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Please leave a comment if you fave, it is lovely to hear what you think of my pictures! xx
Hull Pride day was absolutely awesome! My god it was a hot one though!
I was so proud of my city on this day - the love and warmth around on Pride days is amazing! Such a sense of community and togetherness!
At the parade itself.
I created these a little while ago, using most of those oh-so-familiar comic non-verbal balloons, mainly to create icons for myself, and little simple designs I might enjoy on my own t-shirts this summer. If any interest you, I've put together a CafePress shop called No Comment
I want the apron. I'm very much the bitchy chef in the kitchen.
i couldn't decide which photo...the husband liked this one better and i do for the composition, but i like the look on my face in the photo posted in the comments.
Biennalist
Biennalist is an Art Format commenting on active biennials and managed cultural events through artworks.Biennalist takes the thematics of the biennales and similar events like festivals and conferences seriously, questioning the established structures of the staged art events in order to contribute to the debate, which they wish to generate.
About artist Thierry Geoffroy/Colonel:
en.wikipedia.org/wiki/Thierry_Geoffroy
en.wikipedia.org/wiki/Emergency_Room_(art)
www.emergencyrooms.org/formats.html
Biennalist :
Biennalist is an Art Format commenting on active biennials and managed cultural events through artworks.Biennalist takes the thematics of the biennales and similar events like festivals and conferences seriously, questioning the established structures of the staged art events in order to contribute to the debate, which they wish to generate.
-------------------------------------------
links about Biennalist :
Thierry Geoffroy/Colonel:
en.wikipedia.org/wiki/Thierry_Geoffroy
en.wikipedia.org/wiki/Emergency_Room_(art)
www.emergencyrooms.org/formats.html
—--Biennale from wikipedia —--
The Venice International Film Festival is part of the Venice Biennale. The famous Golden Lion is awarded to the best film screening at the competition.
Biennale (Italian: [bi.enˈnaːle]), Italian for "biennial" or "every other year", is any event that happens every two years. It is most commonly used within the art world to describe large-scale international contemporary art exhibitions. As such the term was popularised by Venice Biennale, which was first held in 1895. Since the 1990s, the terms "biennale" and "biennial" have been interchangeably used in a more generic way - to signify a large-scale international survey show of contemporary art that recurs at regular intervals but not necessarily biannual (such as triennials, Documenta, Skulptur Projekte Münster).[1] The phrase has also been used for other artistic events, such as the "Biennale de Paris", "Kochi-Muziris Biennale", Berlinale (for the Berlin International Film Festival) and Viennale (for Vienna's international film festival).
Characteristics[edit]
According to author Federica Martini, what is at stake in contemporary biennales is the diplomatic/international relations potential as well as urban regeneration plans. Besides being mainly focused on the present (the “here and now” where the cultural event takes place and their effect of "spectacularisation of the everyday"), because of their site-specificity cultural events may refer back to,[who?] produce or frame the history of the site and communities' collective memory.[2]
The Great Exhibition in The Crystal Palace in Hyde Park, London, in 1851, the first attempt to condense the representation of the world within a unitary exhibition space.
A strong and influent symbol of biennales and of large-scale international exhibitions in general is the Crystal Palace, the gigantic and futuristic London architecture that hosted the Great Exhibition in 1851. According to philosopher Peter Sloterdijk,[3][page needed] the Crystal Palace is the first attempt to condense the representation of the world in a unitary exhibition space, where the main exhibit is society itself in an a-historical, spectacular condition. The Crystal Palace main motives were the affirmation of British economic and national leadership and the creation of moments of spectacle. In this respect, 19th century World fairs provided a visual crystallization of colonial culture and were, at the same time, forerunners of contemporary theme parks.
The Venice Biennale as an archetype[edit]
The structure of the Venice Biennale in 2005 with an international exhibition and the national pavilions.
The Venice Biennale, a periodical large-scale cultural event founded in 1895, served as an archetype of the biennales. Meant to become a World Fair focused on contemporary art, the Venice Biennale used as a pretext the wedding anniversary of the Italian king and followed up to several national exhibitions organised after Italy unification in 1861. The Biennale immediately put forth issues of city marketing, cultural tourism and urban regeneration, as it was meant to reposition Venice on the international cultural map after the crisis due to the end of the Grand Tour model and the weakening of the Venetian school of painting. Furthermore, the Gardens where the Biennale takes place were an abandoned city area that needed to be re-functionalised. In cultural terms, the Biennale was meant to provide on a biennial basis a platform for discussing contemporary art practices that were not represented in fine arts museums at the time. The early Biennale model already included some key points that are still constitutive of large-scale international art exhibitions today: a mix of city marketing, internationalism, gentrification issues and destination culture, and the spectacular, large scale of the event.
Biennials after the 1990s[edit]
The situation of biennials has changed in the contemporary context: while at its origin in 1895 Venice was a unique cultural event, but since the 1990s hundreds of biennials have been organized across the globe. Given the ephemeral and irregular nature of some biennials, there is little consensus on the exact number of biennials in existence at any given time.[citation needed] Furthermore, while Venice was a unique agent in the presentation of contemporary art, since the 1960s several museums devoted to contemporary art are exhibiting the contemporary scene on a regular basis. Another point of difference concerns 19th century internationalism in the arts, that was brought into question by post-colonial debates and criticism of the contemporary art “ethnic marketing”, and also challenged the Venetian and World Fair’s national representation system. As a consequence of this, Eurocentric tendency to implode the whole word in an exhibition space, which characterises both the Crystal Palace and the Venice Biennale, is affected by the expansion of the artistic geographical map to scenes traditionally considered as marginal. The birth of the Havana Biennial in 1984 is widely considered an important counterpoint to the Venetian model for its prioritization of artists working in the Global South and curatorial rejection of the national pavilion model.
International biennales[edit]
In the term's most commonly used context of major recurrent art exhibitions:
Adelaide Biennial of Australian Art, South Australia
Asian Art Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)
Athens Biennale, in Athens, Greece
Bienal de Arte Paiz, in Guatemala City, Guatemala[4]
Arts in Marrakech (AiM) International Biennale (Arts in Marrakech Festival)
Bamako Encounters, a biennale of photography in Mali
Bat-Yam International Biennale of Landscape Urbanism
Beijing Biennale
Berlin Biennale (contemporary art biennale, to be distinguished from Berlinale, which is a film festival)
Bergen Assembly (triennial for contemporary art in Bergen, Norway)www.bergenassembly.no
Bi-City Biennale of Urbanism\Architecture, in Shenzhen and Hong Kong, China
Bienal de Arte de Ponce in Ponce, Puerto Rico
Biënnale van België, Biennial of Belgium, Belgium
BiennaleOnline Online biennial exhibition of contemporary art from the most promising emerging artists.
Biennial of Hawaii Artists
Biennale de la Biche, the smallest biennale in the world held at deserted island near Guadeloupe, French overseas region[5][6]
Biwako Biennale [ja], in Shiga, Japan
La Biennale de Montreal
Biennale of Luanda : Pan-African Forum for the Culture of Peace,[7] Angola
Boom Festival, international music and culture festival in Idanha-a-Nova, Portugal
Bucharest Biennale in Bucharest, Romania
Bushwick Biennial, in Bushwick, Brooklyn, New York
Canakkale Biennial, in Canakkale, Turkey
Cerveira International Art Biennial, Vila Nova de Cerveira, Portugal [8]
Changwon Sculpture Biennale in Changwon, South Korea
Dakar Biennale, also called Dak'Art, biennale in Dakar, Senegal
Documenta, contemporary art exhibition held every five years in Kassel, Germany
Estuaire (biennale), biennale in Nantes and Saint-Nazaire, France
EVA International, biennial in Limerick, Republic of Ireland
Göteborg International Biennial for Contemporary Art, in Gothenburg, Sweden[9]
Greater Taipei Contemporary Art Biennial, in Taipei, Taiwan
Gwangju Biennale, Asia's first and most prestigious contemporary art biennale
Havana biennial, in Havana, Cuba
Helsinki Biennial, in Helsinki, Finland
Herzliya Biennial For Contemporary Art, in Herzliya, Israel
Incheon Women Artists' Biennale, in Incheon, South Korea
Iowa Biennial, in Iowa, USA
Istanbul Biennial, in Istanbul, Turkey
International Roaming Biennial of Tehran, in Tehran and Istanbul
Jakarta Biennale, in Jakarta, Indonesia
Jerusalem Biennale, in Jerusalem, Israel
Jogja Biennale, in Yogyakarta, Indonesia
Karachi Biennale, in Karachi, Pakistan
Keelung Harbor Biennale, in Keelung, Taiwan
Kochi-Muziris Biennale, largest art exhibition in India, in Kochi, Kerala, India
Kortrijk Design Biennale Interieur, in Kortrijk, Belgium
Kobe Biennale, in Japan
Kuandu Biennale, in Taipei, Taiwan
Lagos Biennial, in Lagos, Nigeria[10]
Light Art Biennale Austria, in Austria
Liverpool Biennial, in Liverpool, UK
Lofoten International Art Festival [no] (LIAF), on the Lofoten archipelago, Norway[11]
Manifesta, European Biennale of contemporary art in different European cities
Mediations Biennale, in Poznań, Poland
Melbourne International Biennial 1999
Mediterranean Biennale in Sakhnin 2013
MOMENTA Biennale de l'image [fr] (formerly known as Le Mois de la Photo à Montréal), in Montreal, Canada
MOMENTUM [no], in Moss, Norway[12]
Moscow Biennale, in Moscow, Russia
Munich Biennale, new opera and music-theatre in even-numbered years
Mykonos Biennale
Nakanojo Biennale[13]
NGV Triennial, contemporary art exhibition held every three years at the National Gallery of Victoria, Melbourne, Australia
October Salon – Belgrade Biennale [sr], organised by the Cultural Center of Belgrade [sr], in Belgrade, Serbia[14]
OSTEN Biennial of Drawing Skopje, North Macedonia[15]
Biennale de Paris
Riga International Biennial of Contemporary Art (RIBOCA), in Riga, Latvia[16]
São Paulo Art Biennial, in São Paulo, Brazil
SCAPE Public Art Christchurch Biennial in Christchurch, New Zealand[17]
Prospect New Orleans
Seoul Biennale of Architecture and Urbanism
Sequences, in Reykjavík, Iceland[18]
Shanghai Biennale
Sharjah Biennale, in Sharjah, UAE
Singapore Biennale, held in various locations across the city-state island of Singapore
Screen City Biennial, in Stavanger, Norway
Biennale of Sydney
Taipei Biennale, in Taipei, Taiwan
Taiwan Arts Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)
Taiwan Film Biennale, in Hammer Museum, Los Angeles, U.S.A.
Thessaloniki Biennale of Contemporary Art [el], in Thessaloniki, Greece[19]
Dream city, produced by ART Rue Association in Tunisia
Vancouver Biennale
Visayas Islands Visual Arts Exhibition and Conference (VIVA ExCon) in the Philippines [20]
Venice Biennale, in Venice, Italy, which includes:
Venice Biennale of Contemporary Art
Venice Biennale of Architecture
Venice Film Festival
Vladivostok biennale of Visual Arts, in Vladivostok, Russia
Whitney Biennial, hosted by the Whitney Museum of American Art, in New York City, NY, USA
Web Biennial, produced with teams from Athens, Berlin and Istanbul.
West Africa Architecture Biennale,[21] Virtual in Lagos, Nigeria.
WRO Biennale, in Wrocław, Poland[22]
Music Biennale Zagreb
[SHIFT:ibpcpa] The International Biennale of Performance, Collaborative and Participatory Arts, Nomadic, International, Scotland, UK.
—---Venice Biennale from wikipedia —
The Venice Biennale (/ˌbiːɛˈnɑːleɪ, -li/; Italian: La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation.[2][3][4] The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name biennale; biennial).[5][6][7] The other events hosted by the Foundation—spanning theatre, music, and dance—are held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido.[8]
Organization[edit]
Art Biennale
Art Biennale
International Art Exhibition
1895
Even-numbered years (since 2022)
Venice Biennale of Architecture
International Architecture Exhibition
1980
Odd-numbered years (since 2021)
Biennale Musica
International Festival of Contemporary Music
1930
Annually (Sep/Oct)
Biennale Teatro
International Theatre Festival
1934
Annually (Jul/Aug)
Venice Film Festival
Venice International Film Festival
1932
Annually (Aug/Sep)
Venice Dance Biennale
International Festival of Contemporary Dance
1999
Annually (June; biennially 2010–16)
International Kids' Carnival
2009
Annually (during Carnevale)
History
1895–1947
On April 19, 1893, the Venetian City Council passed a resolution to set up an biennial exhibition of Italian Art ("Esposizione biennale artistica nazionale") to celebrate the silver anniversary of King Umberto I and Margherita of Savoy.[11]
A year later, the council decreed "to adopt a 'by invitation' system; to reserve a section of the Exhibition for foreign artists too; to admit works by uninvited Italian artists, as selected by a jury."[12]
The first Biennale, "I Esposizione Internazionale d'Arte della Città di Venezia (1st International Art Exhibition of the City of Venice)" (although originally scheduled for April 22, 1894) was opened on April 30, 1895, by the Italian King and Queen, Umberto I and Margherita di Savoia. The first exhibition was seen by 224,000 visitors.
The event became increasingly international in the first decades of the 20th century: from 1907 on, several countries installed national pavilions at the exhibition, with the first being from Belgium. In 1910 the first internationally well-known artists were displayed: a room dedicated to Gustav Klimt, a one-man show for Renoir, a retrospective of Courbet. A work by Picasso "Family of Saltimbanques" was removed from the Spanish salon in the central Palazzo because it was feared that its novelty might shock the public. By 1914 seven pavilions had been established: Belgium (1907), Hungary (1909), Germany (1909), Great Britain (1909), France (1912), and Russia (1914).
During World War I, the 1916 and 1918 events were cancelled.[13] In 1920 the post of mayor of Venice and president of the Biennale was split. The new secretary general, Vittorio Pica brought about the first presence of avant-garde art, notably Impressionists and Post-Impressionists.
1922 saw an exhibition of sculpture by African artists. Between the two World Wars, many important modern artists had their work exhibited there. In 1928 the Istituto Storico d'Arte Contemporanea (Historical Institute of Contemporary Art) opened, which was the first nucleus of archival collections of the Biennale. In 1930 its name was changed into Historical Archive of Contemporary Art.
In 1930, the Biennale was transformed into an Ente Autonomo (Autonomous Board) by Royal Decree with law no. 33 of 13-1-1930. Subsequently, the control of the Biennale passed from the Venice city council to the national Fascist government under Benito Mussolini. This brought on a restructuring, an associated financial boost, as well as a new president, Count Giuseppe Volpi di Misurata. Three entirely new events were established, including the Biennale Musica in 1930, also referred to as International Festival of Contemporary Music; the Venice Film Festival in 1932, which they claim as the first film festival in history,[14] also referred to as Venice International Film Festival; and the Biennale Theatro in 1934, also referred to as International Theatre Festival.
In 1933 the Biennale organized an exhibition of Italian art abroad. From 1938, Grand Prizes were awarded in the art exhibition section.
During World War II, the activities of the Biennale were interrupted: 1942 saw the last edition of the events. The Film Festival restarted in 1946, the Music and Theatre festivals were resumed in 1947, and the Art Exhibition in 1948.[15]
1948–1973[edit]
The Art Biennale was resumed in 1948 with a major exhibition of a recapitulatory nature. The Secretary General, art historian Rodolfo Pallucchini, started with the Impressionists and many protagonists of contemporary art including Chagall, Klee, Braque, Delvaux, Ensor, and Magritte, as well as a retrospective of Picasso's work. Peggy Guggenheim was invited to exhibit her collection, later to be permanently housed at Ca' Venier dei Leoni.
1949 saw the beginning of renewed attention to avant-garde movements in European—and later worldwide—movements in contemporary art. Abstract expressionism was introduced in the 1950s, and the Biennale is credited with importing Pop Art into the canon of art history by awarding the top prize to Robert Rauschenberg in 1964.[16] From 1948 to 1972, Italian architect Carlo Scarpa did a series of remarkable interventions in the Biennale's exhibition spaces.
In 1954 the island San Giorgio Maggiore provided the venue for the first Japanese Noh theatre shows in Europe. 1956 saw the selection of films following an artistic selection and no longer based upon the designation of the participating country. The 1957 Golden Lion went to Satyajit Ray's Aparajito which introduced Indian cinema to the West.
1962 included Arte Informale at the Art Exhibition with Jean Fautrier, Hans Hartung, Emilio Vedova, and Pietro Consagra. The 1964 Art Exhibition introduced continental Europe to Pop Art (The Independent Group had been founded in Britain in 1952). The American Robert Rauschenberg was the first American artist to win the Gran Premio, and the youngest to date.
The student protests of 1968 also marked a crisis for the Biennale. Student protests hindered the opening of the Biennale. A resulting period of institutional changes opened and ending with a new Statute in 1973. In 1969, following the protests, the Grand Prizes were abandoned. These resumed in 1980 for the Mostra del Cinema and in 1986 for the Art Exhibition.[17]
In 1972, for the first time, a theme was adopted by the Biennale, called "Opera o comportamento" ("Work or Behaviour").
Starting from 1973 the Music Festival was no longer held annually. During the year in which the Mostra del Cinema was not held, there was a series of "Giornate del cinema italiano" (Days of Italian Cinema) promoted by sectorial bodies in campo Santa Margherita, in Venice.[18]
1974–1998[edit]
1974 saw the start of the four-year presidency of Carlo Ripa di Meana. The International Art Exhibition was not held (until it was resumed in 1976). Theatre and cinema events were held in October 1974 and 1975 under the title Libertà per il Cile (Freedom for Chile)—a major cultural protest against the dictatorship of Augusto Pinochet.
On 15 November 1977, the so-called Dissident Biennale (in reference to the dissident movement in the USSR) opened. Because of the ensuing controversies within the Italian left wing parties, president Ripa di Meana resigned at the end of the year.[19]
In 1979 the new presidency of Giuseppe Galasso (1979-1982) began. The principle was laid down whereby each of the artistic sectors was to have a permanent director to organise its activity.
In 1980, the Architecture section of the Biennale was set up. The director, Paolo Portoghesi, opened the Corderie dell'Arsenale to the public for the first time. At the Mostra del Cinema, the awards were brought back into being (between 1969 and 1979, the editions were non-competitive). In 1980, Achille Bonito Oliva and Harald Szeemann introduced "Aperto", a section of the exhibition designed to explore emerging art. Italian art historian Giovanni Carandente directed the 1988 and 1990 editions. A three-year gap was left afterwards to make sure that the 1995 edition would coincide with the 100th anniversary of the Biennale.[13]
The 1993 edition was directed by Achille Bonito Oliva. In 1995, Jean Clair was appointed to be the Biennale's first non-Italian director of visual arts[20] while Germano Celant served as director in 1997.
For the Centenary in 1995, the Biennale promoted events in every sector of its activity: the 34th Festival del Teatro, the 46th art exhibition, the 46th Festival di Musica, the 52nd Mostra del Cinema.[21]
1999–present[edit]
In 1999 and 2001, Harald Szeemann directed two editions in a row (48th & 49th) bringing in a larger representation of artists from Asia and Eastern Europe and more young artists than usual and expanded the show into several newly restored spaces of the Arsenale.
In 1999 a new sector was created for live shows: DMT (Dance Music Theatre).
The 50th edition, 2003, directed by Francesco Bonami, had a record number of seven co-curators involved, including Hans Ulrich Obrist, Catherine David, Igor Zabel, Hou Hanru and Massimiliano Gioni.
The 51st edition of the Biennale opened in June 2005, curated, for the first time by two women, Maria de Corral and Rosa Martinez. De Corral organized "The Experience of Art" which included 41 artists, from past masters to younger figures. Rosa Martinez took over the Arsenale with "Always a Little Further." Drawing on "the myth of the romantic traveler" her exhibition involved 49 artists, ranging from the elegant to the profane.
In 2007, Robert Storr became the first director from the United States to curate the Biennale (the 52nd), with a show entitled Think with the Senses – Feel with the Mind. Art in the Present Tense.
Swedish curator Daniel Birnbaum was artistic director of the 2009 edition entitled "Fare Mondi // Making Worlds".
The 2011 edition was curated by Swiss curator Bice Curiger entitled "ILLUMInazioni – ILLUMInations".
The Biennale in 2013 was curated by the Italian Massimiliano Gioni. His title and theme, Il Palazzo Enciclopedico / The Encyclopedic Palace, was adopted from an architectural model by the self-taught Italian-American artist Marino Auriti. Auriti's work, The Encyclopedic Palace of the World was lent by the American Folk Art Museum and exhibited in the first room of the Arsenale for the duration of the biennale. For Gioni, Auriti's work, "meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite," provided an analogous figure for the "biennale model itself...based on the impossible desire to concentrate the infinite worlds of contemporary art in a single place: a task that now seems as dizzyingly absurd as Auriti's dream."[22]
Curator Okwui Enwezor was responsible for the 2015 edition.[23] He was the first African-born curator of the biennial. As a catalyst for imagining different ways of imagining multiple desires and futures Enwezor commissioned special projects and programs throughout the Biennale in the Giardini. This included a Creative Time Summit, e-flux journal's SUPERCOMMUNITY, Gulf Labor Coalition, The Invisible Borders Trans-African Project and Abounaddara.[24][25]
The 2017 Biennale, titled Viva Arte Viva, was directed by French curator Christine Macel who called it an "exhibition inspired by humanism".[26] German artist Franz Erhard Walter won the Golden Lion for best artist, while Carolee Schneemann was awarded a posthumous Golden Lion for Lifetime Achievement.[27]
The 2019 Biennale, titled May You Live In Interesting Times, was directed by American-born curator Ralph Rugoff.[28]
The 2022 edition was curated by Italian curator Cecilia Alemani entitled "The Milk of Dreams" after a book by British-born Mexican surrealist painter Leonora Carrington.[29]
The Biennale has an attendance today of over 500,000 visitors.[30][31][32]
Role in the art market[edit]
When the Venice Biennale was founded in 1895, one of its main goals was to establish a new market for contemporary art. Between 1942 and 1968 a sales office assisted artists in finding clients and selling their work,[33] a service for which it charged 10% commission. Sales remained an intrinsic part of the biennale until 1968, when a sales ban was enacted. An important practical reason why the focus on non-commodities has failed to decouple Venice from the market is that the biennale itself lacks the funds to produce, ship and install these large-scale works. Therefore, the financial involvement of dealers is widely regarded as indispensable;[16] as they regularly front the funding for production of ambitious projects.[34] Furthermore, every other year the Venice Biennale coincides with nearby Art Basel, the world's prime commercial fair for modern and contemporary art. Numerous galleries with artists on show in Venice usually bring work by the same artists to Basel.[35]
Central Pavilion and Arsenale[edit]
The formal Biennale is based at a park, the Giardini. The Giardini includes a large exhibition hall that houses a themed exhibition curated by the Biennale's director.
Initiated in 1980, the Aperto began as a fringe event for younger artists and artists of a national origin not represented by the permanent national pavilions. This is usually staged in the Arsenale and has become part of the formal biennale programme. In 1995 there was no Aperto so a number of participating countries hired venues to show exhibitions of emerging artists. From 1999, both the international exhibition and the Aperto were held as one exhibition, held both at the Central Pavilion and the Arsenale. Also in 1999, a $1 million renovation transformed the Arsenale area into a cluster of renovated shipyards, sheds and warehouses, more than doubling the Arsenale's exhibition space of previous years.[36]
A special edition of the 54th Biennale was held at Padiglione Italia of Torino Esposizioni – Sala Nervi (December 2011 – February 2012) for the 150th Anniversary of Italian Unification. The event was directed by Vittorio Sgarbi
Comments always appreciated, as long as you keep it clean - I love to hear your feedback! xx
Seems there were quite a few May nights in at home for a change! Ha ha!
Would you guys like to see custom Mighty Micros? If you do, should I design figs to go with them?
Please leave a comment below on your opinion. If you say yes, leave any recommendations you have.
(Picture from The Brick Fan)
إنني أستجدي نفسي لتنثر كل الورد
الذي وهبها خالقها قبل أن تودع هذه الحياة . أن تُجزل في العطاء .
*أفنان عبدالعزيز
الأصلية بَ إضاءة شمس :$
والثانية الي ف الكومنت بَ اضاءة عادية وبِ وجود نويز ×
آيهم أحلى ؟
<3
الصورْ مِلك لَكم ، لكن مع حفظ آلحقوق دُون إنتزآعهآ < 3
وأفضل إخبآري بِ إخذهآ :$ <3 :$
*
لـِ أسئِلتكُمْ ، ـإسَتِفسًآرآتَكُمْ ، نقدكم "
ASK ME |
تَجدوؤنيَ هٌنآ ، أسعد بَ متابعتكم <3 :
Twitter |
إنطبآعاتكم عنِي "$
.,’
عذرآ ، سَ تُحذذف التعليقآت المُلحقة بِ آلصور ( المُخلة بِ الـآدآب ، صور آلشبآب ) ق1 : ) !
إن شاء الله
<3
(Previous KOM League Flash Reports are available on request)
Comment regarding SPAM. The vocabulary gets changed with each generation. You all know what I talking about without my having to illustrate how the meaning of words change. One of the greatest stories for which I don't recall all the details occurred during the opening of a large supermarket in Columbia, Mo. in the 1970's. One of the items they featured on sale was SPAM. A young reporter for either one of the two newspapers or television station covered the opening and was impressed with the large display of SPAM.
Being a good and inquisitive reporter he inquired as to the composition of the product. The store had a young assistant manager with a quick and inventive mind so he explained to the reporter that SPAM was the product of a very small animal found only in Nebraska. He went on to explain that like any other product it had years when it was abundant and other years when the little animal was scarce and the product was hard to buy. Since the product was obviously abundant that year he told the reporter that people should stock up on it.
Understand this was long before the internet and the reporter bought the story hook, line and sinker. The story was published or aired in Columbia and it was so popular with the mass audience that the reporter asked the assistant store manager for a follow-up interview. The next time around he even asked for a picture of a SPAM. The assistant manager went into great detail about the animal being nocturnal and that no one had ever photographed one.
In the foregoing paragraphs I just made a huge blunder. I've told a story about which all the details aren't known. However, like most of everything else I write someone out there will probably recall it or can find the story on an old newspaper site. If no one can embellish on this story it still remains my favorite on the subject of SPAM.
A question: Does any reader recall a song from the heyday of Harry Caray, in St. Louis, entitled "The Harry Caray Polka?" If you know of a recording of it or know where the complete lyrics might be found I'd appreciate knowing about it. I will share it with one other person, the one who inquired about it.
The
KOM Flash Report
for
August 23, 2013
Store this URL somewhere to stay informed of KOM updates and photos. www.flickr.com/photos/60428361@N07/
________________________________________________________________________________________
This is the first attempt since the Google Internet Gestapo (GIG) arrested me, a few weeks ago, for sending Flash Reports that they determined to be SPAM. Everyone from my era knows what that product was/is. It used to be eaten because we were poor and now people eat it to be chic.
Moving right ahead. For the last 18 days an attempt has been made to keep those with any interest in the KOM league news updated through this site. Flicker: KOM League Photostream
www.flickr.com/photos/60428361@N07/ Some readers, like Bill Clark, right here in Columbia, Missouri, can’t get that feature. So, Bill, this report is for you and I’m including the updates that appear on that site to kick off this report.
August 23, 2013
I'm not sure how many people even bother to check this site for updates. If you do and would like to see a brand new Flash Report with all the excitement those stories generate let me know. In fact, it will take about 25 people asking to see a new report for me to shake myself from the summer doldrums in order to do it. I've heard from a few folks with some pretty interesting tales and I'd put forth a little, not much, energy to do something that a few of you enjoy. Let me know. Otherwise, I'll keep picking tomatoes and placing them at the free tomato stand in my front yard. Just dial me up at j03.john@gmail.com if you want another thrill packed edition of the Flash Report.
August 22, 2013
Yesterday I was going through a list of former KOM leaguers with whom contact had been established over the years. For a number of years communication with Russ and Dody Oxford was conducted by e-mail.. Russ was the third baseman on the same team as the four fellows shown in the photo above. (That is the Flickr site photo)
Russ was born Russell Charles Oxford on October 20, 1931 in Sioux City, Iowa and I learned through some searching of obituaries recently that he passed away April 24, 2013 in Redmond, Washington.
Russ and Dorothy McInnes were married on June 21, 1951 at the Grace Episcopal Church in Carthage, MO. After the wedding many of his teammates formed an archway using baseball bats under which the newlyweds exited the church. The bridesmaid and best man at that wedding were Mr. and Mrs. Walter Koehler. Just one month later Walter was drafted and just over a year later he died while serving his country as a medical corpsman in Korea.
One thing Oxford accomplished that very few former Carthage players pulled off was getting away with a team uniform at the end of the season. He wore #7 which was a hand me down from the 1949 Chicago Cubs. Another thing Russ had was a birthday that was the same as a former KOM league shortstop. That former KOM league shortstop didn't wear #7 until he made it to the major leagues and it was later retired when the fellow retired from the New York Yankees.
One of the great trivia questions in the early days of the KOM league was to ask "Who played on the left side of a KOM league infield, wore #7 and was born October 20, 1931. Never once did anyone ever say the name "Russ Oxford." The only name that anyone knew who fit that description was "Mickey Mantle."
From whence did they come to play in the KOM league?
Many people assume, who weren't around 60 years ago, that Class D teams were heavily populated with players from the area in which the team was located. That was true if the team wasn't affiliated with a major league organization or a higher classification team. In a quick perusal of the database of KOM rosters there were 19 players each from Springfield, MO and Topeka, Kansas. Most of the Topeka lads wound up in the league by virtue of being signed by the Topeka, Kansas Owls. The Springfield boys were primarily signed by Tom Greenwade and shipped off to Independence, Kansas to "sink or swim."
Players from all over the country wound up in the KOM with 105 coming from the State of California and 27 of them from the City of Los Angeles. The Windy City, Chicago, sent 85 of their young men to the league basically because of the Cubs sponsoring teams at Iola in 1946-47, Carthage 1949-51 and Blackwell, OK in 1952. The City of St. Louis contributed 87 players to the league and that doesn't include the other cities in the metro area. Even the "Big Apple" had 16 of their youngsters go west to receive their version of culture shock. Omaha, Nebraska had 40 of their young men in KOM league uniforms and most of those played at Ponca City, OK in the Dodger organization. Bert Wells, of Larned, Kansas, the Dodger scout, was primarily responsible for that.
Should you have an interest in a certain city or town and wonder how many of their residents played in the KOM league send in that inquiry. Small towns such as Alba, MO sent a half dozen players to the KOM league and not all of them were named Boyer. And, as I've stated numerous times neither Cloyd Boyer nor his little brother, Cletis, were born in Alba. But, the "baseball chronicles" will always claim they did. Cloyd told me he long ago gave up on trying getting the record books changed on that matter. It's too late for Cletis who was born at Cossville and every baseball publication on earth will show his birth place as Cassville. One of those towns is in Barry County and the other in Jasper County, MO. It’s not too late to get Cloyd’s birthplace corrected while he is still around to know it. He was born in Duval Township located just north of Alba near what is Baseline Road. Look it up on any good Internet site or bad one for that matter.
August 19, 2013
No Flash Report updates have transpired in the last four days. I'm not planning any Flash Reports for the foreseeable future. No one is corresponding with me about what is on their mind and fortunately I don't have any deaths to report. I do know a couple of guys have had a rough time lately do to surgery and other age related problems but they don't come under the heading of "Urgent Messages." When those arrive I'll report on them. The two people I'm tracking right now, due to health problems, are; Don Keeter and Leonard Van de Hey. Keeter is in a Kansas City rehabilitation facility and Van de Hey is in a Wisconsin hospital following surgery. Word received today was that there will be more of the same for the former Carthage Cub from 1950-51.
August 12, 2013.
There won't be another Flash Report for a few days. If you have anything to submit for the next report feel free to do so by contacting me at j03.john@gmail.com Thanks for checking out this site. The traffic on this site has picked up significantly since the Flash Reports have become a feature.
For the latest interview with former KOM Leaguer, Bill Virdon, go to this site: Celebrate West Plains: Bill Virdon reflects on his career - KY3 News
m.ky3.com/display/6497/story/458e4da0908d50238e442ec6fee3...
The next report will have an update on what happened with regard to the guy offering to give me a Mickey Mantle baseball card and also more information on the late Roger Vander Weide's baseball career. His older brother Robert was "top dog" in the operation of the Orlando Magic when they entered the National Basketball Association.
August 15, 2013. The photos are viewed by a number of former KOM league ballplayers and their families. I learned, by posting these photos that Leonard Van de Hey, a member of the 1950-51 Carthage Cubs had surgery yesterday in Wisconsin. Also, a nice note was received from the daughter of the late Johnny LaPorta, Carthage Cubs 1949-50 that she enjoys the photos. Her mother, Angie, the greatest scorekeeper in the history of Carthage baseball, is residing in a nursing home in the Chicago area and still retains the memories of many of the KOM era.
In the next Flash Report an article will address the subject of radio stations that broadcast KOM League games. If you heard a game or games over KGLC in Miami, OK, KSEK Pittsburg, KS, KDMO Carthage, MO, KIND Independence, KS, KWON Bartlesville, OK or WBBZ in Ponca City and wish to share a memory I'd love to include it in the article. There were no games aired of Iola, Blackwell or Chanute home games since those towns didn't have a radio station until nearly a decade after the KOM League folded.
The voice of Miami baseball was Russ Martin. He was the pastor of the First Christian Church in Miami and was well known for the dramatic phrases and embellishment of games when they became a bit drab. For a while, Joe Pollock, former KOM speedster, with three different clubs, was his play by play color man.
Pittsburg Browns games were carried on KSEK radio. That station was on the Liberty network and carried a game of the day with Gordon McClendon and Lindsey Nelson doing most of the games. If you got bored you went to the top of the radio dial and got the Mutual Broadcasting Company game with Al Helfer doing the announcing on radio station WMBH in Joplin. In the evening that station carried the Joplin Miner games with Bill Grigsby doing the play by play. As a point of trivia the last KOM game broadcast was in 1998 with Grigsby doing most of the play by play and not so ably assisted by Yours truly. That was about as much fun as I ever had. By the way one of the announcers for Pittsburg was Thad Sandstrom who later headed up the WIBW radio and TV empire. If you want to know the fate of Mr. Sandstrom check that out on the Internet. The story is too long and gory to place here.
Bill Platt, James DeStefano (aka Jim King), Fred Pralle and Keith Upson broadcast for Ponca City, Carthage, Bartlesville and Independence, respectively. The story of Upson is contained under the last photo on this Flickr site. He is shown with the 1948 Independence Yankees. There are some great tales about the last four guys mentioned but I'll hold off writing anything about them to see if anyone has read the material to this point.
I'm under pressure to keep this site moving along since g-mail loves me at about the same level socialism admires free enterprise and vice versa.
Okay, the foregoing is all that you missed if you don’t have access to Flickr or can access it and don’t.
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Here are a few other things that have transpired recently: And a few reasons why I still attempt to piece these reports into some type of order.
From a lady in Topeka, Kansas: “I enjoy reading these reports whether I know the person or not...............it’s in my blood, I guess and I appreciate all the work you do in writing these reports
From a lady in St. Louis, Missouri. “Dad was reading over my shoulder again! He has been gone so long but baseball was everything to him and (I) know he would really enjoy the reports.”
From a lady in Indianapolis, Indiana:
JOHN, THANKS AGAIN FOR ALL THE BEAUTIFUL PHOTOGRAPHY~~ESPECIALLY THE BIRDS, FLOWERS, AND CHARLIE.
CAN"T BELIEVE IT'S BEEN FIVE MONTHS SINCE KENNY PASSED ON. A VERY KIND AND CARING HUSBAND, EXCEPT WHEN ONE OF HIS PLAYERS MISSES AN EASY CATCH FOR THE WIN!”
Ed note: Kenny’s last name was Cox and played for the 1948 Carthage Cardinals and other teams in the Brooklyn Dodger organization later on.
From a gentleman in Shreveport, Louisiana:
You think you have troubles with Google. I've been out of internet for several days. My battle with A. T. & T. started 3 years ago and continues. Won't bore you with details. Dave wants you to know that Thursday he finished the batch of Flash Reports you sent. Said to tell you he read every word. And he'll be going back to them often over the years! Without the net, have accumulated a # of your photos. We'll set aside a time and
both go over together.
Ed note:
The reports the gentleman mentioned were actually every issue of the KOM League Remembered newsletter that was published between 1994 and 2010. Those arrived in Louisiana thanks to the kindness of Bob Mallon who had kept every copy sent him over the years.
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Baseball trivia--The youngest pitcher to win a Major League game in the 20th Century
Hi John--Here is a little interesting baseball trivia I know you'll enjoy reading. This is an old teammate of mine from 58 years ago. I just met him again for the first time at the Legion World Series last Friday in his hometown of Shelby, NC. This was the game my great-nephew Joe O'Donnell pitched. (Photo to follow in my next e-mail).
When we were teammates, I never knew about his accomplishments. He was just a class-act career minor-leaguer, and good teammate. We had a great time talking and remembering those good old days when the grass was real and batting helmets nonexistent! -Bill--Durham, NC
philadelphia.phillies.mlb.com/news/article.jsp?ymd=201211...
Ed note:
Not many baseball fans would know the name of the youngest pitcher to have won a game in the big leagues. The one previous to that was in 1890. Without looking how many of you can name the youngest pitcher to post a win? Here’s a hint if you immediately think of Joe Nuxhall you aren’t even in the running.
Note from a friend since my youth:
Upon finding the information on the death of Russell Oxford I sent a note to my long time friend, in Arizona, Corky Simpson. Cork is an award winning and Arizona Hall of Fame sportswriter. So, when I get a note from him I listen.
Johnny: I remember him well and I always thought he had a great baseball name: Russ Oxford. -- Didn't we shag balls in the outfield during batting practice one time? Or am I dreaming? I think we did. Boy, today the liability insurance on something like that would be more catastrophic than getting beaned on the head. Come to think of it, I believe a Carthage Cub, perhaps Rogers Hornsby's son, did get beaned on the head one time in lieu of catching the !#@%!! ball during an actual game. -- Corky
Ed reply:
They never let me shag balls during batting practice. Hornsby was in CF in the second game of a DH against Independence on or near August 20 of 1949. The Carthage pitcher was working on a 21 straight scoreless inning streak. With one out and a runner on first the Independence shortstop hit a fly ball to medium left center. The ball got above the light standards and Hornsby couldn't locate it and it landed on the side of his head. The hitter, Mickey Mantle, got an inside the park homer and Dr. Tom McNew came on the field to check out Hornsby. That same Carthage pitcher, George Erath, who had his scoreless hit streak snapped by the freak homer later ran a minor league club in North Carolina and gave Curt Flood his first chance in baseball. True story.
By the way Carthage teams have come up a lot in recent days. Len Van de Hey is having some health issues and his family has been in touch. I have even talked to one member of the family about his girlfriend when he was with Carthage. He went with Shirley S. She had four sisters. They were B., S., B., and another B. You probably remember some of those girls. There were three other Carthage girls who dated John Mudd, Walt Babcock and Don Biebel and followed them up to Sioux Falls, SD, the next year, and discovered the ball players had already found other girlfriends by the time they got there. (Only one player from the 1951 Carthage team married a girl from the area and she was from Avilla.)
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A new book about Carthage, MO
There is a new book in the Arcadia series coming out late this month and there will be a special event to honor that on August 30. The kick-off for that book will be August 30 at the Powers Museum which is located directly across the street from the old ballpark where the Carthage Pirates, Browns, Cardinals and Cubs played their games on and off from 1938-1951.
All of those who contributed to the book that chronicles the history of Carthage from 1950-1990 have been invited to attend a special evening together and since I did identify some old photos of former Carthage players an invitation was extended. The following was my reply. “Congratulations on the new book. Those 50 years of Carthage history was special to me, especially the first 20 years of it.
Only yesterday I was exchanging notes with a member of the 1951 Carthage Cub baseball team and I was doing some research on the young lady he dated that year. That young lady is now 81, if she's still living. She had four sisters and I'm about 99.999% sure I could find her or her descendants if I put any effort into the matter. The young lady who dated the ballplayer in 1951 married a young man in 1953 who had just come back from the Korean War. He had attained the rank of Sergeant in the Marine Corps. I noticed in checking the ancestry files yesterday that he died in 1972 at the young age of 40. That was the same age my dad was when he died in 1947 at McCune Brooks Hospital in Carthage.
My mind often wanders back to the days of my youth, in Carthage, and I relish the memories. Since the 1940 Federal Census has come out I sometimes go through the difference sections of the city and look for names I recognize from the past. It’s interesting to see where the parents of my classmates worked and even how old they were when their children were born. The people I looked upon as old were relatively young as I peruse the census data.
I would love to be in Carthage on the 30th but it is impossible these days to leave home. I still put out my baseball reports to a few hundred people and many of the recipients are former Carthaginians or former players loved the town. I'll mention the new book and hopefully some of the readers will order one.
Note from Powers Museum’s director:
Thanks for responding back. I will send you a list of the baseball photos we used. I will also see if another book by another author using some of our baseball photos got published as he thought. Those would be pre-KOM
Ed reply:
What you have are Carthage Pirate and Browns photos. However, there were a couple of 1946 Carthage Cardinals that somehow were in that lot. I imagine the other guy you are talking about is Jerry Hogan of Fayetteville, Ark. who has been trying to get his book about the Arkansas State and Arkansas-Missouri league published for some time. I hear from him nearly every day of my life. (Jerry get in touch with the museum if I have misrepresented anything.)
Reply from Powers Museum’s director:
Yes, so the book is NOT out yet I take it. I won't go looking for it then!
Here is who is in the book:
Pirates Joe Narieka
Browns trio of Roy Meyer, Joe Szuch & Frank Mancuso
Browns bat boy Raymond Baird
Cardinals William Buck
Cardinals LaVerne Etting
...and of course an image of the stadium.
The whole idea of the book was to feature selections from the many archival/artifact donations made to the museum since opening of the museum.
MICHELE HANSFORD
Director
Powers Museum, Carthage MO
Ed note:
Since many of the recipients of this report have Carthage connections you might wish to check out the book about Carthage. It is in the same format as all Arcadia publications. It will be around 128 pages with a lot of great photos and minimal verbiage. If any of you purchased “The KOM League Remembered” by that non-award winning author you’ll know what to expect regarding the 40 year history of Carthage from its glory years.
And, while I’m on the subject, if you wish to have the best pictorial book ever published about the KOM League I’m sure Arcadia would sell you one or more if you begged them. You can purchase them off the Internet and if you purchase them from Amazon.com I suspect that some where down the line it would result in eighty cents in royalties to Yours truly. It’s been a long time since I’ve seen a royalty check.
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Okay, I’m done:
I’ve dropped so many names and places in this report I’m bound to hear from someone for whom those references will spark some type of memory. If I don’t then this report has NO reason for existing.
Thank you all for the comments and the support. I luv you all ^^
And I think I'm a bit better. I hope so.
Eh, this is Althea's R5 for Portfolio.
I'm not sure about it... it's kinda weird :/
Well... the editing took almost all morning. Phew :/
And, damn, I have to decide what color is Althea's hair, seriously XDD
btw, here's a bigger version of the pose:
i196.photobucket.com/albums/aa32/blue_angel2904/Sims Contest/Portfolio Behind Image/Althea_Chess_Knight.png?t=1223206115
PLEASE DO NOT COMMENT ON THIS POST. COMMENT ON THE GUIDE ITSELF LINK.
As part of Pitchfork coverage this year, I decided to do a preview guide for The Big Takeover as many of these bands I am very familiar with, own the records of, and have seen live at least once. Some of my recommendations include but are not limited to: Julianna Barwick, Zola Jesus, Neko Case, Superchunk, Sun Airway, Animal Collective, Deerhunter, Fleet Foxes, DJ Shadow, TV on the Radio, Kurt Vile, Thurston Moore, Wild Nothing, The Radio Dept, Ariel Pink's Haunted Graffiti, Toro Y Moi, Guided by Voices, Woods, and more. The above is a montage of previous photos of some of the bands I'm recommending.
I value your opinion, too! If you are going to the festival and are excited, please comment on which band(s) you are looking forward to the most. Similarly, if you are not going to the festival but there is a band playing you have seen live and have good things to say about it, please also feel free to leave a comment on that post.
I'd also love to hear from you if you feel I've forgotten any bands that you would recommend seeing that are playing the festival!
The full preview guide can be found here:
www.bigtakeover.com/concerts/pitchfork-preview-and-recomm...
**Note: this montage photo will be removed from my stream after the fest so please don't comment or favorite it directly but you will be able to find all of the photos here as single photos previously uploaded in my stream.**
L'utilisation sans ma permission est illégale./Use of my images without my permission is illegal.
www.facebook.com/michel.guerin.792
Merci beaucoup pour vos visites et commentaires, thank you so much for the visit and kind comments!
Thanks for your visit, hope you enjoyed, kindly leave your comment that will be very rewarding
Wish you all a very happy Bijjoya Dasami (Bijoya Dasami is the last day of celebrations.
Godess Durga departs for her own house in the mountains of the Himalayas).
Friends , I was so busy in my non profit event, Durga Puja festival at Milpitas, California organized by pashchimi (www.pashchimi.org) . Many thanks for your visit and support.
All my images are copyrighted.
If you intend to use any of my pictures, for any usage, you need to contact me first.
Thank you.
Maa Durga (Mother Durga)
Goddess Durga is the mother of the universe and believed to be the power behind the work of creation, preservation, and destruction of the world. Since time immemorial she has been worshipped as the supreme power of the Supreme Being and has been mentioned in many scriptures - Yajur Veda, Vajasaneyi Samhita and Taittareya Brahman.
In Hinduism, the Goddess Durga ("the inaccessible" or "the invincible") or Maa Durga (Mother Durga) "one who can redeem in situations of utmost distress". Durga is a form of Devi, the supremely radiant goddess, depicted as having ten arms, riding a lion or a tiger, carrying weapons (including a lotus flower), maintaining a meditative smile, and practicing mudras, or symbolic hand gestures.
An embodiment of creative feminine force (Shakti), Durga exists in a state of svātantrya (dependence on the universe and nothing/nobody else, i.e., self-sufficiency) and fierce compassion. Durga is considered by Hindus to be an aspect of Kali, and the mother of Ganesha, Saraswati, Lakshmi and Kartikeya. She is thus considered the fiercer, demon-fighting form of Lord Shiva's wife, Goddess Parvati. Durga manifests fearlessness and patience, and never loses her sense of humor, even during spiritual battles of epic proportion.
The word Shakti, means divine feminine force, and Durga is the warrior aspect of the Divine Mother, where She wins over evil.
About the Shot :
I tried to capture Maa ( Mother) Durga , which we worship. She is made from the holy clay of river Ganges and every ornaments and details are hand made.
The shot
Camera Canon 5D
Photoshop post processing:
A bit of post processing in raw editor.
A bit of desaturation to reduce the intensities of colours
Unsharp mask
Border
I would highly appreciate, if constructive criticisms are given for improvement.
Thanks for your amazing comments my friends!
I hope that you enjoy the photo my friends!
Thanks so much for all of your support!!!!
Taken with my Sony a300 with my Sony DT 18-70mm zoom lens
Have a great week my wonderful Flickr friends!.
Please also consider joining my group Flickr Bronze Trophy Group!
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Recently a new cloud type has been observed in Northwest skies - somewhat resembling comic book speech/dialog/thought balloons - they have provisionally been given the more alliterative name "comment clouds". These clouds and their messages can range from the light and fluffy to towering and dark; but each has something unique to say. Perhaps they were tried of us seeing what we wanted to see - elephants, faces, etc - and now want us to be sure that we are getting their message? Get the(ir) message. i4s909
Comments always appreciated, as long as you keep it clean - I love to hear your feedback! xx
Unusually we had an outing in May even before Leeds First Friday. Alan Partridge was in Hull with his show Stratagem which was absolutely brilliant - and we were a lot closer to the front than we had been at the Joe Lycett gig!
We went to The Star afterwards where our lovely friend Cherry Pops was DJing.