View allAll Photos Tagged compositing
Radiant Sorceress. Working on my compositing skills. And next time I see a beautiful, rich backdrop and decide I should use it when shooting material for compositing, please remind me that actually a boring, single color that isn’t close to my model’s hair or costume pieces would be better.
Model: @azagame (www.alizagame.com/)
Headpiece / Waist-corset: @kmbienwald_design (www.kmbienwalddesign.com/)
Composite Image [brainASDself675px] using data from Figure 6 [1] and brain imaging from Linder [2].
Image shows the subsequent response along the medial bank of cingulate cortex following the submission of one’s own decision (‘‘self’’ response pattern) for ASD adolescents (n = 12).
See [3] for a summary of the article [2] in the journal Neuron.
[1] Pearl H. Chiu, M. Amin Kayali, Kenneth T. Kishida, Damon Tomlin, Laura G. Klinger, Mark R. Klinger, and P. Read Montague; Self Responses along Cingulate Cortex Reveal Quantitative Neural Phenotype for High-Functioning Autism; Neuron; Volume 57, Issue 3, Pages 463–473; February 7, 2008.
[2] Christian R. Linder; MRI Saggital transection through the human brain; Wikimedia Commons; 20001013. Accessed 20080208.
commons.wikimedia.org/wiki/Image:Brain_chrischan.jpg
[3] rebornphoenix; News: Study Finds Neural Phenotype for High-Functioning Autism; Glass Jail; 20080209. Accessed 20080209.
glassjail.wordpress.com/2008/02/09/study-finds-neural-phe...
Attempted to make a nice GIF with this composite image as the transition.
Fish-eye Takumar 18mm f/11, mostly defished.
We went to Kaktovik for the polar bears, but I found the isolated Arctic Inupiat Eskimo village extremely interesting. The population of Kaktovik is approximately 300 people. 7 out of 8 residents are wholly or partially Alaska native Inupiat whose families have lived in the area for centuries. It is the only village within the ANWR (Arctic National Wildlife Refuge), covering only 1 square mile of land. Subsistence hunting, fishing and whaling are a vital part of life for the people and economy of Kaktovik. They are allotted 3 whale harvests each fall, and the whale meat, etc. is distributed among the residents. Kaktovik is 90 mi. from the Canadian border.
This composite contains the following images:
- Slabs of bowhead whale meat from a recent harvest are divided and distributed to the residents, where the pieces remain in yards in freezing temperatures until they can be stored inside.
- The graveyard overlooks the Arctic Ocean.
- A moose head and antlers from a recent kill.
- Snow fence leads to the dome of the Long Range Radar Site (Distant Early Warning (DEW) station, built in 1953 during the Cold War). It is still active today.
- A "Dead End" sign in an area of Kaktovik being developed.
- A doll seen in an icy ditch in the village.
- A sleigh waits for snow.
- Sims Store. It was closed whenever we walked by, but I heard that it is open just a few hours most days. It sells groceries, clothes and supplies.
Most of the images were captured on our first day in the village - then it snowed that night and left a beautiful white covering over the entire area!
So I decided to give composite images a try. Here is a picture of Brent I took awhile ago mixed with an HDR image I took a while ago. I think it looks pretty good, I want to do more of these composites, its easy and produces great results!
HERE is the original picture of Brent.
HERE is the original HDR background that I made from a single RAW file while sticking my camera out the window while driving lol.
so what do you think??
Strobist: SB600 cam left through umbrella, SB800 back cam left bounced off umbrella. triggered via V4's
Have I mentioned (only about a hundred times...) how much I love separates and versatility? I also love the idea of being able to 'build' different looks using different elements of an outfit. So this outfit can be a whole wardrobe mixed and matched in different ways and swapping in other elements too.
Watch the review comparison of these two camera:
www.learningdslrvideo.com/canon-t4i-650d-vs-60d-review/
My training course on the T4i: www.learningdslrvideo.com/store/t4i_sales.php
This photo is a composite I did, the background of the Boulder CO Flat Irons is HDR.
After traversing the perilous pink and purple mountains, Dan and Dora became trapped in the treacherous morass of meringue. Fortunately, they found a friendly kindred spirit, one of the many unquelled tribes that inhabited the morass, who helped them plot a way out.
Being stuck indoors due to the weather, I have started to explore flash photography using an umbrella softbox with a radio trigger to fire the flash. This is my second attempt at an image which uses some of the things I have learned watching Youtube videos by Joel Grimes. My plan is to work on composites of a person on an added background. Now, my significant other has decided to balk at being a guinea pig, so I have had to resort to a selfie-mode with the accompanying gymnastics as I hop about between flashes, camera and my perch. At least the subject does not complain – rather pointless. Anyway, I have plans to do more of this stuff over the next while to work the kinks out. One such kink is cutting out the background. I did this manually after several attempts to use various selection schemes in GIMP, my image editor. Limited success, so that needs more work. Regardless, nice diversion as long as the weather fails to cooperate. - JW
Date Taken: 2017-01-10 (figure) 2016-03-26 (background)
Tech Details:
As the title states, this is a composite of 2 images. The background is a modified form of this image: www.flickr.com/photos/jwvraets/25972796782/in/datetaken/ in which the image was darkened overall and a significant vignette added using RAWTherapee. The foreground image was taken using a tripod-mounted Nikon D7100 fitted with a Nikkor 18-105mm VR lense set to 34mm, ISO100, Manual mode, Auto WB, f/6.3, 1/200 sec, Nikon SB600 flash inside a Godox 47inch/120cm octagonal softbox with diffuser set camera right face parallel to the axis from the lense to the face and about 4 feet away and also a white reflector set camera left about 4 feet out face parallel to the lense to face axis, triggered by Photix radio trigger set. Free Open Source RAWTherapee was used to process the resulting Nikon RAW/NEF source file by first scaling it to 9000x6000, adjusting exposure to suit, increasing contrast and Chromaticity in L-A-B mode, slightly increasing vibrance with skin tone protection enabled, sharpened, saved. PP in free open Source GIMP: The background of the figure/subject was manually erased and then used as a top layer with industrial image loaded as a layer below, adjustments made to tonality and contrast of each layer to suit, eye whites dodged slightly and pupils selectively boosted in saturation, sharpen, save, scale to 6000x4000, sharpen very slightly, add fine B&W frame as well as bar with text on left, saved, scaled to 1800 wide for posting, sharpened slightly saved.
A composite of the myriad Perseid Meteors that lit up the sky on early Friday, August 12, 2016, over Bear Lake in Rocky Mountain National Park, Colorado. #PerseidMeteors #composite #BearLake #RockyMountainNationalPark #Colorado #Estes Park #MilkyWay #stars
Daylight lightning (composite) captured using YI 4K action cam in video mode. Stacked 3 frames. Low resolution as a result of screen saving video image.
Photoshop composite of 20 stockphoto's. Based upon a tutorial of PSD-dude.com Lost Princess in the Magic Forest
Here is one I have been wanting to do for some time.
It was inspried by a photo from a Flickr friend (thanks Randy Mick).
Camera: Nikon D90 with 35mm lens.
Strobists: Lighting: One Yongnuo 460ii with white umbrella from left.
© John Phillips, USA. All rights reserved.
www.fluidr.com/photos/john_phillips
Please don't use this image on websites, blogs or other media without my explicit permission!
HDR composite from a single RAW, HDR for background and then painted in the bride and blended with the main image... which is why their is a little bit of ghosting. She was a bit too far out of frame for a strobist shot like the others from this wedding to get the framing I wanted so opted to "fix it in post" know that HDR would bring out the sky.
-----
Zachary Long is a wedding photographer based in Downtown Atlanta, Georgia. Together with his wife Betty Feng they form FengLong Photography. Zac and Betty are available for weddings in the Metro Atlanta, GA area and destination weddings throughout the United States and China.
All images (c) FengLong Photography
Please view our website and blog at www.fenglongphoto.com/
A composite shot I worked on for an online competition. They provided the RAW file of a Lamborghini shot in a bull fighting stadium and we could do anything we wanted to it. I ended up with this Sin City stylecomposite.
Original shot by Thomas van Rooij Photography
practised some compositing in Photoshop for the sake of trying something new and having fun with photo processing
Studio shot merged with background image. Shot with D700 / nikkor 85mm 1.4G and Elinchrom lights. Nik silverefex conversion with blue toning.
A composite of 10–11 photos taken with the ISCO–Göttingen Kiptar 45mm ƒ/1.6 projection lens.
Photo taken with this lens show heavy vignetting in the corners, yet in the short direction a lot of the swirl gets cropped out. So I figured, why don’t I take a bunch of photos of a subject and its surroundings, and switch them all together to produce a much larger image circle with square proportions?