View allAll Photos Tagged compositing
This composite uses earlier occurring lightning bolts from this storm: www.flickr.com/photos/79387036@N07/28952578812/in/album-7...
I applied minor saturation and darkened the original to create an interesting effect. Rain falling within the lightning channel took on some unusual coloration. All this was further enhanced with sunset colors.
Using a 85mm Nikkor f/1.4 lens with my DX SLR, gave a telephoto equivalent of ~127mm. Detail lightning structure is not normally captured with telephoto lenses and this image may actual capture subtle lightning structure, color, etc that is often missed with wider angle lenses.
This year, a few friends and I contributed to a little past-present theme for our town to be put into a calendar.
We had a heritage photo of a young girl holding a doll in front of a shop on main street from many many decades past. So, we found a girl of similar age and had her pose in front of the same storefront as it is today.
That result as it appears in the calendar is in the comment section below. I used my friend's photo for the calendar.
Later, I had the idea to composite the present-day girl into the old photo. First I removed the original girl from the old photo, and then I extracted the new girl and moved her into the old photo. By the way, I used my own version of the present-day photo because it wasn't my place to mess with the other photographer's photo.
© AnvilcloudPhotography
I've not done any compositing before. Thought I'd have a go for a bit of fun. NB: Everything you see in this image has been photographed or made by me.
I loved this but made it my second choice at the end.
Having such vision problems, I hadn't realized that there were things in the filter I used on my SoS shot that I didn't like, so I replaced it with this one which was my second choice.
Now I've changed the original Seconds in B&W with a color version. Don't ask ... awful errors on my part.
The Cracked House - Photo-Manipulation
I'm looking forward to next week's trip to Jordan with Conor MacNeill & Michael Murphy. A nice, crisp winter frost has blanketed Northern England. Although it makes a pretty photo, I'm looking forward to some heat.
Until then, I've continued my adventures in surreal photo-manipulations with today's image, The Cracked House.
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Had a photo of this morning's Creation adventure of a beautiful male Cardinal on a high wire with not a cloud in the May Florida sky. So I put him in a tree, added a morning moon, texture and sunbeams from the morning sun, and birds in the sky. Too much fun ...
Scott has been developing an idea for a composite shot for a while now and today was the day that everything lined up and we all got out there to help make the vision a reality.
Jo was a trooper through it too; it actually started snowing while we were working on setting up and while we gave her the chance to flee, she stuck to it, dress and all!
I figured the work might make for an interesting "behind the scenes" composite and brought my gear along.
Thanks to Scott for showing me a few Photoshop tricks to help me process too!
Yay team work!
Hope everyone has had a good day.
Click "L" for a larger view.
St Louis skyline composite. Base image is a 30 second exposure at night of the skyline from across the river. I overlaid some clouds from the previous night, the moon from about a month earlier and added reflection into the river by flipping a layer with high transparency. I also cloned out the telephone lines - actually I did a fair poor job on the telephone lines there is some "trailing" in the clouds.
Composite of three individual images. These tiny ½” flowers on 12” high plants are very common in the spring and can be seen covering larges areas of fields and rolling hills. Just pretty little blue flowers until you look closer.
full series: www.jonathancastellino.com/interferencepatterns/ | an homage to the work of Fabio Giampietro
Part of the Inside the Frame portrait contest.
Six photos composited together. All shot the same. Black fabric backdrop. SB25 in bounce umbrella up high in front of subjects at 1/2 power. Second sb25 in bounce umbrella at 1/4 power camera right.
Please click here: Vermeer Exhibit Album
This is my version of a composite of Vermeer paintings seen in a video presentation at the Vermeer Centrum Delft. I scanned paintings from a book on Vermeer and used Photoshop to use "Street in Delft" as the base with images from other Vermeers added to windows and doors. The base painting is "The Little Street".
Updated December 2024.
The biggest 'birds in flight' composite I've attempted. With the originals taken on a full frame camera, the file size during composition got pretty horrible, reaching 1.2Gb at one point. If the Puffin had flown a bit slower or if I'd had 8fps instead of 6fps it would have looked better and been a bit shorter.
CeeJohns wanted a composite placing her in an African setting. I had a background from the Red Rock area outside of Las Vegas, so that had to do.
I shot this against a lit (to white) cyc; doing it over I would have unlit it and let it go gray (I did shoot her for another composite she wanted against gray).
Strobist: 4 lights. 2 B800s on the background in strip boxes, full power, ~ f/11. Key is a B800 is a large softbox, camera left, f/7.1. Fill from a B800 in a large octa, front, slightly right, ~f/5.6. Triggered by Pocket Wizards.
PP in LR3/CS5/Adjust/Color Efex Pro 3
Explore #30 August 13, 2011