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Composite of passion flower on Piet Mondriaan's Composition with lozenge, grid and colors, 1919. Sorry Piet, I couldn't resist the similarity in color.
How to get to those difficult places, and ample proof in this HSS that AC badly needs a rest.
© Anvilcloud Photography
Whenever I dig into my old stuff the question always creeps into my head, "What would I tell that kid if I could tell him anything?"
You are going to do OK for yourself but in a quiet, unspectacular way. He (I) already knew that. In fact I took that for granted.
You are going to lose people that mean the world to you and you will never stop grieving for them. I knew that too ( we all do ) but I would have never admitted as much, preferring to only recognize those bitter truths as I was being run over by them.
I suppose I couldn't resist giving some sage advice but I wouldn't listen to myself. I remember making a point of not acting on good advice when dispensed by anyone professing to know what life was really about.
All in all it's a good thing time travel isn't possible. Aside from being freaked out by my wrinkly old self showing up to tell me crap I knew but didn't have the courage to act on, I would have been angered that all the suspense and mystery had just been taken out of life. For all the effort that goes into fiction about jumping back or ahead in time I think it is good that we have to crunch along alone without the aid of a nebbish future self showing up every so often to whine and moan about how I'm so lacking in ambition. I'm peeved at myself right now just for thinking up the thought of it.
I first put this together in 2012. Today I thought about it and made an effort to find the original images. 1974 was taken with a Canon F1 and a 50mm f1.4. 2012 was taken with a Pentax K10D and the 18-55 kit lens. In 2012 I used Gimp to stack the images. This time around I used Affinity Photo.
Composite image made up of 3 photos, the Eagle is by Kevin Provenz, stump Google image, trees by me and a texture.
PS CS6, NIK Color Efex Pro 4
My first attempt at photoshop and I wanted to use 3 elements.. Sky, Moon and the cormarent.. I'm pleased with bringing them together in a fashion.. Comments welcome
Playing a bit with these Purple Martins on a wire with a perfectly plain blue Florida sky. Didn't spend too much time, as you can see ... thanks to Shadowhouse Creations for the bird brushes.
by the red brown water and the flow of the moor brook, the underwater flora and the clear blue sky, together with some reflections of the twigs above
NSG Duvenstedter Brook, Hamburg, Germany
Photo Art Composite. See original here: www.flickr.com/photos/193474231@N06/53588323802/in/datepo...
This is a composite image. The foreground was shot at 30 second and ISO of 3200, the sky was shot at 15 seconds 3200 ISO. First time trying this technique to include the foreground more in my astrophotography and I am loving it!
This image is a composite of the phases of the eclipse right around totality. This was shot at 200mm on a stationary camera. I selected 11 images from the more than 600 shot with this camera. I aligned this camera the previous morning at the same time as totality so that the sun would be near the center of the frame when eclipsed on Monday
Canon 5DM2, Canon 70-200mm f/2.8 at 200mm, ISO100
“Three things cannot be long hidden: the sun, the moon, and the truth.”
~ Buddha
© John Phillips, USA. All rights reserved.
john_phillips's Photos on Flickriver
Please don't use this image on websites, blogs or other media without my explicit permission!
So, with special thanks to Joel Grimes for his compositing tutorial, and Scott Kelby for hosting it on his www.kelbytraining.com website, here is my first attempt at a composite using an old studio portrait (my avatar, actually) and an old HDR background. I look forward to doing some sports shots in the future!