View allAll Photos Tagged classics

Moto Classics Series a Castelloli

Two classic buses and a Classic coach, standing on display at Beamish Museum.

 

On the left is KET 220, a 1954 ex-Rotherham Corporation Daimler CVG6 with Weymann body.

 

In the middle is ex-London Transport AEC Routemaster RM378 of 1960, registered WLT 378.

 

On the right is KUP 799, a 1949 Albion Valiant CX39N with Associated Coachbuilders body.

 

The buses were at Beamish Museum as part of their Pedal and Bus Power event on 24/25 March 2018.

 

Copyright © 2018 Terry Pinnegar Photography. All Rights Reserved. THIS IMAGE IS NOT TO BE USED WITHOUT MY EXPRESS PERMISSION!

One of the ultimate cafe racers of their day. The BSA Gold Star 500 cc single.

The BSA Gold Star, (1938–1963), is a 350 cc and 500 cc 4-stroke production motorcycle that gained its reputation for being one of the fastest machines of the 1950s. These motorcycles were popular for their high performance. Besides being hand built, with many optional performance modifications available, they came from the factory with documented dynamometer test results, allowing the new owner to see the horsepower produced.

 

1956 DBD34

The most prized model was the 500 cc DBD34 introduced in 1956, with clip-on handlebars, finned alloy engine, polished tank, 36 mm bell-mouth Amal carburettor and swept-back exhaust. The DBD34 had a 110 mph (177 km/h) top speed. The Gold Star dominated the Isle of Man Clubmans TT that year. Later models had a very high first Gear, enabling 60 mph (97 km/h) plus before changing up to second. Production ended in 1963.[5]

JUO 608 & JCD 371. Sun Star 1/24 Grey Cars Bedford OB/Duple Vista & Original Classics 1/24 Southdown Bedford OB/Duple Vista. Amazing how different they are: Sun Star has opening bonnet with detailed engine, opening driver door and better luggage rack detail: Original Classics has working exterior & interior lights. My first impression is that Sun Star is finer casting & Original Classics is bulkier, slightly more bulbous casting. Both are fine models of the Bedford OB/Duple Vista!

Wilkie Collins - The Moonstone

Penguin Classics, 1986

Cover: A detail of J.M.W. Turner's 'The Fighting Temeraire', in the National Gallery, London

Nombre: Acid Storm

Afiliación: Decepticons

Línea: Universe (Classics Series)

Subgrupo: Seekers

Año: 2008

Número de adquisición: 191

 

El octavo seeker. Muy buena combinación de colores para uno de mis moldes favoritos de Classics.

 

-----------------------------------------------------------

 

Name: Acid Storm

Allegiance: Decepticons

Line: Universe (Classics Series)

Subgroup: Seekers

Year: 2008

Number in Collection: 191

 

The eighth seeker. A very good color scheme for one of my favorite Classics mold.

 

transformers-mdverde.blogspot.com

guess it started early...

my dad's Nikon EM

 

=====

 

check out more Malaysia Streets & Candid shots here:

Taking the Streets in Malaysia

 

Love Life - A collection of dreamy and moody stills :

Love & Life

More Found Still Life: By The Streets

 

if you like the colorful markets:

Marketplace

 

=====

George Lundeen, 1994, near Artz Public Library, Frederick, Maryland, USA, sculpture

Photographed at Specialty Sales Classics, Fairfield, CA

Manufactured by Yashica Camera Co., Japan

Model: c.1975 (produced between 1975-1982)

35mm film SLR camera

BODY

Lens mount: Contax/Yashica mount. Does not make use of MM lens shutter priority.

Lens release: by a small button on the right of the lens flange

Shutter: Electronic focal-plane, horizontal-travel cloth

Shutter speeds: Auto mode - 4-1/2000 Manual mode - 14 settings of 4-1/2000 +B.

setting: dial beneath the re-wind lever, A and speeds numbers for manual setting

Shutter release: Real Time Electromagnetic Release System, aux. via Release Socket (electronic), on the top plate beside cocking lever

Caable releasesocket:on the back of the top plate

Cocking lever: also winds the film, 140 degrees stroke, retractable, winding possible with several short strokes

Exposure meter: TTL center-weighted metering at full aperture using SPD (silicon photo diode).

Exposure modes: Aperture priority automatic exposure and manual exposure

EV range -1-19 at ASA 100.

ASA film range 12-3200. Setting dial on the right of the top plate, lift and turn

Exposure setting: set the shutter speed Auto or manual, then press continuously the exposure check front button over the self-timer lever, a red LED dot appears in the right of the speeds index, automatic setting of the shutter speed corresponding the number in the index,

if a second LED dot appears automatic setting of shutter speed is between the numbers on the index; In manual speeds mode if the red dot is over or under the setting of yours, the exposure is not correct, you must correct it by turning aperture ring or speeds dial

Indeed, there is a line of 16-dot LED parallel to speeds index.

Exposure compensation: +2 EV ~ -2 EV , via exposure compensation dial beneath the ASA setting: 1/2 stop clicks using unusual system of x4 to x1/4. X4 means "times 4" or 2 stops.

Viewfinder: Eye-level SLR penta-prism - field shows 92% of picture area.

Viewfinder display: speed scale with a pointer on the right side. Green pointer overlaps "A" setting on Auto; or indicates shutter setting on manual.

Aperture display on the top side, and f-stop in use in green figure

Exposure compensation tab appears when the exposure compensation pointer is set at any position except X1

Focusing screen: Micro-prism standard - six others available

DOF button: on the right lover of the lens flange

Mirror lock: Lever on the left of the lens flange

Re-wind lever: folding crank type, and film rewind release button under the crank

Re-wind release: by a button on the bottom plate

Frame counter: Auto resets, advance type, window beside the cocking lever

Multiple exposures: Depression of the film rewind button

Self-timer: Mechanical , 10 sec. delay

Hot-shoe

Flash PC socket: on font of the body, Synch speed 1/60

Strap lugs

Back cover: Hinged, removable, opens by pulling film rewind knob all the way out.

Tripod socket: 1/4"

Battery: 6.2v silver-oxide battery (544 or PX28), or 6v alkaline-manganese 4LR44.

Battery chamber: on the bottom plate

Battery check: by small button on the back of the top plate, and red LED beside the cocking lever

Couplings for motor drive and winder on the bottom plate

Engraving on the bottom plate: Yashica Japan

Body: metal; Weight: 700g wo/ lens

Serial no. 073768 (on the bottom plate)

LENS

Yashica ML 50mm f/2

Filter tread: 52mm serial no. A90556926

Aperture: f/2-f/16 w/half click stops

Focus range: 0.5-10m +inf, w/DOF scale

Weight: 158g

Standard Lens: PLANAR T* 50 mm f/1.4

Yashica winder

Battery:6x AA size battery

Weight: 294g wo/batteries

more info:

Camerapedia

in Mir com

  

Plateauschuhe Buffalo Classics mit typischer Wolkensohle in Kombination mit Latexkleidung

A well-tailored jacket will always be the in-thing.

Yes, 50 IS the new 30!

Classics on the Common

A quick look at all three classic Daleks together. I'm happy with my shots of figure outdoors, but not my indoor shots. The lighting is basic and my set-up skills are lacking. Also my mini-gorillapod seems to be on it's way out too, making this a very hit and miss session. I'll have a go a re-shooting this picture in the future, with hopefully more success!

a Mazda Luce GR II and a r32 gtr

"Club - 5" the Israeli classics cars association , saturday gathering

© Michael Damen Please NOTE and RESPECT the copyright.

 

All in great working condition. Bought the Nikon's new in the past.

They have never been serviced yet.

Two classics ply the icy Detroit River a very cold morning in January of 2001. In this view from Windsor, Ontario the steamer 1953 built Saginaw downbound with a load of grain and the upbound US Coast Guard icebreaker Mackinaw. The Saginaw would give up her steam boilers and turbine in 2008 for a new diesel engine. The Mackinaw of 1944 at 290'x74' would be replaced in 2005 by a new icebreaker of the same name, but smaller at 240'x58'.

My collection of updated classic sets has grown! This is how I presented it at the Norwegian LUG Brikkelauget's annual exhibition in late April - original sets to the left in the picture, updated ones to the right.

Three classics in one photo. The blue truck is a 1954 Ford C-600. In the back of it is a 1934 Buick 56S Deluxe Coupe. And in the front a 1969 Jaguar E-Type convertible.

Classics Illustrated / Heft-Reihe

Arthur Conan Doyle / The White Company

cover: ?

art: Alex Blum

Gilberton Company / USA 1952

ex libris MTP

www.comics.org/issue/515216/

Custom House (left) and Flour & Grain Exchange (right), two of Boston's finest, most beautiful, and classiest buildings. The base of the Custom House was erected in 1849, the tower (seen here) was added in 1915. The Flour & Grain exchange building was completed in 1892.

 

Kodak Medalist II, 100mm Ektar lens

T-Max Medium Format Film, ISO 400

1/100 second, f/11

Red 25A filter

Ilford DD-X developer +4

Negative scanned on Canon 8800f

Edited with Photoshop Elements & NIK Silver Efex Pro

 

Classic Horror Movie Favorites Bela Lugosi

Stella competes in Falmouth Classics.

1 2 ••• 6 7 9 11 12 ••• 79 80