View allAll Photos Tagged compositing
This year, a few friends and I contributed to a little past-present theme for our town to be put into a calendar.
We had a heritage photo of a young girl holding a doll in front of a shop on main street from many many decades past. So, we found a girl of similar age and had her pose in front of the same storefront as it is today.
That result as it appears in the calendar is in the comment section below. I used my friend's photo for the calendar.
Later, I had the idea to composite the present-day girl into the old photo. First I removed the original girl from the old photo, and then I extracted the new girl and moved her into the old photo. By the way, I used my own version of the present-day photo because it wasn't my place to mess with the other photographer's photo.
© AnvilcloudPhotography
This is a composite of some shots taken around Pettit Lake in central Idaho, Andy Jones and I shot there the night after the peak of the Perseid Meteor Shower. We got some good shots earlier in the night with Antares and the Rho Ophiuchi Complex above the horizon, then later moved over towards the lake and shot there. I wasn't overly happy with the sky shots from our last shooting location, the airglow was so overwhelming it was pretty much impossible to process such that you could even see the Milky Way, so I decided to composite in the sky shot from our first shooting location (where my foreground turned out awful and I decided not to use it). Scale is correct for the composite, but the core height and angle for this alignment is impossible. Still a gorgeous spot to shoot at, the mountains across from the lake are at a perfect distance for the 50mm lens.
10 exposures for this one, shot with my Nikon D800E and Sigma Art 50mm on my Sky Watcher Star Adventurer tracking mount. 5 foreground exposures, each 2 minutes at ISO 1600 and f1.8; 5 sky exposures, each 4 minutes at ISO 800 and f2.8.
Composite of a Shirley taken at Whitby Goth Festival in April 2013. Thanks to Black Dog for his help and guidance on this one!
It's just a cup of troubles,
Nothing too big.
You could drink it on down,
In a single swig.
But If you let them sit,
Then they'll all build up,
And soon you'll be drowning,
In your little teacup.
Every year I produce composite images showing invertebrates visiting ivy in our garden. This is the third for 2023. Ivy flowers are such a great resource for invertebrates at this time of year.
This is one of my first composite ever, the background is an HDR photo I took in Florida and the guy is a good friend of mine, a french actor. It is one of my most popular composite and one of my favorite. Do you guys prefer composite or simple portrait?
This composite uses earlier occurring lightning bolts from this storm: www.flickr.com/photos/79387036@N07/28952578812/in/album-7...
I applied minor saturation and darkened the original to create an interesting effect. Rain falling within the lightning channel took on some unusual coloration. All this was further enhanced with sunset colors.
Using a 85mm Nikkor f/1.4 lens with my DX SLR, gave a telephoto equivalent of ~127mm. Detail lightning structure is not normally captured with telephoto lenses and this image may actual capture subtle lightning structure, color, etc that is often missed with wider angle lenses.
Photo Art. Version 2. See the original here:
www.flickr.com/photos/193474231@N06/51506945857/in/datepo...
This is still a work in progress I think. Suggestions and critiques are very welcome. HSS
A couple of my own photos but most from Unsplash and Adobe Stock. My inspiration was a book I recently listen to.
The Information: A History, a Theory, a Flood by James Gleick
Had a photo of this morning's Creation adventure of a beautiful male Cardinal on a high wire with not a cloud in the May Florida sky. So I put him in a tree, added a morning moon, texture and sunbeams from the morning sun, and birds in the sky. Too much fun ...
So this year we were treated to four photo opportunities for the F-111 Dump-n-Burn display (it being the last Riverfire for the F-111's).
Rather than whack up four separate photographs, I've created a composite of all four in one.
Cloud and smoke led to a messy sky, but it was definitely worth watching despite the efforts of the authorities to make photographing this event a lot more difficult than it has been previously.
This year Kane and I held a workshop at the event. We are looking forward to seeing what our students caught this year too as all looked to have taken some real winners when reviewing the backs of their cameras last night.
Now #1 in Explore for 4th Sept 2010. Thanks Everyone :)
This is a composite image of close-ups of the busts on Mount Rushmore, textured this the beginning part of the Constitution of the United States.
I am so grateful for the blessing of living in this free land, imperfect as it is. This 4th of July, I am reminded of duties that are mine as a citizen to work to preserve the blessings of liberty and to extend these inalienable rights to all.