View allAll Photos Tagged compositing
Composite. 3 light setup, 2 SB 26s left and right (umbrellas) triggered by Pocket Wizards, a 580exII in a medium softy overhead connected to the shoe set to TTL.
Background, 5 frame HDR.
📷 August Most Versatile: Composites
made from three images to put the bridge and water into the area that was just path
I used a solar filter which renders the sun WHITE, not the orange you see here. The sun is SO bright that you have to stretch the data to see some of the grain, and orange/yellow helps to make the solar details easier to see. However since this is a STACK most of that good data is lost in the stacking process.
What is a stack? Photoshop people will know this as a "layer" but instead of using screen mode or lighten mode as one with a star trail, I used ***** mode.
For information about how Venus' motion differed according to your location on earth see: transitofvenus.nl/wp/where-when/local-transit-times/ enter "Trona Pinnacles, CA" in the search box. You'll notice from the slider that Venus doesn't move at a uniform speed. Lots of reasons including that the apparent motion of Venus across the face of the sun is due to a combination of: Venus' rotation around the sun; Earth's Rotation around the sun AND earth's rotation on it's axis. For super fun, enter "Manila, Phillipines" in the search box and you'll see something rather interesting. Advance the slider and you'll notice the ingress is slow but the egress is rapid. (It also makes a LOOP).
My results from Trona Pinnacles look quite linear - but I was using an Equatorial mount so was getting very little field rotation.
From our vantage point (Phil McGrew was with me), the motion was quite linear - see below for the forecast path.
© Copyright 2012, Steven Christenson
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All rights reserved. Curious what "all rights reserved means?" it means that without written permission you may not: copy, transmit, modify, use, print or display this image in any context other than as it appears in Flickr.
Strobist
Nissin Di700 with 32" softbox camera left just above head
White reflector camera right 0,5m away from the subject
Background is HDR shot made from 3 exposures +-2
Triggered with Hähnel Combi TF
Shot with Canon 5D mark II and 24-105mm F/4L
Architectural details found in various greater Cincinnati locations including Northside, Lower Price Hill, and Newport, Kentucky.
Here is a breakdown of the editing and composite of a recent photoshoot. I have always found it to be very helpful when others share details and insight to how they created a photo. Hope it helps.
Here is a large view of final image: www.flickr.com/photos/justin_trapp/5077432966/
Just a fun project compositing in photoshop. Strobist info: 580exii camera right in a 48" octabox at 1/8 power SB700 at 1/16 in a 28" Apollo softbox and a 560 Yongnou in a 8x36 gridded strip light at 1/4 power.
It is a composite image made from two images shot from the same position and angle. First image is a conventional photo (made in visible spectrum) and second image is an Infrared photo shot with an IR converted camera.
You can see the clarity's coming from IR and the color's coming from the conventional image.
Buildings on the horizon are 12km (7.5miles) away and visibility conditions aren't perfect.
See those images here:
We thought we'd try out a simple (no feet :) ) composite at our little photo club, and here's the example I produced, inspired by Joel Grimes work, and using a lot of his technique from various video tutorials on KelbyOne, f-stoppers and others.
We shot each other in a room against a plain grey wall, lit with a small folding reflector (called a folding beauty dish, but tbh, these things are nothing like a beauty dish). I had this mounted on a Lencarta Safari II portable light. We used a two Speedlights at the back, one on each side to give the edge light. It's this edge ight that is key to Joel's approach and it certainly works - combine this lighting on the subject with a background scene that has natural backlighting and it all fits together pretty well. Using the Lencarta Wavesync trigger to fire the Safari and having the two Nikon SB-900's react to this in SU-4 mode meant we could use the same trigger on everyone's cameras.
Painting on some background flare, bth behind and in front of the subject; matching colours and layering on some split-toned colour wash over the entire thing all help tie it together.
The background is the tunnel under the Grand Villa Argentina, a hotel in Dubrovnik that goes from deep underneath the hotel out to the swimming pool area.
A composite I made for CPS with the theme "Paint With Light."
This was my origional conception, but I couldn't make it happen all at the same time, sooooo I had to piece it together in photoshop.
4 elements used
paint rollerer and red swoosh
paint brush with blue scribble
paint bucket
green eminating light
Red and blue light came from LED flash lights, The red glowing paint on the paint brush was actually the juice from a Glow stick I cut open. Green light was a zoom effect on a small glass filled with green glow stick juice.
Total cost of production : $4.99 plus tax for the glow sticks, everything else was laying around the house.
Original B&WGPP2exHDRCompo
Part of the Red Crown Series
Image Scanned on HP C6380.
Saved Image as Original + Black & White versions
Great Photo Pro > 2 image HDR Composite
Don't use or reproduce this image on Websites/Blog or any other media without my explicit permission. © All Rights Reserved.
My Ellie at 3 months old!
This is obviously similar to Kelly Ryden's picture...minus the neat old scale. :)
I don't generally like pictures that aren't natural, but I haven't done too many composites with babies so it was fun to try this idea!
Info: My husband held her on the right side, and then held her on the left side. In photoshop, I took one of the pictures and dropped it as a layer on to the other one. Then, just erased away my husband's hand. It wasn't quite that simple, but that's the basic idea! :)
This composite image presents the three most visible elements of space weather: a storm from the Sun, aurora as seen from space, and aurora as seen from the Earth. The solar storm is a corona mass ejection (CME) composite from EIT 304Å superimposed on a LASCO C2 image, both from SOHO. The middle image from Polar’s VIS imager shows charged particles as they spread down across the U.S. during a large solar storm event on July 14, 2000. Lastly, Jan Curtis took this image of an aurora display in Alaska, the visible evidence of space weather that we see here on Earth.
Credit: NASA/GSFC/SOHO/ESA
To learn more go to the SOHO website:
sohowww.nascom.nasa.gov/home.html
To learn more about NASA's Sun Earth Day go here:
Angel's Landing, Zion National Park, Utah. If you've ever hiked to the top of this thing, you understand. August, 2008
Selection of 15 photos from about 50 taken over about 2 hours.
300mm lens on D200 = 480mm effective length.
Varying exposures: the full eclipse shots are around 1 second at f5.6 at ISO400, the partial are much shorter exposures.
Composition by photoshop (sorry!) - the earth rotates much farther than this in two hours, and fitting it all on one shot with a composite exposure would result in a bunch of tiny dots.
Even in 1 second, the moon moves a couple of pixels, resulting in some blur.
TESTING SOME COMPOSITING
*Background image is not mine.
Peep the composite breakdown - 3byone.tumblr.com/post/317022218
Composite of my captures with the QHY5L-II. I can't believe how much more detail I'm getting than with my T3i. It was a good first couple of days for this camera.
details of all the images can be seen on my blog:
A two image composite. The Milky way is a shot I took in Joshua Tree and blended it with a shot I took in the Newport Coast hills backcountry.
We went to Kaktovik for the polar bears, but I found the isolated Arctic Inupiat Eskimo village extremely interesting. The population of Kaktovik is approximately 300 people. 7 out of 8 residents are wholly or partially Alaska native Inupiat whose families have lived in the area for centuries. It is the only village within the ANWR (Arctic National Wildlife Refuge), covering only 1 square mile of land. Subsistence hunting, fishing and whaling are a vital part of life for the people and economy of Kaktovik. They are allotted 3 whale harvests each fall, and the whale meat, etc. is distributed among the residents. Kaktovik is 90 mi. from the Canadian border.
This composite contains the following images:
- Slabs of bowhead whale meat from a recent harvest are divided and distributed to the residents, where the pieces remain in yards in freezing temperatures until they can be stored inside.
- The graveyard overlooks the Arctic Ocean.
- A moose head and antlers from a recent kill.
- Snow fence leads to the dome of the Long Range Radar Site (Distant Early Warning (DEW) station, built in 1953 during the Cold War). It is still active today.
- A "Dead End" sign in an area of Kaktovik being developed.
- A doll seen in an icy ditch in the village.
- A sleigh waits for snow.
- Sims Store. It was closed whenever we walked by, but I heard that it is open just a few hours most days. It sells groceries, clothes and supplies.
Most of the images were captured on our first day in the village - then it snowed that night and left a beautiful white covering over the entire area!
Quick-Look Hill-shaded Colour Relief Image of 2014 2m LIDAR Composite Digital Terrain Model (DTM).
Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...
For full raster dataset go to: environment.data.gov.uk/ds/survey
So I decided to give composite images a try. Here is a picture of Brent I took awhile ago mixed with an HDR image I took a while ago. I think it looks pretty good, I want to do more of these composites, its easy and produces great results!
HERE is the original picture of Brent.
HERE is the original HDR background that I made from a single RAW file while sticking my camera out the window while driving lol.
so what do you think??
Strobist: SB600 cam left through umbrella, SB800 back cam left bounced off umbrella. triggered via V4's
The text in the composite image above comes from one of the many interpretive signs that dot the landscape at Totem Bight State Historical Park in Ketchikan, Alaska.
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From the brochure to the Sealaska Heritage Institute’s 11th Juried Art Show and Competition in 2022.
www.sealaskaheritage.org/node/1577
Northwest Coast art evolved over several thousand years and has become acclaimed throughout the world as a uniquely distinctive form of design and aesthetics.
NWC art flourished in the rich and complex Indigenous societies of the Northwest Coast of North America. Art adorned everything from monumental structures and ceremonial clothing to basic utilitarian equipment and objects.
We have historically said that we do not have a word for "art." However, during a recent meeting of Sealaska Heritage Institute's Council of Traditional Scholars this pronouncement was proven wrong.
Ken Grant, Chair of the Council, during the course of his comments used the Tlingit word "at.nané."
It was an unfamiliar word and whenasked what it meant in English, Chair Grant responded "art." He explained that it referred to an ancient iconic event that was visually recorded and through a ceremonial process was transformed into a clan crest design.
The principles and rules governing Northwest Coast
art - a tradition characterized by unique forms and designs
and defined spatial relationships - create the distinctiveness of NWC art art and allow for creative exploration and continued evolution of this form.
The uniqueness of NWC art, its importance to collectors
and museums, and its significant role in the culture of the region's Indigenous populations support the belief that NWC art should be considered a national treasure of the United States.
Sealaska Heritage Institute has embarked on a campaign to establish Juneau as the Northwest Coast art capital to promote Indigenous art throughout the world. SHI believes that this vision can be achieved with the collective action and support of federal, state, tribal, and local governments, businesses, and private organizations.
Not only will the creation of the Northwest Coast art capital ensure the cultural survival of the Indigenous populations, it can provide untold social and economic benefits to the region for today, tomorrow, and future generations.
A composite of the myriad Perseid Meteors that lit up the sky on early Friday, August 12, 2016, over Bear Lake in Rocky Mountain National Park, Colorado. #PerseidMeteors #composite #BearLake #RockyMountainNationalPark #Colorado #Estes Park #MilkyWay #stars
Daylight lightning (composite) captured using YI 4K action cam in video mode. Stacked 3 frames. Low resolution as a result of screen saving video image.
Studio 26 assignment - textures and layers
A composite texture:
Background image: honeycomb
Layers:
1. honeygold
2. white linen
3. 4. & 5. created an empty layer then painted with smoke brushes (which I made). soft light 82%, overlay 75%, overlay 45%
6. & 7. rushing water, screen 64% screen 38% (7. was a flipped image)
8. jade (in my texture album) soft light 85%
9. Nik efex analogue filter (no vignette)
10. & 11. original image gold belt (which was the base of 'craquelure') 100% lighten & 28% screen
Free to use, if you use this texture, it would be nice if you would credit me with a link back to this texture...
I would love to see your work, I would appreciate it if you would leave a link or an image of your work here as a comment.