View allAll Photos Tagged compositing
I've not done any compositing before. Thought I'd have a go for a bit of fun. NB: Everything you see in this image has been photographed or made by me.
I loved this but made it my second choice at the end.
Having such vision problems, I hadn't realized that there were things in the filter I used on my SoS shot that I didn't like, so I replaced it with this one which was my second choice.
Now I've changed the original Seconds in B&W with a color version. Don't ask ... awful errors on my part.
I deleted my other photo of this as it had an obvious flaw due to merging two photos. I've seen some composites passed on as being real on flickr. It fools a lot of people as many only take a scant look at them. It is very hard to tell that this photo is a composite now.
Composite of three individual images. These tiny ½” flowers on 12” high plants are very common in the spring and can be seen covering larges areas of fields and rolling hills. Just pretty little blue flowers until you look closer.
Cabo Corrientes, Mexico
Cinnamon Hummingbird occurs along the Pacific slope from western Mexico south to northwestern Costa Rica, and also on the Yucatan Peninsula in southeastern Mexico and in Belize.
This is my first attempt to make a composite picture. I was hoping to portray the way a hummingbird flies in and hovers before coming in to drink nectar. Not sure if this works or not. Comments welcome. KKR
13 shots 8 seconds long composited together. I should have started earlier as I just caught the tail end of the lightening display.
CeeJohns wanted a composite placing her in an African setting. I had a background from the Red Rock area outside of Las Vegas, so that had to do.
I shot this against a lit (to white) cyc; doing it over I would have unlit it and let it go gray (I did shoot her for another composite she wanted against gray).
Strobist: 4 lights. 2 B800s on the background in strip boxes, full power, ~ f/11. Key is a B800 is a large softbox, camera left, f/7.1. Fill from a B800 in a large octa, front, slightly right, ~f/5.6. Triggered by Pocket Wizards.
PP in LR3/CS5/Adjust/Color Efex Pro 3
Explore #30 August 13, 2011
This is a composite from many photos taken at Bethesda Terrace & Fountain in Central Park in New York City on July 2, 2016 taken in the morning. The early morning was pleasant, with couples strolling through and some dog walkers (and lots of shadows). The popular “bubble guy” draws attention in the middle. A fitness trainer held a group class off to the right. You can see row boats (and a gondola) on The Lake in the distance (that photo was taken back in April in the afternoon). I really enjoyed making the compositional decisions (which people to include, where to place them, and relative to everyone else).
Sony AR7 II | Canon 24mm TS-E II f/3.5 | f8 | 24mm | Multiple exposures | 50 ISO | tripod
Processing Details:
The composite was built from 57 different individual photos across the 3 portrait orientation photos taken with the 24mm lens. The overall angle of view is slightly more than what you would see with a 14mm lens on a full frame camera. To be able to keep the tripod head aligned to the 3 positions while shooting, I used Nodal Ninja's RD8-II Advanced Rotator. A rotator allows the tripod head to turn between certain exact degrees when rotating left or right. This was invaluable when editing the 3 sets of photos. All of my photos 30 degrees to the left aligned, my center photos aligned, and my photos 30 degrees to the right aligned (within a pixel or two). The 3 photos were combined together in PTGui. The original photo is very large at 7,500 x 12,900 pixels.
A still life, composite kinda thing I did.
Table top, white sweep, a figurine and a Styrofoam head. Two speedlites, a lamp, and a 50mm f/1.4 prime lens.
And a little photoshop to adjust the size and position of the figurine and shadow
My first attempt at a composite, as inspired by michelle k www.flickr.com/photos/michelle_k/sets/72157600016062960/
and paintmonkey
View On White <--- larger
we had to use at least 3 images for lab and composite them for our final project. my original idea fell through because time was short, so i went to this idea.
ab800 into softbox camera left.
ab400 bare about 135° camera right.
^for shot of lens^
ab800 into softbox camera left.
^for shot of chris^