View allAll Photos Tagged compositing
Certainly my most ambitious composite to date, with so much more to learn. If you're from around Boston you may recognize the building I've used for the mystic castle.
Comments, critique, and questions are always welcome, either in the comments or in private.
Model: Ali Zagame (IG: @azagame, MM#3154678)
Check out her music at: alizagame.bandcamp.com/ and on YouTube
Just a fun project compositing in photoshop. Strobist info: 580exii camera right in a 48" octabox at 1/8 power SB700 at 1/16 in a 28" Apollo softbox and a 560 Yongnou in a 8x36 gridded strip light at 1/4 power.
Used a photo of mine taken at Covehithe in Suffolk to make this composite using a tutorial and background images from Digital Photo magazine. I found it a great way to improve my knowledge and use of layers, editing and the various menus found in Elements.
Quick-Look Hill-shaded Colour Relief Image of 2014 2m LIDAR Composite Digital Terrain Model (DTM).
Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...
For full raster dataset go to: environment.data.gov.uk/ds/survey
Compositing [two images]: create two images of an alternate reality. The space should be continuous (not like collage), but you've manipulated the scene to create a seamless alternate universe of some kind
It has been a while since I did any night photography, actually any photography for that matter. Apart from the shot of Pomponio beach sunset I uploaded a couple of days ago I've just not had the time to go out much this whole year. Most of my recent uploads have been from the archives. This is a composite of two different images. The Davenport beach shot was taken at sunset with a shutter speed of 1/4 s to get some texture in the wave motion and the Milky way shot is a completely separate shot taken at ISO 3200 for 15 s. I darkened the beach shot, replaced the cloudy sky with the Milky way shot and then converted the whole image to black and white using a Nik filter.
These composite wood decking boards will create a unique style and individual look to your garden or any commercial project.
Please contact our professional sales man for more information or free samples - info@ubwood.co.uk. Decking delivery UK wide.
Supply and installation in Edinburgh, Glasgow, London.
Photographing the 2016 Perseids Meteor shower from Southern Saskatchewan at Grasslands National Park.
It is one of the darkest places in North America and provided clear skies and hundreds of bright meteors to enjoy.
This composite image was photographed over the night of August 11-12, 2016.
A composite Christmas card. I live in LA. Yes that is my dog.
If you would like to see a tutorial of how i did it, go to my blog.
Selection of 15 photos from about 50 taken over about 2 hours.
300mm lens on D200 = 480mm effective length.
Varying exposures: the full eclipse shots are around 1 second at f5.6 at ISO400, the partial are much shorter exposures.
Composition by photoshop (sorry!) - the earth rotates much farther than this in two hours, and fitting it all on one shot with a composite exposure would result in a bunch of tiny dots.
Even in 1 second, the moon moves a couple of pixels, resulting in some blur.
Original Photo: i1186.photobucket.com/albums/z380/ryanjacobweiss/PiperPla...
I found this plane rotting away behind a small aircraft hanger and decided that to bring it back to it's original environment.
I was going through one of my back-up drives and found a folder of "to be edited" pics. Saw two pictures from 10/15/2008 that I meant to merge together but never got around to doing. Both had great elements going for them but neither one was great on it's own.
Background image (clouds): 150mm, f/5, 1/5 second exposure.
Foreground image (moon): 150mm, f/5, 1/60 second exposure.
On the left is how everyone sees me; on the right is how I imagine I am being seen.
If only real life could be digitally enhanced in real time :)
A composite I made for CPS with the theme "Paint With Light."
This was my origional conception, but I couldn't make it happen all at the same time, sooooo I had to piece it together in photoshop.
4 elements used
paint rollerer and red swoosh
paint brush with blue scribble
paint bucket
green eminating light
Red and blue light came from LED flash lights, The red glowing paint on the paint brush was actually the juice from a Glow stick I cut open. Green light was a zoom effect on a small glass filled with green glow stick juice.
Total cost of production : $4.99 plus tax for the glow sticks, everything else was laying around the house.
More on Insidious Tomatoes".
Strobist: (Skater) Quadra "A" head in 7" reflector, camera right, f/16.
(Objects) Quadra "A" head in the Portalight, camera left, f/16
Triggered by Skyport.
PP in LR5/CC
Soyuz VS07 upper composite, comprising the Fregat upper stage, payload and fairing, was transferred from the S3B integration facility to the Soyuz launch pad (ZLS), hoisted into the mobile gantry where it was integrated atop Soyuz, on 31 March 2014.
Soyuz VS07 will lift off on 3 April 2014, from Europe’s Spaceport in French Guiana. The rocket will carry Sentinel-1, the first in the family of Copernicus satellites.
This satellite will be used to monitor many aspects of our environment, from detecting and tracking oil spills and mapping sea ice to monitoring movement in land surfaces and mapping changes in the way land is used. It will also play a crucial role in providing timely information to help respond to natural disasters and assist humanitarian relief efforts.
Credit: ESA–S. Corvaja, 2014
TESTING SOME COMPOSITING
*Background image is not mine.
Peep the composite breakdown - 3byone.tumblr.com/post/317022218
Studio 26 assignment - textures and layers
A composite texture:
Background image: honeycomb
Layers:
1. honeygold
2. white linen
3. 4. & 5. created an empty layer then painted with smoke brushes (which I made). soft light 82%, overlay 75%, overlay 45%
6. & 7. rushing water, screen 64% screen 38% (7. was a flipped image)
8. jade (in my texture album) soft light 85%
9. Nik efex analogue filter (no vignette)
10. & 11. original image gold belt (which was the base of 'craquelure') 100% lighten & 28% screen
Free to use, if you use this texture, it would be nice if you would credit me with a link back to this texture...
I would love to see your work, I would appreciate it if you would leave a link or an image of your work here as a comment.
Composite of my captures with the QHY5L-II. I can't believe how much more detail I'm getting than with my T3i. It was a good first couple of days for this camera.
details of all the images can be seen on my blog:
Flexing my compositing skills, feedback welcome here. Angel captured while working for the venerable Benjamin Von Wong in Orlando last year.
So I decided to give composite images a try. Here is a picture of Brent I took awhile ago mixed with an HDR image I took a while ago. I think it looks pretty good, I want to do more of these composites, its easy and produces great results!
HERE is the original picture of Brent.
HERE is the original HDR background that I made from a single RAW file while sticking my camera out the window while driving lol.
so what do you think??
Strobist: SB600 cam left through umbrella, SB800 back cam left bounced off umbrella. triggered via V4's
A lash up of 2 images, taken 20 min apart, of a T.F.W. service to Gloucester departing Lydney and the returning oil tanks about to speed through the station.