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“Because nothing can make me run from you. We all have a past, some darker than others, but being broken doesn't mean you can't be loved. It just means there are more pieces of you for me to love.”
― Tamsyn Bester, Beneath Your Beautiful
Dhaka, 2012
Because this refuge lets you drive and park on the road that passes through the many seeded grain fields, the birds are often really close as they approach or leave these feeding sites. The photo ops of flying birds are practically continuous, and the birds offer many different flight perspectives in different lighting conditions. This flight action lasts the entire winter because the fields are progressively flattened to offer the birds better access, and the birds have supplemental food (usually corn) available to them for the entire feeding season.
IMG_3042; Sandhill Crane
Because the weekday service is currently a Saturday service, this has seen Trent Bridge Garage operating the 50 all six days a week using any two available midis.
309 is the newest possible vehicle that can currently grace the service, and is seen pictured turning out of City Link into Manvers Street with a 50 to Victoria Park Morrisons via Lady Bay Retail Park, Racecourse Park & Ride and Colwick Village.
This color combination is always so fresh and beautiful... I used to have a lot of blue&white in my home but there was the time for red&white. I think now it's time to go back to these colors... because my kitchen really needs some updating. We've got a lot of wood colored furniture in my house so I think blue&white go so well with those too.
1. Mediterranean Blues....., 2. Crafting 365, 203 & 204 - Finishing Teacups, 3. perfect for tea, 4. DK housestyle gift boxes, 5. Blue Pincushion, 6. White Christmas, 7. Country Kitchen Interiors White, 8. blue bells, 9. Blue and White Striped Fabric Button Earrings, 10. Make it a rule of life to never regret, 11. Untitled, 12. Blue White Calico, 13. Light, 14. Blue Bunny ear fabric, 15. blue stripes, 16. blue and white...2008
Created with fd's Flickr Toys.
In a scenario that’s inconceivable today, I am on the tarmac as a casual member of the public at Glasgow Airport, recording this Inex-Adria Aviopromet Douglas DC9 being prepared for a holiday flight to Dubrovnik in the old Yugoslavia. How come? My father had achieved high rank with the Waterguard division of HM Customs & Excise, and Glasgow Airport came under his purview. On this occasion, he brought along my mother as well as 22-years old Yours Truly to show us some of the work behind the scenes. I do recall that he checked beforehand if we could go on the tarmac, the nod was duly given, but otherwise it was a simple as that - no hi-viz jackets, hard hats, disclaimer forms, security vetting or anything else. What innocent times...
Inex-Adria Aviopromet survived the breakup of Yugoslavia, becoming Adria Airways, the flag carrier of Slovenia. It operated scheduled and charter services before filing for bankruptcy and ceasing operations in September 2019.
I must add that my own flying days were still some years into the future. I took my first flight in 1977, LHR-GLA on the old BA Shuttle. It was only from the 1980s that flying became a more regular experience. By the time I retired in mid-2015, I had reached BA Gold Card status.
August 1972
Zorki 4 camera
Agfa CT18 film.
Because it's World Photography Day, I have decided to look through my vast back-catalogue of photos to see if there are any that I've missed (turns out there's tonnes), dust them down and upload them. For my second photo I've chosen the magnificent Panthéon in Paris, France. A glorious monument and mausoleum to France's most honoured.
Because dogs like Christmas dinners too, and yes they have a scrummy human Christmas dinner. They don't like wearing cracker hats though. Cracker hats just aren't designed for dog shaped heads.
Happy little squirrel
Explore #100
Don't use this image on websites, blogs or other media without explicit permission.
© All rights reserved
A double upload of both colour and black and white. I don't usually do black and white for action shots, but black and white is the project for Studio 26, so I went with the theme.
I think I like the black and white better because it was better able to lighten the shadows on her face. Love her energy in this photo. And that toy doesn't look quite as new anymore.
Because I cannot do an exhibition this year, I am offering you the first virtual tour of the amusement park, after a little over a year of work. I advise you to watch it until the end :)
Faute de pouvoir faire une exposition cette année, je vous propose la première visite virtuelle du parc d'attractions, après un peu plus d'un an de travail. Je vous conseille de regarder jusqu'au bout :)
Lego Zombillenium project :
www.eurobricks.com/forum/index.php?/forums/topic/175411-m... (English)
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
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CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
Sometimes you find words by a chance, like small treasures hidden -waiting for you to discover them.
Sometimes they inspire,
sometimes you stumble upon them after you have been running around in damp grass with no shoes on
- and you think that your original thoughts are shadowed by the apropriateness of the newly discovered gems.
We all have our reasons, our why's and because's, our wants and needs.
Its perhaps all a question of the cards we get dealt in life, how much we can use our because, how deeply we feel our why and how strongly we want or need.
Tonight's treasure comes from Old Russia.
We were four sisters, four sisters were we,
All four of us loved, but had different "becauses:"
One loved because father and mother told her to,
another loved because her lover was rich,
the third loved because he was a famous artist,
and I loved because I fell in love.
We were four sisters, four sisters were we,
All four of us wished, but had different wishes:
one wished to raise children and cook oatmeal,
another wished to wear a new dress every day,
the third wished everyone would talk about her,
and I wished to love and be loved.
July 24th 2006
The Rochdale Canal in Sowerby Bridge, Calderdale, West Yorkshire.
The Rochdale is a broad canal because its locks are wide enough to allow vessels of 14 feet width. The canal runs for 32 miles (51 km) across the Pennines from the Bridgewater Canal at Castlefield Basin in Manchester to join the Calder and Hebble Navigation at Sowerby Bridge in West Yorkshire. As built, the canal had 92 locks. Whilst the traditional lock numbering has been retained on all restored locks, and on the relocated locks, the canal now has 91. Locks 3 and 4 have been replaced with a single deep lock, Tuel Lane Lock, which is numbered 3/4.
The Rochdale Canal was conceived in 1776, when a group of 48 men from Rochdale raised £237 and commissioned James Brindley to conduct a survey of possible routes between Sowerby Bridge and Manchester. Brindley proposed a route similar to the one built, and another more expensive route via Bury. Further progress was not made until 1791, when John Rennie was asked to make a new survey in June, and two months later to make surveys for branches to Rochdale, Oldham and to a limeworks near Todmorden. Rennie at the time had no experience of building canals.
The promoters, unsure as to whether to build a wide or a narrow canal, postponed the decision until an Act of Parliament had been obtained. The first attempt to obtain an act was made in 1792, but was opposed by mill owners, concerned about water supply. Rennie proposed using steam pumping engines, three in Yorkshire, eight in Lancashire, and one on the Burnley Branch, but the mill owners argued that 59 mills would be affected by the scheme, resulting in unemployment, and the bill was defeated. In September 1792, William Crosley and John Longbotham surveyed the area in an attempt to find locations for reservoirs which would not affect water supplies to the mills. A second bill was presented to Parliament, for a canal which would have a 3,000-yard (2,700 m) tunnel and 11 reservoirs. Again the bill was defeated, this time by one vote. The promoters, in an attempt to understand the mill owners' position, asked William Jessop to survey the parts of the proposed canal that were causing most concern. Jessop gave evidence to the Parliamentary committee, and on 4 April 1794 an act was obtained which created the Rochdale Canal Company and authorised construction.
Rennie's estimated cost in the second bill was £291,000, and the company was empowered to raise the money by issuing shares, with powers to raise a further £100,000 if required. The estimate was for a narrow canal, whereas the act authorised a broad canal, and so the capital was never going to be adequate. The summit tunnel was abandoned in favour of 14 additional locks saving £20,000. Jessop proposed constructing each lock with a drop of 10 feet (3.0 m), resulting in efficient use of water and the need to manufacture only one size of lock gate.
The canal opened in stages as sections were completed, with the Rochdale Branch the first in 1798 and further sections in 1799. The bottom nine locks opened in 1800 and boats using the Ashton Canal could reach Manchester. Officially, the canal opened in 1804, but construction work continued for more three years. A 1.5-mile (2.4 km) branch from Heywood to Castleton opened in 1834.
Apart from a short profitable section in Manchester linking the Bridgewater and Ashton Canals, most of the length was closed in 1952 when an act of parliament was obtained to ban public navigation. The last complete journey had taken place in 1937, and by the mid 1960s the remainder was almost unusable. Construction of the M62 motorway in the late 1960s took no account of the canal, cutting it in two.
When an Act of Parliament was sought in 1965, to authorise the abandonment of the canal, the Inland Waterways Association petitioned against it, and when it was finally passed, it contained a clause that ensured the owners would maintain it until the adjacent Ashton Canal was abandoned. Discussion of the relative merits of restoring the canal or the Huddersfield Narrow Canal in 1973 led the formation of societies to promote both schemes in 1974. The Rochdale Canal Society wanted to see the canal fully re-opened, as part of a proposed Pennine Park
The Rochdale Canal Society worked hard both to protect the line of the canal and to begin the process of refurbishing it. A new organisational structure was created in 1984, with the formation of the Rochdale Canal Trust Ltd, who leased the canal from the owning company. The MSC-funded restoration was approaching Sowerby Bridge, where planners were proposing a tunnel and deep lock to negotiate a difficult road junction at Tuel Lane, so that a connection could be made with the Calder and Hebble Navigation. The entire eastern section from Sowerby Bridge to the summit at Longlees was open by 1990, although it remained isolated from the canal network.
In 1997, the Rochdale Canal Trust was restructured, in response to announcements that there might be large grants available as part of the millennium celebrations. The canal was still at this point owned by a private company, and the Millennium Commission would not make grants to a scheme which was for private profit, rather than public benefit. The restructuring would allow the Trust to take over responsibility for the canal from the Rochdale Canal Company. However, the plan was rejected by the Commission, and in order to access the grant of £11.3 million, the Waterways Trust took over ownership of the canal. As restoration proceeded, boats could travel further and further west, and the restoration of the sections through Failsworth and Ancoats were a significant part of the re-development of the north Manchester districts. The restored sections joined up with the section in Manchester below the Ashton Canal junction, which had never been closed, and on 1 July 2002 the canal was open for navigation along its entire length.
Because i'm a dumbass, I executed this shot totally the wrong way round. Should have started jumping from the left hand side. Dufus!
Please view on black. You can see me falling on my arse better!
It's sad how I can say those things right now because I was once in love with you. I used to care about you all the time. Everytime you go somewhere, I always told you to be careful, to drive safe. I can't say it anymore because we're not even communicating right now. I cared about you too much and now I stop, just because you're nothing but just a stranger to me right now . A stranger that left a big scar in my heart. Just as long as you don't talk to me, I think I will do fine, I will move on faster. Please keep it that way, please don't talk to me, just do your things, and I do mine. Let's just not talk to each other at all. I think that's the best way for us right now.
It hurts me more by saying all of those stuff but you know, I just have to. Who would know that someone was so special to you but now they're nothing but a stranger to you.
I'm good though, I break down sometimes still of course, but I'm good., I know I am.
Because at the Mermaid Parade today, in the first time ever I had attended it in my 5 years in NYC, the real story wasn't the people with crazy costumes, but the bystanders... At only 45 min from Manhattan, there is a whole another world... and it's still New York...
Coney Island,
Brooklyn, New York
June 2011
© Sion Fullana
All Rights Reserved
HALLOW - SET - AVAILABLE NOW
From Collection : Because
2 sets available
SET: 40$ shipping not included
send a private message if interested
*perfect fit for FR2013 FR2, Nu.face, Poppy Parker and other similar dolls*
**accessories and doll are not for sale**
Because of the great fire wall of Chinese policy, it's so hard to cross the limit to visit flickr, so I could not reply my dear friends, I'm so sorry about that and please forgive me,thank you so much and hope my friends can still hit on me！由于中国网络原因，访问flickr很困难，速度很慢，所有暂时没有办法一一回应各位好友，请朋友们见谅！还请各位好友继续关注我！
My pro account is out of time，thank you my friends here for supporting me what a long time！！May I have a pleasure to receive a pro gift from you？我的pro账号到期了，感谢朋友们长期以来的热心支持！！有好心人能赞助一个pro账号给我吗，在此先表感谢！！
If you want to use or buy this image，please contact me. 版权所有，转载请联系本人。
Good morning. Because of the interest and dialogue centered around coffee from the last coffee bean photo posted I thought I would create a short, but informative series centered on what is many people's favorite beverage. The series will be more about the information and commentary than the photos, but I hope you enjoy the images also.
This first installment will center on the bean itself as understanding the complex world of coffee is a little like trying to understand wine...very intimidating to some. But you don't have to be an aficionado to brew great coffee at home. You just need to pay attention to a few details...starting with the beans.
There are only two kinds of coffee beans: "robusta and "arabica". Robusta is less expensive to produce and is used primarily in canned and instant coffee. It contains twice as much caffeine as arabica and is generally harsh in flavor. The majority of the world's coffee is arabica. It's definitely superior to robusta, but the quality of the beans can vary greatly so you need to find a trusted brand or source.
The flavor of the coffee is locked inside the green, unroasted beans. Roasting unlocks and helps develop the flavor. Longer roasting and higher temperatures make the beans darker and oilier, but sometimes border on being charred and bitter tasting from over roasting.
One last thing on beans and that is choosing coffee based solely on it's name is confusing. That's because beans can be named for their growing region (e.g. Kenya, Columbia, Brazil, Jamaica, etc.) and/or how dark they were roasted. A good thing to remember is there are only two kinds of coffee beans and that anyone can name/label coffee beans whatever it wants. So it's best to choose your coffee beans based on the degree of roast, which I'll elaborate more on further in the series.
Next installment will focus on freshness of the coffee/bean and maintaining it.
Take care...and I hope everyone has a wonderful day.
Lacey
ISO100, aperture f/4.5, exposure 2.0 seconds (2) focal length 70mm
I think they named him Krash because he's so big (150lbs), he crashes into everything.. he's a really big gentle giant. (client)
Because of the great fire wall of Chinese policy, it's so hard to cross the limit to visit flickr, so I could not reply my dear friends, I'm so sorry about that and please forgive me,thank you so much and hope my friends can still hit on me！由于中国网络原因，访问flickr很困难，速度很慢，所有暂时没有办法一一回应各位好友，请朋友们见谅！还请各位好友继续关注我！
My pro account is out of time，thank you my friends here for supporting me what a long time！！May I have a pleasure to receive a pro gift from you？我的pro账号到期了，感谢朋友们长期以来的热心支持！！有好心人能赞助一个pro账号给我吗，在此先表感谢！！
If you want to use or buy this image，please contact me. 版权所有，转载请联系本人。
Because we all know it's always about The Ball.
Daily Dog Challenge - 4611. 7/20 "Minimalist Photography"
Do you enjoy taking pictures of your dog? Think a daily prompt might broaden your ideas? Check us out: www.flickr.com/groups/dailydogchallenge/
Our Daily Challenge - CENTER is the topic for Wed July 26 2023
Riley did a better job squaring with the camera than Toby, but failed in the balancing the ball on his paw category.
100x in 2023 - #30
Because the sky is blue
it makes me cry
because the sky is blue
(Beatles - Because)
Down on my knees for taking this one.
The tech chose this color for my toe nails because a lot of women are wearing it this summer. And she told me that it'll be a wonderful conversation starter when women notice that we're wearing the same color on our toes.
Update:
This photo was taken about 3 weeks ago.
But today I was in the nail salon, waiting my turn to get a fill on my french manicure, wearing a generic women's polo shirt and shorts, nude pantyhose and the flats from my "Amanda's Flats" pictures, minimal makeup, and my purse. A man walked in and sat down next to me, looking somewhat self-conscious in a shop full of women. After a few minutes, he awkwardly started to talk, and told me that he was there to "have my calluses attended to." I told him that was always good and "more men should take care of their feet". Then I told him "they do a great job here with pedicures", slipped out of my flats and held up my nylon-covered, bright-pink-nailed feet for him to see. "Wow, very pretty, miss, but I won't be getting any polish on mine." "Oh, you don't need to get color, but you really should treat yourself to clear polish. It makes them look nice for longer. Here, I even use clear polish on these." And both French-manicured hands went up to show him. He stared at them attentively for a few seconds and said "Gorgeous nails," but our respective techs interrupted his gaze and called us to their stations. Since he was a first timer he was addressed as "sir." I've been going there almost forever, so they called me by Miss Amanda.
The ladies (both techs and customers) were fine with his presence, but nonetheless, with three women around him, at in various stages of having their pretty polish applied, and one (me) getting a fill, he seemed a bit nervous, like someone was going to bite him! (Or worse yet, give him - gasp - red nail polish!!!) He was done before I was...and didn't get any polish, but I think he'll at least be back for another pedicure.
Maybe our paths will cross again and I can get him convinced to try clear!
Photo by James McBean Photography: Find me on Facebook: James McBean Photography, Twitter: JMcBeanPhotos & Instagram: James McBean Photography