View allAll Photos Tagged compositing
"We are wont to imagine rare and delectable places in some remote and more celestial corner of the system, behind the constellation of Cassiopeia’s Chair, far from noise and disturbance."
A composite of the view captured by the Mastcam-Z cameras on NASA's Mars Perseverance Rover at noon on Sol 466 (12th June 2022) of its mission to explore our planetary neighbour. mars.nasa.gov/mars2020/multimedia/raw-images/ZR0_0466_070...
Here is a new composite with a different color scheme. I'm trying different layouts and compositions.
A special thanks to Samantha who allowed me to use her silhouette in this piece. You can see her wonderful self-portraits and other work on her Flickr stream. Thanks Samantha!
©2007 James White. All rights reserved. www.signalnoise.com
There are deep-seated feelings tied to our "endeavour," which at times I need to express. I try not to wear my emotions on my sleeve, as it were, but sometimes I can't help it. I am a woman, after all :)
Thank you for your support through the years, and for putting up with my vanities and self-indulgences.
Kisses,
Laurette
Just trying some composite crap, first stab at it and did it very hacklike as you can see.
Model Taken from one of these series
www.flickr.com/photos/stikman/2181947271/
And sky from this;
www.flickr.com/photos/stikman/2145617326/
2 kicker bare strobes and one main light (octa).
You can see it a bit, here's all the PF stuff cramped in. With all the snot for the windows it wasn't really that easy to find enough space, but it all fits very snugly in there.
This one consists of three components. The cliffs are from Stone Mountain, GA... the girl is a sculpture from Atlanta and the sky is from La Jolla in San Diego
This scene was shot in my back yard in the NY City area where I'm a bit too lazy to clean up the leaves. The skull, chains, and gargoyle props are cheap plastic Halloween props from Target. The model, @Sandra Santiago, supplied the dress.
This was shot in the late afternoon in the shade with a Speedlite on a 10 foot tripod. The camera was mounted on a tripod at the height of the model's knee.
My first attempt at the Joel Grimes Style of gritty composite portraits. Danielle was shot in studio on a grey seamless and the bkgd is a 3 shot HDR taken in an alley in Philadelphia. I still need to work on my masking a bit but I was fairly pleased with this outcome.
Strobist: 2 Profoto acute heads in Strip boxes with 40degree grids right and left of camera and behind model as rim with an 18" beauty dish directly overhead on a profoto monolight. Triggered with pocketwizards.
I'm learning some new techniques and had some photos that I wasn't really happy with so here is my updated version of a volleyball composite I did a while back.
For this shot I used 3 Canon speedlights on high speed sync - two on the sides with grids on small softboxes and another softbox in front for fill.
As always I welcome your comments and critiques thanks.
Some practice. More on this here.
Strobist (Subject): 3 lights. 2x B800 on the background, f/16. Key is a B800 in a large octa, camera right, f/9. Triggered by PW Plus IIs.
Background is from Cong Abbey, Ireland.
PP in LR5/CC
Another one for the miscellany. I have a thing for white flowers and couldn't resist when I spotted these Gerbera Daisies in the spa the other day. Textures are mine, ttv by Nesster.
Taken using live composite in Olympus EM1.
takes 1 picture each second and blends them together.
This was 45 x 1 sec images
going thru old images.
re edits. and what not.
composite.
large. farm4.static.flickr.com/3487/4559486920_87ef0a1888_b.jpg
This is the Niagara Mohawk #building, an art deco classic in #Syracuse. Built in 1932 it was the headquarters for the largest electric utility company at the time. This is a #composite of a couple different shots to get the look I was going for :]
With the gypsum empties in their later VAR path it was only a few minutes between them and the early-running Carlisle - Crewe engineers' trunk service so I decided to hang about.
A very short consist easily fitted into the plan I had for it and 66434 is seen in this composite picture made up of sections from 3 different images to keep everything in focus.
Kept me busy with PS for a couple of hours on a dull day.
Lunar Eclipe 3-3-07. A composite of shots taken tracking the changes in the moon as the eclipse took place.
while checking out the new battery packs for my flashes I thought I would try out an idea I had for a composite image. My SB-900 is balancing on my forearm with a red gel, and a SB-600 with an Insignia softbox diffuser is to my left. Colors and flames corrected in Photoshop CC
The rough workflow of this image can be seen here:
Second attempt at a composite. Used the moon here from another shot. Not a perfect combo, but looks pretty nevertheless.