside.
- The graveyard overlooks the Arctic Ocean.
- A moose head and antlers from a recent kill.
- Snow fence leads to the dome of the Long Range Radar Site (Distant Early Warning (DEW) station, built in 1953 during the Cold War). It is still active today.
- A "Dead End" sign in an area of Kaktovik being developed.
- A doll seen in an icy ditch in the village.
- A sleigh waits for snow.
- Sims Store. It was closed whenever we walked by, but I heard that it is open just a few hours most days. It sells groceries, clothes and supplies.
Most of the images were captured on our first day in the village - then it snowed that night and left a beautiful white covering over the entire area!
So I decided to give composite images a try. Here is a picture of Brent I took awhile ago mixed with an HDR image I took a while ago. I think it looks pretty good, I want to do more of these composites, its easy and produces great results!
HERE is the original picture of Brent.
HERE is the original HDR background that I made from a single RAW file while sticking my camera out the window while driving lol.
so what do you think??
Strobist: SB600 cam left through umbrella, SB800 back cam left bounced off umbrella. triggered via V4's
I took these 2 shots, the Statue of Liberty from Liberty State Park in NJ, and the background from somewhere in the Caribbean. Combined in Photoshop CS3 out of pure boredom one day.
Being stuck indoors due to the weather, I have started to explore flash photography using an umbrella softbox with a radio trigger to fire the flash. This is my second attempt at an image which uses some of the things I have learned watching Youtube videos by Joel Grimes. My plan is to work on composites of a person on an added background. Now, my significant other has decided to balk at being a guinea pig, so I have had to resort to a selfie-mode with the accompanying gymnastics as I hop about between flashes, camera and my perch. At least the subject does not complain – rather pointless. Anyway, I have plans to do more of this stuff over the next while to work the kinks out. One such kink is cutting out the background. I did this manually after several attempts to use various selection schemes in GIMP, my image editor. Limited success, so that needs more work. Regardless, nice diversion as long as the weather fails to cooperate. - JW
Date Taken: 2017-01-10 (figure) 2016-03-26 (background)
Tech Details:
As the title states, this is a composite of 2 images. The background is a modified form of this image: www.flickr.com/photos/jwvraets/25972796782/in/datetaken/ in which the image was darkened overall and a significant vignette added using RAWTherapee. The foreground image was taken using a tripod-mounted Nikon D7100 fitted with a Nikkor 18-105mm VR lense set to 34mm, ISO100, Manual mode, Auto WB, f/6.3, 1/200 sec, Nikon SB600 flash inside a Godox 47inch/120cm octagonal softbox with diffuser set camera right face parallel to the axis from the lense to the face and about 4 feet away and also a white reflector set camera left about 4 feet out face parallel to the lense to face axis, triggered by Photix radio trigger set. Free Open Source RAWTherapee was used to process the resulting Nikon RAW/NEF source file by first scaling it to 9000x6000, adjusting exposure to suit, increasing contrast and Chromaticity in L-A-B mode, slightly increasing vibrance with skin tone protection enabled, sharpened, saved. PP in free open Source GIMP: The background of the figure/subject was manually erased and then used as a top layer with industrial image loaded as a layer below, adjustments made to tonality and contrast of each layer to suit, eye whites dodged slightly and pupils selectively boosted in saturation, sharpen, save, scale to 6000x4000, sharpen very slightly, add fine B&W frame as well as bar with text on left, saved, scaled to 1800 wide for posting, sharpened slightly saved.