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Two classic buses and a Classic coach, standing on display at Beamish Museum.
On the left is KET 220, a 1954 ex-Rotherham Corporation Daimler CVG6 with Weymann body.
In the middle is ex-London Transport AEC Routemaster RM378 of 1960, registered WLT 378.
On the right is KUP 799, a 1949 Albion Valiant CX39N with Associated Coachbuilders body.
The buses were at Beamish Museum as part of their Pedal and Bus Power event on 24/25 March 2018.
Copyright © 2018 Terry Pinnegar Photography. All Rights Reserved. THIS IMAGE IS NOT TO BE USED WITHOUT MY EXPRESS PERMISSION!
One of the ultimate cafe racers of their day. The BSA Gold Star 500 cc single.
The BSA Gold Star, (1938–1963), is a 350 cc and 500 cc 4-stroke production motorcycle that gained its reputation for being one of the fastest machines of the 1950s. These motorcycles were popular for their high performance. Besides being hand built, with many optional performance modifications available, they came from the factory with documented dynamometer test results, allowing the new owner to see the horsepower produced.
1956 DBD34
The most prized model was the 500 cc DBD34 introduced in 1956, with clip-on handlebars, finned alloy engine, polished tank, 36 mm bell-mouth Amal carburettor and swept-back exhaust. The DBD34 had a 110 mph (177 km/h) top speed. The Gold Star dominated the Isle of Man Clubmans TT that year. Later models had a very high first Gear, enabling 60 mph (97 km/h) plus before changing up to second. Production ended in 1963.[5]
JUO 608 & JCD 371. Sun Star 1/24 Grey Cars Bedford OB/Duple Vista & Original Classics 1/24 Southdown Bedford OB/Duple Vista. Amazing how different they are: Sun Star has opening bonnet with detailed engine, opening driver door and better luggage rack detail: Original Classics has working exterior & interior lights. My first impression is that Sun Star is finer casting & Original Classics is bulkier, slightly more bulbous casting. Both are fine models of the Bedford OB/Duple Vista!
Wilkie Collins - The Moonstone
Penguin Classics, 1986
Cover: A detail of J.M.W. Turner's 'The Fighting Temeraire', in the National Gallery, London
Nombre: Acid Storm
Afiliación: Decepticons
LÃnea: Universe (Classics Series)
Subgrupo: Seekers
Año: 2008
Número de adquisición: 191
El octavo seeker. Muy buena combinación de colores para uno de mis moldes favoritos de Classics.
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Name: Acid Storm
Allegiance: Decepticons
Line: Universe (Classics Series)
Subgroup: Seekers
Year: 2008
Number in Collection: 191
The eighth seeker. A very good color scheme for one of my favorite Classics mold.
guess it started early...
my dad's Nikon EM
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check out more Malaysia Streets & Candid shots here:
Taking the Streets in Malaysia
Love Life - A collection of dreamy and moody stills :
More Found Still Life: By The Streets
if you like the colorful markets:
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Manufactured by Yashica Camera Co., Japan
Model: c.1975 (produced between 1975-1982)
35mm film SLR camera
BODY
Lens mount: Contax/Yashica mount. Does not make use of MM lens shutter priority.
Lens release: by a small button on the right of the lens flange
Shutter: Electronic focal-plane, horizontal-travel cloth
Shutter speeds: Auto mode - 4-1/2000 Manual mode - 14 settings of 4-1/2000 +B.
setting: dial beneath the re-wind lever, A and speeds numbers for manual setting
Shutter release: Real Time Electromagnetic Release System, aux. via Release Socket (electronic), on the top plate beside cocking lever
Caable releasesocket:on the back of the top plate
Cocking lever: also winds the film, 140 degrees stroke, retractable, winding possible with several short strokes
Exposure meter: TTL center-weighted metering at full aperture using SPD (silicon photo diode).
Exposure modes: Aperture priority automatic exposure and manual exposure
EV range -1-19 at ASA 100.
ASA film range 12-3200. Setting dial on the right of the top plate, lift and turn
Exposure setting: set the shutter speed Auto or manual, then press continuously the exposure check front button over the self-timer lever, a red LED dot appears in the right of the speeds index, automatic setting of the shutter speed corresponding the number in the index,
if a second LED dot appears automatic setting of shutter speed is between the numbers on the index; In manual speeds mode if the red dot is over or under the setting of yours, the exposure is not correct, you must correct it by turning aperture ring or speeds dial
Indeed, there is a line of 16-dot LED parallel to speeds index.
Exposure compensation: +2 EV ~ -2 EV , via exposure compensation dial beneath the ASA setting: 1/2 stop clicks using unusual system of x4 to x1/4. X4 means "times 4" or 2 stops.
Viewfinder: Eye-level SLR penta-prism - field shows 92% of picture area.
Viewfinder display: speed scale with a pointer on the right side. Green pointer overlaps "A" setting on Auto; or indicates shutter setting on manual.
Aperture display on the top side, and f-stop in use in green figure
Exposure compensation tab appears when the exposure compensation pointer is set at any position except X1
Focusing screen: Micro-prism standard - six others available
DOF button: on the right lover of the lens flange
Mirror lock: Lever on the left of the lens flange
Re-wind lever: folding crank type, and film rewind release button under the crank
Re-wind release: by a button on the bottom plate
Frame counter: Auto resets, advance type, window beside the cocking lever
Multiple exposures: Depression of the film rewind button
Self-timer: Mechanical , 10 sec. delay
Hot-shoe
Flash PC socket: on font of the body, Synch speed 1/60
Strap lugs
Back cover: Hinged, removable, opens by pulling film rewind knob all the way out.
Tripod socket: 1/4"
Battery: 6.2v silver-oxide battery (544 or PX28), or 6v alkaline-manganese 4LR44.
Battery chamber: on the bottom plate
Battery check: by small button on the back of the top plate, and red LED beside the cocking lever
Couplings for motor drive and winder on the bottom plate
Engraving on the bottom plate: Yashica Japan
Body: metal; Weight: 700g wo/ lens
Serial no. 073768 (on the bottom plate)
LENS
Yashica ML 50mm f/2
Filter tread: 52mm serial no. A90556926
Aperture: f/2-f/16 w/half click stops
Focus range: 0.5-10m +inf, w/DOF scale
Weight: 158g
Standard Lens: PLANAR T* 50 mm f/1.4
Yashica winder
Battery:6x AA size battery
Weight: 294g wo/batteries
more info:
A quick look at all three classic Daleks together. I'm happy with my shots of figure outdoors, but not my indoor shots. The lighting is basic and my set-up skills are lacking. Also my mini-gorillapod seems to be on it's way out too, making this a very hit and miss session. I'll have a go a re-shooting this picture in the future, with hopefully more success!
© Michael Damen Please NOTE and RESPECT the copyright.
All in great working condition. Bought the Nikon's new in the past.
They have never been serviced yet.
fashioncoolture.com.br/2013/12/29/look-du-jour-classics/
Instagram@fashioncoolture
Two classics ply the icy Detroit River a very cold morning in January of 2001. In this view from Windsor, Ontario the steamer 1953 built Saginaw downbound with a load of grain and the upbound US Coast Guard icebreaker Mackinaw. The Saginaw would give up her steam boilers and turbine in 2008 for a new diesel engine. The Mackinaw of 1944 at 290'x74' would be replaced in 2005 by a new icebreaker of the same name, but smaller at 240'x58'.
My collection of updated classic sets has grown! This is how I presented it at the Norwegian LUG Brikkelauget's annual exhibition in late April - original sets to the left in the picture, updated ones to the right.
Three classics in one photo. The blue truck is a 1954 Ford C-600. In the back of it is a 1934 Buick 56S Deluxe Coupe. And in the front a 1969 Jaguar E-Type convertible.
Classics Illustrated / Heft-Reihe
Arthur Conan Doyle / The White Company
cover: ?
art: Alex Blum
Gilberton Company / USA 1952
ex libris MTP
Custom House (left) and Flour & Grain Exchange (right), two of Boston's finest, most beautiful, and classiest buildings. The base of the Custom House was erected in 1849, the tower (seen here) was added in 1915. The Flour & Grain exchange building was completed in 1892.
Kodak Medalist II, 100mm Ektar lens
T-Max Medium Format Film, ISO 400
1/100 second, f/11
Red 25A filter
Ilford DD-X developer +4
Negative scanned on Canon 8800f
Edited with Photoshop Elements & NIK Silver Efex Pro