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Sanddorn, Rostock Überseehafen, Hansestadt Rostock, Mecklenburg-Vorpommern, Norddeutschland, am 25.01.2008,
Als Getränk wird Sanddorn als orangefarbener dicker Fruchtsaft, Nektar und als Bestandteil von Mixgetränken und Cocktails angeboten. Die Beeren werden auch zu alkoholischen Getränken wie Obstwein und Likör (Fasanenbrause) verarbeitet.
de.wikipedia.org/wiki/Sanddorn
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Sand thorn, Hanseatic city Rostock, Mecklenburg-Western Pomerania, Northern Germany, to 25.01.2008,
As beverage sand thorn is offered as orange thick fruit saft, Nektar and as a component of mix beverages and cocktails. The berries are converted also to alcoholic beverages such as fruit wine and Likör (pheasant shower).
Hippophae rhamnoides: en.wikipedia.org/wiki/Hippophae_rhamnoides
Oosterpark 26/09/2015 13h07
In the year 2015 the Oosterpark has undergone a renovation. Lots of trees were cut and some footpaths were shifted and relocated. And the park has been extended at the Northwest part along the 's-Gravensandestraat (the garden of Hotel Arena). The playground and tennis court has gone and is replaced by a pond with boulders and fun fountains.
This photo is taken on the opening day of the park.
Oosterpark
The Oosterpark in Amsterdam is the first large park laid out by the municipality of Amsterdam. The park is located in the Oost/Watergraafsmeer borough and forms a component of the Oosterpark area. The park, an English garden, was designed by Dutch landscape architect Leonard Anthony Springer and was laid out in 1891.
In order to create the Oosterpark, a centuries old cemetery behind the Tropical Museum had to be relocated. There were a lot of protests at the time when the municipality of Amsterdam suggested the new plans. In the end the protesters gave in and agreed with the new location for "their" cemetery which is now known as the New Ooster Begraafplaats. In the park is a pond with a small island. The park also contains a part of the former cemetery.
The park contains The National Slavery Monument, which commemorates the abolition of slavery in the Netherlands in 1863. The monument was unveiled on July 1, 2002 in the presence of Her Majesty Queen Beatrix. The dynamic dimension of the monument, the National Institute for Dutch Slavery and its Legacy (NiNsee) was opened on July 1, 2003. Every year on July 1, NiNsee commemorates the abolition of Dutch Slavery in the Oosterpark with the Keti Koti festival.
The Oosterpark also contains a memorial to Theo van Gogh, a film maker and controversial columnist who in 2004 was murdered nearby by a Muslim extremist.
Along the park towards Linnaeusstraat (close to the Royal Tropical Institute) there are a number of grey heron nests.
The streets lining the southern and western borders of the park are also called Oosterpark. Originally these streets were called Eerste Parkstraat ("First Park Street").
[ Source and more Info: Wikipedia - Oosterpark ]
Kathakali (Malayalam: കഥകളി, kathakaḷi; Sanskrit: कथाकळिः, kathākaḷiḥ) is a stylized classical Indian dance-drama noted for the attractive make-up of characters, elaborate costumes, detailed gestures and well-defined body movements presented in tune with the anchor playback music and complementary percussion. It originated in the country's present day state of Kerala during the 17th century and has developed over the years with improved looks, refined gestures and added themes besides more ornate singing and precise drumming.
HISTORY
Popular belief is that kathakali is emerged from "Krishnanattam", the dance drama on the life and activities of Lord Krishna created by Sri Manavedan Raja, the Zamorin of Calicut (1585-1658 AD). Once Kottarakkara Thampuran, the Raja of Kottarakkara who was attracted by Krishnanattam requested the Zamorin for the loan of a troupe of performers. Due to the political rivalry between the two, Zamorin did not allow this. So Kottarakkara Thampuran created another art form called Ramanattam which was later transformed into Aattakatha. Krishnanaattam was written in Sanskrit, and Ramanattam was in Malayalam. By the end of 17th century, Attakatha was presented to the world with the title 'Kathakali'.
Kathakali also shares a lot of similarities with Krishnanattam, Koodiyattam (a classical Sanskrit drama existing in Kerala) and Ashtapadiyattam (an adaptation of 12th-century musical called Gitagovindam). It also incorporates several other elements from traditional and ritualistic art forms like Mudiyettu, Thiyyattu, Theyyam and Padayani besides a minor share of folk arts like Porattunatakam. All along, the martial art of Kalarippayattu has influenced the body language of Kathakali. The use of Malayalam, the local language (albeit as a mix of Sanskrit and Malayalam, called 'Manipravaalam'), has also helped the literature of Kathakali sound more transparent for the average audience.
As a part of modernising, propagating, promoting and popularizing Kathakali, the International Centre for Kathakali at New Delhi has taken up a continuing project since 1980 of producing new plays based on not only traditional and mythological stories, but also historical stories, European classics and Shakespeare's plays. Recently they produced Kathakali plays based on Shakespeare's Othello and Greek-Roman mythology of Psyche and Cupid.
Even though the lyrics/literature would qualify as another independent element called Sahithyam, it is considered as a component of Geetha or music, as it plays only a supplementary role to Nritham, Nrithyam and Natyam.
KATHAKALI PLAYS
Traditionally there are 101 classical Kathakali stories, though the commonly staged among them these days total less than one-third that number. Almost all of them were initially composed to last a whole night. Nowadays, there is increasing popularity for concise, or oftener select, versions of stories so as the performance lasts not more than three to four hours from evening. Thus, many stories find stage presentation in parts rather than totality. And the selection is based on criteria like choreographical beauty, thematic relevance/popularity or their melodramatic elements. Kathakali is a classical art form, but it can be appreciated also by novices—all contributed by the elegant looks of its character, their abstract movement and its synchronisation with the musical notes and rhythmic beats. And, in any case, the folk elements too continue to exist. For better appreciation, perhaps, it is still good to have an idea of the story being enacted.
The most popular stories enacted are Nalacharitham (a story from the Mahabharata), Duryodhana Vadham (focusing on the Mahabharata war after profiling the build-up to it), Kalyanasougandhikam, (the story of Bhima going to get flowers for his wife Panchali), Keechakavadham (another story of Bhima and Panchali, but this time during their stint in disguise), Kiratham (Arjuna and Lord Shiva's fight, from the Mahabharata), Karnashapatham (another story from the Mahabharata), Nizhalkuthu and Bhadrakalivijayam authored by Pannisseri Nanu Pillai. Also staged frequently include stories like Kuchelavrittam, Santanagopalam, Balivijayam, Dakshayagam, Rugminiswayamvaram, Kalakeyavadham, Kirmeeravadham, Bakavadham, Poothanamoksham, Subhadraharanam, Balivadham, Rugmangadacharitam, Ravanolbhavam, Narakasuravadham, Uttaraswayamvaram, Harishchandracharitam, Kacha-Devayani and Kamsavadham.
Recently, as part of attempts to further popularise the art, stories from other cultures and mythologies, such as those of Mary Magdalene from the Bible, Homer's Iliad, and William Shakespeare's King Lear and Julius Caesar besides Goethe's Faust too have been adapted into Kathakali scripts and on to its stage. Synopsis of 37 kathakali stories are available in kathakalinews.com.
MUSIC
The language of the songs used for Kathakali is Manipravalam. Though most of the songs are set in ragas based on the microtone-heavy Carnatic music, there is a distinct style of plain-note rendition, which is known as the Sopanam style. This typically Kerala style of rendition takes its roots from the temple songs which used to be sung (continues even now at several temples) at the time when Kathakali was born.
As with the acting style, Kathakali music also has singers from the northern and southern schools. The northern style has largely been groomed by Kerala Kalamandalam in the 20th century. Kalamandalam Neelakantan Nambisan, an overarching Kathakali musician of those times, was a product of the institute. His prominent disciples include Kalamandalam Unnikrishna Kurup, Kalamandalam Gangadharan, Kalamandalam P.G. Radhakrishnan, Rama Varrier, Madambi Subramanian Namboodiri, Tirur Nambissan, Kalamandalam Sankaran Embranthiri, Kalamandalam Hyderali, Kalamandalam Haridas, Subramanian, Kalanilayam Unnikrishnan and Kalamandalam Bhavadasan. The other prominent musicians of the north feature Kottakkal Vasu Nedungadi, Kottakkal Parameswaran Namboodiri, Kottakkal P.D. Narayanan Namboodiri, Kottakkal Narayanan, Kalamandalam Anantha NarayananKalamandalam Sreekumar Palanad Divakaran, Kalanilayam Rajendran, Kolathappilli Narayanan Namboodiri, Kalamandalam Narayanan Embranthiri, Kottakkal Madhu, Kalamandalam Babu Namboodiri, Kalamandalam Harish and Kalamandalam Vinod. In the south, some of whom are equally popular in the north these days, include Pathiyur Sankarankutty. Southerner musicians of the older generation include Cherthala Thankappa Panikker, Thakazhi Kuttan Pillai, Cherthala Kuttappa Kurup, Thanneermukkam Viswambharan and Mudakkal Gopinathan.
PERFORMANCE
Traditionally, a Kathakali performance is usually conducted at night and ends in early morning. Nowadays it isn't difficult to see performances as short as three hours or fewer. Kathakali is usually performed in front of the huge Kalivilakku (kali meaning dance; vilakku meaning lamp) with its thick wick sunk till the neck in coconut oil. Traditionally, this lamp used to provide sole light when the plays used to be performed inside temples, palaces or abodes houses of nobles and aristocrats. Enactment of a play by actors takes place to the accompaniment of music (geetha) and instruments (vadya). The percussion instruments used are chenda, maddalam (both of which underwent revolutionary changes in their aesthetics with the contributions of Kalamandalam Krishnankutty Poduval and Kalamandalam Appukutty Poduval) and, at times, edakka. In addition, the singers (the lead singer is called “ponnani” and his follower is called “singidi”) use chengila (gong made of bell metal, which can be struck with a wooden stick) and ilathalam (a pair of cymbals). The lead singer in some sense uses the Chengala to conduct the Vadyam and Geetha components, just as a conductor uses his wand in western classical music. A distinguishing characteristic of this art form is that the actors never speak but use hand gestures, expressions and rhythmic dancing instead of dialogue (but for a couple of rare characters).
ACTING
A Kathakali actor uses immense concentration, skill and physical stamina, gained from regimented training based on Kalaripayattu, the ancient martial art of Kerala, to prepare for his demanding role. The training can often last for 8–10 years, and is intensive. In Kathakali, the story is enacted purely by the movements of the hands (called mudras or hand gestures) and by facial expressions (rasas) and bodily movements. The expressions are derived from Natyashastra (the tome that deals with the science of expressions) and are classified into nine as in most Indian classical art forms. Dancers also undergo special practice sessions to learn control of their eye movements.
There are 24 basic mudras—the permutation and combination of which would add up a chunk of the hand gestures in vogue today. Each can again can be classified into 'Samaana-mudras'(one mudra symbolising two entities) or misra-mudras (both the hands are used to show these mudras). The mudras are a form of sign language used to tell the story.
The main facial expressions of a Kathakali artist are the 'navarasams' (Navarasas in anglicised form) (literal translation: Nine Tastes, but more loosely translated as nine feelings or expressions) which are Sringaram (amour), Hasyam (ridicule, humour), Bhayanakam (fear), Karunam (pathos), Roudram (anger, wrath), Veeram (valour), Beebhatsam (disgust), Adbhutam (wonder, amazement), Shantam (tranquility, peace). The link at the end of the page gives more details on Navarasas.
One of the most interesting aspects of Kathakali is its elaborate make-up code. Most often, the make-up can be classified into five basic sets namely Pachcha, Kathi, Kari, Thaadi, and Minukku. The differences between these sets lie in the predominant colours that are applied on the face. Pachcha (meaning green) has green as the dominant colour and is used to portray noble male characters who are said to have a mixture of "Satvik" (pious) and "Rajasik" (dark; Rajas = darkness) nature. Rajasik characters having an evil streak ("tamasic"= evil) -- all the same they are anti-heroes in the play (such as the demon king Ravana) -- and portrayed with streaks of red in a green-painted face. Excessively evil characters such as demons (totally tamasic) have a predominantly red make-up and a red beard. They are called Red Beard (Red Beard). Tamasic characters such as uncivilised hunters and woodsmen are represented with a predominantly black make-up base and a black beard and are called black beard (meaning black beard). Women and ascetics have lustrous, yellowish faces and this semi-realistic category forms the fifth class. In addition, there are modifications of the five basic sets described above such as Vella Thadi (white beard) used to depict Hanuman (the Monkey-God) and Pazhuppu, which is majorly used for Lord Shiva and Balabhadra.
NOTABLE TRAINING CENTRES & MASTERS
Kathakali artistes need assiduous grooming for almost a decade's time, and most masters are products of accomplished institutions that give a minimum training course of half-a-dozen years. The leading Kathakali schools (some of them started during the pre-Independent era India) are Kerala Kalamandalam (located in Cheruthuruthy near Shoranur), PSV Natya Sangham (located in Kottakal near Kozhikode), Sadanam Kathakali and Classical Arts Academy (or Gandhi Seva Sadan located in Perur near Ottappalam in Palakkad), Unnayi Varier Smaraka Kalanilayam (located in Irinjalakuda south of Thrissur), Margi in Thiruvananthapuram, Muthappan Kaliyogam at Parassinikkadavu in Kannur district and RLV School at Tripunithura off Kochi and Kalabharathi at Pakalkkuri near Kottarakkara in Kollam district, Sandarshan Kathakali Kendram in Ambalapuzha and Vellinazhi Nanu Nair Smaraka Kalakendra in Kuruvattor. Outside Kerala, Kathakali is being taught at the International Centre for Kathakali in New Delhi, Santiniketan at Visva-Bharati University in West Bengal, Kalakshetra in Chennai and Darpana Academy in Ahmedabad among others. PadmaSree Guru Chengannur Raman Pillai mostly known as 'Guru Chengannur'was running a traditional Gurukula Style approach to propagate Kathakali.
‘Guru Chengannur” is ever renowned as the Sovereign Guru of Kathakali. His precision in using symbols, gestures and steps were highest in the field of Kathakali. Guru Chegannur's kaththi vesham, especially the portrayal of Duryodhana enthralled the audience every time he performed. A master of the art, he found immense happiness and satisfaction in the success and recognition of his disciples.
Senior Kathakali exponents of today include Padma Bhushan Kalamandalam Ramankutty Nair, Padma Shri Kalamandalam Gopi, Madavoor Vasudevan Nair, Chemancheri Kunhiraman Nair, Kottakkal Krishnankutty Nair, Mankompu Sivasankara Pillai, Sadanam Krishnankutty, Nelliyode Vasudevan Namboodiri, Kalamandalam Vasu Pisharody, FACT Padmanabhan, Kottakkal Chandrasekharan, Margi Vijayakumar, Kottakkal Nandakumaran Nair, Vazhenkada Vijayan, Inchakkattu Ramachandran Pillai, Kalamandalam Kuttan, Mayyanad Kesavan Namboodiri, Mathur Govindan Kutty, Narippatta Narayanan Namboodiri, Chavara Parukutty, Thonnakkal Peethambaran, Sadanam Balakrishnan, Kalanilayam Gopalakrishnan, Chirakkara Madhavankutty, Sadanam K. Harikumaran, Thalavadi Aravindan, Kalanilayam Balakrishnan, Pariyanampatta Divakaran, Kottakkal Kesavan, Kalanilayam Gopi and Kudamaloor Muralikrishnan. The late titan actor-dancers of Kathakali's modern age (say, since the 1930s) include Pattikkamthodi Ravunni Menon, Chenganoor Raman Pillai, Chandu Panicker, Thakazhi Guru Kunchu Kurup, Padma Shri Kalamandalam Krishnan Nair, Padma Shri Vazhenkada Kunchu Nair, Kavalappara Narayanan Nair, Kurichi Kunhan Panikkar, Thekkinkattil Ramunni Nair, Padma Shri Keezhpadam Kumaran Nair, Kalamandalam Padmanabhan Nair, Mankulam Vishnu Namboodiri, Oyur Kochu Govinda Pillai, Vellinezhi Nanu Nair, Padma Shri Kavungal Chathunni Panikkar, Kudamaloor Karunakaran Nair, Kottakkal Sivaraman, Kannan Pattali, Pallippuram Gopalan Nair, Haripad Ramakrishna Pillai, Champakkulam Pachu Pillai, Chennithala Chellappan Pillai, Guru Mampuzha Madhava Panicker, and Vaikkom Karunakaran.
Kathakali is still hugely a male domain but, since the 1970s, females too have made entry into the art form on a recognisable scale. The central Kerala temple town of Tripunithura has, in fact, a ladies troupe (with members belonging to several part of the state) that performs Kathakali, by and large in Travancore.
KATHAKALI STYLES
Known as Sampradäyaṃ(Malayalam: സമ്പ്രദായം); these are leading Kathakali styles that differ from each other in subtleties like choreographic profile, position of hand gestures and stress on dance than drama and vice versa. Some of the major original kathakali styles included:
Vettathu Sampradayam
Kalladikkodan Sampradyam
Kaplingadu Sampradayam
Of late, these have narrowed down to the northern (Kalluvazhi) and southern (Thekkan) styles. It was largely developed by the legendary Pattikkamthodi Ravunni Menon (1881-1949) that is implemented in Kerala Kalamandalam (though it has also a department that teaches the southern style), Sadanam, RLV and Kottakkal. Margi has its training largely based on the Thekkan style, known for its stress on drama and part-realistic techniques. Kalanilayam, effectively, churns out students with a mix of both styles.
OTHER FORMS OD DANCE & OFFSHOOTS
Kerala Natanam is a kind of dance form, partly based on Kathakali techniques and aesthetics, developed and stylised by the late dancer Guru Gopinath in the mid-20th century. Kathakali also finds portrayal in Malayalam feature films like Vanaprastham, Parinayam, Marattam, and Rangam. Besides documentary films have also been shot on Kathakali artistes like Chenganoor Raman Pillai, Kalamandalam Krishnan Nair, Keezhpadam Kumaran Nair, Kalamandalam Ramankutty Nair, Kalamandalam Gopi and Kottakkal Sivaraman.
As for fictional literature, Kathakali finds mention in several Malayalam short stories like Karmen (by N.S. Madhavan) and novels like Keshabharam (by P.V. Sreevalsan). Even the Indo-Anglian work like Arundhati Roy's Booker prize-winning The God of Small Things has a chapter on Kathakali, while, of late, Anita Nair's novel, Mistress, is entirely wrapped in the ethos of Kathakali.
Similar musical theater is popular in Kasaragod and the coastal and Malenadu regions of Karnataka, viz. Yakshagana. Though Yakshagana resembles Kathakali in terms of its costume and makeup to an extent, Yakshagana is markedly different from Kathakali as it involves dialogues and method acting also the narration is in Kannada, wherein philosophical debates are also possible within framework of the character. As per records the art form of Yakshagana was already rooted and well established at the time of Sri Manavedan Raja. There is possibilities of its significant influence in formation of Kathakkali as the troupe of performers of "Krishnanattam" designed the basic costume of the art form already established in other parts of south India including Males playing the female roles (until more recently).
Kottayam thamburan's way of presenting kathakali was later known as Kalladikkoden sambradayam. Chathu Paniker,the introducer of Kallikkoden Sambrathayam, stayed in Kottayam for five years with Kottayam Thamburan's residence and practiced Kalladikkoden Sambrathayam. Then he returned to his home place. After a short period Chathu Paniker reached Pulapatta as instructed by Kuthiravattath nair. That was around the year ME 865. Many deciples from Kadathanadu, Kurumbra nadu, Vettathu nadu, Palakkadu and Perumpadappu studied kathakali(Kalladikkoden Sambrathayam ) By that time Chathu Paniker was an old man. Some years later he died from Pulapatta.
NOTED KATHAKALI VILLAGES & BELTS
There are certain pockets in Kerala that have given birth to many Kathakali artistes over the years. If they can be called Kathakali villages (or some of them, these days, towns), here are some of them: Vellinezhi, Kuruvattoor, Karalmanna, Cherpulassery, Kothachira, peringode, sreekrishnapuram Kongad and Ottapalam in Palakkad district, Vazhenkada in Malappuram district, Thichur or Tichoor, Guruvayur, Thiruvilwamala and Irinjalakuda in Thrissur district, Tripunithura, Edappally, Thekkan Chittoor in Ernakulam district and Kuttanad, Harippad belt in Alappuzha district besides places in and around Thiruvanathapuram in south Travancore and Payyannur in north Malabar.
AWARDS FOR KATHAKALI ARTISTS
Sangeet Natak Akademi Awardees - Kathakali (1956–2005)
Nambeesan Smaraka Awards—For artistic performances related kathakali{1992-2008}
KATHAKALI ATTAMS (ELAKI ATTAMS)
Attams or more specifically "elaki attams" are sequences of acting within a story acted out with the help of mudras without support from vocal music. The actor has the freedom to change the script to suit his own individual preferences. The actor will be supported ably by Chenda, Maddalam, and Elathalam (compulsory), Chengila (not very compulsory).
The following are only some examples. 'Kailasa Udharanam' and 'Tapas Attam' are very important attams and these are described at the end. Two of the many references are Kathakali Prakaram, pages 95 to 142 by Pannisheri Nanu Pillai and Kathakaliyile Manodharmangal by Chavara Appukuttan Pillai.
VANA VARNANA: BHIMA IN KALYANA SAUGANDHIKA
Modern man looks at the forest, indeed the birthplace of primates, with a certain wonder and a certain respect. Kathakali characters are no exception.
When Pandavas were living in the forest, one day, a flower, not seen before, wafted by the wind, comes and falls at the feet of Panchali. Exhilarated by its beauty and smell, Panchali asks Bhima to bring her more such flowers. To her pleasure Bhima is ready to go at once. But Panchali asks him what he shall do for food and drink on the way. Bhima thinks and says "Food and Drink! Oh, this side glance (look) of yours. This look of longing. This look of anticipation. The very thought fills me up. I don't need any food and drink at all. Let me go." He takes his mace and off he goes. Ulsaham (enthusiasm) is his Sdhayi Bhavam (permanent feature).
"Let me go at once in search of this flower," says Bhima. "The scented wind is blowing from the southern side. Let me go that way." After walking some distance he sees a huge mountain called Gandhamadana and three ways. He decides to take the middle one which goes over the mountain. After going further "The forest is getting thicker. Big trees, big branches in all directions. The forest looks like a huge dark vessel into which even light can not penetrate. This is my (Bhima's) way. Nothing can hinder me." So saying he pulls down many trees. Sometimes he shatters the trees with his mace. Suddenly he sees an elephant. "Oh! Elephant." He describes it. Its trunk. Sharp ears.
The itching sensation in the body. It takes some mud and throws on the body. Oh good. Then it sucks water and throws on the body. Somewhat better. Slowly it starts dosing even though alert at times. A very huge python is approaching steadily. Suddenly it catches hold of the elephant's hind leg. The elephant wakes up and tries to disengage the python. The python pulls to one side. The elephant kicks and drags to the other side. This goes on for some time. Bhima looks to the other side where a hungry lion is looking for food. It comes running and strikes the elephants head and eats part of the brain and goes off. The python completes the rest. "Oh my god, how ruthless!" says Bhima and proceeds on his way.
UDYANA VARNANA: NALA IN NALACHARITHAM SECOND DAY
Descriptions of gardens are found in most dance forms of India and abroad. These are also common in Kathakali.
Newly married Nala and Damayanthi are walking in the garden. When Nala was lovingly looking at Damayanthi a flower falls on her. Nala is overjoyed and thinks that this is a kindness nature has shown on his wife. Nala says "On seeing the arrival of their queen, the trees and climbers are showing happiness by dropping flowers on you." He tells her, "See that tree. When I used to be alone the tree used to hug the climber and seemingly laugh at my condition." Then he looks at the tree and says, "Dear Tree, look at me now. See how fortunate I am with my beautiful wife."
Both wander about. A bumblebee flies towards Damayanthi. Immediately Nala protects her face with a kerchief. He looks at the bee and then at Damayanthi. He says, "On seeing your face the bee thought it was a flower and came to drink the nectar." Nala and Damayanthi listen to the sounds coming out of the garden. Damayanti says, "It appears that the whole garden is thrilled. The flowers are blooming and smiling. Cuckoos are singing and the bees are dancing. Gentle winds are blowing and rubbing against our bodies. How beautiful the whole garden looks." Then Nala says that the sun is going down and it is time for them to go back and takes her away.
SHABDA VARNANA: HANUMAN IN KALYANA SAUGANDHIKAM
While Bhima goes in search of the flower, here Hanuman is sitting doing Tapas with mind concentrated on Sri Rama.
When he hears the terrible noises made by Bhima in the forest he feels disturbed in doing his Tapas. He thinks "What is the reason for this?" Then the sounds become bigger. "What is this?" He thinks, "The sounds are getting bigger. Such a terrible noise. Is the sea coming up thinking that the time is ripe for the great deluge (Pralaya). Birds are flying helter-skelter. Trees look shocked. Even Kali Yuga is not here. Then what is it? Are mountains quarreling with each other? No, That can't be it. Indra had cut off the wings of mountains so that they don't quarrel. Is the sea changing its position? No it can't be. The sea has promised it will not change its position again. It can't break the promise." Hanuman starts looking for clues. "I see elephants and lions running in fear of somebody. Oh a huge man is coming this way. Oh, a hero is coming. He is pulling out trees and throwing it here and there. Okay. Let him come near, We will see."
THANDEDATTAM: RAVANA IN BALI VADHAM
After his theranottam Ravana is seen sitting on a stool. He says to himself "I am enjoying a lot of happiness. What is the reason for this?" Thinks. "Yes I know it. I did Tapas to Brahma and received all necessary boons. Afterwards I won all ten directions. I also defeated my elder brother Vaishravana. Then I lifted Kailas mountain when Siva and Parvathi were having a misunderstanding. Parvathi got frightened and embraced Siva in fear. Siva was so happy he gave a divine sword called Chandrahasa. Now the whole world is afraid of me. That is why I am enjoying so much happiness." He goes and sits on the stool. He looks far away. "Who is coming from a distance. he is coming fast. Oh, it is Akamba. Okay. Let me find out what news he has for me."
ASHRAMA VARNANA: ARJUNA IN KIRATHAM
Arjuna wants to do Tapas to Lord Siva and he is looking a suitable place in the Himalayan slopes. He comes to place where there is an ashram. Arjuna looks closely at the place. "Oh. What a beautiful place this is. A small river in which a very pure water is flowing. Some hermits are taking baths in the river. Some hermits are standing in the water and doing Tapsas. Some are facing the Sun. Some are standing in between five fires." Arjuna salutes the hermits from far. He says to himself "Look at this young one of a deer. It is looking for its mother. It seems to be hungry and thirsty. Nearby a female tiger is feeding its young ones. The little deer goes towards the tigress and pushes the young tiger cubs aside and starts drinking milk from the tigress. The tigress looks lovingly at the young deer and even licks its body as if it were its own child. How beautiful. How fulfilling."
Again he looks "Here on this side a mongoose and a serpent forgetting their enmity are hugging each other. This place is really strange and made divine by saints and hermits. Let me start my Tapas somewhere nearby."
A sloka called "Shikhini Shalabha" can be selected instead of the above if time permits.
AN ATTAM BASED ON A SLOKA
Sansrit slokas are sometimes shown in mudras and it has a pleasing and exhilarating effect. Different actors use slokas as per his own taste and liking. However, the slokas are taught to students during their training period. An example is given below.
Kusumo Kusumolpatti Shrooyathena Chathushyathe
Bale thava Mukhambuje Pashya Neelolpaladwayam
Meaning a flower blooming inside another flower is not known to history. But, my dear, in your lotus like face are seen two blue Neelolpala flowers (eyes).
A CONVERSATION BASED ON A SLOKA
Sanskrit slokas can also be used to express an intent. One such example is a sloka used by Arjuna addressed to Mathali the charioteer in Kalakeya Vadham. Sloka:
Pitha: Kushalee Mama hritha Bhujaam
Naatha Sachee Vallabha:
Maatha: kim nu Pralomacha Kushalinee
Soonurjayanthasthayo
Preethim va Kushchate Thadikshnavidhow
Cheta Samutkanuthe
Sutha: tvam Radhamashu Chodaya vayam
Dharmadivam Mathala
Meaning: The husband of Indrani and the lord of gods my father - Is he in good health? His son Jayantha - Is he strictly following the commands of his father? Oh, I am impatient to see all of them.
SWARGA VARNANA: ARJUNA IN KELAKEYA VADHAM
Arjuna goes to heaven on the invitation of his father, Indra. After taking permission from Indrani he goes out to see all the places in Swarga. First he sees a building, his father's palace. It is so huge with four entrances. It is made of materials superior to gold and jewels of the world. Then he goes ahead and sees Iravatha. Here he describes it as a huge elephant with four horns. He is afraid to touch it. Then he thinks that animals in Swarga can't be cruel like in the world and so thinking he goes and touches and salutes Iravatha. He describes the churning of the white sea by gods and demons with many details and how Iravatha also came out of the white sea due to this churning.
He walks on and sees his father's (Indra's) horse. It is described as being white and its mane is sizzling like the waves of the white sea from which it came. He touches and salutes the horse also. Then he goes to see the river of the sky (or milky way). He sees many birds by this river and how the birds fly and play is shown.
Then he sees the heavenly ladies. Some are collecting flowers, and one of them comes late and asks for some flowers for making garland. The others refuse. She goes to the Kalpa Vriksha and says "please give me some flowers." Immediately a shower of flowers occurs which she collects in her clothes and goes to make garlands chiding the others. "See... I also got flowers." After this he sees the music and dance of the heavenly ladies. First it starts with the adjustments of instruments Thamburu, Mridangam, Veena. Then the actual music starts along with the striking of cymbals. Then two or three types of dances are shown. Then comes juggling of balls. It is described by a sloka thus:
Ekopi Thraya Iva Bhathi Kandukoyam
Kanthayaa: Karathala Raktharaktha:
Abhrastho Nayanamareechi Neelaneelo
Popular belief is that kathakali is emerged from "Krishnanattam", the dance drama on the life and activities of Lord Krishna created by Sri Manavedan Raja, the Zamorin of Calicut (1585-1658 AD). Once Kottarakkara Thampuran, the Raja of Kottarakkara who was attracted by Krishnanattam requested the Zamorin for the loan of a troupe of performers. Due to the political rivalry between the two, Zamorin did not allow this. So Kottarakkara Thampuran created another art form called Ramanattam which was later transformed into Aattakatha. Krishnanaattam was written in Sanskrit, and Ramanattam was in Malayalam. By the end of 17th century, Attakatha was presented to the world with the title 'Kathakali'. Kathakali also shares a lot of similarities with Krishnanattam, Koodiyattam (a classical Sanskrit drama existing in Kerala) and Ashtapadiyattam (an adaptation of 12th-century musical called Gitagovindam). It also incorporates several other elements from traditional and ritualistic art forms like Mudiyettu, Thiyyattu, Theyyam and Padayani besides a minor share of folk arts like Porattunatakam. All along, the martial art of Kalarippayattu has influenced the body language of Kathakali. The use of Malayalam, the local language (albeit as a mix of Sanskrit and Malayalam, called ), has also helped the literature of Kathakali sound more transparent for the average audience. As a part of modernising, propagating, promoting and popularizing Kathakali, the International Centre for Kathakali at New Delhi has taken up a continuing project since 1980 of producing new plays based on not only traditional and mythological stories, but also historical stories, European classics and Shakespeare's plays. Recently they produced Kathakali plays based on Shakespeare's Othello and Greek-Roman mythology of Psyche and Cupid.
Even though the lyrics/literature would qualify as another independent element called Sahithyam, it is considered as a component of Geetha or music, as it plays only a supplementary role to
Bhumau Talcharana Naghamshu Gaurgaura:
Meaning One ball looks like three balls. When it is in the hands of the juggler, it takes the redness of the hands, when it goes up it takes the blueness of the eyes, when it strikes the ground it becomes white from the whiteness of the leg nails. Once a juggled ball falls down. Then she, the juggler, somehow manages to proceed and remarks "See.. how I can do it".
At one time a garment slips from a lady's body and she adjusts the cloth showing shameful shyness (Lajja). Then the ladies go in for a Kummi dance. As Arjuna was enjoying this dance, suddenly somebody calls him. Arjuna feels scared. "Oh God, where am I?" he says and beats a hasty retreat.
TAPAS ATTAM: RAVANA IN RAVANA ULBHAVAM
[Background: Mali, Sumali and Malyavan were three brothers ruling Sri Lanka. During a war between them and Indra, Indra requested help from Lord Vishnu and as a consequence Lord Vishnu killed Mali. Sumali and Malyavan escaped to Patala. Kaikasi was the daughter of Sumali. She wandered in the forest. She belong three boys through a great sage called Vishravassu. (Vishravassu had an earlier son called Vaishravana who became the richest among all people.) The eldest boy of Kaikasi was Ravana followed by Kumbhakarna and Vibhishana.]
SCENE 1
When Ravana was a young boy (Kutti Ravana vesham), one day he was sleeping on his mothers lap in a place called madhuvanam. At that time Kaikasi sees Vaishravana flying overhead in his vimana (mythical aeroplane). She thinks “Oh, that is Vaishravana, technically a brother of my son who is sleeping on my lap. He is rich and strong. My son is so poor and weak. While thinking thus a drop of tear from her eyes drops on Ravana’s face. Ravana suddenly wakes up and sees his mother crying. When he knew the reason he could not bear it. He says he is going to do tapas to Brahma to get boons so that he will be strong and rich.
SCENE 2
(The tapas itself is shown as a part of autobiographical narration of adult ravana)
Ravana (adult Ravana, not kutti Ravana) is sitting on a stool. He thinks “Why am I so happy? How did I become so rich and strong? Oh yes. It is because of the tapas I did. What made me do the tapas? When I was a young boy, one day I was sleeping on my mother’s lap in a place called Madhuvanam. A drop of tear from her eyes falls on my face. I asked her why she was crying. She said she saw Vaishravana flying overhead in his vimana (plane). She told me Vaishravan was a brother of mine now flying in a plane. He is rich and strong. I am so poor and weak. When I heard this comparison between me and my brother, I could not bear it. I am going to do tapas to Brahma to get boons so that I will be strong and rich.
I made five different types of fires (while doing tapas gods are approached through Agni the god of fire). Then I started my tapas. I asked my brothers to stand guard and also keep the fires burning. Then I fully concentrated on tapas. Time passed but Brahma did not appear. I looked. Why is Brahma not appearing? I doubled my concentration. Time passed. Brahma is not appearing. Still not appearing? I cut one of my heads and put it in the fire. Waited, Brahma did not come. One more head rolls. Still no Brahma comes. Heads roll and roll. No Brahma. Only one head is left. First I thought of stopping my tapas. But no! Never! That will be an insult to me and my family. It is better to die than stop. Also when I die Brahma will be judged as being partial. With great determination I swung the sword at my last neck, when, lo and behold, suddenly Brahma appeared and caught my hand. I looked at him with still un-subsided, but gradually subsiding anger. Brahma asked me what boons I wanted. I asked for a boon that I should win all the worlds and have all the wealth and fame and that I should not be killed except by man. I also asked him to give boons for my brothers.
In the next scene Ravana asks Kumbhakarna and Vibhishana what boons they got. Unfortunately Kumbhakarna’s tongue got twisted while asking for boon and he got ‘sleep’ instead of becoming the ‘king of gods’. Ravana laughed it off. As for Vibhishana, he being a bhaktha of Vishnu, asked for Vishnu’s blessings and got it. Ravana laughs it off and also decides to conquer all the worlds and starts preparing his grand army for the big conquest of the worlds.
[This method of presentation with a peculiar sequence has a tremendous dramatic affect. The main actor redoes a small part of what happened to kutti Ravana vesham, and this gives a view of the high contrast between the boy and the man Ravana. Similarly the presence of Kumbhakarna and Vibhishana in the subsequent scene offers a good smile on the face of the viewer at the end of the play.]
KAILASA UDDHARANAM: RAVANA IN BALI VIJAYAM
[Background and Previous scene: After receiving the boons, and widening his kingdom in all directions, Ravana lives in Sri Lanka with great pomp and splendor. One day he sees Saint Narada approaching his palace singing songs in praise of him ‘Jaya jaya Ravana, Lanka Pathe’. Happily he receives Narada and seats him next to him. After telling Narada about the victory of his son Indrajith on Indra, Ravana tells Narada “Now there is nobody on earth or other worlds who can fight with me”. To this Narada replies “ Very true indeed, but there is one huge monkey called Bali who says he can defeat you. He even said that you are just like a blade of grass to him. Well let him say what he wants. You are unbeatable.” Then Narada says ‘let us go there and see him’. Both decide to go. But Ravana takes his famous sword called “Chandrahasam”. Then Narada asks the history of this sword. Ravana’s Attam Starts.]
Ravana says “I received this sword from Lord Siva. It happened thus. Once when I was conquering new places and expanding my empire I happened to be going across the Kailasa mountain. The plane got stuck on the mountain unable to move forward. I got down from the plane and looked at the mountain. (Looks from one end to the other first horizontally and then vertically.) So huge it was. Then I decided to lift it with my bare hand and keep it aside and move forward. I started sticking my hands under it one by one. Then I tried to lift it. It doesn’t move. I put more force and more force. It moved just a bit. I pushed harder and harder, slowly it started moving then again and again and it moved easily. Then I lifted it up with my hands and started juggling it (exaggeration evident).
“At that particular time Lord Siva was quarreling with his wife Parvathi. Why did they fight? The story is as follows. Parvathi had gone for enjoying swimming and bathing in some beautiful pond. At that time Siva opened his jata (disheveled long hair) and called Ganga for some entertainment after asking Ganapathi and Subramania to go for some errands. Somehow becoming suspicious, right at that time, Parvathi came back in a hurry with wet clothes and saw Siva with Ganga. Siva was wondering what to do and it was at that time that Ravana started lifting the Kailasa. When Kailasa started shaking Parvathi got scared and ran to Siva and hugged him. So the quarrel ended and Siva was happy. “As a reward Siva called me and gave me this famous Chandrahasa sword.”
Then Narada and Ravana leave to meet Bali. Ravana wanted to take the sword along with him, but Narada suggested that the sword is not required for teaching a lesson to Bali who is after all an unarmed monkey.
WIKIPEDIA
PictionID:44808994 - Title:Atlas Payload Component - Catalog:14_014229 - Filename:14_014229.TIF - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
DIY Tutorial - make a rolled paper Christmas ornament.
Blogged: www.allthingspaper.net/2013/12/rolled-paper-christmas-orn...
[Full writeup here.]
Plungercam 2 keeps in the spirit of the original plungercam by using of cheap plumbing equipment and affixing it to precision optics. This iteration eliminates the need for glue altogether, so all the optical components can be easily taken out and re-used elsewhere.
The main component is a rubberized pipe coupling, which I got for $7 at the always awesome Center hardware. The two adjustable steel bands will be used to hold the mount and lens securely in place. This particular one is two inches on the narrow end, and three on the wider end.
To fix the problem with the body cap mount teeth fraying, I decided to replace it with a T-mount T-mount adapter. I picked up the one I'm using for $3 from one of the closing Ritz camera stores.
I'm re using the $12 (from ebay) Zenza bronica medium format lens that was in plungercam 1. Since this was only held in place using a metal clip, it was easy to take it out and re-use it.
Total cost: $22 :)
Eco Smart provides Solar Panels of world class premium brands up to 25 years of manufacturer warranty at wholesale prices. We provide many benefits over our Solar Panels and Components which will foremost bring you a long lasting value of our recommended components.For more information visit www.ecosmart-solar.com
1st Floor, Al Riqqa Building,
Near Clock Tower, Deira,
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Phone: +971 4 2669986
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Any use, printed or digital, in whole or edited, requires my written permission.
Here are the main sections of the Banshee. When transporting this for shows, this is probably how I'll do it - otherwise it'll just get banged up and pieces will go everywhere.
earthenware clay- textured with handmade stamps and silicone texture sheets..... look for textures of beeswax, a knit sweater, the bottom of a shoe, a bit of bark......
Avaya Collaboration Pods are turnkey solutions that enable rapid deployment of Avaya real-time applications in private, hybrid and public clouds.
APPROXIMATE RELEASE DATE: 2015
PERSONAL FUN FACT: I think one of the main reasons it took me a while to warm up to Grace Thomas was because I found her "meet" ensemble to be a bit bland. Unlike Isabelle, Marisol, or Lindsey's "meet" get ups, Grace's is pretty basic and very themed. She doesn't have the copious number of layers as Marisol or Lindsey, nor does her outfit have any unique features like glittery ballet shoes or a top with a 3d ballerina. And let's not forget about Isabelle's one of a kind pink tipped extensions! I felt underwhelmed by this outfit when pictures of Grace leaked onto the internet. It reminded me so much of the Monster High Scaris line. But by the time I got my Grace doll, I was so enchanted by her, that I didn't even think about her outfit twice. But ever since I opened my doll in February of 2016, I've come to love this ensemble. While it is still not my favorite, nor my most exciting Girl of the Year "meet" ensemble, it does have so much versatility. Grace's top is a basic t-shirt which could be worn with a variety of things. But the Parisian decal does have a hint of glitter, which makes the design pop. Her skirt is super soft, and it is also very plain, meaning it could match a host of tops (it would look great with my Foil Star Tees from the AG Store Boston). Her pink undies are the sweetest thing ever--I like that they have white elastic instead of being solid light pink. I've never found American Girl boots all that favorable on modern dolls, but I've really warmed up to Grace's. They are a charcoal grey color with bows! They slide on and off my doll with ease. Since they are a plain, neutral color, they too could be mixed and matched with a variety of outfits. And of course, the most fascinating piece to Grace's "meet" outfit has to be her charm bracelet. It is SUCH high quality, I was blown away. The charms are colorful and very eye catching. Plus, it was included in Grace's story. My only issue with this bracelet is that it is really difficult to put on my doll, as it is almost too small (I've heard other people have this same issue). I was going to add an extra jump ring to it so it would be easier to slide on and off, but the bracelet's components are fused together, meaning I can't add a jump ring (at least for kids it would be harder to break).
Find this collection of images from the Royal Visit to Expo 88 in our catalogue:
www.archivessearch.qld.gov.au/items/ITM436213 Dept No CN88-695B
The Birth of South Bank (or, why one should always read the legislation)
Anthony S Marinac
This article speaks only of the modern history of the area now known as South Bank. The author respectfully acknowledges the Yuggera and Turrbal people, who first occupied the lands now constituting South Bank.
As we press towards 2020, it has become difficult to imagine a Brisbane without the South Bank parklands. The parklands have become the city’s playground; a garden and exercise space; a space for public performance; an important restaurant quarter; and an urban beach for a city which has ideal beach weather, but which lacks a Bondi or a St Kilda. With the release of the 1988 Queensland cabinet papers, it has become possible to take a deeper look at the genesis of this key feature of modern Brisbane. In reality, South Bank began with three key events which live in Brisbane’s historical memory: the 1974 floods, the 1982 Commonwealth Games, and the 1988 World Expo.
Early history
For much of its early European history, the southern side of the Brisbane River’s city reach was a commercial hub. The interstate railway terminal was located adjacent to where the South Brisbane railway station still stands, and the southern side of the city had wharves, and warehouses, and the infrastructure which went along to support them, including some of the less legitimate types of business: “Between the wharves and the interstate railway station built in the 1880s, were streets of sly grog and loose women, dance halls and theatres, a place where local mixed with foreign. In the years after the second world war, however, the area fell into something of a decline. 3 By the later 1960s, there were plans to redevelop part of the area into a cultural precinct. The Exhibition Building on Gregory Terrace, which housed the Queensland Art Gallery and the Queensland Museum, had been well and truly outgrown, and was damaged by winds in Brisbane’s 1974 flood crisis. The South Brisbane site was purchased in 1969, and the Art Gallery opened there in 1982.
The Queensland Performing Arts Centre followed in 1985, the Queensland Museum in 1986, and the State Library of Queensland in 1988. The latest addition, the Gallery of Modern Art, opened in 2006. During the era of the cultural centre’s development, the South Brisbane area lost its centrality as a transport hub, when the interstate rail terminus shifted to the Roma St Transit Centre in 1986. To make matters worse, South Brisbane was inundated by the cataclysmic Brisbane River flood in 1974. Following the flood, it was clear that some form of redevelopment was going to be necessary in the South Brisbane area, well beyond the cultural centre. In 1982, Brisbane hosted the Commonwealth Games, a major international event which began the city’s transition into a modern, world city. One of the defining moments of the Commonwealth Games was the victory, in the Marathon, of Australia’s Robert de Castella. The marathon began and ended on what is now South Bank, in the shadow of the cultural centre. 5 Almost immediately after the Commonwealth Games, bolstered by the confidence engendered by the games itself, planning began in earnest for the World Exposition – Expo.
Expo
The Queensland Parliament passed the Expo ’88 Act 1984, which created the Expo Authority, properly titled the “Brisbane Exposition and South Bank Redevelopment Authority” although virtually everyone, it seems, immediately forgot the second half of the title. The authority, under the leadership of former Liberal leader Sir Llewellyn Edwards, had extensive powers to enable the Expo to be undertaken, including the power to resume land. Many of those who were moved on for the purpose of Expo were essentially voiceless, however close to the opening of Expo, the Courier Mail newspaper gave attention to renters in the surrounding areas of South Brisbane and West End, who were being squeezed out of rental markets by demand from, for instance, delegation staff from overseas. Section 30 of the Expo ’88 Act 1984 gave the Expo Authority the power to dispose of the lands resumed for the purpose of Expo. During initial planning for the Expo, these land sales were expected to form a substantial proportion of the income which would make Expo financially viable, hence the requirement that the Expo authority “secure for itself the maximum return that is reasonable to expect at the material time.”
Even in the immediate leadup to Expo, there was widespread concern about its potential success or failure. It was, however, a triumph, and a halcyon moment for the city. Its success appeared to occur at two levels: as a purely commercial venture it was successful, both in its own terms and in terms of generating longer term investment; but at a social level, Expo became a place to meet and socialise, particularly for the many thousands of Brisbane residents who had purchased season passes. Somewhere along the line, Queenslanders became proprietorial about Expo itself, and there was a substantial public desire to retain something of the spirit of what had become, in essence, an open and beloved public space.
Cabinet’s approach to redevelopment
At this point, we turn to the Cabinet documents, and things become somewhat odd. In 1986, expressions of interest were invited for the redevelopment of the site by private development consortia.8 Based on the Expo ’88 Act 1984, one would have expected those expressions of interest to have been assessed by the Expo Authority, most likely with input from the Brisbane City Council.9 However Cabinet called for these expressions of interest – it is not clear by what authority – and Cabinet established a committee to evaluate those proposals and to report back to Cabinet. The Committee was chaired by the Director General of the Premier’s Department, and included the Under Treasurer, the Chairman of the Expo Authority, and the Town Clerk of the Brisbane City Council. It is worth noting, as an aside, that the Council’s concerns were quite different from those of the Expo authority. Had South Bank become a rival commercial precinct across the river from the Brisbane CBD, there was the possibility of massive reductions in the commercial viability of office space in the CBD. The Council’s later push for open public space may therefore not have been entirely altruistic. The fact that Cabinet had absolutely no authority to call for, or assess these tenders, and that the Expo Authority had the right, if it wished, to simply proceed with the disposition of the land, does not seem to have occurred to anybody. Indeed the legislation itself is not mentioned anywhere in the Cabinet submission. Four submissions were shortlisted by the committee and considered by Cabinet: they were offered by the Kern Corporation, the CM Group, the World City 2000 Consortium, and the River City consortium. Cabinet considered the pros and cons of each submission, but it was always clear that budget considerations would take priority. At this stage (February 1988) it was not yet known whether Expo would be a success, and budgeting for the event required site sales of $150 Million in order for Expo to break even. Ultimately Cabinet settled on the proposal by River City 2000 consortium. The consortium included the Roma Street Development Group, Kern Corporation (which had also put in a separate bid), and the Conrad Hilton/Conrad Jupiters Group. The net present value of the offer was $136.83 Million, to be made as $200 Million in staged payments between 1989 and 1995. The general proposal was for two harbours and a substantial canal to be cut into the foreshore at South Bank, and the spill to be used to create a large island, to be called Endeavour Island, on the southern side of the river. Endeavour Island was to be dominated by an exhibition and convention centre, a hotel, a casino, and a proposed World Trade Centre. The shore-side of the canal was to include further office buildings, and the southern end was to include residential complexes. There were three immediate complications with this proposal. First, there were reservations expressed by the Brisbane City Council about the total amount of commercial and office floor space which was proposed by the River City consortium. Second, Cabinet had no capacity to influence the location of a World Trade Centre in the city. The World Trade Centres Association had granted to a company called the Fricker company the exclusive right to develop a world trade centre in Brisbane. Fricker was examining a number of sites in the Brisbane CBD and on Kangaroo Point. Cabinet could (and did) encourage the Fricker company “to examine the possibility of developing [a] World Trade Centre or associated facilities on the Expo site”10 but that was as far as Cabinet could go. Third, there was little appetite in the conservative Cabinet for a new casino. The Jupiters Casino had opened on the Gold Coast in 1985, and held a guarantee that no other casino would be developed in south-east Queensland until at least 1992 (although this may not have been insisted on since Conrad Jupiters were part of the River City consortium). Instead, Cabinet decided:
That no action be taken at this time to enter into any arrangement with the “preferred developer” for granting a casino licence for the site, but that the “preferred developer” be required to [include] provision for a casino facility within the site, at a location and under conditions acceptable to the Government. That the Under Treasurer be asked to investigate all aspects of the granting of a casino licence for the site and report back to Cabinet through the Cabinet Budget Committee.
Public reaction to the proposal was swift and negative. Neither the committee proposal nor the cabinet process had included any public consultation at all; the Endeavour Island concept failed to capture the public imagination; and the Courier Mail newspaper led a campaign sharply critical of the proposal. The title of its editorial said it all: South Bank – selling the city’s birthright. Sir Llew Edwards tried to distance the Expo Authority from the decision, but the Courier Mail was having none of it – and clearly journalist Don Petersen had read the legislation: The seven-member board of the Expo Authority meets today to vote on the State Government’s preferred developer for the post-Expo site … Authority Chairman Sir Llew Edwards said last week the vote was not necessary because responsibility for the decision rested with the Governor in Council. This is strange since the Expo 88 Act of 1984 specifically charges the authority with “disposing” of the land in an endeavour to gain the best possible price that might reasonably be expected. Public reaction became even more important after Expo commenced at the end of April 1988. As noted above, Expo exceeded all possible expectations, and despite its entry fees, the expo park became in essence a public space, with the many season pass holders making repeated visits. The lack of public input into the plan was a decisive aspect of its eventual downfall. The other key feature was the conduct of the River City consortium itself. Despite section 30, Cabinet continued to be the lead agency on behalf of government, and the River City consortium began immediately to push for government commitments in relation to both the World Trade Centre and the casino. Just a week after the initial decision, Cabinet made a curious decision, on the basis of an oral submission by the Premier, that the initial cabinet decision “be confirmed” and that “the River City 2000 Consortium be advised accordingly.” Once can only surmise that Cabinet had been asked to review its earlier decision, Cabinet not being in the habit of routinely reaffirming earlier decisions. Initially, Cabinet had set a deadline of 18 February 1988 to finalise agreement with the River City Consortium on outstanding issues. On that date, a two week extension was granted. A further extension was granted on 29 February 1988, setting the deadline at 8 April, and when it became clear that this deadline, too, would be missed, the Premier returned to Cabinet with a substantive report. Unsurprisingly, two of the three outstanding matters were:
negotiations with Fricker Developments regarding a World Trade Centre or a component thereof on the site; (iii) the interpretation of Cabinet’s decision regarding a Casino facility on the Expo site. The Premier asked for the timing of negotiations to be left to his discretion “in view of my continuing personal involvement in the negotiations, which I consider is necessary now.”
The fall of River City and the birth of the South Bank Development Corporation
The Premier’s involvement turned out to be decisive. Somewhere along the line, after the Premier became personally involved, someone finally seems to have fully grasped the importance of section 30 of the Expo ’88 Act. The Premier met with Sir Llew Edwards, and then returned to Cabinet to sound the death knell for River City 2000: Arising from my detailed involvement in the negotiations, I have become very much aware of the legislative requirements regarding the disposal of the Expo site. These requirements, in effect, are that the Expo authority shall dispose of the site in a way which will achieve a net financial result that will not impose a burden of cost on the Government of Queensland … in dealing with these details, I questioned why the Government is, in fact, embroiled in much of this public debate and criticism, when in fact most of the matters should be negotiated between the Expo Authority, Brisbane City Council, and the preferred developer, for submission in due course to the Government.19 Cabinet decided to withdraw preferred developer status from River City 2000, and to instruct the Expo Authority to commence the tender process all over again. This second process was to be based on the clear understanding that the Government had no capacity to influence the location of a World Trade Centre, and that any question of a casino licence would be completely divorced from South Bank redevelopment. This approach relieved pressure on the government in terms of the casino and World Trade Centre, but there remained the issue of public expectations. By this stage, Expo was well underway, and the enthusiasm of the people of Brisbane was a key element in its success. Expo forecasts required approximately 8 million visitors through the gate in order to meet its budget; it quickly became apparent that this number would be comprehensively surpassed. In the end, more than 18 million visitors passed through the gates. This, in turn, relieved financial pressure on the sale of the site. Thus the people themselves, in the process of falling in love with Expo, had helped to create the economic circumstances which allowed the government to seek a path other than a real estate fire sale. After the Expo Authority took responsibility for the tender process, it “subsequently became apparent that under this [tender] approach, it would be very difficult to meet public expectations for significant open space on the site with minimal commercial development together with the need for a financial return sufficient to enable the Expo Authority to break even.”
Instead, at the end of June 1988, the Premier joined with the Expo Authority Chairman and the Lord Mayor of Brisbane to announce the formation of the South Bank Development Corporation, which would take possession of both the assets and the liabilities of the Expo authority, including the land space, and which could then develop the site. Having learned from the first process, the Expo Authority produced a:
Statement of Development Principles for the South Bank together with some graphics showing the conceptual proposal for development of the main Expo site plus a land use proposal for the broader area. This material together with further graphics will be presented to the public as a set of eighteen display panels of which it is proposed that ten such displays be manned at various centres throughout Brisbane for a month within which the public will have the opportunity of commenting on the proposals. A press and media campaign will complement the static displays.
The public reception on this second occasion was far more positive, and the following year, Ahern introduced the South Bank Corporation Bill. In his second reading speech, he stated that the Act: provides the necessary statutory foundation from which the Expo South Bank area in particular, as well as the surrounding area, can be developed to produce a result of outstanding merit. Such a result will bring benefits not only to the City but to the State as a whole through tourism and its ability to identify Queensland to the World.
It need hardly be stated that this was far from the end of the South Bank story. The legislation has been repeatedly amended, and South Bank itself has continued to evolve in the three decades since its foundation. It is, however, well to remember the fact that the site was very nearly sold to private developers, and that the South Bank of today exists in its current form only because some anonymous angel on Ahern’s staff remembered to read the relevant legislation, and discovered section 30 of the Expo Act.
Story source: Queensland State Archives: 1988 - The birth of Southbank
It's getting closer!
On Friday the 24th we will have a launch event for the bike from 5pm to 8pm
at the Cascade Barrel House. More info here www.shift2bikes.org/cal/viewpp2011.php#24-2357
Starting June 27th, 2011 you can rent the Beer bike! - www.metrofiets.com/rentals/
Man started worshiping Nature and its components when he was still a hunter gatherer. Elephant is the largest terrestrial animal and thus man needs his blessings to live in forest.
Later came Ganesa, the elephant headed God, and developed stories, myths and beliefs linking elephant and Ganesa. Elephant is intelligent and can be easily tamed, thus man took him while coming out of forest.
Here elephant blesses my father at Sringeri, in front of Saradamba temple, of course for a small payment.
People in Kerala spend huge amount of money for displaying elephants in temple festivities. People in Tamil Nadu and Karnataka simply keep an elephant in front of temple and make money from visitors.
Universal Studios Florida is a theme park located in Orlando, Florida. Opened on June 7, 1990, the park's theme is the entertainment industry, in particular movies and television. Universal Studios Florida inspires its guests to "ride the movies", and it features numerous attractions and live shows. The park is one component of the larger Universal Orlando Resort.
In 2013, the park hosted an estimated 7.06 million guests, ranking it the eighth-most visited theme park in the United States, and ranking it sixteenth worldwide.[2]
Contents [hide]
1 History 1.1 Park history
1.2 Branding
1.3 Timeline
1.4 Previous attractions
2 Park design 2.1 Production Central
2.2 New York
2.3 San Francisco
2.4 London/Diagon Alley
2.5 World Expo
2.6 Woody Woodpecker's Kidzone
2.7 Hollywood
3 Character appearances
4 Production facilities
5 Annual events 5.1 Grad Bash and Gradventure
5.2 Halloween Horror Nights
5.3 Macy's Holiday Parade
5.4 Mardi Gras
5.5 Rock the Universe
5.6 Summer Concert Series
6 Universal's Express Pass
7 Attendance
8 See also
9 References
10 External links
History[edit]
This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2010)
The original entrance to the theme park.
Over the years, Universal Studios Florida has not limited itself to attractions based on its own vast film library. It has occasionally licensed popular characters from other rival studios, many of whom did not operate theme parks themselves. Some examples include Ghostbusters and Men in Black, (Sony's Columbia Pictures), The Simpsons (20th Century Fox) and Shrek (DreamWorks Animation).
Many of the park's past and present attractions were developed with the actual creators of the films they were based on, and feature the original stars as part of the experience. Steven Spielberg helped create E.T. Adventure and was a creative consultant for Back to the Future: The Ride, Twister...Ride it Out, An American Tail Theatre, Jaws, Men in Black: Alien Attack and Transformers: The Ride.
In many current rides, the original stars reprised their film roles including: Rip Torn and Will Smith in Men in Black: Alien Attack, Brendan Fraser for Revenge of the Mummy: The Ride, Bill Paxton and Helen Hunt in Twister...Ride it Out, Arnold Schwarzenegger, Edward Furlong and Linda Hamilton reprised their roles for Terminator 2: 3-D Battle Across Time, Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow for Shrek 4D, Steve Carell, Miranda Cosgrove, Dana Gaier, and Elsie Fisher reprised their roles from Despicable Me for Despicable Me: Minion Mayhem, and Peter Cullen and Frank Welker reprised their roles as Optimus Prime and Megatron for Transformers: The Ride.
In many former rides, the many original stars were also to reprise their film roles such as: Christopher Lloyd and Thomas F. Wilson in Back to the Future: The Ride, Roy Scheider recorded a voice over for the conclusion of Jaws, Alfred Hitchcock and Anthony Perkins appeared in Alfred Hitchcock: The Art of Making Movies, additionally, various Nicktoon voice actors reprised their roles in Jimmy Neutron's Nicktoon Blast.
Park history[edit]
From its inception in 1982,[3] Universal Studios Florida was designed as a theme park and a working studio. It was also the first time that Universal Studios had constructed an amusement park "from the ground up." However, the proposed project was put on hold until 1986, when a meeting between Steven Spielberg, a co-founder for the park, and Peter N. Alexander prompted for the creation of a Back to the Future simulator ride in addition to the already planned King Kong based ride.[4]
A major component of the original park in Hollywood is its studio tour, which featured several special-effects exhibits and encounters built into the tour, such as an attack by the great white shark from the film Jaws. For its Florida park, Universal Studios took the concepts of the Hollywood tour scenes and developed them into larger, stand-alone attractions. As an example, in Hollywood, the studio tour trams travel close to a shoreline and are "attacked" by Jaws before they travel to the next part of the tour. In Florida, guests entered the "Jaws" attraction and would board a boat touring the fictitious Amity Harbor, where they encountered the shark, then exited back into the park at the conclusion of the attraction. Universal Studios Florida originally had a Studio Tour attraction that visited the production facilities, but that tour has since been discontinued.
Branding[edit]
Previous slogans for Universal Studios Florida were: See the Stars. Ride the Movies. (1990 - 1998); No one makes believe like we do! (1990 - 1998); Ride the Movies (1998 - 2008); Jump into the Action (2008–2012). The current slogan is: Experience the Movies (2012–present).
Timeline[edit]
1986: Land clearing takes place on the swamp land purchased by MCA/Universal that would hold the park.
1987: Universal Studios Florida is announced at a press conference on the Hollywood property, with a planned opening date of December 1989.
1988: Universal Studios Florida's opening date is delayed from December, 1989 to May 1, 1990. Shortly following, MCA/Universal releases a video detailing the future park, which stars Christopher Lloyd as the Universal character Doc Brown interacting with the various attractions at the Florida park.[5] Universal Studios allows guests to witness the production of television shows and motion pictures in the Florida park's soundstages in middle 1988, while the rest of the studio/park is still under construction.[6]
1989: MCA/Universal Studios claims that The Walt Disney Company and its CEO, Michael Eisner copied several concepts of the Universal Studios Florida park, and integrated them into Disney's recently opened Disney/MGM Studios park.[7]
1990: On January 31, Universal Studios Florida's opening date is again delayed from May 1, 1990 to June 7, 1990.[8] Universal Studios Florida begins soft openings for the general public in late May.[9] Many of the park's attractions are not yet open at the time, and still under testing. Universal Studios Florida is officially opened with a grand opening style ceremony on June 7.[10] The park opens with five themed areas: The Front Lot (entrance area), Production Central, New York, San Francisco/Amity, Expo Center, Hollywood as well as a Lagoon located in the center of the park. The Front Lot and Production Central areas are referred to as "In Production", the New York section is referred to as "Now Shooting", the San Francisco and Amity sections are referred to as "On Location" and the Expo Center area is referred to as "The World of CineMagic Center". Nickelodeon Studios also opened on this day where there was a grand opening ceremony hosted by Marc Summers. Due to massive technical problems with the original Kongfrontation, Earthquake: The Big One and Jaws rides, Universal begins a temporary voucher service to allow guests to re-visit the studio/park when the attractions are operating.[10] Jaws is temporarily closed by Universal on September 30 due to persistent major technical problems. During the shut-down, Universal sues the original designer of the Jaws ride,[11] Ride & Show Engineering, and hires Totally Fun Company to create a re-designed version of most of the ride.
1991: Universal adds four new attractions to the park: The Blues Brothers Show, StreetBusters, The Screen Test Home Video Adventure and How to Make a Mega Movie Deal.[12] Back to the Future: The Ride officially opens in the World Expo Center area of the park, in a grand opening ceremony.[13] The ride is considered to be a success, and receives positive reception from theme park critics.[14] Fright Nights debuts at the park. In 1992, it is renamed to Halloween Horror Nights.
1993: Jaws is re-opened, with many scenes altered. MCA/Universal announces plans to expand Universal Studios Florida into the Universal City, Florida resort complex, including a second theme park and multiple hotels.[15]
1995: Universal Studios Florida celebrates its 5th anniversary. A Day in the Park with Barney opens in the World Expo area. The Production Studio Tour is closed due to a dwindle in the studios' recent Film/TV production.
1996: Terminator 2: 3-D Battle Across Time opens in the Hollywood area.[16]
1997: Universal announces that Ghostbusters Spooktacular will be replaced by Twister...Ride it Out, with a planned opening date of Spring 1998[17] Universal Studios announces that the sole Studio park will be expanded into the Universal Studios Escape, including the Islands of Adventure park, Universal CityWalk Orlando and multiple hotels. The Islands of Adventure Preview Center opens in the New York area, replacing The Screen Test Home Video Adventure. It is meant to give guests a preview of the up-coming Islands of Adventure park, as well as expansion of the Studio park into the Universal Studios Escape resort.
1998: The expansion begins as the original open parking lot for Universal Studios Florida is demolished and replaced by CityWalk and a parking garage complex.[18] Universal delays the opening of Twister...Ride it Out from March, 1998 to May 4, 1998 out of respect for the 42 deaths caused by a recent El Nino outbreak of tornadoes in the central Florida area. Twister...Ride it Out opens in the New York area, replacing Ghostbusters Spooktacular.[19] A new area of the park, Woody Woodpecker's Kidzone, is officially opened, holding the attractions Curious George Goes to Town, StarToons and the previously opened Fievel's Playland, E.T. Adventure, Animal Actors Stage and A Day in the Park with Barney; CityWalk opens outside of the park.
1999: Woody Woodpecker's Nuthouse Coaster opens in the Woody Woodpecker's Kidzone area. Islands of Adventure opens next door to Universal Studios Florida.[20]
2000: Men in Black: Alien Attack opens in the World Expo area, on the former site of The Swamp Thing Set. Universal Studios Florida's 10th anniversary celebration.
2001: Animal Planet Live opens, replacing Animal Actors Stage.
2002: Universal Studios Escape is renamed Universal Orlando Resort. Kongfrontation closes in a closing ceremony. Halloween Horror Nights is moved to Islands of Adventure. Macy's Holiday Parade debuts at the park.
2003: Jimmy Neutron's Nicktoon Blast opens, replacing The Funtastic World of Hanna-Barbera.[21] Shrek 4-D opens with Donkey's Photo Finish, replacing Alfred Hitchcock: The Art of Making Movies and Stage 54 respectively.[22]
2004: Revenge of the Mummy: The Ride opens, replacing Kongfrontation.[23] Halloween Horror Nights takes place in both Universal Studios Florida and Islands of Adventure.
2005: Universal Express Plus is introduced, replacing Universal Express. Nickelodeon Studios closes after nearly 15 years. Fear Factor Live opens, replacing The Wild Wild Wild West Stunt Show. Universal Studios Florida celebrates its 15th anniversary.
2006: Delancey Street Preview Center opens in the New York area. Universal 360: A Cinesphere Spectacular opens, replacing Dynamite Nights Stunt Spectacular. Animal Planet Live is closed, and replaced by Animal Actors on Location. Halloween Horror Nights returns to Universal Studios Florida for its "Sweet 16".
2007: Back to the Future: The Ride closes on March 30.[24] Blue Man Group Sharp Aquos Theatre opens in CityWalk, replacing Nickelodeon Studios. Earthquake: The Big One closes in the San Francisco area on November 5.
2008: Disaster!: A Major Motion Picture Ride...Starring You! opens, replacing Earthquake: The Big One.[25] Universal announces Hollywood Rip Ride Rockit, with a planned opening of Spring 2009. The Simpsons Ride opens, replacing Back to the Future: The Ride.[26]
2009: The Universal Music Plaza Stage opens, replacing The Boneyard. Hollywood Rip Ride Rockit opens.
2010: The 20th anniversary of Universal Studios Florida in June, as well as Halloween Horror Nights in October.
2011: The 10th anniversary of Macy's Holiday Parade at the park.[27]
2012: Jaws and the surrounding Amity themed area closes, as announced on December 2, 2011.[28] Universal announces the additions of Universal’s Cinematic Spectacular: 100 Years of Movie Memories and Universal's Superstar Parade to the park, with openings on May 8, 2012.[29] Despicable Me: Minion Mayhem, opens replacing Jimmy Neutron's Nicktoon Blast; as announced on March 14, 2011 as "...one of many exciting things planned for the next couple of years".[30] Universal Orlando Resort announced Transformers: The Ride will officially open in the summer of 2013, replacing Soundstages 44 and 54, which were demolished on June 24, 2012.[31] SpongeBob StorePants,a gift shop themed after SpongeBob SquarePants opened in Woody Woodpecker's Kidzone replacing the Universal Cartoon Store
2013: The opening date for Transformers The Ride is announced for June 20, 2013. Details of The Wizarding World of Harry Potter expansion are officially announced. Details for the new Simpsons Land are announced and expected to open in the summer of 2013. Transformers: The Ride officially opens in the Production Central area replacing Soundstage 44. Simpsons Fast Food Boulevard (renamed Springfield U.S.A.) concludes its expansion as it includes one new ride: Kang and Kodos Twirl 'n' Hurl.
2014: The opening date for The Wizarding World of Harry Potter Diagon Alley is announced for July 8, 2014 amid the Diagon Alley preview red carpet premiere on June 18, 2014 with Domhnall Gleeson, Bonnie Wright, Evanna Lynch, Matthew Lewis, James and Oliver Phelps, Tom Felton, Robbie Coltrane, Warwick Davis and Helena Bonham Carter attending the premiere. King's Cross station opens on July 1, 2014 as well as the Hogwarts Express Hogsmeade station at Universal's Islands of Adventure, connecting park visitors to both theme Harry Potter theme parks via a full scale replica of the train that appears in the Harry Potter film series. Diagon Alley officially opens, replacing Jaws and the Amity section of the park.
Previous attractions[edit]
Main article: List of former Universal Studios Florida attractions
The previous icon of the Jaws ride is still a popular photo spot.
Like all theme parks, attractions are sometimes closed due to aging and replaced with more contemporary attractions. Universal has seen this happen several times. Some notable closures include Kongfrontation, Back to the Future: The Ride, The Funtastic World of Hanna-Barbera and Jaws. The closures of Kongfrontation, Back to the Future, and Jaws have been given homages by the park to honor veteran visitors who revered the former rides.
Park design[edit]
Main article: List of Universal Studios Florida attractions
Universal Studios Florida features seven themed areas all situated around a large lagoon. In 2012, this lagoon was the site of Universal’s Cinematic Spectacular: 100 Years of Movie Memories, a thematic display that showcased scenes from various Universal films, featuring lasers, projectors and fountains, and pyrotechnics.
The seven surrounding themed areas, clockwise from the entrance, are Production Central, New York, San Francisco, London/Diagon Alley, World Expo, Woody Woodpecker's Kidzone and Hollywood. Each area features a combination of rides, shows, attractions, character appearances, dining outlets and merchandise stores. A new area, based on Harry Potter's Diagon Alley was added to the park in the July of 2014.
Production Central[edit]
Ride
Year opened
Manufacturer
Despicable Me: Minion Mayhem 2012 Intamin
Shrek 4-D 2003 PDI/DreamWorks
Hollywood Rip, Ride, Rockit 2009 Maurer Söhne
Transformers: The Ride 3D 2013 Oceaneering International
The Universal Music Plaza Stage 2009
The area is also home to a variety of dining outlets and merchandise shops. Food and beverage items can be purchased from Beverly Hills Boulangerie or Universal Studios' Classic Monsters Cafe while merchandise can be bought from a variety of themed stores including Universal Studios Store, Studio Sweets, It's a Wrap!, Super Silly Stuff, Shrek's Ye Olde Souvenir Shoppe, and Transformers: Supply Vault.[32][33]
Universal Studios Florida is a theme park located in Orlando, Florida. Opened on June 7, 1990, the park's theme is the entertainment industry, in particular movies and television. Universal Studios Florida inspires its guests to "ride the movies", and it features numerous attractions and live shows. The park is one component of the larger Universal Orlando Resort.
In 2013, the park hosted an estimated 7.06 million guests, ranking it the eighth-most visited theme park in the United States, and ranking it sixteenth worldwide.[2]
Contents [hide]
1 History 1.1 Park history
1.2 Branding
1.3 Timeline
1.4 Previous attractions
2 Park design 2.1 Production Central
2.2 New York
2.3 San Francisco
2.4 London/Diagon Alley
2.5 World Expo
2.6 Woody Woodpecker's Kidzone
2.7 Hollywood
3 Character appearances
4 Production facilities
5 Annual events 5.1 Grad Bash and Gradventure
5.2 Halloween Horror Nights
5.3 Macy's Holiday Parade
5.4 Mardi Gras
5.5 Rock the Universe
5.6 Summer Concert Series
6 Universal's Express Pass
7 Attendance
8 See also
9 References
10 External links
History[edit]
This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2010)
The original entrance to the theme park.
Over the years, Universal Studios Florida has not limited itself to attractions based on its own vast film library. It has occasionally licensed popular characters from other rival studios, many of whom did not operate theme parks themselves. Some examples include Ghostbusters and Men in Black, (Sony's Columbia Pictures), The Simpsons (20th Century Fox) and Shrek (DreamWorks Animation).
Many of the park's past and present attractions were developed with the actual creators of the films they were based on, and feature the original stars as part of the experience. Steven Spielberg helped create E.T. Adventure and was a creative consultant for Back to the Future: The Ride, Twister...Ride it Out, An American Tail Theatre, Jaws, Men in Black: Alien Attack and Transformers: The Ride.
In many current rides, the original stars reprised their film roles including: Rip Torn and Will Smith in Men in Black: Alien Attack, Brendan Fraser for Revenge of the Mummy: The Ride, Bill Paxton and Helen Hunt in Twister...Ride it Out, Arnold Schwarzenegger, Edward Furlong and Linda Hamilton reprised their roles for Terminator 2: 3-D Battle Across Time, Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow for Shrek 4D, Steve Carell, Miranda Cosgrove, Dana Gaier, and Elsie Fisher reprised their roles from Despicable Me for Despicable Me: Minion Mayhem, and Peter Cullen and Frank Welker reprised their roles as Optimus Prime and Megatron for Transformers: The Ride.
In many former rides, the many original stars were also to reprise their film roles such as: Christopher Lloyd and Thomas F. Wilson in Back to the Future: The Ride, Roy Scheider recorded a voice over for the conclusion of Jaws, Alfred Hitchcock and Anthony Perkins appeared in Alfred Hitchcock: The Art of Making Movies, additionally, various Nicktoon voice actors reprised their roles in Jimmy Neutron's Nicktoon Blast.
Park history[edit]
From its inception in 1982,[3] Universal Studios Florida was designed as a theme park and a working studio. It was also the first time that Universal Studios had constructed an amusement park "from the ground up." However, the proposed project was put on hold until 1986, when a meeting between Steven Spielberg, a co-founder for the park, and Peter N. Alexander prompted for the creation of a Back to the Future simulator ride in addition to the already planned King Kong based ride.[4]
A major component of the original park in Hollywood is its studio tour, which featured several special-effects exhibits and encounters built into the tour, such as an attack by the great white shark from the film Jaws. For its Florida park, Universal Studios took the concepts of the Hollywood tour scenes and developed them into larger, stand-alone attractions. As an example, in Hollywood, the studio tour trams travel close to a shoreline and are "attacked" by Jaws before they travel to the next part of the tour. In Florida, guests entered the "Jaws" attraction and would board a boat touring the fictitious Amity Harbor, where they encountered the shark, then exited back into the park at the conclusion of the attraction. Universal Studios Florida originally had a Studio Tour attraction that visited the production facilities, but that tour has since been discontinued.
Branding[edit]
Previous slogans for Universal Studios Florida were: See the Stars. Ride the Movies. (1990 - 1998); No one makes believe like we do! (1990 - 1998); Ride the Movies (1998 - 2008); Jump into the Action (2008–2012). The current slogan is: Experience the Movies (2012–present).
Timeline[edit]
1986: Land clearing takes place on the swamp land purchased by MCA/Universal that would hold the park.
1987: Universal Studios Florida is announced at a press conference on the Hollywood property, with a planned opening date of December 1989.
1988: Universal Studios Florida's opening date is delayed from December, 1989 to May 1, 1990. Shortly following, MCA/Universal releases a video detailing the future park, which stars Christopher Lloyd as the Universal character Doc Brown interacting with the various attractions at the Florida park.[5] Universal Studios allows guests to witness the production of television shows and motion pictures in the Florida park's soundstages in middle 1988, while the rest of the studio/park is still under construction.[6]
1989: MCA/Universal Studios claims that The Walt Disney Company and its CEO, Michael Eisner copied several concepts of the Universal Studios Florida park, and integrated them into Disney's recently opened Disney/MGM Studios park.[7]
1990: On January 31, Universal Studios Florida's opening date is again delayed from May 1, 1990 to June 7, 1990.[8] Universal Studios Florida begins soft openings for the general public in late May.[9] Many of the park's attractions are not yet open at the time, and still under testing. Universal Studios Florida is officially opened with a grand opening style ceremony on June 7.[10] The park opens with five themed areas: The Front Lot (entrance area), Production Central, New York, San Francisco/Amity, Expo Center, Hollywood as well as a Lagoon located in the center of the park. The Front Lot and Production Central areas are referred to as "In Production", the New York section is referred to as "Now Shooting", the San Francisco and Amity sections are referred to as "On Location" and the Expo Center area is referred to as "The World of CineMagic Center". Nickelodeon Studios also opened on this day where there was a grand opening ceremony hosted by Marc Summers. Due to massive technical problems with the original Kongfrontation, Earthquake: The Big One and Jaws rides, Universal begins a temporary voucher service to allow guests to re-visit the studio/park when the attractions are operating.[10] Jaws is temporarily closed by Universal on September 30 due to persistent major technical problems. During the shut-down, Universal sues the original designer of the Jaws ride,[11] Ride & Show Engineering, and hires Totally Fun Company to create a re-designed version of most of the ride.
1991: Universal adds four new attractions to the park: The Blues Brothers Show, StreetBusters, The Screen Test Home Video Adventure and How to Make a Mega Movie Deal.[12] Back to the Future: The Ride officially opens in the World Expo Center area of the park, in a grand opening ceremony.[13] The ride is considered to be a success, and receives positive reception from theme park critics.[14] Fright Nights debuts at the park. In 1992, it is renamed to Halloween Horror Nights.
1993: Jaws is re-opened, with many scenes altered. MCA/Universal announces plans to expand Universal Studios Florida into the Universal City, Florida resort complex, including a second theme park and multiple hotels.[15]
1995: Universal Studios Florida celebrates its 5th anniversary. A Day in the Park with Barney opens in the World Expo area. The Production Studio Tour is closed due to a dwindle in the studios' recent Film/TV production.
1996: Terminator 2: 3-D Battle Across Time opens in the Hollywood area.[16]
1997: Universal announces that Ghostbusters Spooktacular will be replaced by Twister...Ride it Out, with a planned opening date of Spring 1998[17] Universal Studios announces that the sole Studio park will be expanded into the Universal Studios Escape, including the Islands of Adventure park, Universal CityWalk Orlando and multiple hotels. The Islands of Adventure Preview Center opens in the New York area, replacing The Screen Test Home Video Adventure. It is meant to give guests a preview of the up-coming Islands of Adventure park, as well as expansion of the Studio park into the Universal Studios Escape resort.
1998: The expansion begins as the original open parking lot for Universal Studios Florida is demolished and replaced by CityWalk and a parking garage complex.[18] Universal delays the opening of Twister...Ride it Out from March, 1998 to May 4, 1998 out of respect for the 42 deaths caused by a recent El Nino outbreak of tornadoes in the central Florida area. Twister...Ride it Out opens in the New York area, replacing Ghostbusters Spooktacular.[19] A new area of the park, Woody Woodpecker's Kidzone, is officially opened, holding the attractions Curious George Goes to Town, StarToons and the previously opened Fievel's Playland, E.T. Adventure, Animal Actors Stage and A Day in the Park with Barney; CityWalk opens outside of the park.
1999: Woody Woodpecker's Nuthouse Coaster opens in the Woody Woodpecker's Kidzone area. Islands of Adventure opens next door to Universal Studios Florida.[20]
2000: Men in Black: Alien Attack opens in the World Expo area, on the former site of The Swamp Thing Set. Universal Studios Florida's 10th anniversary celebration.
2001: Animal Planet Live opens, replacing Animal Actors Stage.
2002: Universal Studios Escape is renamed Universal Orlando Resort. Kongfrontation closes in a closing ceremony. Halloween Horror Nights is moved to Islands of Adventure. Macy's Holiday Parade debuts at the park.
2003: Jimmy Neutron's Nicktoon Blast opens, replacing The Funtastic World of Hanna-Barbera.[21] Shrek 4-D opens with Donkey's Photo Finish, replacing Alfred Hitchcock: The Art of Making Movies and Stage 54 respectively.[22]
2004: Revenge of the Mummy: The Ride opens, replacing Kongfrontation.[23] Halloween Horror Nights takes place in both Universal Studios Florida and Islands of Adventure.
2005: Universal Express Plus is introduced, replacing Universal Express. Nickelodeon Studios closes after nearly 15 years. Fear Factor Live opens, replacing The Wild Wild Wild West Stunt Show. Universal Studios Florida celebrates its 15th anniversary.
2006: Delancey Street Preview Center opens in the New York area. Universal 360: A Cinesphere Spectacular opens, replacing Dynamite Nights Stunt Spectacular. Animal Planet Live is closed, and replaced by Animal Actors on Location. Halloween Horror Nights returns to Universal Studios Florida for its "Sweet 16".
2007: Back to the Future: The Ride closes on March 30.[24] Blue Man Group Sharp Aquos Theatre opens in CityWalk, replacing Nickelodeon Studios. Earthquake: The Big One closes in the San Francisco area on November 5.
2008: Disaster!: A Major Motion Picture Ride...Starring You! opens, replacing Earthquake: The Big One.[25] Universal announces Hollywood Rip Ride Rockit, with a planned opening of Spring 2009. The Simpsons Ride opens, replacing Back to the Future: The Ride.[26]
2009: The Universal Music Plaza Stage opens, replacing The Boneyard. Hollywood Rip Ride Rockit opens.
2010: The 20th anniversary of Universal Studios Florida in June, as well as Halloween Horror Nights in October.
2011: The 10th anniversary of Macy's Holiday Parade at the park.[27]
2012: Jaws and the surrounding Amity themed area closes, as announced on December 2, 2011.[28] Universal announces the additions of Universal’s Cinematic Spectacular: 100 Years of Movie Memories and Universal's Superstar Parade to the park, with openings on May 8, 2012.[29] Despicable Me: Minion Mayhem, opens replacing Jimmy Neutron's Nicktoon Blast; as announced on March 14, 2011 as "...one of many exciting things planned for the next couple of years".[30] Universal Orlando Resort announced Transformers: The Ride will officially open in the summer of 2013, replacing Soundstages 44 and 54, which were demolished on June 24, 2012.[31] SpongeBob StorePants,a gift shop themed after SpongeBob SquarePants opened in Woody Woodpecker's Kidzone replacing the Universal Cartoon Store
2013: The opening date for Transformers The Ride is announced for June 20, 2013. Details of The Wizarding World of Harry Potter expansion are officially announced. Details for the new Simpsons Land are announced and expected to open in the summer of 2013. Transformers: The Ride officially opens in the Production Central area replacing Soundstage 44. Simpsons Fast Food Boulevard (renamed Springfield U.S.A.) concludes its expansion as it includes one new ride: Kang and Kodos Twirl 'n' Hurl.
2014: The opening date for The Wizarding World of Harry Potter Diagon Alley is announced for July 8, 2014 amid the Diagon Alley preview red carpet premiere on June 18, 2014 with Domhnall Gleeson, Bonnie Wright, Evanna Lynch, Matthew Lewis, James and Oliver Phelps, Tom Felton, Robbie Coltrane, Warwick Davis and Helena Bonham Carter attending the premiere. King's Cross station opens on July 1, 2014 as well as the Hogwarts Express Hogsmeade station at Universal's Islands of Adventure, connecting park visitors to both theme Harry Potter theme parks via a full scale replica of the train that appears in the Harry Potter film series. Diagon Alley officially opens, replacing Jaws and the Amity section of the park.
Previous attractions[edit]
Main article: List of former Universal Studios Florida attractions
The previous icon of the Jaws ride is still a popular photo spot.
Like all theme parks, attractions are sometimes closed due to aging and replaced with more contemporary attractions. Universal has seen this happen several times. Some notable closures include Kongfrontation, Back to the Future: The Ride, The Funtastic World of Hanna-Barbera and Jaws. The closures of Kongfrontation, Back to the Future, and Jaws have been given homages by the park to honor veteran visitors who revered the former rides.
Park design[edit]
Main article: List of Universal Studios Florida attractions
Universal Studios Florida features seven themed areas all situated around a large lagoon. In 2012, this lagoon was the site of Universal’s Cinematic Spectacular: 100 Years of Movie Memories, a thematic display that showcased scenes from various Universal films, featuring lasers, projectors and fountains, and pyrotechnics.
The seven surrounding themed areas, clockwise from the entrance, are Production Central, New York, San Francisco, London/Diagon Alley, World Expo, Woody Woodpecker's Kidzone and Hollywood. Each area features a combination of rides, shows, attractions, character appearances, dining outlets and merchandise stores. A new area, based on Harry Potter's Diagon Alley was added to the park in the July of 2014.
Production Central[edit]
Ride
Year opened
Manufacturer
Despicable Me: Minion Mayhem 2012 Intamin
Shrek 4-D 2003 PDI/DreamWorks
Hollywood Rip, Ride, Rockit 2009 Maurer Söhne
Transformers: The Ride 3D 2013 Oceaneering International
The Universal Music Plaza Stage 2009
The area is also home to a variety of dining outlets and merchandise shops. Food and beverage items can be purchased from Beverly Hills Boulangerie or Universal Studios' Classic Monsters Cafe while merchandise can be bought from a variety of themed stores including Universal Studios Store, Studio Sweets, It's a Wrap!, Super Silly Stuff, Shrek's Ye Olde Souvenir Shoppe, and Transformers: Supply Vault.[32][33]
Universal Studios Florida is a theme park located in Orlando, Florida. Opened on June 7, 1990, the park's theme is the entertainment industry, in particular movies and television. Universal Studios Florida inspires its guests to "ride the movies", and it features numerous attractions and live shows. The park is one component of the larger Universal Orlando Resort.
In 2013, the park hosted an estimated 7.06 million guests, ranking it the eighth-most visited theme park in the United States, and ranking it sixteenth worldwide.[2]
Contents [hide]
1 History 1.1 Park history
1.2 Branding
1.3 Timeline
1.4 Previous attractions
2 Park design 2.1 Production Central
2.2 New York
2.3 San Francisco
2.4 London/Diagon Alley
2.5 World Expo
2.6 Woody Woodpecker's Kidzone
2.7 Hollywood
3 Character appearances
4 Production facilities
5 Annual events 5.1 Grad Bash and Gradventure
5.2 Halloween Horror Nights
5.3 Macy's Holiday Parade
5.4 Mardi Gras
5.5 Rock the Universe
5.6 Summer Concert Series
6 Universal's Express Pass
7 Attendance
8 See also
9 References
10 External links
History[edit]
This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2010)
The original entrance to the theme park.
Over the years, Universal Studios Florida has not limited itself to attractions based on its own vast film library. It has occasionally licensed popular characters from other rival studios, many of whom did not operate theme parks themselves. Some examples include Ghostbusters and Men in Black, (Sony's Columbia Pictures), The Simpsons (20th Century Fox) and Shrek (DreamWorks Animation).
Many of the park's past and present attractions were developed with the actual creators of the films they were based on, and feature the original stars as part of the experience. Steven Spielberg helped create E.T. Adventure and was a creative consultant for Back to the Future: The Ride, Twister...Ride it Out, An American Tail Theatre, Jaws, Men in Black: Alien Attack and Transformers: The Ride.
In many current rides, the original stars reprised their film roles including: Rip Torn and Will Smith in Men in Black: Alien Attack, Brendan Fraser for Revenge of the Mummy: The Ride, Bill Paxton and Helen Hunt in Twister...Ride it Out, Arnold Schwarzenegger, Edward Furlong and Linda Hamilton reprised their roles for Terminator 2: 3-D Battle Across Time, Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow for Shrek 4D, Steve Carell, Miranda Cosgrove, Dana Gaier, and Elsie Fisher reprised their roles from Despicable Me for Despicable Me: Minion Mayhem, and Peter Cullen and Frank Welker reprised their roles as Optimus Prime and Megatron for Transformers: The Ride.
In many former rides, the many original stars were also to reprise their film roles such as: Christopher Lloyd and Thomas F. Wilson in Back to the Future: The Ride, Roy Scheider recorded a voice over for the conclusion of Jaws, Alfred Hitchcock and Anthony Perkins appeared in Alfred Hitchcock: The Art of Making Movies, additionally, various Nicktoon voice actors reprised their roles in Jimmy Neutron's Nicktoon Blast.
Park history[edit]
From its inception in 1982,[3] Universal Studios Florida was designed as a theme park and a working studio. It was also the first time that Universal Studios had constructed an amusement park "from the ground up." However, the proposed project was put on hold until 1986, when a meeting between Steven Spielberg, a co-founder for the park, and Peter N. Alexander prompted for the creation of a Back to the Future simulator ride in addition to the already planned King Kong based ride.[4]
A major component of the original park in Hollywood is its studio tour, which featured several special-effects exhibits and encounters built into the tour, such as an attack by the great white shark from the film Jaws. For its Florida park, Universal Studios took the concepts of the Hollywood tour scenes and developed them into larger, stand-alone attractions. As an example, in Hollywood, the studio tour trams travel close to a shoreline and are "attacked" by Jaws before they travel to the next part of the tour. In Florida, guests entered the "Jaws" attraction and would board a boat touring the fictitious Amity Harbor, where they encountered the shark, then exited back into the park at the conclusion of the attraction. Universal Studios Florida originally had a Studio Tour attraction that visited the production facilities, but that tour has since been discontinued.
Branding[edit]
Previous slogans for Universal Studios Florida were: See the Stars. Ride the Movies. (1990 - 1998); No one makes believe like we do! (1990 - 1998); Ride the Movies (1998 - 2008); Jump into the Action (2008–2012). The current slogan is: Experience the Movies (2012–present).
Timeline[edit]
1986: Land clearing takes place on the swamp land purchased by MCA/Universal that would hold the park.
1987: Universal Studios Florida is announced at a press conference on the Hollywood property, with a planned opening date of December 1989.
1988: Universal Studios Florida's opening date is delayed from December, 1989 to May 1, 1990. Shortly following, MCA/Universal releases a video detailing the future park, which stars Christopher Lloyd as the Universal character Doc Brown interacting with the various attractions at the Florida park.[5] Universal Studios allows guests to witness the production of television shows and motion pictures in the Florida park's soundstages in middle 1988, while the rest of the studio/park is still under construction.[6]
1989: MCA/Universal Studios claims that The Walt Disney Company and its CEO, Michael Eisner copied several concepts of the Universal Studios Florida park, and integrated them into Disney's recently opened Disney/MGM Studios park.[7]
1990: On January 31, Universal Studios Florida's opening date is again delayed from May 1, 1990 to June 7, 1990.[8] Universal Studios Florida begins soft openings for the general public in late May.[9] Many of the park's attractions are not yet open at the time, and still under testing. Universal Studios Florida is officially opened with a grand opening style ceremony on June 7.[10] The park opens with five themed areas: The Front Lot (entrance area), Production Central, New York, San Francisco/Amity, Expo Center, Hollywood as well as a Lagoon located in the center of the park. The Front Lot and Production Central areas are referred to as "In Production", the New York section is referred to as "Now Shooting", the San Francisco and Amity sections are referred to as "On Location" and the Expo Center area is referred to as "The World of CineMagic Center". Nickelodeon Studios also opened on this day where there was a grand opening ceremony hosted by Marc Summers. Due to massive technical problems with the original Kongfrontation, Earthquake: The Big One and Jaws rides, Universal begins a temporary voucher service to allow guests to re-visit the studio/park when the attractions are operating.[10] Jaws is temporarily closed by Universal on September 30 due to persistent major technical problems. During the shut-down, Universal sues the original designer of the Jaws ride,[11] Ride & Show Engineering, and hires Totally Fun Company to create a re-designed version of most of the ride.
1991: Universal adds four new attractions to the park: The Blues Brothers Show, StreetBusters, The Screen Test Home Video Adventure and How to Make a Mega Movie Deal.[12] Back to the Future: The Ride officially opens in the World Expo Center area of the park, in a grand opening ceremony.[13] The ride is considered to be a success, and receives positive reception from theme park critics.[14] Fright Nights debuts at the park. In 1992, it is renamed to Halloween Horror Nights.
1993: Jaws is re-opened, with many scenes altered. MCA/Universal announces plans to expand Universal Studios Florida into the Universal City, Florida resort complex, including a second theme park and multiple hotels.[15]
1995: Universal Studios Florida celebrates its 5th anniversary. A Day in the Park with Barney opens in the World Expo area. The Production Studio Tour is closed due to a dwindle in the studios' recent Film/TV production.
1996: Terminator 2: 3-D Battle Across Time opens in the Hollywood area.[16]
1997: Universal announces that Ghostbusters Spooktacular will be replaced by Twister...Ride it Out, with a planned opening date of Spring 1998[17] Universal Studios announces that the sole Studio park will be expanded into the Universal Studios Escape, including the Islands of Adventure park, Universal CityWalk Orlando and multiple hotels. The Islands of Adventure Preview Center opens in the New York area, replacing The Screen Test Home Video Adventure. It is meant to give guests a preview of the up-coming Islands of Adventure park, as well as expansion of the Studio park into the Universal Studios Escape resort.
1998: The expansion begins as the original open parking lot for Universal Studios Florida is demolished and replaced by CityWalk and a parking garage complex.[18] Universal delays the opening of Twister...Ride it Out from March, 1998 to May 4, 1998 out of respect for the 42 deaths caused by a recent El Nino outbreak of tornadoes in the central Florida area. Twister...Ride it Out opens in the New York area, replacing Ghostbusters Spooktacular.[19] A new area of the park, Woody Woodpecker's Kidzone, is officially opened, holding the attractions Curious George Goes to Town, StarToons and the previously opened Fievel's Playland, E.T. Adventure, Animal Actors Stage and A Day in the Park with Barney; CityWalk opens outside of the park.
1999: Woody Woodpecker's Nuthouse Coaster opens in the Woody Woodpecker's Kidzone area. Islands of Adventure opens next door to Universal Studios Florida.[20]
2000: Men in Black: Alien Attack opens in the World Expo area, on the former site of The Swamp Thing Set. Universal Studios Florida's 10th anniversary celebration.
2001: Animal Planet Live opens, replacing Animal Actors Stage.
2002: Universal Studios Escape is renamed Universal Orlando Resort. Kongfrontation closes in a closing ceremony. Halloween Horror Nights is moved to Islands of Adventure. Macy's Holiday Parade debuts at the park.
2003: Jimmy Neutron's Nicktoon Blast opens, replacing The Funtastic World of Hanna-Barbera.[21] Shrek 4-D opens with Donkey's Photo Finish, replacing Alfred Hitchcock: The Art of Making Movies and Stage 54 respectively.[22]
2004: Revenge of the Mummy: The Ride opens, replacing Kongfrontation.[23] Halloween Horror Nights takes place in both Universal Studios Florida and Islands of Adventure.
2005: Universal Express Plus is introduced, replacing Universal Express. Nickelodeon Studios closes after nearly 15 years. Fear Factor Live opens, replacing The Wild Wild Wild West Stunt Show. Universal Studios Florida celebrates its 15th anniversary.
2006: Delancey Street Preview Center opens in the New York area. Universal 360: A Cinesphere Spectacular opens, replacing Dynamite Nights Stunt Spectacular. Animal Planet Live is closed, and replaced by Animal Actors on Location. Halloween Horror Nights returns to Universal Studios Florida for its "Sweet 16".
2007: Back to the Future: The Ride closes on March 30.[24] Blue Man Group Sharp Aquos Theatre opens in CityWalk, replacing Nickelodeon Studios. Earthquake: The Big One closes in the San Francisco area on November 5.
2008: Disaster!: A Major Motion Picture Ride...Starring You! opens, replacing Earthquake: The Big One.[25] Universal announces Hollywood Rip Ride Rockit, with a planned opening of Spring 2009. The Simpsons Ride opens, replacing Back to the Future: The Ride.[26]
2009: The Universal Music Plaza Stage opens, replacing The Boneyard. Hollywood Rip Ride Rockit opens.
2010: The 20th anniversary of Universal Studios Florida in June, as well as Halloween Horror Nights in October.
2011: The 10th anniversary of Macy's Holiday Parade at the park.[27]
2012: Jaws and the surrounding Amity themed area closes, as announced on December 2, 2011.[28] Universal announces the additions of Universal’s Cinematic Spectacular: 100 Years of Movie Memories and Universal's Superstar Parade to the park, with openings on May 8, 2012.[29] Despicable Me: Minion Mayhem, opens replacing Jimmy Neutron's Nicktoon Blast; as announced on March 14, 2011 as "...one of many exciting things planned for the next couple of years".[30] Universal Orlando Resort announced Transformers: The Ride will officially open in the summer of 2013, replacing Soundstages 44 and 54, which were demolished on June 24, 2012.[31] SpongeBob StorePants,a gift shop themed after SpongeBob SquarePants opened in Woody Woodpecker's Kidzone replacing the Universal Cartoon Store
2013: The opening date for Transformers The Ride is announced for June 20, 2013. Details of The Wizarding World of Harry Potter expansion are officially announced. Details for the new Simpsons Land are announced and expected to open in the summer of 2013. Transformers: The Ride officially opens in the Production Central area replacing Soundstage 44. Simpsons Fast Food Boulevard (renamed Springfield U.S.A.) concludes its expansion as it includes one new ride: Kang and Kodos Twirl 'n' Hurl.
2014: The opening date for The Wizarding World of Harry Potter Diagon Alley is announced for July 8, 2014 amid the Diagon Alley preview red carpet premiere on June 18, 2014 with Domhnall Gleeson, Bonnie Wright, Evanna Lynch, Matthew Lewis, James and Oliver Phelps, Tom Felton, Robbie Coltrane, Warwick Davis and Helena Bonham Carter attending the premiere. King's Cross station opens on July 1, 2014 as well as the Hogwarts Express Hogsmeade station at Universal's Islands of Adventure, connecting park visitors to both theme Harry Potter theme parks via a full scale replica of the train that appears in the Harry Potter film series. Diagon Alley officially opens, replacing Jaws and the Amity section of the park.
Previous attractions[edit]
Main article: List of former Universal Studios Florida attractions
The previous icon of the Jaws ride is still a popular photo spot.
Like all theme parks, attractions are sometimes closed due to aging and replaced with more contemporary attractions. Universal has seen this happen several times. Some notable closures include Kongfrontation, Back to the Future: The Ride, The Funtastic World of Hanna-Barbera and Jaws. The closures of Kongfrontation, Back to the Future, and Jaws have been given homages by the park to honor veteran visitors who revered the former rides.
Park design[edit]
Main article: List of Universal Studios Florida attractions
Universal Studios Florida features seven themed areas all situated around a large lagoon. In 2012, this lagoon was the site of Universal’s Cinematic Spectacular: 100 Years of Movie Memories, a thematic display that showcased scenes from various Universal films, featuring lasers, projectors and fountains, and pyrotechnics.
The seven surrounding themed areas, clockwise from the entrance, are Production Central, New York, San Francisco, London/Diagon Alley, World Expo, Woody Woodpecker's Kidzone and Hollywood. Each area features a combination of rides, shows, attractions, character appearances, dining outlets and merchandise stores. A new area, based on Harry Potter's Diagon Alley was added to the park in the July of 2014.
Production Central[edit]
Ride
Year opened
Manufacturer
Despicable Me: Minion Mayhem 2012 Intamin
Shrek 4-D 2003 PDI/DreamWorks
Hollywood Rip, Ride, Rockit 2009 Maurer Söhne
Transformers: The Ride 3D 2013 Oceaneering International
The Universal Music Plaza Stage 2009
The area is also home to a variety of dining outlets and merchandise shops. Food and beverage items can be purchased from Beverly Hills Boulangerie or Universal Studios' Classic Monsters Cafe while merchandise can be bought from a variety of themed stores including Universal Studios Store, Studio Sweets, It's a Wrap!, Super Silly Stuff, Shrek's Ye Olde Souvenir Shoppe, and Transformers: Supply Vault.[32][33]
Presentación Final del Proyecto en la Comuna 8 Medellin: Intergrando Comuna 8 Octavo Semestre/Taller9 UNAL Facultad de Arquitectura
GV II* Western complex of integrated multi-component wool textile factory, now partially in use as small industrial estate, with the remaining component structures empty at the time of inspection (August 2000). Late C18, continuously enlarged and re-modelled between c.1800 and c.1920, with late C20 alterations and changes of use to individual components. Coursed rubble sandstone, with ashlar and red brick dressings, and red brick, with slate and C20 sheet roof coverings.
PLAN: the complex forms the western half of the extensive wool textile manufacturing site at Tonedale Mills, which is divided into two parts by a water course, the Back Stream. The site housed wool and yarn preparation processes in a complex of functionally-related buildings, identified as mills 2, 3, 4, 5 and 6, and combing shed sited in rectangular configurations to the north and west of the site, with a multi function range, housing boiler repair, power generation, wool mixing and cleaning and tin smithing facilities to the east side.
Mills 2 and 3 represent the phased development between 1861 and 1871 of a twenty-one bay steam-powered, and subsequently electrically-powered worsted spinning mill. Early phase to east, eleven bays of four storeys and attics, of rubble sandstone, with keyed semi-circular arch-headed windows up to second floor level, and similar window openings to attic floor. Fourth floor with flat-headed openings. Entrance to mill within fire-proof stair tower at east end, within six-bay return elevation. Doorway with plank double doors with adjacent shaft box for entry of horizontal shaft associated with vertical drive shaft, now removed, within stair well. Later 17 bay phase of c.1871 to the west, constructed to a slightly wider plan, but of matching materials and detailing externally, with a fire-proof stair and water tower and a large engine house at the junction of the two phases. INTERIOR: both phases are of non-fire proof construction, with timber floors supported on substantial cross beams. Cast-iron columns with compression plates and bolting faces on north side for line shaft cradles. M-profile collared roof with principals carried on cast-iron brackets bolted to floor beams. Collars set within cast-iron shoes support short king posts. Roof valley column supports with rectangular eyed heads. Later phase shares constructional characteristics, but with heavier columns with four-way bolting faces, and the upper floors retain evidence of multiple line shafts. Both phases retain internal metal fire doors. Stair tower with brick jack arch fire-proofing. Adjacent engine house, with brick vaulted ceiling at third floor level retaining lifting rings. The engine house, thought to have housed a double beam engine designed to power both sides of the mill, retains the engine entablature support stonework in the internal cross walls, and cast-iron shaft boxes for the vertical power shaft, now removed. To the north of mills 2 and 3, single storeyed combing shed for sorting and combing worsted fibre prior to spinning. Narrow rectangular brick building with projecting bays to the south frontage facing the spinning mill formerly housing combing machinery. To the south of the spinning mill, mills no.4 and 6. Mill no.4 of red brick with a slated roof, two storeys, fourteen bays, aligned east-west, with a narrow five-bay storeyed crosswing at the east end. Main range with stacked basket arch-headed windows to each bay, with double doors to both floors at the east end. Hipped west end to roof, which has a deep eaves supported on paired brackets. Narrow gabled crosswing, the gable detailed as an open pediment, with ground floor doorway beneath multi-pane overlight. East side wall with stacked windows and single doorway to bay two. The mill was used for blending coloured wool fibres, with carding machines on the first floor. The narrow end bay was a storeyed motor room, used to power the upper floor machinery. To the east, no.6 mill, of rubble stone with red brick dressings. Ten bays, three storeys, with four bay returns, and a narrow two bay upper floor with horizontally-boarded cheeks above short roof slopes to outer bays. The west gable has windows arranged vertically 4:4:2, the east gable has an infilled double doorway to the centre, four first floor openings and two upper floor openings, one a window, one with boarded shutter. The boarded flanks, originally louvred, now house casement frames. The building was originally multi-functional, with baskets, used for wool transportation on site, made on the upper two floors, and machines for puttee (military leggings) knitting on the ground floor. This building appears to have been powered by a horizontal shaft from the spinning mill to the north. To the south of no.4 mill, no.5 mill. Massive, rectangular building of fourteen bays, with a narrow storeyed frontage, aligned north-south and a north-light shed extending westwards to the site boundary. Late C19, of smooth red brick rising from a deep plinth, with narrow storeyed range forming east front, with hipped slated roof and semi-circular arch-headed window and door openings. Single storeyed half-hip roofed porches to bays one and two, and bays eleven and twelve, each with three blind semi-circular arched openings and a wide doorway. Closely-spaced tall window openings to ground floor and a smaller number of first floor openings, some detailed as taking-in doors. A single pivoting wall crane survives towards the centre of the range. Three bay returns to each end, with single storey shed side walls extending to the west.
INTERIOR: floored frontage range with chute openings in ceiling for carded wool processed at first floor level. Arcaded shed interior with cast-iron columns supporting transverse arcade plates, with straight timber braces mounted in sockets in the columns, which are widely spaced, each bay accommodating two sections of half-glazed north light roof. The shed was used for manual wool sorting after washing and carding processes had taken place.
West of no.5 mill, multi-function range, with twin gabled, red brick boiler repair house to the north with wide semi-circular arched openings to centre of ground floors, and twin upper floor openings. Northern part with interior lifting gear, southern part adapted for storage. Further south, low, single storeyed rubble stone L-shaped cross range, formerly power house to provide alternating and direct current electricity from diesel generators. Further south, on west side, hipped roof red brick range with long and short wings extending eastwards, which accommodated a tin smithing shop, associated with the other metal-working shops on site, and wool mixing and cleaning processes required prior to carding and sorting in the shed opposite.
A multi phase and multi-function C19 wool textile mill site, forming the western part of the Tonedale Mills complex. The site retains a full complement of buildings which housed the wool preparation and yarn spinning processes required in the manufacture of woollen and worsted cloths, together with power generation and ancillary processes such as basket making and metal working needed in a complex, geographically-dispersed manufacturing complex. Tonedale Mills is thought to be the largest and most comprehensively -representative textile manufacturing site in the south-west, with a range of surviving structures unparalleled in England.
Listing NGR: ST1275521349
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
The ZSU-62 (Zenitnaya Samokhodnaya Ustanovka = anti-aircraft self-propelled mount) was a potential successor for the Soviet ZSU-57-2 SPAAG, developed in parallel with the ZSU-23-4. But unlike its brethren, the ZSU-62 was only produced in limited numbers, but it received limited fame during its late operational second-line career when it was successfully deployed to Afghanistan.
The ZSU’62’s roots were laid down just after WWII with the ZSU-57-2. The first prototype (Objekt 500) was completed in the summer of 1950, production began in 1955. The vehicle was built using a modified chassis of the new T-54 tank and was armed with two S-68 57 mm cannons – at the time the most powerful guns mounted in an anti-aircraft system. The modification of the chassis included reducing the road wheels per side to four and using lighter armor. The ZSU-57-2 was powered by a V-54 12-cylinder diesel engine providing 520 hp. Despite the weight of 28 tons, thanks to the strong engine, the maximum speed was 50 km/h. With a fuel load of 850 liters, the operational range was 420 km.
Each cannon had a (theoretical) rate of fire of 240 rounds per minute with a muzzle velocity of 1,000 m/s. Maximum horizontal range was 12 km (with an effective range against ground targets of up to 4 km / 2.5 miles), maximum vertical range was 8.8 km (with a maximum effective vertical range of 4.5 km / 14,750 ft). The effective range, when used against flying targets, was 6 km. Armor-piercing rounds were able to penetrate 110 mm armor at 500 m or 70 mm armor at 2,000 m (at 90° impact angle).
Rate of fire was 120 RPM, but this was only a theoretical number, because each gun was fed with separate four-shot magazines so that only bursts and no continuous fire was possible. Both fragmentation and armor-piercing ammunition were available. The ZSU-57-2’s total ammunition load was 300 rounds, with 176 rounds being stored inside the turret and the remaining in the hull. To efficiently operate the vehicle, six crew members were needed: commander, gunner, loader, driver, and two sight adjusters.
The ZSU-57-2 had serious firepower that could easily destroy any aerial target but had many issues. The greatest weaknesses were the lack of modern range-finding and radar equipment, the impossibility of engaging targets at night or while on the move, the lack of protection for its crew (being open-topped), and low ammunition count. Nevertheless, more than 2.000 ZSU-57-2s were eventually built. While many would be sold to other Warsaw Pact countries, like East Germany, Romania, and Poland, its service within the Soviet Army was limited, because of its many operational deficiencies.
This led in 1957 to a new SPAAG program for the Soviet Army and initiated the development of the ZSU-23-4 "Shilka", the ZSU-37-2 "Yenisei" and a new ZSU-57-2 “Kama” (all baptized after Russian rivers) with the outlook to replace the original ZSU-57-2 by the mid to late Sixties. These vehicles were intended for AA defense of military facilities, troops, and mechanized columns on the march. “Shilka” was intended for close range defense (esp. against low-flying attack helicopters) while the more powerful guns of "Yenisei" and “Kama” were judged to be effective at covering the inner dead-zone of Soviet surface-to-air missile systems between 1.000 and 6.000 m altitude, with a focus on attack aircraft and more heavily armored targets.
All designs were based on existing tracked chassis’ and featured completely enclosed turrets as well as a proven radar system, the RPK-2 "Tobol" radar (NATO designator: "Gun Dish"). The ZSU-37-2 was soon dropped in favor of the higher firepower and range of the 57mm guns, so that both “Shilka” and “Kama” entered the hardware stage at Omsk Works No. 174.
However, “Kama” lagged behind the “Shilka” development because several technical and conceptual problems had to be solved. For instance, even though the armament still consisted of two proven S-68 cannon, the weapons’ mount had to be developed new to fit into the enclosed cast turret. To save space, both weapons were now mounted directly side-by-side. Their feeding system was furthermore changed from magazines to belts, what considerably improved the SPAAG’s firepower and now allowed continuous fire at a higher rate of fire of 150 RPM per gun. For sufficient flexibility, a belt-switching mechanism allowed to choose between two different ammunition supplies: each gun had supplies of 220 and 35 rounds, normally occupied with HE fragmentation and armor-piercing tracer (AP-T) shells, respectively, against aerial and armored ground targets. Changing between the two feeds just took a couple of seconds.
The twin S-68s were recoil-operated and the whole mount (without feeding mechanism) weighed 4,500 kg. The guns had a recoil of between 325 and 370 mm, and each air-cooled gun barrel, fitted with a muzzle brake, was 4365 mm long (76.6 calibers). The weapons could be elevated or depressed between −5° and +80° at a speed of between 0.3° and 32° per second, while the turret could traverse 360° at a speed of between 0.2° and 52° per second. Drive was from a direct current electric motor and universal hydraulic speed gears.
The “Kama” crew numbered four: driver (in the hull), commander, gunner and radar operator (all in the turret). The heavy guns, their ammunition supply and the radar system had to be housed in a turret, together with decent armor, and this resulted in a considerable volume and weight (a single 57 mm projectile alone already weighed 2.8 kg). Several layouts were tested, but weight and volume of the systems made it impossible to mate the “Kama” turret on the T-54/55 chassis, which was available in ample numbers for conversions. The limiting factor was the T-54/55’s relatively small turret bearing diameter.
To solve this problem, the “Kama” designers chose the more modern T-62 as chassis basis. It was outwardly very similar to the former T-54/55, but it featured a 2245 mm turret ring (250 mm more than the T-54/55’s bearing) that was able to take a much bigger/wider/heavier turret than its predecessor. Furthermore, the T-62 represented the Soviet Army’s “state of the art”. The choice of the T-62 ensured many component and maintenance communalities with the operational MBT and it also meant that the “Kama” SPAAG could operate in the same environment and the same pace as the T-62. In order to save costs and development time, the T-62 chassis was taken “as is”, with the same engine and armor level as the MBT. There were only minor changes in the electric components, e. g. a more powerful generator for the radar system.
In this combination, “Kama” eventually entered tests and state acceptance trials as “Object 503”. During these tests, some final changes to layout and equipment were made; for instance, the RPK-2’s dish-shaped radome received a retractable mount that allowed the antenna to be raised higher above the turret in order to avoid clutter and to protect the antenna when the vehicle was on the move.
The tests lasted until 1963 and were successful, so that an initial batch of 100 serial production tanks was ordered the same year. In order to avoid confusion with the old ZSU-57-2 from 1955, the new tank with the same armament was pragmatically designated ZSU-62.
Alas, while production of the “Kama” turrets ran up to be mated with T-62 hulls at the Uralvagonzavod factory in Nizhny Tagil, the ZSU-62’s future had already been sealed by the fast pace of technical developments: in the meantime MANPADS (Man Portable Air Defense System) had taken the medium-range SPAAG’s place and a foot soldier could now fulfill the same mission as an expensive and bulky 40 ton tank, so that the medium range/altitude gap between the ZSU-23-4 (which had already entered service) and heavier surface-to-air missile systems would not be filled with a dedicated vehicle anymore. The ZSU-62 had become superfluous the moment it had reached the first frontline units, and large-scale production was immediately stopped.
However, the initial production run was nevertheless completed until 1967, and the ZSU-62s were primarily sent to training units, where the vehicles were – due to their turrets’ shape – nicknamed “черепаха“ (turtle).
This could have been the ZSU-62’s fate, but the Soviet Union’s intervention in Afghanistan brought it back into frontline service. Since December 1978, the Afghan government called on Soviet forces, which were introduced in the spring and summer of 1979 to provide security and to assist in the fight against the mujaheddin rebels. After the killing of Soviet technicians in Herat by rioting mobs, the Soviet government sold several Mi-24 helicopters to the Afghan military and increased the number of military advisers in the country to 3,000. In April 1979, the Afghan government requested that the USSR send 15 to 20 helicopters with their crews to Afghanistan, and on June 16, the Soviet government responded and sent a detachment of tanks, BMPs, and crews to guard the government in Kabul and to secure the Bagram and Shindand airfields. In response to this request, an airborne battalion arrived at the Bagram Air Base on July 7, and ground forces were deployed from Turkmenistan territory into northern Afghanistan, securing the supply lines.
Experience in the mountainous Afghan landscape soon made the shortcomings of standard MBTs apparent, namely their lack of gun elevation, esp. when attacking hideouts and posts in high locations. While the ZSU-23-4 “Shilka” was readily available and used against such targets, it lacked range and firepower to take out protected posts at distances more than 2.000 m away. This led to the decision to send roundabout 40 ZSU-62s to the Afghan theatre of operations, where they were primarily used against ground targets – both fortifications as well as armored and unarmored vehicles. The weapons’ precision and range proved to be valuable assets, with devastating effect, and the vehicles remained in active service until 1985 when their role was more and more taken over by helicopters and aircraft like the new Su-25. The ZSU-62 were, nevertheless, still employed for aerial airfield defense and as a deterrent against ground attacks.
With the USSR’s withdrawal from Afghanistan in 1988 and 1989, the last operational ZSU-62s were retired. In the training units, the vehicles had already been replaced by ZSU-23-4s by 1984.
Specifications:
Crew: Four (commander, gunner, radar operator, driver)
Weight: 37 t (41 short tons; 36 long tons)
Length: 6.63 m (21 ft 9 in) hull only
9.22 m (30 ft 3½ in) with barrel in forward position
Width: 3.30 m (10 ft 10 in)
Height: 3.88 m (12 ft 9 in) with search radar fully extended,
2.84 m (9 ft 3¾ in) with search radar stowed
Suspension: Torsion bar
Ground clearance: 425 mm (16.7 in)
Fuel capacity: 960 l
Armor:
20 mm (hull bottom) – 102 mm (hull front)
Performance:
Speed: 50 km/h (31 mph) on roads,
40 km/h (25 mph) cross country)
Range: 450 km (280 mi) on road;
650 km (400 mi) with two 200 l (53 US gal; 44 imp gal) extra fuel tanks;
320 km (200 mi) cross-country
450 km (280 mi) with two 200-liter extra fuel tanks
Climbing ability: 0.7 m (2.3')
Maximum climb gradient: 30°
Trench crossing ability: 2.5 m (8.2')
Fording depth: 1.0 m (3.3')
Operational range: 500 km (310 mi)
Power/weight: 14.5 hp/tonne (10.8 kW/tonne)
Engine:
1x V-55 12-cylinder 4-stroke one-chamber 38.88 liter water-cooled diesel engine
with 581 hp (433 kW) at 2,000 rpm
Transmission:
Hydromechanical
Armament:
2× S-68 57mm (1.5 in) cannon with 255 rounds each
The kit and its assembly:
This fictional tank model came to be as a classic what-if, based on the question “what could have been a successor of the Soviet ZSU-57-2 SPAAG?”. Not an existential question that comes to your mind frequently, but it made me wonder – also because the real-world successor, the ZSU-23-4 “Shilka”, lacked the ZSU-57-2’s range and large-caliber firepower.
From this conceptual basis I decided to retain the 57mm twin guns, add an RPK-2 radar and mount these into a fully enclosed turret. The latter became a leftover M48 turret, which was suitably bulky, and the gun mount was taken from a Modelcollect E-75 SPAAG. However, both were heavily modified: the gun mount lost its boxy armor protection, just the brass barrels and the joint at the base were retained, the rest was scratched from styrene bits and wire. To accept the much taller weapon mount, the turret front had to be re-sculpted with putty, resulting in a boxier shape with steeper side walls – but the whole affair looks very organic. A simpler commander cupola was used and the whole radar dish arrangement on the rear roof was scratched, too.
The hull came from a Trumpeter T-62, just for the reasons explained in the background: the T-54/55 had a relatively small turret ring, and this caused severe development problems, because the MBT could not take a bigger turret and with it a more powerful cannon. Since this SPAAG would have been developed a couple of years later than the T-54/55, its successor, the T-62, appeared logical, and the “marriage” with the M48 turret worked like a charm. Even the turret’s adapter had the same diameter as the hull opening, I just had to modify the notches that hold it in place! The hull itself remained unmodified.
Painting and markings:
I wanted to place this SPAAG into the Afghanistan theatre of operations, and this was historically not very easy since I had to bridge some fifteen years of service to make this idea work. However, I found a story for the background, and the model received an appropriate paint scheme, based on real world vehicles around 1980 (actually from a BMP-1 operated in northern Afghanistan).
The camouflage consists of three tones, a pale/greyish sand, an olive drab tone and some contrasts in a dark, dull brown – it reminds of the US Army’s more complex MERDC scheme. The paints became Humbrol 167 (Hemp), Tamiya XF-62 (Olive Drab) and Humbrol 98 (Chocolate), even though the green appears darker than expected due to the high contrast with the sand tone.
The model received an overall washing with dark brown, highly thinned acrylic paint, and some dry-brushing with cream, faded olive drab and light grey. The few markings/decals were taken from the T-62 kit, and everything was sealed with matt acrylic varnish before the lower areas were finally dusted with a greyish-sand brown mix of artist pigments, simulating dust.
A plausible result, even though a cast turret might not appear to be a natural choice for a SPAAG? But the AMX-30 SPAAG from 1969 had a very similar design and there was a German prototype called “MATADOR” (a Gepard forerunner from 1968) that had a turret of similar shape, too. However, the kitbashed/scratched turret looks really good and convincing, and the T-62 hull is a great match for it in shape, size and timeframe. The ZSU-62 turned out way better than hoped for! :D
A Belgian Air Component F-16 goes ballistic during its display at the Royal International Air Tattoo.
Universal Studios Florida is a theme park located in Orlando, Florida. Opened on June 7, 1990, the park's theme is the entertainment industry, in particular movies and television. Universal Studios Florida inspires its guests to "ride the movies", and it features numerous attractions and live shows. The park is one component of the larger Universal Orlando Resort.
In 2013, the park hosted an estimated 7.06 million guests, ranking it the eighth-most visited theme park in the United States, and ranking it sixteenth worldwide.[2]
Contents [hide]
1 History 1.1 Park history
1.2 Branding
1.3 Timeline
1.4 Previous attractions
2 Park design 2.1 Production Central
2.2 New York
2.3 San Francisco
2.4 London/Diagon Alley
2.5 World Expo
2.6 Woody Woodpecker's Kidzone
2.7 Hollywood
3 Character appearances
4 Production facilities
5 Annual events 5.1 Grad Bash and Gradventure
5.2 Halloween Horror Nights
5.3 Macy's Holiday Parade
5.4 Mardi Gras
5.5 Rock the Universe
5.6 Summer Concert Series
6 Universal's Express Pass
7 Attendance
8 See also
9 References
10 External links
History[edit]
This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2010)
The original entrance to the theme park.
Over the years, Universal Studios Florida has not limited itself to attractions based on its own vast film library. It has occasionally licensed popular characters from other rival studios, many of whom did not operate theme parks themselves. Some examples include Ghostbusters and Men in Black, (Sony's Columbia Pictures), The Simpsons (20th Century Fox) and Shrek (DreamWorks Animation).
Many of the park's past and present attractions were developed with the actual creators of the films they were based on, and feature the original stars as part of the experience. Steven Spielberg helped create E.T. Adventure and was a creative consultant for Back to the Future: The Ride, Twister...Ride it Out, An American Tail Theatre, Jaws, Men in Black: Alien Attack and Transformers: The Ride.
In many current rides, the original stars reprised their film roles including: Rip Torn and Will Smith in Men in Black: Alien Attack, Brendan Fraser for Revenge of the Mummy: The Ride, Bill Paxton and Helen Hunt in Twister...Ride it Out, Arnold Schwarzenegger, Edward Furlong and Linda Hamilton reprised their roles for Terminator 2: 3-D Battle Across Time, Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow for Shrek 4D, Steve Carell, Miranda Cosgrove, Dana Gaier, and Elsie Fisher reprised their roles from Despicable Me for Despicable Me: Minion Mayhem, and Peter Cullen and Frank Welker reprised their roles as Optimus Prime and Megatron for Transformers: The Ride.
In many former rides, the many original stars were also to reprise their film roles such as: Christopher Lloyd and Thomas F. Wilson in Back to the Future: The Ride, Roy Scheider recorded a voice over for the conclusion of Jaws, Alfred Hitchcock and Anthony Perkins appeared in Alfred Hitchcock: The Art of Making Movies, additionally, various Nicktoon voice actors reprised their roles in Jimmy Neutron's Nicktoon Blast.
Park history[edit]
From its inception in 1982,[3] Universal Studios Florida was designed as a theme park and a working studio. It was also the first time that Universal Studios had constructed an amusement park "from the ground up." However, the proposed project was put on hold until 1986, when a meeting between Steven Spielberg, a co-founder for the park, and Peter N. Alexander prompted for the creation of a Back to the Future simulator ride in addition to the already planned King Kong based ride.[4]
A major component of the original park in Hollywood is its studio tour, which featured several special-effects exhibits and encounters built into the tour, such as an attack by the great white shark from the film Jaws. For its Florida park, Universal Studios took the concepts of the Hollywood tour scenes and developed them into larger, stand-alone attractions. As an example, in Hollywood, the studio tour trams travel close to a shoreline and are "attacked" by Jaws before they travel to the next part of the tour. In Florida, guests entered the "Jaws" attraction and would board a boat touring the fictitious Amity Harbor, where they encountered the shark, then exited back into the park at the conclusion of the attraction. Universal Studios Florida originally had a Studio Tour attraction that visited the production facilities, but that tour has since been discontinued.
Branding[edit]
Previous slogans for Universal Studios Florida were: See the Stars. Ride the Movies. (1990 - 1998); No one makes believe like we do! (1990 - 1998); Ride the Movies (1998 - 2008); Jump into the Action (2008–2012). The current slogan is: Experience the Movies (2012–present).
Timeline[edit]
1986: Land clearing takes place on the swamp land purchased by MCA/Universal that would hold the park.
1987: Universal Studios Florida is announced at a press conference on the Hollywood property, with a planned opening date of December 1989.
1988: Universal Studios Florida's opening date is delayed from December, 1989 to May 1, 1990. Shortly following, MCA/Universal releases a video detailing the future park, which stars Christopher Lloyd as the Universal character Doc Brown interacting with the various attractions at the Florida park.[5] Universal Studios allows guests to witness the production of television shows and motion pictures in the Florida park's soundstages in middle 1988, while the rest of the studio/park is still under construction.[6]
1989: MCA/Universal Studios claims that The Walt Disney Company and its CEO, Michael Eisner copied several concepts of the Universal Studios Florida park, and integrated them into Disney's recently opened Disney/MGM Studios park.[7]
1990: On January 31, Universal Studios Florida's opening date is again delayed from May 1, 1990 to June 7, 1990.[8] Universal Studios Florida begins soft openings for the general public in late May.[9] Many of the park's attractions are not yet open at the time, and still under testing. Universal Studios Florida is officially opened with a grand opening style ceremony on June 7.[10] The park opens with five themed areas: The Front Lot (entrance area), Production Central, New York, San Francisco/Amity, Expo Center, Hollywood as well as a Lagoon located in the center of the park. The Front Lot and Production Central areas are referred to as "In Production", the New York section is referred to as "Now Shooting", the San Francisco and Amity sections are referred to as "On Location" and the Expo Center area is referred to as "The World of CineMagic Center". Nickelodeon Studios also opened on this day where there was a grand opening ceremony hosted by Marc Summers. Due to massive technical problems with the original Kongfrontation, Earthquake: The Big One and Jaws rides, Universal begins a temporary voucher service to allow guests to re-visit the studio/park when the attractions are operating.[10] Jaws is temporarily closed by Universal on September 30 due to persistent major technical problems. During the shut-down, Universal sues the original designer of the Jaws ride,[11] Ride & Show Engineering, and hires Totally Fun Company to create a re-designed version of most of the ride.
1991: Universal adds four new attractions to the park: The Blues Brothers Show, StreetBusters, The Screen Test Home Video Adventure and How to Make a Mega Movie Deal.[12] Back to the Future: The Ride officially opens in the World Expo Center area of the park, in a grand opening ceremony.[13] The ride is considered to be a success, and receives positive reception from theme park critics.[14] Fright Nights debuts at the park. In 1992, it is renamed to Halloween Horror Nights.
1993: Jaws is re-opened, with many scenes altered. MCA/Universal announces plans to expand Universal Studios Florida into the Universal City, Florida resort complex, including a second theme park and multiple hotels.[15]
1995: Universal Studios Florida celebrates its 5th anniversary. A Day in the Park with Barney opens in the World Expo area. The Production Studio Tour is closed due to a dwindle in the studios' recent Film/TV production.
1996: Terminator 2: 3-D Battle Across Time opens in the Hollywood area.[16]
1997: Universal announces that Ghostbusters Spooktacular will be replaced by Twister...Ride it Out, with a planned opening date of Spring 1998[17] Universal Studios announces that the sole Studio park will be expanded into the Universal Studios Escape, including the Islands of Adventure park, Universal CityWalk Orlando and multiple hotels. The Islands of Adventure Preview Center opens in the New York area, replacing The Screen Test Home Video Adventure. It is meant to give guests a preview of the up-coming Islands of Adventure park, as well as expansion of the Studio park into the Universal Studios Escape resort.
1998: The expansion begins as the original open parking lot for Universal Studios Florida is demolished and replaced by CityWalk and a parking garage complex.[18] Universal delays the opening of Twister...Ride it Out from March, 1998 to May 4, 1998 out of respect for the 42 deaths caused by a recent El Nino outbreak of tornadoes in the central Florida area. Twister...Ride it Out opens in the New York area, replacing Ghostbusters Spooktacular.[19] A new area of the park, Woody Woodpecker's Kidzone, is officially opened, holding the attractions Curious George Goes to Town, StarToons and the previously opened Fievel's Playland, E.T. Adventure, Animal Actors Stage and A Day in the Park with Barney; CityWalk opens outside of the park.
1999: Woody Woodpecker's Nuthouse Coaster opens in the Woody Woodpecker's Kidzone area. Islands of Adventure opens next door to Universal Studios Florida.[20]
2000: Men in Black: Alien Attack opens in the World Expo area, on the former site of The Swamp Thing Set. Universal Studios Florida's 10th anniversary celebration.
2001: Animal Planet Live opens, replacing Animal Actors Stage.
2002: Universal Studios Escape is renamed Universal Orlando Resort. Kongfrontation closes in a closing ceremony. Halloween Horror Nights is moved to Islands of Adventure. Macy's Holiday Parade debuts at the park.
2003: Jimmy Neutron's Nicktoon Blast opens, replacing The Funtastic World of Hanna-Barbera.[21] Shrek 4-D opens with Donkey's Photo Finish, replacing Alfred Hitchcock: The Art of Making Movies and Stage 54 respectively.[22]
2004: Revenge of the Mummy: The Ride opens, replacing Kongfrontation.[23] Halloween Horror Nights takes place in both Universal Studios Florida and Islands of Adventure.
2005: Universal Express Plus is introduced, replacing Universal Express. Nickelodeon Studios closes after nearly 15 years. Fear Factor Live opens, replacing The Wild Wild Wild West Stunt Show. Universal Studios Florida celebrates its 15th anniversary.
2006: Delancey Street Preview Center opens in the New York area. Universal 360: A Cinesphere Spectacular opens, replacing Dynamite Nights Stunt Spectacular. Animal Planet Live is closed, and replaced by Animal Actors on Location. Halloween Horror Nights returns to Universal Studios Florida for its "Sweet 16".
2007: Back to the Future: The Ride closes on March 30.[24] Blue Man Group Sharp Aquos Theatre opens in CityWalk, replacing Nickelodeon Studios. Earthquake: The Big One closes in the San Francisco area on November 5.
2008: Disaster!: A Major Motion Picture Ride...Starring You! opens, replacing Earthquake: The Big One.[25] Universal announces Hollywood Rip Ride Rockit, with a planned opening of Spring 2009. The Simpsons Ride opens, replacing Back to the Future: The Ride.[26]
2009: The Universal Music Plaza Stage opens, replacing The Boneyard. Hollywood Rip Ride Rockit opens.
2010: The 20th anniversary of Universal Studios Florida in June, as well as Halloween Horror Nights in October.
2011: The 10th anniversary of Macy's Holiday Parade at the park.[27]
2012: Jaws and the surrounding Amity themed area closes, as announced on December 2, 2011.[28] Universal announces the additions of Universal’s Cinematic Spectacular: 100 Years of Movie Memories and Universal's Superstar Parade to the park, with openings on May 8, 2012.[29] Despicable Me: Minion Mayhem, opens replacing Jimmy Neutron's Nicktoon Blast; as announced on March 14, 2011 as "...one of many exciting things planned for the next couple of years".[30] Universal Orlando Resort announced Transformers: The Ride will officially open in the summer of 2013, replacing Soundstages 44 and 54, which were demolished on June 24, 2012.[31] SpongeBob StorePants,a gift shop themed after SpongeBob SquarePants opened in Woody Woodpecker's Kidzone replacing the Universal Cartoon Store
2013: The opening date for Transformers The Ride is announced for June 20, 2013. Details of The Wizarding World of Harry Potter expansion are officially announced. Details for the new Simpsons Land are announced and expected to open in the summer of 2013. Transformers: The Ride officially opens in the Production Central area replacing Soundstage 44. Simpsons Fast Food Boulevard (renamed Springfield U.S.A.) concludes its expansion as it includes one new ride: Kang and Kodos Twirl 'n' Hurl.
2014: The opening date for The Wizarding World of Harry Potter Diagon Alley is announced for July 8, 2014 amid the Diagon Alley preview red carpet premiere on June 18, 2014 with Domhnall Gleeson, Bonnie Wright, Evanna Lynch, Matthew Lewis, James and Oliver Phelps, Tom Felton, Robbie Coltrane, Warwick Davis and Helena Bonham Carter attending the premiere. King's Cross station opens on July 1, 2014 as well as the Hogwarts Express Hogsmeade station at Universal's Islands of Adventure, connecting park visitors to both theme Harry Potter theme parks via a full scale replica of the train that appears in the Harry Potter film series. Diagon Alley officially opens, replacing Jaws and the Amity section of the park.
Previous attractions[edit]
Main article: List of former Universal Studios Florida attractions
The previous icon of the Jaws ride is still a popular photo spot.
Like all theme parks, attractions are sometimes closed due to aging and replaced with more contemporary attractions. Universal has seen this happen several times. Some notable closures include Kongfrontation, Back to the Future: The Ride, The Funtastic World of Hanna-Barbera and Jaws. The closures of Kongfrontation, Back to the Future, and Jaws have been given homages by the park to honor veteran visitors who revered the former rides.
Park design[edit]
Main article: List of Universal Studios Florida attractions
Universal Studios Florida features seven themed areas all situated around a large lagoon. In 2012, this lagoon was the site of Universal’s Cinematic Spectacular: 100 Years of Movie Memories, a thematic display that showcased scenes from various Universal films, featuring lasers, projectors and fountains, and pyrotechnics.
The seven surrounding themed areas, clockwise from the entrance, are Production Central, New York, San Francisco, London/Diagon Alley, World Expo, Woody Woodpecker's Kidzone and Hollywood. Each area features a combination of rides, shows, attractions, character appearances, dining outlets and merchandise stores. A new area, based on Harry Potter's Diagon Alley was added to the park in the July of 2014.
Production Central[edit]
Ride
Year opened
Manufacturer
Despicable Me: Minion Mayhem 2012 Intamin
Shrek 4-D 2003 PDI/DreamWorks
Hollywood Rip, Ride, Rockit 2009 Maurer Söhne
Transformers: The Ride 3D 2013 Oceaneering International
The Universal Music Plaza Stage 2009
The area is also home to a variety of dining outlets and merchandise shops. Food and beverage items can be purchased from Beverly Hills Boulangerie or Universal Studios' Classic Monsters Cafe while merchandise can be bought from a variety of themed stores including Universal Studios Store, Studio Sweets, It's a Wrap!, Super Silly Stuff, Shrek's Ye Olde Souvenir Shoppe, and Transformers: Supply Vault.[32][33]
Universal Studios Florida is a theme park located in Orlando, Florida. Opened on June 7, 1990, the park's theme is the entertainment industry, in particular movies and television. Universal Studios Florida inspires its guests to "ride the movies", and it features numerous attractions and live shows. The park is one component of the larger Universal Orlando Resort.
In 2013, the park hosted an estimated 7.06 million guests, ranking it the eighth-most visited theme park in the United States, and ranking it sixteenth worldwide.[2]
Contents [hide]
1 History 1.1 Park history
1.2 Branding
1.3 Timeline
1.4 Previous attractions
2 Park design 2.1 Production Central
2.2 New York
2.3 San Francisco
2.4 London/Diagon Alley
2.5 World Expo
2.6 Woody Woodpecker's Kidzone
2.7 Hollywood
3 Character appearances
4 Production facilities
5 Annual events 5.1 Grad Bash and Gradventure
5.2 Halloween Horror Nights
5.3 Macy's Holiday Parade
5.4 Mardi Gras
5.5 Rock the Universe
5.6 Summer Concert Series
6 Universal's Express Pass
7 Attendance
8 See also
9 References
10 External links
History[edit]
This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2010)
The original entrance to the theme park.
Over the years, Universal Studios Florida has not limited itself to attractions based on its own vast film library. It has occasionally licensed popular characters from other rival studios, many of whom did not operate theme parks themselves. Some examples include Ghostbusters and Men in Black, (Sony's Columbia Pictures), The Simpsons (20th Century Fox) and Shrek (DreamWorks Animation).
Many of the park's past and present attractions were developed with the actual creators of the films they were based on, and feature the original stars as part of the experience. Steven Spielberg helped create E.T. Adventure and was a creative consultant for Back to the Future: The Ride, Twister...Ride it Out, An American Tail Theatre, Jaws, Men in Black: Alien Attack and Transformers: The Ride.
In many current rides, the original stars reprised their film roles including: Rip Torn and Will Smith in Men in Black: Alien Attack, Brendan Fraser for Revenge of the Mummy: The Ride, Bill Paxton and Helen Hunt in Twister...Ride it Out, Arnold Schwarzenegger, Edward Furlong and Linda Hamilton reprised their roles for Terminator 2: 3-D Battle Across Time, Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow for Shrek 4D, Steve Carell, Miranda Cosgrove, Dana Gaier, and Elsie Fisher reprised their roles from Despicable Me for Despicable Me: Minion Mayhem, and Peter Cullen and Frank Welker reprised their roles as Optimus Prime and Megatron for Transformers: The Ride.
In many former rides, the many original stars were also to reprise their film roles such as: Christopher Lloyd and Thomas F. Wilson in Back to the Future: The Ride, Roy Scheider recorded a voice over for the conclusion of Jaws, Alfred Hitchcock and Anthony Perkins appeared in Alfred Hitchcock: The Art of Making Movies, additionally, various Nicktoon voice actors reprised their roles in Jimmy Neutron's Nicktoon Blast.
Park history[edit]
From its inception in 1982,[3] Universal Studios Florida was designed as a theme park and a working studio. It was also the first time that Universal Studios had constructed an amusement park "from the ground up." However, the proposed project was put on hold until 1986, when a meeting between Steven Spielberg, a co-founder for the park, and Peter N. Alexander prompted for the creation of a Back to the Future simulator ride in addition to the already planned King Kong based ride.[4]
A major component of the original park in Hollywood is its studio tour, which featured several special-effects exhibits and encounters built into the tour, such as an attack by the great white shark from the film Jaws. For its Florida park, Universal Studios took the concepts of the Hollywood tour scenes and developed them into larger, stand-alone attractions. As an example, in Hollywood, the studio tour trams travel close to a shoreline and are "attacked" by Jaws before they travel to the next part of the tour. In Florida, guests entered the "Jaws" attraction and would board a boat touring the fictitious Amity Harbor, where they encountered the shark, then exited back into the park at the conclusion of the attraction. Universal Studios Florida originally had a Studio Tour attraction that visited the production facilities, but that tour has since been discontinued.
Branding[edit]
Previous slogans for Universal Studios Florida were: See the Stars. Ride the Movies. (1990 - 1998); No one makes believe like we do! (1990 - 1998); Ride the Movies (1998 - 2008); Jump into the Action (2008–2012). The current slogan is: Experience the Movies (2012–present).
Timeline[edit]
1986: Land clearing takes place on the swamp land purchased by MCA/Universal that would hold the park.
1987: Universal Studios Florida is announced at a press conference on the Hollywood property, with a planned opening date of December 1989.
1988: Universal Studios Florida's opening date is delayed from December, 1989 to May 1, 1990. Shortly following, MCA/Universal releases a video detailing the future park, which stars Christopher Lloyd as the Universal character Doc Brown interacting with the various attractions at the Florida park.[5] Universal Studios allows guests to witness the production of television shows and motion pictures in the Florida park's soundstages in middle 1988, while the rest of the studio/park is still under construction.[6]
1989: MCA/Universal Studios claims that The Walt Disney Company and its CEO, Michael Eisner copied several concepts of the Universal Studios Florida park, and integrated them into Disney's recently opened Disney/MGM Studios park.[7]
1990: On January 31, Universal Studios Florida's opening date is again delayed from May 1, 1990 to June 7, 1990.[8] Universal Studios Florida begins soft openings for the general public in late May.[9] Many of the park's attractions are not yet open at the time, and still under testing. Universal Studios Florida is officially opened with a grand opening style ceremony on June 7.[10] The park opens with five themed areas: The Front Lot (entrance area), Production Central, New York, San Francisco/Amity, Expo Center, Hollywood as well as a Lagoon located in the center of the park. The Front Lot and Production Central areas are referred to as "In Production", the New York section is referred to as "Now Shooting", the San Francisco and Amity sections are referred to as "On Location" and the Expo Center area is referred to as "The World of CineMagic Center". Nickelodeon Studios also opened on this day where there was a grand opening ceremony hosted by Marc Summers. Due to massive technical problems with the original Kongfrontation, Earthquake: The Big One and Jaws rides, Universal begins a temporary voucher service to allow guests to re-visit the studio/park when the attractions are operating.[10] Jaws is temporarily closed by Universal on September 30 due to persistent major technical problems. During the shut-down, Universal sues the original designer of the Jaws ride,[11] Ride & Show Engineering, and hires Totally Fun Company to create a re-designed version of most of the ride.
1991: Universal adds four new attractions to the park: The Blues Brothers Show, StreetBusters, The Screen Test Home Video Adventure and How to Make a Mega Movie Deal.[12] Back to the Future: The Ride officially opens in the World Expo Center area of the park, in a grand opening ceremony.[13] The ride is considered to be a success, and receives positive reception from theme park critics.[14] Fright Nights debuts at the park. In 1992, it is renamed to Halloween Horror Nights.
1993: Jaws is re-opened, with many scenes altered. MCA/Universal announces plans to expand Universal Studios Florida into the Universal City, Florida resort complex, including a second theme park and multiple hotels.[15]
1995: Universal Studios Florida celebrates its 5th anniversary. A Day in the Park with Barney opens in the World Expo area. The Production Studio Tour is closed due to a dwindle in the studios' recent Film/TV production.
1996: Terminator 2: 3-D Battle Across Time opens in the Hollywood area.[16]
1997: Universal announces that Ghostbusters Spooktacular will be replaced by Twister...Ride it Out, with a planned opening date of Spring 1998[17] Universal Studios announces that the sole Studio park will be expanded into the Universal Studios Escape, including the Islands of Adventure park, Universal CityWalk Orlando and multiple hotels. The Islands of Adventure Preview Center opens in the New York area, replacing The Screen Test Home Video Adventure. It is meant to give guests a preview of the up-coming Islands of Adventure park, as well as expansion of the Studio park into the Universal Studios Escape resort.
1998: The expansion begins as the original open parking lot for Universal Studios Florida is demolished and replaced by CityWalk and a parking garage complex.[18] Universal delays the opening of Twister...Ride it Out from March, 1998 to May 4, 1998 out of respect for the 42 deaths caused by a recent El Nino outbreak of tornadoes in the central Florida area. Twister...Ride it Out opens in the New York area, replacing Ghostbusters Spooktacular.[19] A new area of the park, Woody Woodpecker's Kidzone, is officially opened, holding the attractions Curious George Goes to Town, StarToons and the previously opened Fievel's Playland, E.T. Adventure, Animal Actors Stage and A Day in the Park with Barney; CityWalk opens outside of the park.
1999: Woody Woodpecker's Nuthouse Coaster opens in the Woody Woodpecker's Kidzone area. Islands of Adventure opens next door to Universal Studios Florida.[20]
2000: Men in Black: Alien Attack opens in the World Expo area, on the former site of The Swamp Thing Set. Universal Studios Florida's 10th anniversary celebration.
2001: Animal Planet Live opens, replacing Animal Actors Stage.
2002: Universal Studios Escape is renamed Universal Orlando Resort. Kongfrontation closes in a closing ceremony. Halloween Horror Nights is moved to Islands of Adventure. Macy's Holiday Parade debuts at the park.
2003: Jimmy Neutron's Nicktoon Blast opens, replacing The Funtastic World of Hanna-Barbera.[21] Shrek 4-D opens with Donkey's Photo Finish, replacing Alfred Hitchcock: The Art of Making Movies and Stage 54 respectively.[22]
2004: Revenge of the Mummy: The Ride opens, replacing Kongfrontation.[23] Halloween Horror Nights takes place in both Universal Studios Florida and Islands of Adventure.
2005: Universal Express Plus is introduced, replacing Universal Express. Nickelodeon Studios closes after nearly 15 years. Fear Factor Live opens, replacing The Wild Wild Wild West Stunt Show. Universal Studios Florida celebrates its 15th anniversary.
2006: Delancey Street Preview Center opens in the New York area. Universal 360: A Cinesphere Spectacular opens, replacing Dynamite Nights Stunt Spectacular. Animal Planet Live is closed, and replaced by Animal Actors on Location. Halloween Horror Nights returns to Universal Studios Florida for its "Sweet 16".
2007: Back to the Future: The Ride closes on March 30.[24] Blue Man Group Sharp Aquos Theatre opens in CityWalk, replacing Nickelodeon Studios. Earthquake: The Big One closes in the San Francisco area on November 5.
2008: Disaster!: A Major Motion Picture Ride...Starring You! opens, replacing Earthquake: The Big One.[25] Universal announces Hollywood Rip Ride Rockit, with a planned opening of Spring 2009. The Simpsons Ride opens, replacing Back to the Future: The Ride.[26]
2009: The Universal Music Plaza Stage opens, replacing The Boneyard. Hollywood Rip Ride Rockit opens.
2010: The 20th anniversary of Universal Studios Florida in June, as well as Halloween Horror Nights in October.
2011: The 10th anniversary of Macy's Holiday Parade at the park.[27]
2012: Jaws and the surrounding Amity themed area closes, as announced on December 2, 2011.[28] Universal announces the additions of Universal’s Cinematic Spectacular: 100 Years of Movie Memories and Universal's Superstar Parade to the park, with openings on May 8, 2012.[29] Despicable Me: Minion Mayhem, opens replacing Jimmy Neutron's Nicktoon Blast; as announced on March 14, 2011 as "...one of many exciting things planned for the next couple of years".[30] Universal Orlando Resort announced Transformers: The Ride will officially open in the summer of 2013, replacing Soundstages 44 and 54, which were demolished on June 24, 2012.[31] SpongeBob StorePants,a gift shop themed after SpongeBob SquarePants opened in Woody Woodpecker's Kidzone replacing the Universal Cartoon Store
2013: The opening date for Transformers The Ride is announced for June 20, 2013. Details of The Wizarding World of Harry Potter expansion are officially announced. Details for the new Simpsons Land are announced and expected to open in the summer of 2013. Transformers: The Ride officially opens in the Production Central area replacing Soundstage 44. Simpsons Fast Food Boulevard (renamed Springfield U.S.A.) concludes its expansion as it includes one new ride: Kang and Kodos Twirl 'n' Hurl.
2014: The opening date for The Wizarding World of Harry Potter Diagon Alley is announced for July 8, 2014 amid the Diagon Alley preview red carpet premiere on June 18, 2014 with Domhnall Gleeson, Bonnie Wright, Evanna Lynch, Matthew Lewis, James and Oliver Phelps, Tom Felton, Robbie Coltrane, Warwick Davis and Helena Bonham Carter attending the premiere. King's Cross station opens on July 1, 2014 as well as the Hogwarts Express Hogsmeade station at Universal's Islands of Adventure, connecting park visitors to both theme Harry Potter theme parks via a full scale replica of the train that appears in the Harry Potter film series. Diagon Alley officially opens, replacing Jaws and the Amity section of the park.
Previous attractions[edit]
Main article: List of former Universal Studios Florida attractions
The previous icon of the Jaws ride is still a popular photo spot.
Like all theme parks, attractions are sometimes closed due to aging and replaced with more contemporary attractions. Universal has seen this happen several times. Some notable closures include Kongfrontation, Back to the Future: The Ride, The Funtastic World of Hanna-Barbera and Jaws. The closures of Kongfrontation, Back to the Future, and Jaws have been given homages by the park to honor veteran visitors who revered the former rides.
Park design[edit]
Main article: List of Universal Studios Florida attractions
Universal Studios Florida features seven themed areas all situated around a large lagoon. In 2012, this lagoon was the site of Universal’s Cinematic Spectacular: 100 Years of Movie Memories, a thematic display that showcased scenes from various Universal films, featuring lasers, projectors and fountains, and pyrotechnics.
The seven surrounding themed areas, clockwise from the entrance, are Production Central, New York, San Francisco, London/Diagon Alley, World Expo, Woody Woodpecker's Kidzone and Hollywood. Each area features a combination of rides, shows, attractions, character appearances, dining outlets and merchandise stores. A new area, based on Harry Potter's Diagon Alley was added to the park in the July of 2014.
Production Central[edit]
Ride
Year opened
Manufacturer
Despicable Me: Minion Mayhem 2012 Intamin
Shrek 4-D 2003 PDI/DreamWorks
Hollywood Rip, Ride, Rockit 2009 Maurer Söhne
Transformers: The Ride 3D 2013 Oceaneering International
The Universal Music Plaza Stage 2009
The area is also home to a variety of dining outlets and merchandise shops. Food and beverage items can be purchased from Beverly Hills Boulangerie or Universal Studios' Classic Monsters Cafe while merchandise can be bought from a variety of themed stores including Universal Studios Store, Studio Sweets, It's a Wrap!, Super Silly Stuff, Shrek's Ye Olde Souvenir Shoppe, and Transformers: Supply Vault.[32][33]
Picture taken 1987 during my 5-month-trip around the world - digitally captured from paper print. Sorry for the bad quality.
I have uploaded a lot of my digitally captured photos, which I took since 2004. But the most interesting journeys I did between 1979 and 2004! Those photos are on slide.
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Fiji (Listeni/ˈfiːdʒiː/ FEE-jee Fijian: Viti; Fiji Hindi: फ़िजी), officially the Republic of Fiji[8] (Fijian: Matanitu Tugalala o Viti; Fiji Hindi: रिपब्लिक ऑफ फीजी[10] Fiji Hindi: Ripablik af Fījī), is an island country in Melanesia in the South Pacific Ocean about 1,100 nautical miles (2,000 km) northeast of New Zealand's North Island. Its closest neighbours are Vanuatu to the west, New Caledonia to the southwest, New Zealand's Kermadec Islands to the southeast, Tonga to the east, the Samoas and France's Wallis and Futuna to the northeast, and Tuvalu to the north.
Fiji is an archipelago of more than 330 islands, of which 110 are permanently inhabited, and more than 500 islets, amounting to a total land area of about 18,300 square kilometres. The farthest island is Ono-i-Lau. The two major islands, Viti Levu and Vanua Levu, account for 87% of the population of almost 860,000. The capital, Suva on Viti Levu, serves as Fiji's principal cruise port. About three-quarters of Fijians live on Viti Levu's coasts, either in Suva or in smaller urban centres like Nadi (tourism) or Lautoka (sugar cane industry). Viti Levu's interior is sparsely inhabited due to its terrain.
Fiji has one of the most developed economies in the Pacific due to an abundance of forest, mineral, and fish resources. Today, the main sources of foreign exchange are its tourist industry and sugar exports. The country's currency is the Fijian dollar. Fiji's local government, in the form of city and town councils, is supervised by the Ministry of Local Government and Urban Development.
The majority of Fiji's islands were formed through volcanic activity starting around 150 million years ago. Today, some geothermal activity still occurs on the islands of Vanua Levu and Taveuni. Fiji has been inhabited since the second millennium BC, and was settled first by Austronesians and later by Melanesians, with some Polynesian influences. Europeans visited Fiji from the 17th century, and, after a brief period as an independent kingdom, the British established the Colony of Fiji in 1874. Fiji was a Crown colony until 1970, when it gained independence as a Commonwealth realm. A republic was declared in 1987, following a series of coups d'état.
In a coup in 2006, Commodore Frank Bainimarama seized power. When the High Court ruled in 2009 that the military leadership was unlawful, President Ratu Josefa Iloilo, whom the military had retained as the nominal Head of State, formally abrogated the Constitution and reappointed Bainimarama. Later in 2009, Iloilo was replaced as President by Ratu Epeli Nailatikau. After years of delays, a democratic election was held on 17 September 2014. Bainimarama's FijiFirst party won with 59.2% of the vote, and the election was deemed credible by international observers.
ETYMOLOGY
Fiji's main island is known as Viti Levu and it is from this that the name "Fiji" is derived, though the common English pronunciation is based on that of their island neighbours in Tonga. Its emergence can be described as follows:
Fijians first impressed themselves on European consciousness through the writings of the members of the expeditions of Cook who met them in Tonga. They were described as formidable warriors and ferocious cannibals, builders of the finest vessels in the Pacific, but not great sailors. They inspired awe amongst the Tongans, and all their Manufactures, especially bark cloth and clubs, were highly valued and much in demand. They called their home Viti, but the Tongans called it Fisi, and it was by this foreign pronunciation, Fiji, first promulgated by Captain James Cook, that these islands are now known.
"Feejee", the Anglicised spelling of the Tongan pronunciation, was used in accounts and other writings until the late 19th century, by missionaries and other travellers visiting Fiji.
HISTORY
EARLY HISTORY
Pottery art from Fijian towns shows that Fiji was settled before or around 3500 to 1000 BC, although the question of Pacific migration still lingers. It is believed that the Lapita people or the ancestors of the Polynesians settled the islands first but not much is known of what became of them after the Melanesians arrived; they may have had some influence on the new culture, and archaeological evidence shows that they would have then moved on to Samoa, Tonga and even Hawai'i.The first settlements in Fiji were started by voyaging traders and settlers from the west about 5000 years ago. Lapita pottery shards have been found at numerous excavations around the country. Aspects of Fijian culture are similar to the Melanesian culture of the western Pacific but have a stronger connection to the older Polynesian cultures. Trade between Fiji and neighbouring archipelagos long before European contact is testified by the canoes made from native Fijian trees found in Tonga and Tongan words being part of the language of the Lau group of islands. Pots made in Fiji have been found in Samoa and even the Marquesas Islands.Across 1,000 kilometres from east to west, Fiji has been a nation of many languages. Fiji's history was one of settlement but also of mobility. Over the centuries, a unique Fijian culture developed. Constant warfare and cannibalism between warring tribes were quite rampant and very much part of everyday life. During the 19th century, Ratu Udre Udre is said to have consumed 872 people and to have made a pile of stones to record his achievement. According to Deryck Scarr, "Ceremonial occasions saw freshly killed corpses piled up for eating. 'Eat me!' was a proper ritual greeting from a commoner to a chief." Scarr also reported that the posts that supported the chief's house or the priest's temple would have sacrificed bodies buried underneath them, with the rationale that the spirit of the ritually sacrificed person would invoke the gods to help support the structure, and "men were sacrificed whenever posts had to be renewed". Also, when a new boat, or drua, was launched, if it was not hauled over men as rollers, crushing them to death, "it would not be expected to float long". Fijians today regard those times as "na gauna ni tevoro" (time of the devil). The ferocity of the cannibal lifestyle deterred European sailors from going near Fijian waters, giving Fiji the name Cannibal Isles; as a result, Fiji remained unknown to the rest of the world.The Dutch explorer Abel Tasman visited Fiji in 1643 while looking for the Great Southern Continent. Europeans settled on the islands permanently beginning in the 19th century. The first European settlers to Fiji were beachcombers, missionaries, whalers, and those engaged in the then booming sandalwood and bêche-de-mer trade.Ratu Seru Epenisa Cakobau was a Fijian chief and warlord from the island of Bau, off the eastern coast of Viti Levu, who united part of Fiji's warring tribes under his leadership. He then styled himself as Tui Viti or King of Fiji, and then Vunivalu, or Protector, after the cession of Fiji to the United Kingdom. The British subjugated the islands as a colony in 1874, and the British brought over Indian contract labourers to work on the sugar plantations as the first governor of Fiji, Arthur Charles Hamilton-Gordon, adopted a policy disallowing the use of native labour or any interference in their culture or way of life. In 1875–76, an epidemic of measles killed over 40,000 Fijians, about one-third of the Fijian population. The population in 1942 was approximately 210,000 of whom 94,000 were Indians, 102,000 native Fijians, 2,000 Chinese and 5,000 Europeans.
INDEPENDENCE (1970)
The British granted Fiji independence in 1970. Democratic rule was interrupted by two military coups in 1987 precipitated by a growing perception that the government was dominated by the Indo-Fijian (Indian) community. The second 1987 coup saw both the Fijian monarchy and the Governor General replaced by a non-executive president and the name of the country changed from Dominion of Fiji to Republic of Fiji and then in 1997 to Republic of the Fiji Islands. The two coups and the accompanying civil unrest contributed to heavy Indo-Fijian emigration; the resulting population loss resulted in economic difficulties and ensured that Melanesians became the majority.
In 1990, the new constitution institutionalised ethnic Fijian domination of the political system. The Group Against Racial Discrimination (GARD) was formed to oppose the unilaterally imposed constitution and to restore the 1970 constitution. In 1992 Sitiveni Rabuka, the Lieutenant Colonel who had carried out the 1987 coup, became Prime Minister following elections held under the new constitution. Three years later, Rabuka established the Constitutional Review Commission, which in 1997 wrote a new constitution which was supported by most leaders of the indigenous Fijian and Indo-Fijian communities. Fiji was re-admitted to the Commonwealth of Nations.
The year 2000 brought along another coup, instigated by George Speight, which effectively toppled the government of Mahendra Chaudhry, who in 1997 had become the country's first Indo-Fijian Prime Minister following the adoption of the new constitution. Commodore Frank Bainimarama assumed executive power after the resignation, possibly forced, of President Ratu Sir Kamisese Mara. Later in 2000, Fiji was rocked by two mutinies when rebel soldiers went on a rampage at Suva's Queen Elizabeth Barracks. The High Court ordered the reinstatement of the constitution, and in September 2001, to restore democracy, a general election was held which was won by interim Prime Minister Laisenia Qarase's Soqosoqo Duavata ni Lewenivanua party.
In 2005, the Qarase government amid much controversy proposed a Reconciliation and Unity Commission with power to recommend compensation for victims of the 2000 coup and amnesty for its perpetrators. However, the military, especially the nation's top military commander, Frank Bainimarama, strongly opposed this bill. Bainimarama agreed with detractors who said that to grant amnesty to supporters of the present government who had played a role in the violent coup was a sham. His attack on the legislation, which continued unremittingly throughout May and into June and July, further strained his already tense relationship with the government.
In late November and early December 2006, Bainimarama was instrumental in the 2006 Fijian coup d'état. Bainimarama handed down a list of demands to Qarase after a bill was put forward to parliament, part of which would have offered pardons to participants in the 2000 coup attempt. He gave Qarase an ultimatum date of 4 December to accede to these demands or to resign from his post. Qarase adamantly refused either to concede or resign, and on 5 December the president, Ratu Josefa Iloilo, was said to have signed a legal order dissolving the parliament after meeting with Bainimarama.
In April 2009, the Fiji Court of Appeal ruled that the 2006 coup had been illegal. This began the 2009 Fijian constitutional crisis. President Iloilo abrogated the constitution, removed all office holders under the constitution including all judges and the governor of the Central Bank. He then reappointed Bainimarama as prime minister under his "New Order" and imposed a "Public Emergency Regulation" limiting internal travel and allowing press censorship.
For a country of its size, Fiji has fairly large armed forces, and has been a major contributor to UN peacekeeping missions in various parts of the world. In addition, a significant number of former military personnel have served in the lucrative security sector in Iraq following the 2003 US-led invasion.
GEOGRAPHY
Fiji covers a total area of some 194,000 square kilometres of which around 10% is land.
Fiji is the hub of the South West Pacific, midway between Vanuatu and Tonga. The archipelago is located between 176° 53′ east and 178° 12′ west. The 180° meridian runs through Taveuni but the International Date Line is bent to give uniform time (UTC+12) to all of the Fiji group. With the exception of Rotuma, the Fiji group lies between 15° 42′ and 20° 02′ south. Rotuma is located 220 nautical miles (410 km) north of the group, 360 nautical miles (670 km) from Suva, 12° 30′ south of the equator.
Fiji consists of 332 islands (of which 106 are inhabited) and 522 smaller islets. The two most important islands are Viti Levu and Vanua Levu, which account for about three-quarters of the total land area of the country. The islands are mountainous, with peaks up to 1,324 metres, and covered with thick tropical forests.
The highest point is Mount Tomanivi on Viti Levu. Viti Levu hosts the capital city of Suva, and is home to nearly three-quarters of the population. Other important towns include Nadi (the location of the international airport), and Lautoka, Fiji's second city with large sugar cane mills and a seaport.
The main towns on Vanua Levu are Labasa and Savusavu. Other islands and islandgroups include Taveuni and Kadavu (the third and fourth largest islands, respectively), the Mamanuca Group (just off Nadi) and Yasawa Group, which are popular tourist destinations, the Lomaiviti Group, off Suva, and the remote Lau Group. Rotuma, some 270 nautical miles (500 km) north of the archipelago, has a special administrative status in Fiji. Ceva-i-Ra, an uninhabited reef, is located about 250 nautical miles (460 km) southwest of the main archipelago.
CLIMATE
The climate in Fiji is tropical marine and warm year round with minimal extremes. The warm season is from November to April and the cooler season lasts from May to October. Temperatures in the cool season still average 22 °C.
Rainfall is variable, with the warm season experiencing heavier rainfall, especially inland. Winds are moderate, though cyclones occur about once a year (10–12 times per decade).
On 20 February 2016, Fiji was hit by the full force of Cyclone Winston, the only Category 5 tropical cyclone to make landfall in the nation. Winston destroyed tens of thousands of homes across the island, killing 44 people and causing an estimated FJ$2 billion ($1 billion USD) in damage.
POLITICS
Politics in Fiji normally take place in the framework of a parliamentary representative democratic republic wherein the Prime Minister of Fiji is the head of government and the President the Head of State, and of a multi-party system. Executive power is exercised by the government, legislative power is vested in both the government and the Parliament of Fiji, and the judiciary is independent of the executive and the legislature.
2006 MILIARY TAKEOVER
Citing corruption in the government, Commodore Josaia Voreqe (Frank) Bainimarama, Commander of the Republic of Fiji Military Forces, staged a military takeover on 5 December 2006 against the prime minister that he had installed after a 2000 coup. There had also been a military coup in 1987. The commodore took over the powers of the presidency and dissolved the parliament, paving the way for the military to continue the takeover. The coup was the culmination of weeks of speculation following conflict between the elected prime minister, Laisenia Qarase, and Commodore Bainimarama. Bainimarama had repeatedly issued demands and deadlines to the prime minister. A particular issue was previously pending legislation to pardon those involved in the 2000 coup. Bainimarama named Jona Senilagakali as caretaker prime minister. The next week Bainimarama said he would ask the Great Council of Chiefs to restore executive powers to the president, Ratu Josefa Iloilo.
On 4 January 2007, the military announced that it was restoring executive power to president Iloilo, who made a broadcast endorsing the actions of the military. The next day, Iloilo named Bainimarama as the interim prime minister, indicating that the military was still effectively in control. In the wake of the takeover, reports emerged of alleged intimidation of some of those critical of the interim regime.
On 9 April 2009, the Court of Appeal overturned the High Court decision that Cdre. Bainimarama's takeover of Qarase's government was lawful and declared the interim government to be illegal. Bainimarama agreed to step down as interim PM immediately, along with his government, and president Iloilo was to appoint "a distinguished person independent of the parties to this litigation as caretaker Prime Minister, ...to direct the issuance of writs for an election."
On 10 April 2009, President Iloilo suspended the Constitution of Fiji, dismissed the Court of Appeal and, in his own words, "appoint[ed] [him]self as the Head of the State of Fiji under a new legal order". As President, Iloilo had been Head of State prior to his abrogation of the Constitution, but that position had been determined by the Constitution itself. The "new legal order" did not depend on the Constitution, thus requiring a "reappointment" of the Head of State. "You will agree with me that this is the best way forward for our beloved Fiji", he said. Bainimarama was re-appointed as Interim Prime Minister; he, in turn, re-instated his previous cabinet.
On 2 May 2009, Fiji became the first nation ever to have been suspended from participation in the Pacific Islands Forum, for its failure to hold democratic elections by the date promised. Nevertheless, it remains a member of the Forum.
On 1 September 2009, Fiji was suspended from the Commonwealth of Nations. The action was taken because Cdre. Bainimarama failed to hold elections by 2010 as the Commonwealth of Nations had demanded after the 2006 coup. Cdre. Bainimarama stated a need for more time to end a voting system that heavily favoured ethnic Fijians at the expense of the multi-ethnic minorities. Critics, however, claimed that he had suspended the constitution and was responsible for human rights violations by arresting and detaining opponents.
In his 2010 New Year's address, Cdre. Bainimarama announced the lifting of the Public Emergency Regulations (PER). The PER had been put in place in April 2009 when the former constitution was abrogated. The PER had allowed restrictions on speech, public gatherings, and censorship of news media and had given security forces added powers. He also announced a nationwide consultation process leading to a new Constitution under which the 2014 elections will be held.
On 14 March 2014, the Commonwealth Ministerial Action Group voted to change Fiji's full suspension from the Commonwealth of Nations to a suspension from the councils of the Commonwealth, allowing them to participate in a number of Commonwealth activities, including the 2014 Commonwealth Games. The suspension was lifted in September 2014.
A general election took place on 17 September 2014. Bainimarama's FijiFirst party won with 59.2% of the vote, and the election was deemed credible by a group of international observers from Australia, India and Indonesia.
ARMED FORCES AND LAW ENFORCEMENT
The military consists of the Republic of Fiji Military Forces (RFMF) with a total manpower of 3,500 active soldiers and 6,000 reservists, and includes a Navy Unit of 300 personnel.
The Land Force comprises the Fiji Infantry Regiment (regular and territorial force organised into six light infantry battalions), Fiji Engineer Regiment, Logistic Support Unit and Force Training Group. The two regular battalions are traditionally stationed overseas on peacekeeping duties.
The Law Enforcement branch is composed of:
Fiji Police Force
Fiji Corrections Service
ADMINISTRATIVE DIVISIONS
Fiji is divided into Four Major Divisions which are further divided into 14 provinces. They are:
Central Division has 5 provinces: Naitasiri, Namosi, Rewa, Serua, and Tailevu.
Eastern Division has 3 provinces: Kadavu, Lau, and Lomaiviti.
Northern Division has 3 provinces: Bua, Cakaudrove, and Macuata.
Western Division has 3 provinces: Ba, Nadroga-Navosa, and Ra.
Fiji was also divided into 3 Confederacies or Governments during the reign of Seru Epenisa Cakobau, though these are not considered political divisions, they are still considered important in the social divisions of the indigenous Fijians:
ECONOMY
Endowed with forest, mineral, and fish resources, Fiji is one of the most developed of the Pacific island economies, though still with a large subsistence sector. Some progress was experienced by this sector when Marion M. Ganey, S.J., introduced credit unions to the islands in the 1950s. Natural resources include timber, fish, gold, copper, offshore oil, and hydropower. Fiji experienced a period of rapid growth in the 1960s and 1970s but stagnated in the 1980s. The coup of 1987 caused further contraction.
Economic liberalisation in the years following the coup created a boom in the garment industry and a steady growth rate despite growing uncertainty regarding land tenure in the sugar industry.[citation needed] The expiration of leases for sugar cane farmers (along with reduced farm and factory efficiency) has led to a decline in sugar production despite subsidies for sugar provided by the EU; Fiji has been the second largest beneficiary of sugar subsidies after Mauritius.[citation needed] Fiji's vital gold mining industry based in Vatukoula, which shut down in 2006, was reactivated in 2008.
Urbanisation and expansion in the service sector have contributed to recent GDP growth. Sugar exports and a rapidly growing tourist industry – with tourists numbering 430,800 in 2003 and increasing in the subsequent years – are the major sources of foreign exchange. Fiji is highly dependent on tourism for revenue. Sugar processing makes up one-third of industrial activity. Long-term problems include low investment and uncertain property rights. The political turmoil in Fiji in the 1980s, the 1990s, and 2000 had a severe impact on the economy, which shrank by 2.8% in 2000 and grew by only 1% in 2001.
The tourism sector recovered quickly, however, with visitor arrivals reaching pre-coup levels in 2002, resulting in a modest economic recovery which continued into 2003 and 2004 but grew by a mere 1.7% in 2005 and by 2.0% in 2006. Although inflation is low, the policy indicator rate of the Reserve Bank of Fiji was raised by 1% to 3.25% in February 2006 due to fears of excessive consumption financed by debt. Lower interest rates have so far not produced greater investment in exports.
However, there has been a housing boom due to declining commercial mortgage rates. The tallest building in Fiji is the fourteen-storey Reserve Bank of Fiji Building in Suva, which was inaugurated in 1984. The Suva Central Commercial Centre, which opened in November 2005, was planned to outrank the Reserve Bank building at seventeen stories, but last-minute design changes ensured that the Reserve Bank building remained the tallest.
Trade and investment with Fiji have been criticised due to the country's military dictatorship. In 2008, Fiji's interim Prime Minister and coup leader Frank Bainimarama announced election delays and said that Fiji would pull out of the Pacific Islands Forum in Niue, where Bainimarama was to have met with Australian Prime Minister Kevin Rudd and New Zealand Prime Minister Helen Clark.
The South Pacific Stock Exchange (SPSE) is the only licensed securities exchange in Fiji and is based in Suva. Its vision is to become a regional exchange.
TOURISM
Fiji has a significant amount of tourism with the popular regions being Nadi, the Coral Coast, Denarau Island, and Mamanuca Islands. The biggest sources of international visitors by country are Australia, New Zealand and the United States. Fiji has a significant number of soft coral reefs, and scuba diving is a common tourist activity.
Fiji's main attractions to tourists are primarily white sandy beaches and aesthetically pleasing islands with all-year-round tropical weather. In general, Fiji is a mid-range priced holiday/vacation destination with most of the accommodations in this range. It also has a variety of world class five-star resorts and hotels. More budget resorts are being opened in remote areas, which will provide more tourism opportunities.
Official statistics show that in 2012, 75% of visitors stated that they came for a holiday/vacation. Honeymoons are very popular as are romantic getaways in general. There are also family friendly resorts with facilities for young children including kids' clubs and nanny options.
Fiji has several popular tourism destinations. The Botanical Gardens of Thursten in Suva, Sigatoka Sand Dunes, and Colo-I-Suva Forest Park are three options on the mainland (Viti Levu). A major attraction on the outer islands is scuba diving. Most visitors arriving to Fiji on short term basis are from the following countries or regions of residence:
TRANSPORT
The Nadi International Airport is located 9 kilometres north of central Nadi and is the largest Fijian hub. Nausori International Airport is about 23 kilometres northeast of downtown Suva and serves mostly domestic traffic. The main airport in the second largest island of Vanua Levu is Labasa Airport located at Waiqele, southwest of Labasa Town. The largest aircraft handled by Labasa Airport is the ATR42. Airports Fiji Limited (AFL) is responsible for the operation of 15 public airports in the Fiji Islands. These include two international airports: Nadi international Airport, Fiji’s main international gateway, and Nausori Airport, Fiji’s domestic hub, and 13 outer island airports. Fiji's main airline was previously known as Air Pacific, but is now known as Fiji Airways.
Fiji's larger islands have extensive bus routes that are affordable and consistent in service. There are bus stops, and in rural areas buses are often simply hailed as they approach. Buses are the principal form of public transport and passenger movement between the towns on the main islands. Buses also serve on roll-on-roll-off inter-island ferries. Bus fares and routes are heavily regulated by the Land Transport Authority (LTA). Bus and taxi drivers hold Public Service Licenses (PSVs) issued by the LTA.
Taxis are licensed by the LTA and operate widely all over the country. Apart from urban, town-based taxis, there are others that are licensed to serve rural or semi-rural areas. The flagfall for regular taxis is F$1.50 and tariff is F$0.10 for every 200 meters. For taxis that are allowed to charge Value Added Tax (VAT), the flagfall is F$1.50 and tariff is F$0.30 for the first 200 meters, and F$0.11 for every 200 meters thereafter. Taxis operating out of Fiji's international airport, Nadi charge a flagfall of F$5. The elderly and Government welfare recipients are given a 20% discount on their taxi fares.
Inter-island ferries provide services between Fiji's principal islands and large vessels operate roll-on-roll-off services, transporting vehicles and large amounts of cargo between the main island of Viti Levu and Vanua Levu, and other smaller islands.
SOCEITY
DEMOGRAPHICS
The 2007 census found that the permanent population of Fiji was 837,000. The population density at the time was 45.8 inhabitants per square kilometre. The life expectancy in Fiji was 72.1 years. Since the 1930s the population of Fiji has increased at a rate of 1.1% per year. The population is dominated by the 15–64 age segment. The median age of the population was 27.9, and the gender ratio was 1.03 males per 1 female.
ETHNIC GROUPS
The population of Fiji is mostly made up of native Fijians, who are Melanesians (54.3%), although many also have Polynesian ancestry, and Indo-Fijians (38.1%), descendants of Indian contract labourers brought to the islands by the British colonial powers in the 19th century. The percentage of the population of Indo-Fijian descent has declined significantly over the last two decades due to migration for various reasons. Indo-Fijians suffered reprisals for a period after the Fiji coup of 2000. There is also a small but significant group of descendants of indentured labourers from the Solomon Islands.
About 1.2% are Rotuman—natives of Rotuma Island, whose culture has more in common with countries such as Tonga or Samoa than with the rest of Fiji. There are also small but economically significant groups of Europeans, Chinese, and other Pacific island minorities. The total membership of other ethnic groups of Pacific Islanders is about 7,300.
Relationships between ethnic Fijians and Indo-Fijians in the political arena have often been strained, and the tension between the two communities has dominated politics in the islands for the past generation. The level of political tension varies among different regions of the country.
DEMONYM
Within Fiji, the term Fijian refers solely to indigenous Fijians: it denotes an ancestral ethnicity, not a nationality. Constitutionally, citizens of Fiji are referred to as "Fiji Islanders" though the term Fiji Nationals is used for official purposes. In August 2008, shortly before the proposed People's Charter for Change, Peace and Progress was due to be released to the public, it was announced that it recommended a change in the name of Fiji's citizens. If the proposal were adopted, all citizens of Fiji, whatever their ethnicity, would be called "Fijians". The proposal would change the English name of indigenous Fijians from "Fijians" to itaukei, the Fijian language endonym for indigenous Fijians.
Deposed Prime Minister Laisenia Qarase reacted by stating that the name "Fijian" belonged exclusively to indigenous Fijians, and that he would oppose any change in legislation enabling non-indigenous Fijians to use it. The Methodist Church, to which a large majority of indigenous Fijians belong, also reacted strongly to the proposal, stating that allowing any Fiji citizen to call themselves "Fijian" would be "daylight robbery" inflicted on the indigenous population.
In an address to the nation during the constitutional crisis of April 2009, military leader and interim Prime Minister Voreqe Bainimarama, who has been at the forefront of the attempt to change the definition of "Fijian", stated:
I know we all have our different ethnicities, our different cultures and we should, we must, celebrate our diversity and richness. However, at the same time we are all Fijians. We are all equal citizens. We must all be loyal to Fiji; we must be patriotic; we must put Fiji first.
In May 2010, Attorney-General Aiyaz Sayed-Khaiyum reiterated that the term "Fijian" should apply to all Fiji nationals, but the statement was again met with protest. A spokesperson for the Viti Landowners and Resource Owners Association claimed that even fourth-generation descendants of migrants did not fully understand "what it takes to be a Fijian", and added that the term refers to a legal standing, since legislation affords specific rights to "Fijians" (meaning, in legislation, indigenous Fijians). Fiji academic Brij Lal, although a prominent critic of the Bainimarama government, said he "would not be surprised" if the new definition of the word "Fijian" were included in the government's projected new Constitution, and that he personally saw "no reason the term Fijian should not apply to everyone from Fiji".
LANGUAGES
Fijian is an Austronesian language of the Malayo-Polynesian family spoken in Fiji. It has 350,000 first-language speakers, which is less than half the population of Fiji, but another 200,000 speak it as a second language. The 1997 Constitution established Fijian as an official language of Fiji, along with English and Fiji Hindi, and there has been discussion about establishing it as the "national language", though English and Hindi would remain official. Fijian is a VOS language.
The Fiji Islands developed many dialects, which may be classified in two major branches — eastern and western. Missionaries in the 1840s chose an Eastern dialect, the speech of Bau Island off the southeast coast of the main island of Viti Levu, to be the written standard of the Fijian language. Bau Island was home to Seru Epenisa Cakobau, the chief who eventually became the self-proclaimed King of Fiji.
RELIGION
According to the 2007 census, 64.4% of the population at the time was Christian, followed by 27.9% Hindu, 6.3% Muslim, 0.8% non-religious, 0.3% Sikh, and the remaining 0.3% belonging to other religions. Among Christians, 54% were counted as Methodist, followed by 14.2% Catholic, 8.9% Assemblies of God, 6.0% Seventh-day Adventist, 1.2% Anglican, with the remaining 16.1% belonging to other denominations.
The largest Christian denomination is the Methodist Church of Fiji and Rotuma. (The general secretary is Revd Tuikilakila Waqairatu.) With 34.6% of the population (including almost two-thirds of ethnic Fijians), the proportion of the population adhering to Methodism is higher in Fiji than in any other nation. In 2012, permission was granted by the government for Methodists to hold their annual conference, for the first time in four years, with the conditions that the conference not coincide with the national Hibiscus Festival and should only last for three days, and that no political matters were to be discussed, only church matters.
Roman Catholics is headed by the Metropolitan Archdiocese of Suva, whose province also includes the dioceses of Raratonga (on the Cook Islands, for those and Niue, both New Zealand-associated countries) and Tarawa and Nauru (with see at Tarawa on Kiribati, also for Nauru) and the Mission Sui Iuris of Tokelau (again with New Zealand). This reflects that much major Roman Catholic missionary activity was conducted through the former Apostolic Prefecture (created in 1863 from the Apostolic Vicariate of Central Oceania), then Apostolic Vicariate of Fiji, which has since been promoted to Archdiocese of Suva, which spans the whole of Fiji.
Furthermore, the Assemblies of God, the Seventh-day Adventists and The Church of Jesus Christ of Latter-day Saints (LDS Church) are significant. Fiji also is the base for the Anglican Diocese of Polynesia (part of the Anglican Church in Aotearoa, New Zealand and Polynesia). These and other denominations have small numbers of Indo-Fijian members; Christians of all kinds comprise 6.1% of the Indo-Fijian population.
Hindus belong mostly to the Sanatan sect (74.3% of all Hindus) or else are unspecified (22%). The small Arya Samaj sect claims the membership of some 3.7% of Hindus in Fiji. Muslims are mostly Sunni (96.4%) following the Hanafi school of jurisprudence, with a small Ahmadiyya minority (3.6%). The Sikh religion comprises 0.9% of the Indo-Fijian population, or 0.4% of the national population in Fiji. Their ancestors originated from the Punjab region of India; they are a fairly recent wave of immigrants who did not live through[clarification needed] the indenture system.[citation needed] The Bahá'í Faith has over 21 local Spiritual Assemblies throughout Fiji, and Baha'is live in more than 80 localities. The first Baha'i in the islands was a New Zealander who arrived in 1924. There is also a small Jewish population of about 60 people. Every year the Israeli Embassy organises a Passover celebration with about 50-60 people attending.
EDUCATION
Primary school education in Fiji is compulsory, and free for eight years. As of 2001, attendance was decreasing due to security concerns and the burden of school fees, often due to the cost of transport. Following the government coup in May 2000, more than 5,000 students were reported to have left school.
CULTURE
Fiji's culture is a rich mosaic of indigenous Fijian, Indo-Fijian, Asian and European traditions, comprising social polity, language, food (coming mainly from the sea, plus casava, dalo (taro) and other vegetables), costume, belief systems, architecture, arts, craft, music, dance, and sports.
While indigenous Fijian culture and traditions are very vibrant and are integral components of everyday life for the majority of Fiji's population, Fijian society has evolved over the past century with the introduction of traditions such as Indian and Chinese as well as significant influences from Europe and Fiji's Pacific neighbours, particularly Tonga and Samoa. Thus, the various cultures of Fiji have come together to create a unique multicultural national identity.
Fiji's culture was showcased at the World Exposition held in Vancouver, Canada, in 1986 and more recently at the Shanghai World Expo 2010, along with other Pacific countries in the Pacific Pavilion.
HOLIDAYS AND FESTIVALS
This is a list of holidays celebrated in Fiji:
New Year's Day
Good Friday
Easter Saturday
Easter Monday
Fiji Day
Diwali
Christmas
Boxing Day
Prophet Mohammed's Birthday
The exact dates of public holidays vary from year to year, but the dates for the next year can be found at the Fiji Government Web Site
The following holidays are no longer celebrated in Fiji:
Queen's Official Birthday
National Youth Day
Ratu Sir Lala Sukuna Day
SPORT
Sports are very popular in Fiji, particularly sports involving physical contact. Fiji's national sport is Rugby Sevens.
RUGBY UNION
Rugby Union is the most-popular team sport played in Fiji.
Fiji is one of the few countries where rugby union is the main sport. There are about 80,000 registered players from a total population of around 900,000. One of the problems for Fiji is simply getting their players to play for their home country, as many have contracts in Europe or with Super Rugby teams, where monetary compensation is far more rewarding. The repatriated salaries of its overseas stars have become an important part of some local economies. In addition, a significant number of players eligible to play for Fiji end up representing Australia or New Zealand; notable examples are Fiji-born cousins and former New Zealand All Blacks, Joe Rokocoko and Sitiveni Sivivatu, current All Blacks Waisake Naholo and Seta Tamanivalu as well as Australian Wallabies former winger, Lote Tuqiri and current Wallabies Tevita Kuridrani , Samu Kerevi and Henry Speight. Fiji has won the most Pacific Tri-Nations Championships of the three participating teams.
RUGBY LEAGUE
The Fiji national rugby league team, nicknamed the Bati (pronounced [mˈbatʃi]), represents Fiji in the sport of rugby league football and has been participating in international competition since 1992. It has competed in the Rugby League World Cup on three occasions, with their best results coming when they made consecutive semi-final appearances in the 2008 Rugby League World Cup and 2013 Rugby League World Cup. The team also competes in the Pacific Cup.
Members of the team are selected from a domestic Fijian competition, as well as from competitions held in New Zealand and Australia. For the 2000, 2008 and 2013 World Cups, the Bati were captained by Lote Tuqiri, Wes Naiqama and the legendary Petero Civoniceva respectively. Fiji have also produced stars like Akuila Uate, Jarryd Hayne, Kevin Naiqama, Semi Tadulala, Marika Koroibete, Apisai Koroisau, Sisa Waqa and the Sims brothers Ashton Sims, Tariq Sims and Korbin Sims
RUGBY WAR DANCE (CIBI AND BOLE) AND FIJIAN HYMN
The Cibi (pronounced Thimbi) war dance was traditionally performed by the Fiji rugby team before each match. It was replaced in 2012 with the new "Bole" (pronounced mBolay) war cry.
Tradition holds that the original Cibi was first performed on the rugby field back in 1939 during a tour of New Zealand, when then Fijian captain Ratu Sir George Cakobau felt that his team should have something to match the Haka of the All Blacks. The 'Cibi' had perhaps been used incorrectly though, as the word actually means "a celebration of victory by warriors," whereas 'Bole' is the acceptance of a challenge.
The Fiji Bati rugby league team also gather in a huddle and perform the noqu masu before each match.
NETBALL
Netball is the most popular women's participation sport in Fiji. The national team has been internationally competitive, at Netball World Cup competitions reaching 6th position in 1999, its highest level to date. The team won gold medals at the 2007 and 2015 Pacific Games.
CRICKET
Cricket is a minor sport in Fiji. The Cricket Fiji is an Associate member of International Cricket Council. Fiji U19 cricket team won the 2015 edition of the tournament, and consequently qualified for the 2016 Under-19 World Cup, becoming the first team outside of Papua New Guinea to qualify from the region.
WIKIPEDIA
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Photo: Thomas Ohlsson Photography
www.thomasohlsson.com | 500px | Facebook | Flickr | Instagram
(further information and pictures are available by clicking on the link at the end of section and of page!)
Synagogue St. Pölten
Exterior of the former St. Pölten Synagogue
The St. Pölten Synagogue was up to the November pogroms in 1938 the main synagogue of the Jewish Community of St. Pölten. The In the years 1912 to 1913 by the architects Theodor Schreier and Viktor Postelberg built Art Nouveau synagogue is located in the Dr. Karl Renner Promenade in St. Pölten and is now the headquarters of the Institute for Jewish History in Austria.
History
The old synagogue, which was demolished in favor of the new one
The first prayer rooms of in 1863 founded Jewish Community of St. Pölten were located in the premises of the former Kattunmanufaktur (cotton manufactory), the later Gasser factory at school ring. A building of this factory was adapted between 1885 and 1890 as a synagogue. This adaptation was associated with considerable effort, which is why the members of the Jewish community already since 1888 endeavoured to get a new building, until 1903 but this was rejected by the township. At this time, a redesign of the promenade was planned, which was only possible by demolition of the in the street course standing synagogue. After lengthy preparations, a preparatory committee was elected in April 1907, which in addition to building site and plans the necessary financing should provide.
1911, a building committee was chosen and agreed with the community a real estate exchange. At the architectural competition, which was tendered in the same year, participated among others Jacob Modern, Jacob Gartner, Ignaz Reiser and Theodor Schreier. The latter was together with his partner Viktor Postelberg by the Committee commissioned another project for a temple with room for 220 men and 150 women to submitt, which was then realized. The conditions for the planning work developed Rudolf Frass. The necessary funds were raised through collections and appeals for donations throughout the country, so that could be started with the construction in June 1912. The gilding works were carried out by Ferdinand Andri. After little more than a year of construction and 141 390 crowns total investment, the synagoge on 17 August 1913 was solemnly consecrated.
Destruction
On the night of 9th to the 10th November 1938 invaded several SS and SA members the rooms of the synagogue, smashed windows and set fire. The that night caused damage was limited, as the fire could be extinguished relatively quickly. On the following morning 300 to 400 people gathered, some in civilian clothes, in front of the building. They moved with the singing of political songs in the sacred spaces and destroyed them completely. The windows were broken, Torah scrolls, Torah shrine, benches and images burned. Even water pipes and door posts were torn from the walls. The books of the extensive library were largely thrown on the road and burned. Some people climbed the dome and tore the Star of David of the roof .
Almost all of the movable property of the Jewish community was destroyed or stolen . A limited set of books were placed in the city archives, the City Museum there's still a donation box and a painting of Emperor Franz Josef, which hung in the entrance area. A single prayer book is since 1998 owned again by the Jewish Community.
In the following years the side rooms of the building of the SA were used as an office, the interior was used among other things as furniture warehouse. 1942, the synagogue became the property of the city of St. Pölten, which used it as a detention center for Russian forced laborers. In last fightings and bombings in 1945 the building was further damaged.
1945
The Red Army used the former synagogue as a grain storage until it was in 1947 returned to the city. The application of restitution was recognized in 1952 by the city council, which then returned the synagogue to the Jewish Community Vienna. In the following years, the former house of God continued to decay as after the Holocaust no Jewish community in St. Pölten could establish. The domed roof showed severe damage, individual components were threatening to collapse completely and through the boarded windows came rain and snow into the by dovecotes populated house.
In 1975, the Jewish Community Vienna (IKG - Israelitische Kultusgemeinde Wien) offered the city of St. Pölten to purchase the synagogue, which did not accept the offer due to lack of uses. Then the Jewish Community Vienna wanted to initiate the demolition, but this was prevented by the fact that the Federal Monuments Office the building put under monument protection. Then it was renovated from 1980 to 1984. Here, for example, many wall paintings were recovered, on the other hand, some structural changes were made (especially removal of water basins for the ritual washing of the hands), since it was clear from the beginning that the building would not be used as a synagogue, but as an event center.
Since 1988 in the premises of the former synagogue the Institute for Jewish History of Austria is located, further regular events are realized. The original function the synagoge never could fulfill again, as too few Jews returned after the Holocaust to St. Pölten.
On the occasion of the 100th anniversary of the synagogue the City Museum in St. Pölten 2013/14 the building dedicates its own special exhibition. In doing so there is also shown a recently found photo of the interior before the destruction. It is also pointed out that the synagogue due to lack of funding already again is abandoned to a certain decay.
The St. Pölten rabbi
Interior of the synagogue with part of the dome ceiling, in the center of the former shrine
Name Period of office
Moritz Tintner 1863-1869
Adolf Kurrein 1873-1876
Samuel Marcus 1876-1878
Adolf Hahn 1878-1882
Jacob Reiss 1882-1889
Bernhard Zimmels 1889-1891
Leopold Weinsberg 1891-1897
Adolf Schächter 1897-1934
Arnold Frankfurt 1934-1936
Manfred Papo 1936-1938
Building description
Outside
The dominant element of the synagogue is the octagonal, completed by a large dome main building, to which the eastern and western side wings are attached. Connected to the synagogue is the former school building in Lederergasse 12.
Main tract
The main tract houses the former sanctuary. The facade is divided into a low ground floor, high upper floor and the dome. At the facade facing the street can be found in the two storeys each three windows, that are executed on the ground floor as low segmental arch windows with above running continuously cordon cornice. The windows on the upper floor, however, are high, rectangular windows, the space between them is divided by pilasters. The original stained glass windows were destroyed from 1938, today, clear glass can be found in the windows. Directly under the dome there is a large segment gable with representations of the Tablets of the Law, set in floral vines. Beneath it is written in Hebrew the text of Psalm 118, verse 19.
" פתחו לי שערי צדק אבא בם אודה יה "
"Open to me the gates of righteousness: I will enter and give thanks to God".
- Inscription under the law boards.
On the short, lateral oblique walls of the main building on the ground floor there are side entrances, in the transition to the dome there are embedded large oval windows.
Side wings
To the eastern side wing, which in comparison to the western tract is designed very narrowly, connects the former school building and was once home to the shrine. At the by segment gable and barrel roof completed tract can be found on the northern front in the upper floor a tall, rectangular window of the same type as that of the main wing. At the eastern side a round window is embedded, in the ground floor begins a connecting room to the school building.
The western side wing is identical to the east in the basic form, but it is significantly wider. In addition, in front of it there are entrance buildings. Both at the road side and on the opposite side between the main wing and the western annex are wide projecting semi-circular staircases, next to it can be found till half the height of the first upper floor each a buttress with two low windows. Road side, this buttress is preceded by a walk-in porch, which on three sides is open round-arched. The with triangular gable completed building ends in a concave enclosure, where a commemorative plaque is attached today. The west facade repeats the design of the main building, it can be found on the ground floor low segmental arch windows with above running continuously, jagged cordon cornice. On the first floor the windows are, however, significantly lower than in the main wing.
Former school building
The former school building has its main facade towards Lederergasse and there has the number 12. The road-side main facade of the two-storey building is divided into four axes. The window on the ground floor are round-arched disigned, the ones on the upper floor rectangularly. Between side wing of the synagogue and the main wing of the school building there is a tower-like, curved stairwell risalit up to the attic.
Gallery
Wall lamp
Wall ornament
Wall ornament
Wall ornament
de.wikipedia.org/wiki/Synagoge_St._P%C3%B6lten
(further information is available by clicking on the link at the end of page!)
History of the City St. Pölten
In order to present concise history of the Lower Austrian capital is in the shop of the city museum a richly illustrated full version on CD-ROM.
Tip
On the occasion of the commemoration of the pogroms of November 1938, the Institute for Jewish History of Austria its virtual Memorbuch (Memory book) for the destroyed St. Pölten Jewish community since 10th November 2012 is putting online.
Prehistory
The time from which there is no written record is named after the main materials used for tools and weapons: Stone Age, Bronze Age, Iron Age. Using the latest technologies, archaeologists from archaeological finds and aerial photographs can trace a fairly detailed picture of life at that time. Especially for the time from the settling down of the People (New Stone Age), now practicing agriculture and animal husbandry, in the territory of St. Pölten lively settlement activity can be proved. In particular, cemeteries are important for the research, because the dead were laid in the grave everyday objects and jewelry, the forms of burial changing over time - which in turn gives the archeology valuable clues for the temporal determination. At the same time, prehistory of Sankt Pölten would not be half as good documented without the construction of the expressway S33 and other large buildings, where millions of cubic meters of earth were moved - under the watchful eyes of the Federal Monuments Office!
A final primeval chapter characterized the Celts, who settled about 450 BC our area and in addition to a new culture and religion also brought with them the potter's wheel. The kingdom of Noricum influenced till the penetration of the Romans the development in our area.
Roman period, migrations
The Romans conquered in 15 BC the Celtic Empire and established hereinafter the Roman province of Noricum. Borders were protected by military camp (forts), in the hinterland emerged civilian cities, almost all systematically laid out according to the same plan. The civil and commercial city Aelium Cetium, as St. Pölten was called (city law 121/122), consisted in the 4th Century already of heated stone houses, trade and craft originated thriving urban life, before the Romans in the first third of the 5th Century retreated to Italy.
The subsequent period went down as the Migration Period in official historiography, for which the settlement of the Sankt Pöltner downtown can not be proved. Cemeteries witness the residence of the Lombards in our area, later it was the Avars, extending their empire to the Enns.
The recent archaeological excavations on the Cathedral Square 2010/2011, in fact, the previous knowledge of St.Pölten colonization not have turned upside down but enriched by many details, whose full analysis and publication are expected in the near future.
Middle Ages
With the submission of the Avars by Charlemagne around 800 AD Christianity was gaining a foothold, the Bavarian Benedictine monastery of Tegernsee establishing a daughter house here - as founder are mentioned the brothers Adalbert and Ottokar - equipped with the relics of St. Hippolytus. The name St. Ypolit over the centuries should turn into Sankt Pölten. After the Hungarian wars and the resettlement of the monastery as Canons Regular of St. Augustine under the influence of Passau St. Pölten received mid-11th Century market rights.
In the second half of the 20th century historians stated that records in which the rights of citizens were held were to be qualified as Town Charters. Vienna is indeed already in 1137 as a city ("civitas") mentioned in a document, but the oldest Viennese city charter dates only from the year 1221, while the Bishop of Passau, Konrad, already in 1159 the St. Pöltnern secured:
A St. Pöltner citizen who has to answer to the court, has the right to make use of an "advocate".
He must not be forced to rid himself of the accusation by a judgment of God.
A St. Pöltner citizen may be convicted only by statements of fellow citizens, not by strangers.
From the 13th Century exercised a city judge appointed by the lord of the city the high and low jurisdiction as chairman of the council meetings and the Municipal Court, Inner and Outer Council supported him during the finding of justice. Venue for the public verdict was the in the 13th Century created new marketplace, the "Broad Market", now the town hall square. Originally square-shaped, it was only later to a rectangle reduced. Around it arose the market district, which together with the monastery district, the wood district and the Ledererviertel (quarter of the leather goods manufacturer) was protected by a double city wall.
The dependence of St. Pölten of the bishop of Passau is shown in the municipal coat of arms and the city seal. Based on the emblem of the heraldic animal of the Lord of the city, so the Bishop of Passau, it shows an upright standing wolf holding a crosier in its paw.
Modern Times
In the course of the armed conflict between the Emperor Frederick III . and King Matthias of Hungary pledged the Bishop of Passau the town on the Hungarian king. From 1485 stood Lower Austria as a whole under Hungarian rule. The most important document of this period is the awarding of the city coat of arms by King Matthias Corvinus in the year 1487. After the death of the opponents 1490 and 1493 could Frederick's son Maximilian reconquer Lower Austria. He considered St. Pölten as spoils of war and had no intention of returning it to the diocese of Passau. The city government has often been leased subsequently, for instance, to the family Wellenstein, and later to the families Trautson and Auersperg.
That St. Pölten now was a princely city, found its expression in the coat of arms letter of the King Ferdinand I. from 1538: From now on, the wolf had no crosier anymore, and the from the viewer's point of view left half showed the reverse Austrian shield, so silver-red-silver.
To the 16th Century also goes back the construction of St. Pöltner City Hall. The 1503 by judge and council acquired house was subsequently expanded, rebuilt, extended and provided with a tower.
A for the urban history research important picture, painted in 1623, has captured scenes of the peasant uprising of 1597, but also allows a view to the city and lets the viewer read some of the details of the then state of construction. The economic inconveniences of that time were only exacerbated by the Thirty Years War, at the end of which a fifth of the houses were uninhabited and the citizenry was impoverished.
Baroque
After the successful defense against the Turks in 1683, the economy started to recover and a significant building boom began. Lower Austria turned into the land of the baroque abbeys and monasteries, as it is familiar to us today.
In St. Pölten, the change of the cityscape is closely connected to the Baroque architect Jakob Prandtauer. In addition to the Baroquisation of the interior of the cathedral, a number of buildings in St. Pölten go to his account, so the reconstruction of the castle Ochsenburg, the erection of the Schwaighof and of the core building of the Institute of the Blessed Virgin Mary (Englische Fräuleins - English Maidens) - from 1706 the seat of the first school order of St.Pölten - as well as of several bourgeois houses.
Joseph Munggenast, nephew and co-worker of Prandtauer, completed the Baroquisation of the cathedral, he baroquised the facade of the town hall (1727) and numerous bourgeois houses and designed a bridge over the Traisen which existed until 1907. In the decoration of the church buildings were throughout Tyroleans collaborating, which Jakob Prandtauer had brought along from his homeland (Tyrol) to St. Pölten, for example, Paul Troger and Peter Widerin.
Maria Theresa and her son Joseph II: Their reforms in the city of the 18th Century also left a significant mark. School foundings as a result of compulsory education, the dissolution of the monasteries and hereinafter - from 1785 - the new role of St. Pölten as a bishop's seat are consequences of their policies.
1785 was also the year of a fundamental alteration of the old Council Constitution: The city judge was replaced by one magistrate consisting of five persons, at the head was a mayor. For the first mayor the painter Josef Hackl was chosen.
The 19th century
Despite the Napoleonic Wars - St. Pölten in 1805 and 1809 was occupied by the French - and despite the state bankruptcy of 1811, increased the number of businesses constantly, although the economic importance of the city for the time being did not go beyond the near vicinity.
Against the background of monitoring by the state secret police, which prevented any political commitment between the Congress of Vienna and the 1848 revolution, the citizens withdrew into private life. Sense of family, fostering of domestic music, prominent salon societies in which even a Franz Schubert socialized, or the construction of the city theater were visible signs of this attitude.
The economic upswing of the city did not begin until after the revolution of the year 1848. A prerequisite for this was the construction of the Empress Elisabeth Western Railway, moving Vienna, Linz, soon Salzburg, too, in a reachable distance. The city walls were pulled down, St. Pölten could unfold. The convenient traffic situation favored factory start-ups, and so arose a lace factory, a revolver factory, a soap factory or, for example, as a precursor of a future large-scale enterprise, the braid, ribbon and Strickgarnerzeugung (knitting yarn production) of Matthias Salcher in Harland.
In other areas, too, the Gründerzeit (years of rapid industrial expansion in Germany - and Austria) in Sankt Pölten was honouring its name: The city got schools, a hospital, gas lanterns, canalization, hot springs and summer bath.
The 20th century
At the beginning of the 20th Century the city experienced another burst of development, initiated by the construction of the power station in 1903, because electricity was the prerequisite for the settlement of large companies. In particular, the companies Voith and Glanzstoff and the main workshop of the Federal Railways attracted many workers. New Traisen bridge, tram, Mariazell Railway and other infrastructure buildings were erected; St. Pölten obtained a synagogue. The Art Nouveau made it repeatedly into the urban architecture - just think of the Olbrich House - and inspired also the painting, as exponents worth to be mentioned are Ernst Stöhr or Ferdinand Andri.
What the outbreak of the First World War in broad outlines meant for the monarchy, on a smaller scale also St. Pölten has felt. The city was heavily impacted by the deployment of army units, a POW camp, a military hospital and a sick bay. Industrial enterprises were partly converted into war production, partly closed. Unemployment, housing emergency and food shortages long after the war still were felt painfully.
The 1919 to mayor elected Social Democrat Hubert Schnofl after the war tried to raise the standard of living of the people by improving the social welfare and health care. The founding of a housing cooperative (Wohnungsgenossenschaft), the construction of the water line and the establishment of new factories were further attempts to stimulate the stiffening economy whose descent could not be stopped until 1932.
After the National Socialist regime had stirred false hopes and plunged the world into war, St. Pölten was no longer the city as it has been before. Not only the ten devastating bombings of the last year of the war had left its marks, also the restrictive persecution of Jews and political dissidents had torn holes in the structure of the population. Ten years of Russian occupation subsequently did the rest to traumatize the population, but at this time arose from the ruins a more modern St. Pölten, with the new Traisen bridge, district heating, schools.
This trend continued, an era of recovery and modernization made the economic miracle palpable. Already in 1972 was - even if largely as a result of incorporations - exceeded the 50.000-inhabitant-limit.
Elevation to capital status (capital of Lower Austria), 10 July 1986: No other event in this dimension could have become the booster detonation of an up to now ongoing development thrust. Since then in a big way new residential and commercial areas were opened up, built infrastructure constructions, schools and universities brought into being to enrich the educational landscape. East of the Old Town arose the governmental and cultural district, and the list of architects wears sonorous names such as Ernst Hoffmann (NÖ (Lower Austria) Landhaus; Klangturm), Klaus Kada (Festspielhaus), Hans Hollein (Shedhalle and Lower Austrian Provincial Museum), Karin Bily, Paul Katzberger and Michael Loudon ( NÖ State Library and NÖ State Archive).
European Diploma, European flag, badge of honor, Europe Price: Between 1996 and 2001, received St. Pölten numerous appreciations of its EU commitment - as a sort of recognition of the Council of Europe for the dissemination of the EU-idea through international town twinnings, a major Europe exhibition or, for example, the establishment and chair of the "Network of European medium-sized cities".
On the way into the 21st century
Just now happened and already history: What the St. Pöltnern as just experienced sticks in their minds, travelers and newcomers within a short time should be told. The theater and the hospital handing over to the province of Lower Austria, a new mayor always on the go, who was able to earn since 2004 already numerous laurels (Tags: polytechnic, downtown enhancement, building lease scheme, bus concept) - all the recent changes are just now condensed into spoken and written language in order to make, from now on, the history of the young provincial capital in the 3rd millennium nachlesbar (checkable).
www.st-poelten.gv.at/Content.Node/freizeit-kultur/kultur/...