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Trade paperback - Ballantine Books-Del Rey - ISBN 978-0-345-46151-3 - first edition published 2003
comments by CR:
The Coming of Conan The Cimmerian - [0745 - 2017-03-27]
My first introduction to "Conan" were the Lancer paperbacks I starting buying in 1966. All of the Lancer editions were edited by or co-written with other authors mostly L. Sprague deCamp. How this "editing and co-authorship" took place 30 years after Howard's death was never adequately explained. Nonetheless I found in the Conan tales a creditable character that excited my teen-age imagination.
Howard was a prolific writer and his Conan stories were one of many characters and general themes he wrote about.
Fortunately readers appreciation for Howard's Conan stories took root and starting approximately 2002 a handsome series of trade paperbacks were published by Ballantine Books. Robert E. Howard (1906-36) is know today primarily as the author who introduced Conan to the reading public which in turn created the genre of sword and sorcery fiction. What is not as well known is that Howard in his short life had published a couple hundred stories. The majority were supernatural themed fictions with gallant protagonists but were not all "Conan" stories.
Ten of the thirteen stories in this Ballantine edition, "The Coming of Conan The Cimmerian" were first published in Wierd Tales magazine during 1932-34. The remaining three were resurrected and published in various publication after his death.
The Stories in the order they appear with first publication in ():
The Phoenix on the Sword (1932)
Conan the barbarian is King(!) and is the subject of a palace coup d'état. An ancient wizard impresses the sign of the phoenix on his sword giving him the measured advantage in a duel with a supernatural foe.
The Frost-Giants Daughter (1976)
After a bloody battle in the frozen north Conan, the sole survivor, is mesmerized by the erotic vision of an ice maiden. Driven by his lust he follows her relentlessly until the Frost-Giant cools his ardor.
The God in the Bowl (1975)
Conan is hired by a foppish courtesan to pilfer a jewel from a museum of mystical artifacts. The museums overseer is found strangled and Conan is suspected but a minion of Set, the evil snake god, is the true perpetrator of the strangulation.
The Tower of the Elephant (1933)
A 150 foot tower houses an evil wizard and his mysterious jewel with magical powers. The tower is enchanted with spells and ghostly guards to deter foolish individuals intend on stealing the Elephant Eyes. Conan is undeterred and seek his fortune at the wizards expense.
The Scarlet Citadel (1933)
Palace intrigue finds Conan usurped from his throne and captive of a very malevolent sorcerer. Armies are on the move - pontoon bridges are employed - fortified cities are under siege - Conan find an unlikely ally in a fellow prisoner who employees mystical means to restore the cosmic balance.
Queen of the Black Coast (1934)
Conan falls in with a vivacious Pirate Queen with a unquenchable lust for plunder - especially jewels. An abandoned city in ruins surrounded by jungle along a turgid river leads to the Queen's undoing. Conan barely survives after battling a gigantic flying ape!
Black Colossus (1933)
A oracle tells a Queen regent to employ the first man she meets to save the kingdom from an the impend peril of invasion let by the devil himself. Conan, a man with no common sense, instead of jumping out the nearest window says "yes, I'll save the kingdom".
Iron Shadows of the Moon (1934)
Mysterious ruins with menacing statues that come to life in moonlight gives Conan ample opportunity to hack and bash his way to freedom.
Xuthal of the Dark (1933)
Escaping into a barren desert region with a clinging wench is almost Conan undoing until an oasis is spotted. Said oasis is a horror house of drugged pleasure seekers and the demon that feeds off them. Conan is fortunate to break out of the prison-like town with his life.
Pool of the Black One (1933)
Fished out of the ocean after escaping a misunderstanding ashore Conan falls in with a band of freebooters. A uncharted island, a scheming damsel and an evil entity keep Conan busy in this entertaining tale.
Rogues in the House (1934)
As a price for being sprung from prison Conan must dispatch a conniving priest and his half-man half-ape. Complications set it and much blood is spilt.
Vale of Lost Woman (first publication 1967)
A high principled princess is captured by a band of lusty natives. Seeing Conan as her only hope for rescue - and the preserving of her virtue - the princess promises him her "desirable quality" if he can liberate her. Conan obliges but said princess eludes Conan's embrace only to fall in with some "Lost Women" which necessitates a second rescue by Conan..
Devil in Iron (1934)
Another swampy island with a ruined temple leads Conan to an encounter with a supernatural daemon. A magical knife, an encounter with a 40 foot snake(!) and a reluctant half naked damsel in distress cannot deter Conan!
There is something gratifying to possess a book that reflects a publishers and editors respect and admiration for the author and the subject matter; " The Coming of Conan The Cimmerian " is such a book. This Del Ray trade paperback is an original edition published in 2002. The 464-page book includes in addition to the stories outlined above, approximately 100 pages of Conan reference material. These includes Howard's drafts for several of the stories, maps, notes etc. This is a definitive reference for the Howard student and for just curious readers. Quality paper and a very readable font make this a worthy book for fans and collectors.
Each story is illustrated with several quarter page drawings and a near full-page illustration by Mark Schultz. Mr. Schultz provided an article about how he approached drawing Conan.
The majority of the stories were first published in Wierd Tales magazine during 1925-37. The executors of his estate published another group of stories well after Howard's death.
Howard's character Conan is deceptively simple: likes to drink, wench and fight. He is dubious of the gods, uneasy when in the presence of supernatural evil and for the most part a loner. He is also very, very lucky. Howard is a master story teller with a outstanding talent for narrative pacing and descriptive prose. For the most part the stories are entertaining and colorfully written.
The question of genuine significance for potential readers or just the curious is: are the stories worth reading - or are they just historical literary curiosities. answer of course is subjective but if your inclined to these type stories you would do well not to pass up on this collection.
أنـآ و أن ڪنـت مَـآتدري . . يقـولـون عنـي " مَجـنونـڪ " !*
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Miss Me remember when i said i tryed 2 shoot like the same flower x'D
and thats what i Got ;) .. love ya ; * (K)
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P.S Nothing 2 upload T_T
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Comment's r stoped =') .. u can Only add ur note and Fav , , ~! *
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Comments always appreciated - I love to hear your feedback! xx
Sunday and it's time to go back home to Hull. Loved this Leeds weekend, it was sad to leave!
I won't be back for at the very least 3 months, times are tight. Got a weekend in Lincoln to look forward to next up though, at the end of May.
Back at home, but still had my makeup on so got into a dress too for the evening!
(+3 in comments)
11,000 feet above sea level, here we are finally on the Saddle of Timpanogos. Below us looms Utah Valley, including Utah Lake and cities such as Nephi, Santaquin, Spanish Fork, Springville, Provo, Orem, Lindon, Pleasant Grove, American Fork, and Lehi.
The view is breathtaking in-person!
EXIF:
Exposure Program: Aperture Priority
Aperture: f/9
Focal Length: 10.5 mm (fisheye)
ISO Speed: 200
Exposure Bias: -3, -2, -1, 0, 1, 2, 3 (7xp)
Comments always appreciated, as long as you keep it clean - I love to hear your feedback! xx
Due to unexpected ccircumstances, sadly I was unable to get to Leeds in time for the Friday night as I usually would, so instead I went on the Saturday.
We went to see the comedy show at the Fenton and then on to Pryzm for a bit of music and dancing.
We had a new friend with us this time - Kimberley who had been out on the Friday, but couldn't get a makeover organised for Saturday so she came out in her male persona.
In Pryzm later on in the night. With the lovely Sarah.
Biennalist :
Biennalist is an Art Format commenting on active biennials and managed cultural events through artworks.Biennalist takes the thematics of the biennales and similar events like festivals and conferences seriously, questioning the established structures of the staged art events in order to contribute to the debate, which they wish to generate.
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links about Biennalist :
Thierry Geoffroy/Colonel:
en.wikipedia.org/wiki/Thierry_Geoffroy
en.wikipedia.org/wiki/Emergency_Room_(art)
www.emergencyrooms.org/formats.html
—--Biennale from wikipedia —--
The Venice International Film Festival is part of the Venice Biennale. The famous Golden Lion is awarded to the best film screening at the competition.
Biennale (Italian: [bi.enˈnaːle]), Italian for "biennial" or "every other year", is any event that happens every two years. It is most commonly used within the art world to describe large-scale international contemporary art exhibitions. As such the term was popularised by Venice Biennale, which was first held in 1895. Since the 1990s, the terms "biennale" and "biennial" have been interchangeably used in a more generic way - to signify a large-scale international survey show of contemporary art that recurs at regular intervals but not necessarily biannual (such as triennials, Documenta, Skulptur Projekte Münster).[1] The phrase has also been used for other artistic events, such as the "Biennale de Paris", "Kochi-Muziris Biennale", Berlinale (for the Berlin International Film Festival) and Viennale (for Vienna's international film festival).
Characteristics[edit]
According to author Federica Martini, what is at stake in contemporary biennales is the diplomatic/international relations potential as well as urban regeneration plans. Besides being mainly focused on the present (the “here and now” where the cultural event takes place and their effect of "spectacularisation of the everyday"), because of their site-specificity cultural events may refer back to,[who?] produce or frame the history of the site and communities' collective memory.[2]
The Great Exhibition in The Crystal Palace in Hyde Park, London, in 1851, the first attempt to condense the representation of the world within a unitary exhibition space.
A strong and influent symbol of biennales and of large-scale international exhibitions in general is the Crystal Palace, the gigantic and futuristic London architecture that hosted the Great Exhibition in 1851. According to philosopher Peter Sloterdijk,[3][page needed] the Crystal Palace is the first attempt to condense the representation of the world in a unitary exhibition space, where the main exhibit is society itself in an a-historical, spectacular condition. The Crystal Palace main motives were the affirmation of British economic and national leadership and the creation of moments of spectacle. In this respect, 19th century World fairs provided a visual crystallization of colonial culture and were, at the same time, forerunners of contemporary theme parks.
The Venice Biennale as an archetype[edit]
The structure of the Venice Biennale in 2005 with an international exhibition and the national pavilions.
The Venice Biennale, a periodical large-scale cultural event founded in 1895, served as an archetype of the biennales. Meant to become a World Fair focused on contemporary art, the Venice Biennale used as a pretext the wedding anniversary of the Italian king and followed up to several national exhibitions organised after Italy unification in 1861. The Biennale immediately put forth issues of city marketing, cultural tourism and urban regeneration, as it was meant to reposition Venice on the international cultural map after the crisis due to the end of the Grand Tour model and the weakening of the Venetian school of painting. Furthermore, the Gardens where the Biennale takes place were an abandoned city area that needed to be re-functionalised. In cultural terms, the Biennale was meant to provide on a biennial basis a platform for discussing contemporary art practices that were not represented in fine arts museums at the time. The early Biennale model already included some key points that are still constitutive of large-scale international art exhibitions today: a mix of city marketing, internationalism, gentrification issues and destination culture, and the spectacular, large scale of the event.
Biennials after the 1990s[edit]
The situation of biennials has changed in the contemporary context: while at its origin in 1895 Venice was a unique cultural event, but since the 1990s hundreds of biennials have been organized across the globe. Given the ephemeral and irregular nature of some biennials, there is little consensus on the exact number of biennials in existence at any given time.[citation needed] Furthermore, while Venice was a unique agent in the presentation of contemporary art, since the 1960s several museums devoted to contemporary art are exhibiting the contemporary scene on a regular basis. Another point of difference concerns 19th century internationalism in the arts, that was brought into question by post-colonial debates and criticism of the contemporary art “ethnic marketing”, and also challenged the Venetian and World Fair’s national representation system. As a consequence of this, Eurocentric tendency to implode the whole word in an exhibition space, which characterises both the Crystal Palace and the Venice Biennale, is affected by the expansion of the artistic geographical map to scenes traditionally considered as marginal. The birth of the Havana Biennial in 1984 is widely considered an important counterpoint to the Venetian model for its prioritization of artists working in the Global South and curatorial rejection of the national pavilion model.
International biennales[edit]
In the term's most commonly used context of major recurrent art exhibitions:
Adelaide Biennial of Australian Art, South Australia
Asian Art Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)
Athens Biennale, in Athens, Greece
Bienal de Arte Paiz, in Guatemala City, Guatemala[4]
Arts in Marrakech (AiM) International Biennale (Arts in Marrakech Festival)
Bamako Encounters, a biennale of photography in Mali
Bat-Yam International Biennale of Landscape Urbanism
Beijing Biennale
Berlin Biennale (contemporary art biennale, to be distinguished from Berlinale, which is a film festival)
Bergen Assembly (triennial for contemporary art in Bergen, Norway)www.bergenassembly.no
Bi-City Biennale of Urbanism\Architecture, in Shenzhen and Hong Kong, China
Bienal de Arte de Ponce in Ponce, Puerto Rico
Biënnale van België, Biennial of Belgium, Belgium
BiennaleOnline Online biennial exhibition of contemporary art from the most promising emerging artists.
Biennial of Hawaii Artists
Biennale de la Biche, the smallest biennale in the world held at deserted island near Guadeloupe, French overseas region[5][6]
Biwako Biennale [ja], in Shiga, Japan
La Biennale de Montreal
Biennale of Luanda : Pan-African Forum for the Culture of Peace,[7] Angola
Boom Festival, international music and culture festival in Idanha-a-Nova, Portugal
Bucharest Biennale in Bucharest, Romania
Bushwick Biennial, in Bushwick, Brooklyn, New York
Canakkale Biennial, in Canakkale, Turkey
Cerveira International Art Biennial, Vila Nova de Cerveira, Portugal [8]
Changwon Sculpture Biennale in Changwon, South Korea
Dakar Biennale, also called Dak'Art, biennale in Dakar, Senegal
Documenta, contemporary art exhibition held every five years in Kassel, Germany
Estuaire (biennale), biennale in Nantes and Saint-Nazaire, France
EVA International, biennial in Limerick, Republic of Ireland
Göteborg International Biennial for Contemporary Art, in Gothenburg, Sweden[9]
Greater Taipei Contemporary Art Biennial, in Taipei, Taiwan
Gwangju Biennale, Asia's first and most prestigious contemporary art biennale
Havana biennial, in Havana, Cuba
Helsinki Biennial, in Helsinki, Finland
Herzliya Biennial For Contemporary Art, in Herzliya, Israel
Incheon Women Artists' Biennale, in Incheon, South Korea
Iowa Biennial, in Iowa, USA
Istanbul Biennial, in Istanbul, Turkey
International Roaming Biennial of Tehran, in Tehran and Istanbul
Jakarta Biennale, in Jakarta, Indonesia
Jerusalem Biennale, in Jerusalem, Israel
Jogja Biennale, in Yogyakarta, Indonesia
Karachi Biennale, in Karachi, Pakistan
Keelung Harbor Biennale, in Keelung, Taiwan
Kochi-Muziris Biennale, largest art exhibition in India, in Kochi, Kerala, India
Kortrijk Design Biennale Interieur, in Kortrijk, Belgium
Kobe Biennale, in Japan
Kuandu Biennale, in Taipei, Taiwan
Lagos Biennial, in Lagos, Nigeria[10]
Light Art Biennale Austria, in Austria
Liverpool Biennial, in Liverpool, UK
Lofoten International Art Festival [no] (LIAF), on the Lofoten archipelago, Norway[11]
Manifesta, European Biennale of contemporary art in different European cities
Mediations Biennale, in Poznań, Poland
Melbourne International Biennial 1999
Mediterranean Biennale in Sakhnin 2013
MOMENTA Biennale de l'image [fr] (formerly known as Le Mois de la Photo à Montréal), in Montreal, Canada
MOMENTUM [no], in Moss, Norway[12]
Moscow Biennale, in Moscow, Russia
Munich Biennale, new opera and music-theatre in even-numbered years
Mykonos Biennale
Nakanojo Biennale[13]
NGV Triennial, contemporary art exhibition held every three years at the National Gallery of Victoria, Melbourne, Australia
October Salon – Belgrade Biennale [sr], organised by the Cultural Center of Belgrade [sr], in Belgrade, Serbia[14]
OSTEN Biennial of Drawing Skopje, North Macedonia[15]
Biennale de Paris
Riga International Biennial of Contemporary Art (RIBOCA), in Riga, Latvia[16]
São Paulo Art Biennial, in São Paulo, Brazil
SCAPE Public Art Christchurch Biennial in Christchurch, New Zealand[17]
Prospect New Orleans
Seoul Biennale of Architecture and Urbanism
Sequences, in Reykjavík, Iceland[18]
Shanghai Biennale
Sharjah Biennale, in Sharjah, UAE
Singapore Biennale, held in various locations across the city-state island of Singapore
Screen City Biennial, in Stavanger, Norway
Biennale of Sydney
Taipei Biennale, in Taipei, Taiwan
Taiwan Arts Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)
Taiwan Film Biennale, in Hammer Museum, Los Angeles, U.S.A.
Thessaloniki Biennale of Contemporary Art [el], in Thessaloniki, Greece[19]
Dream city, produced by ART Rue Association in Tunisia
Vancouver Biennale
Visayas Islands Visual Arts Exhibition and Conference (VIVA ExCon) in the Philippines [20]
Venice Biennale, in Venice, Italy, which includes:
Venice Biennale of Contemporary Art
Venice Biennale of Architecture
Venice Film Festival
Vladivostok biennale of Visual Arts, in Vladivostok, Russia
Whitney Biennial, hosted by the Whitney Museum of American Art, in New York City, NY, USA
Web Biennial, produced with teams from Athens, Berlin and Istanbul.
West Africa Architecture Biennale,[21] Virtual in Lagos, Nigeria.
WRO Biennale, in Wrocław, Poland[22]
Music Biennale Zagreb
[SHIFT:ibpcpa] The International Biennale of Performance, Collaborative and Participatory Arts, Nomadic, International, Scotland, UK.
—---Venice Biennale from wikipedia —
The Venice Biennale (/ˌbiːɛˈnɑːleɪ, -li/; Italian: La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation.[2][3][4] The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name biennale; biennial).[5][6][7] The other events hosted by the Foundation—spanning theatre, music, and dance—are held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido.[8]
Organization[edit]
Art Biennale
Art Biennale
International Art Exhibition
1895
Even-numbered years (since 2022)
Venice Biennale of Architecture
International Architecture Exhibition
1980
Odd-numbered years (since 2021)
Biennale Musica
International Festival of Contemporary Music
1930
Annually (Sep/Oct)
Biennale Teatro
International Theatre Festival
1934
Annually (Jul/Aug)
Venice Film Festival
Venice International Film Festival
1932
Annually (Aug/Sep)
Venice Dance Biennale
International Festival of Contemporary Dance
1999
Annually (June; biennially 2010–16)
International Kids' Carnival
2009
Annually (during Carnevale)
History
1895–1947
On April 19, 1893, the Venetian City Council passed a resolution to set up an biennial exhibition of Italian Art ("Esposizione biennale artistica nazionale") to celebrate the silver anniversary of King Umberto I and Margherita of Savoy.[11]
A year later, the council decreed "to adopt a 'by invitation' system; to reserve a section of the Exhibition for foreign artists too; to admit works by uninvited Italian artists, as selected by a jury."[12]
The first Biennale, "I Esposizione Internazionale d'Arte della Città di Venezia (1st International Art Exhibition of the City of Venice)" (although originally scheduled for April 22, 1894) was opened on April 30, 1895, by the Italian King and Queen, Umberto I and Margherita di Savoia. The first exhibition was seen by 224,000 visitors.
The event became increasingly international in the first decades of the 20th century: from 1907 on, several countries installed national pavilions at the exhibition, with the first being from Belgium. In 1910 the first internationally well-known artists were displayed: a room dedicated to Gustav Klimt, a one-man show for Renoir, a retrospective of Courbet. A work by Picasso "Family of Saltimbanques" was removed from the Spanish salon in the central Palazzo because it was feared that its novelty might shock the public. By 1914 seven pavilions had been established: Belgium (1907), Hungary (1909), Germany (1909), Great Britain (1909), France (1912), and Russia (1914).
During World War I, the 1916 and 1918 events were cancelled.[13] In 1920 the post of mayor of Venice and president of the Biennale was split. The new secretary general, Vittorio Pica brought about the first presence of avant-garde art, notably Impressionists and Post-Impressionists.
1922 saw an exhibition of sculpture by African artists. Between the two World Wars, many important modern artists had their work exhibited there. In 1928 the Istituto Storico d'Arte Contemporanea (Historical Institute of Contemporary Art) opened, which was the first nucleus of archival collections of the Biennale. In 1930 its name was changed into Historical Archive of Contemporary Art.
In 1930, the Biennale was transformed into an Ente Autonomo (Autonomous Board) by Royal Decree with law no. 33 of 13-1-1930. Subsequently, the control of the Biennale passed from the Venice city council to the national Fascist government under Benito Mussolini. This brought on a restructuring, an associated financial boost, as well as a new president, Count Giuseppe Volpi di Misurata. Three entirely new events were established, including the Biennale Musica in 1930, also referred to as International Festival of Contemporary Music; the Venice Film Festival in 1932, which they claim as the first film festival in history,[14] also referred to as Venice International Film Festival; and the Biennale Theatro in 1934, also referred to as International Theatre Festival.
In 1933 the Biennale organized an exhibition of Italian art abroad. From 1938, Grand Prizes were awarded in the art exhibition section.
During World War II, the activities of the Biennale were interrupted: 1942 saw the last edition of the events. The Film Festival restarted in 1946, the Music and Theatre festivals were resumed in 1947, and the Art Exhibition in 1948.[15]
1948–1973[edit]
The Art Biennale was resumed in 1948 with a major exhibition of a recapitulatory nature. The Secretary General, art historian Rodolfo Pallucchini, started with the Impressionists and many protagonists of contemporary art including Chagall, Klee, Braque, Delvaux, Ensor, and Magritte, as well as a retrospective of Picasso's work. Peggy Guggenheim was invited to exhibit her collection, later to be permanently housed at Ca' Venier dei Leoni.
1949 saw the beginning of renewed attention to avant-garde movements in European—and later worldwide—movements in contemporary art. Abstract expressionism was introduced in the 1950s, and the Biennale is credited with importing Pop Art into the canon of art history by awarding the top prize to Robert Rauschenberg in 1964.[16] From 1948 to 1972, Italian architect Carlo Scarpa did a series of remarkable interventions in the Biennale's exhibition spaces.
In 1954 the island San Giorgio Maggiore provided the venue for the first Japanese Noh theatre shows in Europe. 1956 saw the selection of films following an artistic selection and no longer based upon the designation of the participating country. The 1957 Golden Lion went to Satyajit Ray's Aparajito which introduced Indian cinema to the West.
1962 included Arte Informale at the Art Exhibition with Jean Fautrier, Hans Hartung, Emilio Vedova, and Pietro Consagra. The 1964 Art Exhibition introduced continental Europe to Pop Art (The Independent Group had been founded in Britain in 1952). The American Robert Rauschenberg was the first American artist to win the Gran Premio, and the youngest to date.
The student protests of 1968 also marked a crisis for the Biennale. Student protests hindered the opening of the Biennale. A resulting period of institutional changes opened and ending with a new Statute in 1973. In 1969, following the protests, the Grand Prizes were abandoned. These resumed in 1980 for the Mostra del Cinema and in 1986 for the Art Exhibition.[17]
In 1972, for the first time, a theme was adopted by the Biennale, called "Opera o comportamento" ("Work or Behaviour").
Starting from 1973 the Music Festival was no longer held annually. During the year in which the Mostra del Cinema was not held, there was a series of "Giornate del cinema italiano" (Days of Italian Cinema) promoted by sectorial bodies in campo Santa Margherita, in Venice.[18]
1974–1998[edit]
1974 saw the start of the four-year presidency of Carlo Ripa di Meana. The International Art Exhibition was not held (until it was resumed in 1976). Theatre and cinema events were held in October 1974 and 1975 under the title Libertà per il Cile (Freedom for Chile)—a major cultural protest against the dictatorship of Augusto Pinochet.
On 15 November 1977, the so-called Dissident Biennale (in reference to the dissident movement in the USSR) opened. Because of the ensuing controversies within the Italian left wing parties, president Ripa di Meana resigned at the end of the year.[19]
In 1979 the new presidency of Giuseppe Galasso (1979-1982) began. The principle was laid down whereby each of the artistic sectors was to have a permanent director to organise its activity.
In 1980, the Architecture section of the Biennale was set up. The director, Paolo Portoghesi, opened the Corderie dell'Arsenale to the public for the first time. At the Mostra del Cinema, the awards were brought back into being (between 1969 and 1979, the editions were non-competitive). In 1980, Achille Bonito Oliva and Harald Szeemann introduced "Aperto", a section of the exhibition designed to explore emerging art. Italian art historian Giovanni Carandente directed the 1988 and 1990 editions. A three-year gap was left afterwards to make sure that the 1995 edition would coincide with the 100th anniversary of the Biennale.[13]
The 1993 edition was directed by Achille Bonito Oliva. In 1995, Jean Clair was appointed to be the Biennale's first non-Italian director of visual arts[20] while Germano Celant served as director in 1997.
For the Centenary in 1995, the Biennale promoted events in every sector of its activity: the 34th Festival del Teatro, the 46th art exhibition, the 46th Festival di Musica, the 52nd Mostra del Cinema.[21]
1999–present[edit]
In 1999 and 2001, Harald Szeemann directed two editions in a row (48th & 49th) bringing in a larger representation of artists from Asia and Eastern Europe and more young artists than usual and expanded the show into several newly restored spaces of the Arsenale.
In 1999 a new sector was created for live shows: DMT (Dance Music Theatre).
The 50th edition, 2003, directed by Francesco Bonami, had a record number of seven co-curators involved, including Hans Ulrich Obrist, Catherine David, Igor Zabel, Hou Hanru and Massimiliano Gioni.
The 51st edition of the Biennale opened in June 2005, curated, for the first time by two women, Maria de Corral and Rosa Martinez. De Corral organized "The Experience of Art" which included 41 artists, from past masters to younger figures. Rosa Martinez took over the Arsenale with "Always a Little Further." Drawing on "the myth of the romantic traveler" her exhibition involved 49 artists, ranging from the elegant to the profane.
In 2007, Robert Storr became the first director from the United States to curate the Biennale (the 52nd), with a show entitled Think with the Senses – Feel with the Mind. Art in the Present Tense.
Swedish curator Daniel Birnbaum was artistic director of the 2009 edition entitled "Fare Mondi // Making Worlds".
The 2011 edition was curated by Swiss curator Bice Curiger entitled "ILLUMInazioni – ILLUMInations".
The Biennale in 2013 was curated by the Italian Massimiliano Gioni. His title and theme, Il Palazzo Enciclopedico / The Encyclopedic Palace, was adopted from an architectural model by the self-taught Italian-American artist Marino Auriti. Auriti's work, The Encyclopedic Palace of the World was lent by the American Folk Art Museum and exhibited in the first room of the Arsenale for the duration of the biennale. For Gioni, Auriti's work, "meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite," provided an analogous figure for the "biennale model itself...based on the impossible desire to concentrate the infinite worlds of contemporary art in a single place: a task that now seems as dizzyingly absurd as Auriti's dream."[22]
Curator Okwui Enwezor was responsible for the 2015 edition.[23] He was the first African-born curator of the biennial. As a catalyst for imagining different ways of imagining multiple desires and futures Enwezor commissioned special projects and programs throughout the Biennale in the Giardini. This included a Creative Time Summit, e-flux journal's SUPERCOMMUNITY, Gulf Labor Coalition, The Invisible Borders Trans-African Project and Abounaddara.[24][25]
The 2017 Biennale, titled Viva Arte Viva, was directed by French curator Christine Macel who called it an "exhibition inspired by humanism".[26] German artist Franz Erhard Walter won the Golden Lion for best artist, while Carolee Schneemann was awarded a posthumous Golden Lion for Lifetime Achievement.[27]
The 2019 Biennale, titled May You Live In Interesting Times, was directed by American-born curator Ralph Rugoff.[28]
The 2022 edition was curated by Italian curator Cecilia Alemani entitled "The Milk of Dreams" after a book by British-born Mexican surrealist painter Leonora Carrington.[29]
The Biennale has an attendance today of over 500,000 visitors.[30][31][32]
Role in the art market[edit]
When the Venice Biennale was founded in 1895, one of its main goals was to establish a new market for contemporary art. Between 1942 and 1968 a sales office assisted artists in finding clients and selling their work,[33] a service for which it charged 10% commission. Sales remained an intrinsic part of the biennale until 1968, when a sales ban was enacted. An important practical reason why the focus on non-commodities has failed to decouple Venice from the market is that the biennale itself lacks the funds to produce, ship and install these large-scale works. Therefore, the financial involvement of dealers is widely regarded as indispensable;[16] as they regularly front the funding for production of ambitious projects.[34] Furthermore, every other year the Venice Biennale coincides with nearby Art Basel, the world's prime commercial fair for modern and contemporary art. Numerous galleries with artists on show in Venice usually bring work by the same artists to Basel.[35]
Central Pavilion and Arsenale[edit]
The formal Biennale is based at a park, the Giardini. The Giardini includes a large exhibition hall that houses a themed exhibition curated by the Biennale's director.
Initiated in 1980, the Aperto began as a fringe event for younger artists and artists of a national origin not represented by the permanent national pavilions. This is usually staged in the Arsenale and has become part of the formal biennale programme. In 1995 there was no Aperto so a number of participating countries hired venues to show exhibitions of emerging artists. From 1999, both the international exhibition and the Aperto were held as one exhibition, held both at the Central Pavilion and the Arsenale. Also in 1999, a $1 million renovation transformed the Arsenale area into a cluster of renovated shipyards, sheds and warehouses, more than doubling the Arsenale's exhibition space of previous years.[36]
A special edition of the 54th Biennale was held at Padiglione Italia of Torino Esposizioni – Sala Nervi (December 2011 – February 2012) for the 150th Anniversary of Italian Unification. The event was directed by Vittorio Sgarbi.[37]
National pavilions[edit]
Main article: National pavilions at the Venice Biennale
The Giardini houses 30 permanent national pavilions.[13] Alongside the Central Pavilion, built in 1894 and later restructured and extended several times, the Giardini are occupied by a further 29 pavilions built at different periods by the various countries participating in the Biennale. The first nation to build a pavilion was Belgium in 1907, followed by Germany, Britain and Hungary in 1909.[13] The pavilions are the property of the individual countries and are managed by their ministries of culture.[38]
Countries not owning a pavilion in the Giardini are exhibited in other venues across Venice. The number of countries represented is still growing. In 2005, China was showing for the first time, followed by the African Pavilion and Mexico (2007), the United Arab Emirates (2009), and India (2011).[39]
The assignment of the permanent pavilions was largely dictated by the international politics of the 1930s and the Cold War. There is no single format to how each country manages their pavilion, established and emerging countries represented at the biennial maintain and fund their pavilions in different ways.[38] While pavilions are usually government-funded, private money plays an increasingly large role; in 2015, the pavilions of Iraq, Ukraine and Syria were completely privately funded.[40] The pavilion for Great Britain is always managed by the British Council[41] while the United States assigns the responsibility to a public gallery chosen by the Department of State which, since 1985, has been the Peggy Guggenheim Collection.[42] The countries at the Arsenale that request a temporary exhibition space pay a hire fee per square meter.[38]
In 2011, the countries were Albania, Andorra, Argentina, Australia, Austria, Bangladesh, Belarus, Belgium, Brazil, Bulgaria, Canada, Chile, China, Congo, Costa Rica, Croatia, Cuba, Cyprus, Czechia and Slovakia, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia, Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore, Slovenia, South Africa, Spain, Sweden, Switzerland, Syrian Arab Republic, Taiwan, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Wales and Zimbabwe. In addition to this there are two collective pavilions: Central Asia Pavilion and Istituto Italo-Latino Americano. In 2013, eleven new participant countries developed national pavilions for the Biennale: Angola, Bosnia and Herzegowina, the Bahamas, Bahrain, the Ivory Coast, Kosovo, Kuwait, the Maldives, Paraguay, Tuvalu, and the Holy See. In 2015, five new participant countries developed pavilions for the Biennale: Grenada,[43] Republic of Mozambique, Republic of Seychelles, Mauritius and Mongolia. In 2017, three countries participated in the Art Biennale for the first time: Antigua & Barbuda, Kiribati, and Nigeria.[44] In 2019, four countries participated in the Art Biennale for the first time: Ghana, Madagascar, Malaysia, and Pakistan.[45]
As well as the national pavilions there are countless "unofficial pavilions"[46] that spring up every year. In 2009 there were pavilions such as the Gabon Pavilion and a Peckham pavilion. In 2017 The Diaspora Pavilion bought together 19 artists from complex, multinational backgrounds to challenge the prevalence of the nation state at the Biennale.[47]
The Internet Pavilion (Italian: Padiglione Internet) was founded in 2009 as a platform for activists and artists working in new media.[48][49][50] Subsequent editions were held since,[51] 2013,[51] in conjunction with the biennale.[52]
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وینسVenetsiya
art umjetnost umění kunst taideτέχνη művészetList ealaínarte māksla menasartiKunst sztuka artăumenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
venice biennale Venezia Venedig biennalen Bienal_de_Venecia Venise Venecia Bienalo Bienal Biënnale Venetië Veneza Μπιενάλε της Βενετίας ヴェネツィ ア・ビエンナーレ 威尼斯双年展 Venedik Bienali Venetsian biennaali Wenecji biennial #venicebiennale #venicebiennial biennalism
Veneziako Venecija Venècia Venetië Veneetsia Venetsia VenedigΒ ενετία Velence Feneyjar Venice Venēcija Venezja Venezia Wenecja VenezaVeneția Venetsiya Benátky Benetke Fenisוועניס Վենետիկ ভেনি স威尼斯 威尼斯 ვენეციისવે નિસवेनिसヴ ェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya Italy italia
--------key words
headband protest fashion protestfashion artistic intervention performance artformat action installation critical critic critique institutional critic choregraphy scenography
#venicebiennale #biennalist #artformat #biennale #artbiennale #biennial
#BiennaleArte2024 #artformat
Please leave a Comment or Press "F" if you like!!!
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© "Copyright" || ® "All rights reserved" || 2011 Alessio Lo Re || Photography.
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الذي وهبها خالقها قبل أن تودع هذه الحياة . أن تُجزل في العطاء .
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والثانية الي ف الكومنت بَ اضاءة عادية وبِ وجود نويز ×
آيهم أحلى ؟
<3
الصورْ مِلك لَكم ، لكن مع حفظ آلحقوق دُون إنتزآعهآ < 3
وأفضل إخبآري بِ إخذهآ :$ <3 :$
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لـِ أسئِلتكُمْ ، ـإسَتِفسًآرآتَكُمْ ، نقدكم "
ASK ME |
تَجدوؤنيَ هٌنآ ، أسعد بَ متابعتكم <3 :
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إنطبآعاتكم عنِي "$
.,’
عذرآ ، سَ تُحذذف التعليقآت المُلحقة بِ آلصور ( المُخلة بِ الـآدآب ، صور آلشبآب ) ق1 : ) !
إن شاء الله
<3
Comments always appreciated - I love to hear your feedback! xx
Just a few pictures from this evening. Black and white floral summer dress by F&F.
FOLSOM STREET FAIR 2011-SAN FRANCISCO !
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Comments always appreciated, as long as you keep it clean - I love to hear your feedback! xx
We decided to do Newcastle for Easter weekend, and what a fantastic weekend we had!
Saturday night we tried out Rusty's Showbar. This used to be The Blonde Barrel but has been taken over by Rusty's and they have regular drag shows on.
We met lots of lovely people and the drag shows were brilliant! What a great night we had! Definitely going back there again.
Slow motion corridor walk in the hotel.
288 Likes on Instagram
9 Comments on Instagram:
vivo_oltre: @rebelbaron belle piantate 😂
giovamag: Molto bella 👏 👏 👏
mergjiotten: Super 😍 sei bravissimo 😍😍👏👏👏
fringuellino: Eccole
rebelbaron: @rosso__vivo esatto! 😉
rebelbaron: @giovamag grazie! ☺
rebelbaron: Ma grazie @mergjiotten ☺ ☺ ☺ ❇
rebelbaron: @fringuellino ti mancavano? 😉
Comments always appreciated, as long as you keep it clean - I love to hear your feedback! x
Sunday night we went to see our lovely and so talented friends Smooth Operator playing in Hedon.
We went for delicious food at the Camerton pub beforehand and even managed dessert before heading to see the gig.
Helen (the singer in Smooth Operator) even borrowed my Orinoco womble to wear while she was singing Wombling Merry Christmas, ha ha!
Ruelle strictement piétonne, quartier historique et sauvegardé !!!! C'est le grand saccage de notre maire, Delphine Labails... une inconsciente... et sans aucun doute, une irrémédiable incompétente...
Strictly pedestrian alley, historical and preserved district!!! This is the great destruction by our mayor, Delphine Labails... a reckless person... and without a doubt, an irredeemable
incompetent...
Madame Delphine Labails, maire de Périgueux, ou une vision des années soixante dix... Un échantillon parmi 8000 photos d'infractions prises par des riverains en quelques mois dans deux-trois ruelles exclusivement piétonnes, historiques à cinquante mètres d'une cathédrale classée au patrimoine de l'UNESCO) du grand saccage orchestré par cette dame à Périgueux. 8000 infractions d'automobiles, zéro verbalisation... un authentique record national... pour des ruelles piétonnes, à mettre au crédit de notre maire actuelle madame Delphine Labails... Cherchez donc l'erreur ! Merci madame Labails... Deux années que nous prévenons cette dame de son grand saccage... en vain ! Les riverains, les passants, les enfants, les touristes... Elle ? Dans dans sa grande léthargie... elle s'en contrefiche... alors oui une vision... des années soixante dix... Si nous sommes effrayés par une telle incompétence ? Oui. De grâce... sauvez nous de cette dame issue d'une autre époque...
le.grand.saccage@gmail.com
The “Sten”
In the words of Dave Hester YUUUUUUPPPPP!!!!(If you know where it’s from leave a comment!) Yup its review #7! And to honor the fact of black Friday I thought I’d do a fan favorite! The STEN! This is another one of my favorite protos. Will did an extremely good job on this. The highlight of this gun is the Stick mag! And the multi colors as well. But like I said the stick mag is the chase for this gun! I’ve seen so many people use it in creative ways, like on the aa-12 for example! Many people consider the sten to be two separate protos the mag and the gun it’s self. But anyway this goes great for WWII (of course) and, APOC/future. I say APOC/future because you can use the mag for the aa-12 like I said and the sten in like orange swirl without a mag looks futuristic. I truly recommend this gun for any collecter or builder!
Let’s head over to some Historical facts!
-This gun was made by Major Reginald V. Shepherd
-this I s a British made sub machine gun
-this was used in- WWII
Second Sino-Japanese War
Chinese Civil War
Indonesian National Revolution
Korean War
Mau Mau Uprising
Suez Crisis
1948 Arab-Israeli War
Sino-Indian War
Vietnam War
Turkish invasion of Cyprus
Indo-Pakistan Wars
IRA Border Campaign
Second Sino-Japanese War
Chinese Civil War
Indonesian National Revolution
Mau Mau Uprising
Suez Crisis
1948 Arab-Israeli War
Sino-Indian War
Turkish invasion of CyprusIndo-Pakistan Wars
IRA Border Campaign
That’s a whopping total of 24 Wars!!!!
-This gun was in mass production because it was made of very light and cheap metals!
-in just the 1940’s this gun was produced 4 MILLION TIMES!
-there are seven different variants of this gun
Thanks for tuning in and check out www.brickarsenal.com/ for some awesome brickarms!
-AT
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masochist
masokist
massterbait
masstrbait
masstrbate
masterbaiter
masterbate
masterbates
Motha Fucker
Motha Fuker
Motha Fukkah
Motha Fukker
Mother Fucker
Mother Fukah
Mother Fuker
Mother Fukkah
Mother Fukker
mother-fucker
Mutha Fucker
Mutha Fukah
Mutha Fuker
Mutha Fukkah
Mutha Fukker
n1gr
nastt
nigger;
nigur;
niiger;
niigr;
orafis
orgasim;
orgasm
orgasum
oriface
orifice
orifiss
packi
packie
packy
paki
pakie
paky
pecker
peeenus
peeenusss
peenus
peinus
pen1s
penas
penis
penis-breath
penus
penuus
Phuc
Phuck
Phuk
Phuker
Phukker
polac
polack
polak
Poonani
pr1c
pr1ck
pr1k
pusse
pussee
pussy
puuke
puuker
queer
queers
queerz
qweers
qweerz
qweir
recktum
rectum
retard
sadist
scank
schlong
screwing
semen
sex
sexy
Sh!t
sh1t
sh1ter
sh1ts
sh1tter
sh1tz
shit
shits
shitter
Shitty
Shity
shitz
Shyt
Shyte
Shytty
Shyty
skanck
skank
skankee
skankey
skanks
Skanky
slut
sluts
Slutty
slutz
son-of-a-bitch
tit
turd
va1jina
vag1na
vagiina
vagina
vaj1na
vajina
vullva
vulva
w0p
wh00r
wh0re
whore
xrated
xxx
b!+ch
bitch
blowjob
clit
arschloch
fuck
shit
ass
asshole
b!tch
b17ch
b1tch
bastard
bi+ch
boiolas
buceta
c0ck
cawk
chink
cipa
clits
cock
cum
cunt
dildo
dirsa
ejakulate
fatass
fcuk
fuk
fux0r
hoer
hore
jism
kawk
l3itch
l3i+ch
lesbian
masturbate
masterbat*
masterbat3
motherfucker
s.o.b.
mofo
nazi
nigga
nigger
nutsack
phuck
pimpis
pusse
pussy
scrotum
sh!t
shemale
shi+
sh!+
slut
smut
teets
tits
boobs
b00bs
teez
testical
testicle
titt
w00se
jackoff
wank
whoar
whore
*damn
*dyke
*fuck*
*shit*
@$$
amcik
andskota
arse*
assrammer
ayir
bi7ch
bitch*
bollock*
breasts
butt-pirate
cabron
cazzo
chraa
chuj
Cock*
cunt*
d4mn
daygo
dego
dick*
dike*
dupa
dziwka
ejackulate
Ekrem*
Ekto
enculer
faen
fag*
fanculo
fanny
feces
feg
Felcher
ficken
fitt*
Flikker
foreskin
Fotze
Fu(*
fuk*
futkretzn
gay
gook
guiena
h0r
h4x0r
hell
helvete
hoer*
honkey
Huevon
hui
injun
jizz
kanker*
kike
klootzak
kraut
knulle
kuk
kuksuger
Kurac
kurwa
kusi*
kyrpa*
lesbo
mamhoon
masturbat*
merd*
mibun
monkleigh
mouliewop
muie
mulkku
muschi
nazis
nepesaurio
nigger*
orospu
paska*
perse
picka
pierdol*
pillu*
pimmel
piss*
pizda
poontsee
poop
porn
p0rn
pr0n
preteen
pula
pule
puta
puto
qahbeh
queef*
rautenberg
schaffer
scheiss*
schlampe
schmuck
screw
sh!t*
sharmuta
sharmute
shipal
shiz
skribz
skurwysyn
sphencter
spic
spierdalaj
splooge
suka
b00b*
testicle*
titt*
twat
vittu
wank*
wetback*
wichser
wop*
yed
zabourah
Abo abos
arse
asshole assholes
badass badasses
badassed
ballsy ballsier ballsiest
bazooms
blowjob blowjobs
boche boches
boobie
buckra buckras
bubby bubbies
bullshit bullshits bullshitted bullshitting
coloreds
comsymp comsymps
crapper crappers
cunt cunts
dago dagoes dagos
darkey darkeys
darkie
darky darkies
dicked dicking
dikey
dykey
faggotry faggotries
faggoty
faggy
fart farted farting farts
fatso fatsoes fatsos
frig frigged frigging frigs
fuck fucked fucking fucks
fucker fuckers
fuckup fuckups
gangbang gangbangs
goy goyim goys
goyish
gringo gringos
haole haoles
hebe hebes
honkey honkeys
honkie
honky honkies
hunkies
jesuit jesuits
jesuitic
jesuitries jesuitry
jew jewed jewing jews
jigaboo jigaboos
jism jisms
kike kikes
lez lezzes
lezzie lezzies
lezzy
libber libbers
merde merdes
mick micks
nance nances
nancy nancies
nigger niggers
nitchie nitchies
nooky nookies
ofay ofays
papist papists
papistic
papistry papistries
peed peeing
piss pissed pisses pissing
pisser pissers
pom poms
pommie pommies
pommy
poofs
pooftah pooftahs
poofter poofters
poofy
poove pooves
popery poperies
popish
popishly
redneck rednecks
redskin redskins
sheeney sheeneys
sheenie sheenies
shegetz shkotzim
shicksa shicksas
shiksa shiksas
shikse shikses
shit shat shits shitted shitting
shithead shitheads
shitty shittier shittiest
skimo skimos
spic spics
spick spicks
spik spiks
squaw squaws
tommed tomming
turd turds
twat twats
wetback wetbacks
whiteys
whities
wog wogs
wop wops
yid yids
99899
ass
amateur
bent
blow
job
bottom
boob
breast
cameltoe
clitoris
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+4 in comments
Out of focus, but for some reason I like the breath! It is really cold!
More pictures I like, but not enough to put up alone in comments
For the record, I am not smoking, that is just my breath! Hahaha...
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An African spoonbill feeds in a watering hole in Ngorongoro Crater, northern Tanzania. c.2019 John M. Hudson | jmhudson1.com
Thank you for your views and comments; they are always much appreciated.
This is a set of 7 images. The Zegeer House in Jenkins, Kentucky was built circa 1911, the materials being stucco (I think) and wood. I’m not sure of the architectural style, but it does have some features of the Prairie style. The house with its whites and browns blends into the landscape. It is sited on a slightly rising elevation and a good distance from the street; and with many trees on the front lawn a full view of the house was impossible; the land behind the house is full growth woods. An idea of the front façade may be realized by viewing the rear (Image 4), excluding the garage, as it closely approximates the front. It’s a more horizontal structure than vertical and has a large centrally located chimney. The low-pitched roof has prominent eaves that exist throughout the structure with simple, thin brackets in the cornice. The substantial front gable (from which the chimney rises) extends to the rear and a line of five 6/6 sash windows. A large picture window on the front façade under the gable. The use of vertical bands of wood on plaster suggests a Tudor influence, and it’s the wood on stucco that provides the ornamentation of the house. The appearance of panels is created by enclosing the white stucco with wood trim cut into specific shapes and designs, particularly the line of columns under the gable windows. The porch is open with Tuscan-like columns supporting the porch roof. The entry is de-emphasized, a single door with two decorated, vertical lights; the same pattern in the door is continued in the sidelights. Just behind my vantage point is a small lake, which gives the house a commanding position in a beautiful setting.
I was unable to find any information regarding this house, the name and date coming from a local resident who was passing as I was wrapped up in the beauty of this home. This is definitely one of my favorite houses.
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All best wish happy and take care 2022
Aber Lin
March/24/2022
😍😍😷😷💉💉💉😷😷😍😍
Comment parler de ce bar, endroit mythique à Belèm et connu de tous ses habitants ?
Certainement l'endroit de Belèm que j'ai préféré et qui m'a le plus marqué aussi !
Ce petit kiosque jaune, place de la république, avec sa terrasse planquée sous d'immenses manguiers ne paie pas de mine et pourtant !
Il est ouvert 24h/24h et j'y ai même passé mes 3 soirées !
C'est le rendez-vous de tout de ce que la faune de Belèm peut proposer : simples consommateurs, bohèmes, mendiants, commerçants de rue, vieillards sans âge , prostituées et clients, dealers et drogués , paumés, etc...
Un spectacle continu qui ne semble jamais vouloir s'arrêter au fil et à mesure des arrivées et des départs.
Dès le soleil couché il revêt un coté glauque et inquiétant car la faune nocturne est là mais pas de danger la police militaire n'est pas loin et les serveurs (aussi typiques que l'endroit) sont là pour maintenir tant que possible en bonne intelligence tout ce petit monde !
Ca peut partir en vrille à n'importe quel moment l'alcool aidant on le sait !
On y mange, on y boit (les caipirinhas y sont délicieuses), on y parle, on y rit et on regarde ce défilé incroyable et exotique avant de rentrer prudemment chez soi... :)
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